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Britton, John. The Architectural Antiquities of Great Britain... London: Longman, Hurst, Rees and Orme 1807-14 (1st edn). 4 vols in 2. Engraved views, plans and details. Light foxing, generally good and tight. Full diced and embossed cf. 4to.

ATTRIBUTED TO SIR ALFRED JOHN MUNNINGS, GROUP OF FOUR ETCHINGS IN THREE FRAMES, (THREE BEARING SIGNATURES) Architectural figure and dock side subjects, (3)

JOHN CLAUDE NATTES, PENCIL AND WASH DRAWING, 'Helianate Architectural study', 9" x 15"

Croker (T. Crofton). Researches in the South of Ireland, Illustrative of the Scenery, Architectural Remains and the Mamers and Superstitions of the Peasantry. With an appendix, containing a private narrative of the rebellion of 1798, pub. John Murray, 1824, b&w litho. frontis and sixteen b&w litho. plts., some foxing, mainly to margins, contemp. half calf, some wear and covers near-detached, 4to (1)

Winkles (H. & B.). Winkles's Architectural and Picturesque Illustrations of the Cathedral Churches of England and Wales, 3 vols., 1835-42, addn. eng. titles to each vol., (vol. 1 bound without printed title), 149 eng. plts. and sixteen eng. plans (lacks 4 plts.), contemp. half calf, neatly rebacked and with new morocco spine labels, 8vo (3)

Fashion, architectural & natural history, prints & engravings, 18th/19th century,. many hand coloured, various sizes, together with a quantity of miscellaneous prints & engravings (a carton)

Pocock (William Fuller). Architectural Designs for Rustic Cottages, Picturesque Dwellings, Villas, etc. ., to which are Prefixed, some Critical Observations on their Style and Character; and also of Castles and Abbies, and Ancient English Houses: Concluding with Practical Remarks on Building, and the Causes of the Dry Rot, 2nd ed., 1823, inscribed on title 'A. Willmer Pocock, November, 1892, from W.W.P.', thirty-three sepia aqua. plts. and ground plans (complete), contemp. black half morocco, gilt dec. spine, a little rubbed, slim 4to. Archer 262.3 (1)

Price (Bruce). Modern Architectural Practice No. 1, A Large Country House, pub. New York, 1886, num. litho. plts., orig. printed boards, library stamps to most leaves, worn with covers detached, folio, together with Stroobant (F.), Monuments de la Belgique, c.1850s, tinted litho. plts., orig. cloth gilt, covers detached, 4to, and other architectural interest (8)

Tatham (Charles Heathcote). Etchings, Representing the Best Examples of Ancient Ornamental Architecture; Drawn from the Originals in Rome, and other Parts of Italy, during the Years 1794, 1795, and 1796, 3rd ed., 1810,. 100 uncol. etched plts. (lacks plts. 28, 73 & 101), contemp. plum half morocco gilt, rubbed (small portion at head of spine missing), together with Etchings, Representing the Best Examples of Grecian and Roman Architectural Ornament; Drawn from the Originals, and Chiefly Collected in Italy, before the Late Revolutions in that Country, 1826, 125 uncol. etched plts. (lacking plts. 73 & 101), some minor scattered spotting, mainly to margins, recent linen-backed boards, both folio (2)

Ogilby (John). Ogilby's Road Maps of England and Wales from Ogilby's 'Britannia', 1675, facsimile edition, pub. Osprey Publications Ltd., 1971, b & w facsimile maps throughout, orig. cloth gilt, folio, together with Burgess (Anthony), Coaching Days of England., 1966,col. plts. and b & w illusts., orig. cloth in d.j., oblong folio, with Architectural Societies Reports & Papers, vols. I-XIII, 1850-76, b & w plts., contemp. uniform half calf, rubbed and somewhat darkened on spine, together with two later orig. parts in orig. printed wrappers, 8vo, and Andrews (William), Bygone Northamptonshire, 1891, b & w illusts., orig. cloth gilt, 8vo, (limited ed.403/500 copies), plus a run of Doomsday Book reprints (inc. four victorian reprints), plus a good selection of other late 19th & 20th c. topography related (3 shelves)

Raffles (Sir Thomas Stamford). The History of Java, 2 vols., 2nd ed., 1830, together with Antiquarian, Architectural and Landscape Illustrations of the History of Java, 1844, large fldg. b&w engr. map (loose), ninety-two engr. plts. (incl. nine hand-col. aquas), correct as list, orig. blind-stamped brown cloth (except 3rd vol. of plts. bound in orig. blind-stamped red cloth), worn with backstrips to first and last vol. soiled and worn, 8vo & 4to (3)

