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Vienna oak cased wall clock of ornate architectural form, the enamel dial with Roman numerals and visible escapement flanked by reeded pilasters with a two train weight driven movement

Mary Ward STILL LIFE STUDIESfour, signed and dated 1989, watercolour, framed30.5 x 30.5cm Mary Ward was wife of the accomplished designer Neville Ward (1922-1989) and published with him Living Rooms (1967) and Home in the 20s and 30s (1978), as well as contributing articles and essays to the Architectural Review.

Three large original architectural studies, to include a charcoal study by Philip Hepworth, 1950, a framed watercolour of Fitzroy Robinsons and Partners, signed l.l. by A F Gill and a similar oil (3)

Collection of postcards, mainly architectural and topographical view, loose.

Victorian black slate mantel clock, architectural pediment, with a classical frieze, circular dial, plinth base, the movement striking on a gong, height 46cm.

After Sophie Arnold, 'Grey and Oatmeal', signed, limited edition colour print, 80cm x 72cm; a companion work, 'Looking Up'; and a pair of architectural prints after D.W. Jones, Linear 1 and Linear 3. (4)

Set of three large coloured architectural prints after Andrea Palladio

A SELECTION OF FRAMED ARCHITECTURAL PRINTS: To include 'The Architecture of Andrea Palladio', the layout of both St James' Square and Leicester Square and 'The Elevation of Castle Howard', sold together with three prints depicting various antique furniture designs. (8)

John C. Kay (20th Century British School), architectural study of a cathedral, watercolour, signed lower right, 40 x 30cm

An 18th Century oak and mahogany Architectural standing corner cupboard:, in two parts, the upper part with a moulded cornice of recessed breakfront outline and mahogany banded frieze, the interior with serpentine fronted fixed shelves enclosed by a pair of mahogany crossbanded and fielded panel doors flanked by fluted pilasters and canted angles, the lower part with a similarly enclosed cupboard, on a plinth base, 132.5cm (4ft 4in) across, 225cm (7ft 4 1/2in) high.

A 19th Century walnut and parcel-gilt architectural wall mirror:, in the George II taste, the acanthus decorated broken pediment centred by a palmette spray, having a similar palmette and acanthus scroll frieze, the rectangular bevelled plate within a gilt foliate slip and shaped egg and dart surround, 129.5cm (4ft 3in) x 60cm (1ft 11 1/2in).

A George III mahogany linen press:, the upper part with an architectural moulded broken pediment with dentil ornament, fitted with sliding trays enclosed by a pair of moulded panel doors with husk and foliate scroll carved spandrels, the lower part containing two short and two long drawers, on moulded bracket feet, 138.5cm (4ft 8 1/2in) wide, 226cm (7ft 5in) high.

ARCHITECTURAL MIRRORS, a pair, in a metal frame, 148cm x 92cm. (2)

GARDEN MIRRORS, a set of three, Architectural style verdigris metal framed with an arched top, 66cm W x 159cm H. (3)

Antique Architectural Cast Iron Roof / Skylight Window

A 19th Century Satin Birch and Ebonised Biedermeier Style Secretaire à Abattant, the architectural pediment above a fall front enclosing an arrangement of drawers, with three long drawers below, all between pilasters, 116cm by 52cm by 129cm

Attributed to James Nothcote RA (1746-1831) Study of a female figure seated in drapery Pen, ink and watercolour en grisaille heightened with white, together with a further architectural study, a pen, ink and watercolour drawing depicting a Biblical scene and a botanical study of water lilies, 32.5cm by 25cm and various other sizes (4)

A Brass and Champleve Enamel Mantel Clock Garniture, late 19th century, of architectural form, surmounted by a twin handled urn cornered by finials, eight day striking movement, gilt dial with Arabic numerals, the clock 37cm high, flanked by a pair of urn-form vases, 23cm high

A Gilt Brass Striking Mantel Clock, early 20th century, architectural form case with shell and foliate scroll detail, pierced base with masks, domed top surmounted by an eagle, dial with Arabic numerals, eight day striking movement, 49cm high

A Victorian Gothic Revival Cross Frame Chair, late 19th century, with a fret carved architectural pediment above a panelled back support and boarded seat, 61cm by 47cm by 120cm