Audsley (George Ashdown). Notes on Japanese Art. Paper read before the Architectural Association, London, 1872, printed for private circulation, 1872,. fifteen plts. of specimens of Japanese art from the collection of James L. Bowes of Liverpool, a.e.g., recent cloth gilt, retaining orig. dec. paper wrappers to upper and lower board, slim 4to, plus Piggott (Sir Francis), Studies in the Decorative Art of Japan, Batsford, 1910, col. and b & w illusts., dec. endpapers, orig. printed cloth, a little rubbed, slim 4to, plus Strohl (Hugo Gerard), Japanisches Wappenbuch Nihon Moncho, Wien, 1906, frontis., num. b & w illusts. to text, orig. gilt dec. cloth, a little rubbed on spine, small 4to, and three others related (6)

An Aesthetic movement. walnut and ebony Canterbury, circa 1870, of architectural form, with a base drawer. h.62cm., w.59cm., d.38cm.

[LONDON PANORAMA]. LEIGHTON, George C. GRAND ARCHITECTURAL PANORAMA OF LONDON, Regent Street to Westminster Abbey. From Original Drawings made expressly for the Work by R.Sandeman, Architect, and executed on Wood by G. C. Leighton, London: Published by I. Whitelaw, ... 1849. Small oblong 8vo; (154 x 178mm); continuous strip view (143 x 6,706mm); one fold strengthened with advertisement, some browning and light spotting; bound in original fine pebble-grained cloth lettered and decorated in gilt and blind on covers; spine lightly bumped and faded; very good.

An unusual pine breakfront housekeepers cupboard modelled as architectural design pseudo-glazed bookcase, foliate carved top frieze with break-arch pediments.96" height 63" width

19th century Bohemian ruby flashed engraved glass vase, the 3 panels decorated with titled architectural views, on lobed circular star cut base, 12.5cm high

Tunbridge Ware tesserae mosaic architectural view of Penshurst Place, attributable to Henry Hollamby, the view of Solar and Buckingham Buildings, Penshurst Place on a whitewood ground within tesserae mosaic banded frame, the frame 9cm 18cm

Late Tunbridge Ware tesserae mosaic architectural view of Eridge Castle, on a whitewood ground with chequer stringing within a mahogany chequer strung frame, 14.5cm x 20cm

Tunbridge Ware walnut jewellery box, the cushion shaped lid with tesserae view of Eridge Castle, within chequer strung tesserae mosaic banding, the concave sides with tesserae mosaic rose banding, the interior's removeable tray with tesserae mosaic slanted edges, some cracks to the whitewood ground architectural view, 21cm wide 14cm deep

L*** Pedrone, Carlisle, (fl.c.1834). A WILLIAM IV INLAID MAHOGANY WHEEL OR "BANJO" BAROMETER having a "broken" architectural pediment with urn finial, the trunk inlaid with a sunflower medallion above a thermometer with silvered scales, flanked by shell paterae, above an inscribed silvered dial and a further sunflower medallion, 98cm, (38.5in) high

A GEORGE III MAHOGANY HANGING CORNER CUPBOARD having an architectural "broken" pediment with dentil moulding above a satinwood frieze painted with shoots, the 13-pane astragal-glazed door enclosing three straight-fronted shelves, 70cm x 49cm x 111cm high, (27.5in x 19.3in x 43.7in)

Paul Delvaux, 1897-1994, SKETCHBOOK, clothbound sketchbook of 54 pages containing 46 pages of architectural and figure studies, together with five loose sketches and a letter from Delvaux to the previous owner dated 22.2.57 detailing travels to Greece and Italy, pencil on paper, 16.2 by 24.7cm.; 6.375 by 9.75in.

A large Goldscheider terracotta group, modelled as the naked figure of a young woman calmly resting against a recumbent Lion that contentedly nuzzles against her shoulder as they both rest on an architectural base modelled at the corners with fierce lion masks, 51cm. high, impressed factory marks and a metal retail label from Bordeaux. (some repair)

A German 'Jugendstil' enamelled pendant, of architectural form, with a central foliate band and radiating bands against pale green or mauve enamels, having an amethyst half cabochon and two freshwater pearl drops, 5cm. long, marked '900' and 'Depose'

A Milanese ebonised wood & ivory inlaid wall mirror, with architectural pediment over canted rectangular mirrored plate, the frame inset with pictorial and foliate ivory decoration, 19th Century, 69x48cms.

A set of five architectural carved plaster panels, 19th Century, each of rectangular shape with acanthus leaf 'c' scroll motif decoration, each mounted on later plywood boards, 132x85 cms. (losses) (5)

A 19th Century Biedermeier walnut veneered settee, the back rail with inset centre panel and architectural frieze above scroll arms, the whole re-upholstered in a striped damask, plain apron and raised on rectangular cut slightly scrolling supports, width 215cm.

A William IV mahogany chiffonier, having an architectural raised superstructure with single shelf, the base fitted twin blind frieze drawers over flame mahogany veneered recessed panelled doors, the whole raised on a plinth, width 110cm .

An Edwardian mahogany cylinder bureau, the architectural top above a cylinder fall enclosing a fitted interior, above two drawers, on square legs and castors, 75 cms wide.

A white marble and serpentine cased mantel clock, of classical architectural gazebo form with seven fluted pillars and with a dome above, the movement internally winding on an upright brass ratchet.

After L Russell Conway, A group of five reproduction prints of architectural subjects (5).

A pair of Edwardian gilt wood framed wall brackets, architectural design, the frieze with gesso moulded floral and ribbon swags, inset bevelled plates, 12in x 9in (30cm x 23cm) plate size.

A late 19th century continental birch library bookcase, the moulded architectural pediment above adjustable shelves, enclosed by four astragal glazed doors, the base with a shelf enclosed by burr birch panelled doors, to a plinth base, 9ft (274.4cm) wide, 8ft 9. 5in (266.6cm) high.

Architectural History. Tipping, H. Avray. English Homes, 6 volumes (of 9), Periods I and II volume 2; Period II, volume 1; Period III, volume 1 & 2; Period IV, volume 1 & 2, plates, original cloth, dust-jackets, folio, 1927-37. Fine copies.

Ramsey, Stanley C and J D M Harvey. Small Georgian Houses and their Details 1750-1820, Architectural Press, jacket, 1972; Constable, W.G. The Painter's Workshop, jacket, 1954.

Evan Williams, Trecastle, an oak 30 hour longcase clock, early 19th Century, swan neck pediment over two turned columns flanking a painted arched dial, signed to the centre, with Roman numerals and date aperture, with a castle to the arch and architectural spandrels, the movement striking on a bell (no pendulum or weight), the trunk with mahogany banded and inlaid door within quarter pilasters over an inlaid box base, height 85ins

Victorian black marble and slate mantel clock, circa 1870, architectural form with centre dial and visible brocot escapement, flanked on either side with classical caryatids and surmounted with flying cherubs, the movement striking on a gong, height 20ins

An oak aneroid barometer and thermometer, in an architectural case, 100cm high

A late 18th century Italian walnut rectangular commode, crossbanded and boxwood strung, the three drawers with floral marquetry and a marquetry architectural oval, with gilt metal lion mask ring handles and escutcheons, on square tapering legs, 94 high x 55.5 deep x 117.5cm wide

A LATE 19TH CENTURY WALNUT VIENNA TYPE WALL CLOCK with two train weight driven movement, the enamel dial with roman numerals and second dial, contained in an architectural case. Height 52".

AN EARLY 20TH CENTURY VIENNA TYPE WALNUT WALL CLOCK with eight day movement, the dial with arabic numerals and repousse gilt metal centre, in an architectural case. Height 50".

AN EARLY 20TH CENTURY VIENNA TYPE WALNUT WALL CLOCK with eight day movement, the arched repousse brass dial having an enamelled dial with roman numerals, in an architectural case surmounted by a horse pediment. Height 51".

A Victorian embossed red leather scrap album, with tooled gilt decoration containing a selection of 19th century portraits, architectural photographs and sketches

AN EARLY 20TH CENTURY MARBLE INSET POLISHED SLATE MANTEL CLOCK with half hour striking eight day movement, the dial with arabic numerals and pierced gilt metal foliate scrolled centre, in a rectangular architectural case.

A late 19th century Black Forest mantel clock, with Junghans movement, striking on a gong, in architectural oak case, some worm 9ins wide

A 19th century Vienna walnut wall clock, with architectural case and Roman dial, 4ft 2ins

A 19th century Vienna walnut wall clock, with architectural case and Roman dial, 3ft 7ins

Britton (John). The Architectural Antiquities of Great Britain Represented and Illustrated in a Series of Views, Elevations, Plans, Sections, and Details, of Various Ancient English Edifices: with Historical and Descriptive Accounts of Each, 5 vols., 1807-26, addn. eng. titles and three eng. frontispieces, 355 eng. plts., library stamps to verso of titles and library bookplates to front endpapers, slight spotting, t.e.g., later green half morocco gilt, rubbed, large 4to Large paper copy with wide margins. (5).

Winkles (H. & B.). Winkles's Architectural and Picturesque Illustrations of the Cathedral Churches of England and Wales, 3 vols., 1836-42, addn. eng. titles to each vol., 184 eng. plts. (inc. eng. plans), occ. spotting, a.e.g., contemp. red morocco with elaborate gilt dec., slightly rubbed to joints, 8vo Bookplates of C.A. Hanbury and Richard Greville Verney XIX Baron Willoughby de Broke. (3).

Johnson (John, A.R.I.B.A.). A pair of sketchbooks containing architectural studies, mostly in England and France, c.1875-1905, mostly pencil studies of architectural details, ornament, gothic facades and churches, buildings etc., incl. Angouleme, Chalais, Bourg (Charente), Worcester, Norwich, Cartmel Priory, Furness Abbey, Salisbury, Ablington, Broughton Castle, Mere Church etc., some leaves loose, orig. plain cloth, with owner's name and address to endpapers, some wear, 4to, together with An album of early 20th-c. pencil studies and landscape sketches by a different hand, mostly on the South Coast, incl. Brighton, Babbacombe, Torbay, incl. some with watercolour finish, many initialled J.G.W.(?), all small-format, mounted in contemp. half leather album, rubbed and some wear to extremities, oblong folio (3).

Prints and engravings, 18th-19th century, including architectural engravings, one framed and glazed engraving of a classical column order by Piranesi, music score front covers, etc., some hand coloured (approx. 55).

Dearden (Harold, 1888-1962). Pulpit in the Baptistery at Pisa, by Niccolo Pisano, Tomb of Lorenzo de Medici, by Michelangelo, Font & Tabernacle in the Baptistery of the Duomo, Siena & The Pazzi Chapel, Santa Croce, Florence, together four early 20th-c. pencil and wash studies, two signed and dated November 1910, approx. 75 x 56cms., together with other similar studies of architectural details, incl. The Propylaea at Athens, a Pompeian Ornament in gouache colours, etc. (a folder).

Brackett (Oliver). Thomas Chippendale. A Study of his Life, Work and Influence, 1st ed., [1924], b & w illusts. from photos., orig. cloth gilt, a little rubbed, 4to, together with Tristram (E.W.), English Medieval Wall Painting. The Thirteenth Century, pub. Pilgrim Trust, 1950, num. col. and b & w illusts., orig. cloth gilt, a little rubbed, with other misc. art and architectural ref., mostly large formatAll ex-lib copies with usual marks. (approx. 50).

Trade Catalogue. The Guild of Handicraft Limited, 16A, Brook Street, London, W. & Chipping Campden, Glos., n.d., c.1900, 73pp., containing num. b&w photo illusts. of architectural and interior design work, memorial tablets, ironwork, light fittings, writing tables, dressing tables and sideboards etc., some staining to fore-margins towards front, with some consequent damage and slight loss of paper to first few leaves, later patterned wrappers, slim 4to, together with another similar catalogue of Leadwork by Henry Hope & Sons Ltd, 1927 (heavily damp stained) (2).

A rosewood cased wheel barometer, early 19th century, broken scroll architectural pediment above a hygrometer, detachable thermometer, butler's mirror in reeded slip frame, an 8" silver dial and level marked 'Evans, Welshpool', 38" high

Two plaster panels of architectural acanthus mouldings, 77.5cm x 32cm (AF) and 48.5cm x 33.5cm.

A pair of late 18th century Russian gilt and niello decorated beakers of tapered cylindrical form, the sides depicting putti in architectural settings flanked by urns amidst garlands and swags of flowers and draped linen, bears the mark '1789 A.B' and 'I.II M', the other mark indistinct, 8.5cm. high, 203gm., 6.53oz.

A MAHOGANY CONSOLE TABLE, mid 19th Century, of architectural proportions, breakfront top with gadroon edge, scrolled pendant frieze, twin frieze drawers either side, four scrolled cabriole standards terminating in dolphin feet, width 260cm

A late 19th Century German walnut cased "Vienna Regulator" by H.E. & Co, No. 138358, the 7ins white enamelled dial with Roman numerals and subsidiary seconds dial to the eight day two train weight-driven movement striking on a gong, the pendulum with wooden rod and heavy brass bob, contained in walnut and ebonised case of architectural design, moulded and angled pediment and turned finial, enclosed by a single glazed door with circular cut-out moulded column to sides, shaped and moulded apron, 48ins high

Oak court cupboard, 17th century and later, the canopy raised on cup and cover supports over a central door and canted sides inlaid with floral scrolls, over three short drawers and two doors applied with architectural mouldings. Width 141cm 58in.