TWO PAIRS OF ARCHITECTURAL ENGRAVINGS depicting `Obeliscus Pamphilius` from J. Blaeu's Citta del Vaticano, Roma e Napoli, 1682/1705, 46 x 30.5cm.; and Roman triumphal arches by P. Sluiter after J. Goeree, 35 x 45cm. (4) Provenance: London, Norman Blackburn, May 1997 ++ Some foxing; slight discoloration; the latter pair trimmed at left and right edges

AFTER JEREMIAS WOLFF (1663-1724) ARCHITECTURAL ORNAMENT Six, engravings, by Jean Berain and Gottfried Stein, published Augsburg c.1712-1724 32 x 25cm. and 32.5 x 27.5cm. (6) Provenance: London, Norman Blackburn, December 1988 ++ Good impressions; some slight soiling

A Pair of Cut Glass Twin-Light Wall Sconces, early 20th century, with star finials and faceted drops, 38cm high; A Pair of Painted Wood and Gilt Metal Twin-Light Wall Sconces, carved with parrots on architectural columns, 58cm high; and A Walnut Easel Back Table Mirror, with gilt fillet, 50cm by 34cm (5)

A Set of Three Indian Carved Hardwood Panels, depicting figures amongst scrolling foliage within broad gadrooned borders, 35cm by 25cm; and Six Similar Carved Hardwood Architectural Fragments (9)

Early 19th century mahogany corner display cabinet, architectural features including swan neck pediment, Corinthian column mouldings flanking single astragal glazed door, separate base with similar glazed door, interior with two fixed shelves, width 81cm (32"), depth 50cm (20"), height 155cm (61"). Condition report: Original stand now missing, various alterations. No condition reports for this sale.

George III mahogany two door corner cupboard, architectural pediment with key cut moulded decoration, two raised and fielded panel doors flanked by moulded Corinthian columns, interior with three fixed shelves, all green painted, width 82cm (32"), depth 48cm (19"), height 102cm (40"). Condition report: Steel lock missing, escutcheon to one door missing, "H" shaped hinges probably later. No condition reports for this sale.

Collection of prints including an 18th-century architectural engraving showing the elevation of Gunnersbury House, Middlesex, after Campbell; a watercolour, '6th Dragoon Guards c.1905'; Richard Blome map of Staffordshire; Robert Morden map of Rutland; 19th century silk picture, classical scene in verre eglomise frame, and others including topographical views. (12)

GB Stamp Interest. A Good Selection of Modern British Stamps. Includes - Eurostar Set of 10 Ltd Edition Stamps - Number 834 of only 1000 Sets, Bea Sheet of Stamps, Sets ( 15 ) Fifteen - Royal Mail Scientific ( 2 ) Wembley Stadium 2007 Youth Organisations - Europe In Space ( 3 ) Sets. British Wildlife 1968 Set Stamps, Fire Service, Post Office Technology, European Architectural Heritage Year, Marine Time Keeper, Energy, Sport, Music British Conductors, Social Reformers, British 10 Pound Stamps - Please See Photos for A Sample. All In Mint Condition.

A Hamburg American Clock Co late 19thC walnut cased mantel clock, circular brass dial with enamel chapter ring bearing Roman numerals, fourteen day movement with coil strike, no 3049, in an architectural case, 39cm high, with key.

A 19th century Anglo-Chinese hardwood library bookcase, architectural pediment above a pair of glazed rectangular doors, the border carved in relief with lotus, scrolling leaves and strapwork, the sliding projecting base with three frieze drawers above a pair of rectangular panelled doors, pierced brass bat-shaped handles, 213cm high, 107cm wide

A 19th century French gilt metal and porcelain mounted mantel timepiece, 8cm dial painted in the manner of Sevres and inscribed with Roman numerals, fourteen day movement Architectural crest crested by classical figure, giltwood plinth, glass dome, 42cm high, movement marked CR/90610/355, c.1870

A Victorian ebonised bracket clock, 16cm arched brass dial with silvered chapter ring, inscribed with Roman and Arabic numerals, the arch with Chime/Silent and Chime selection setting dials, three winding holes, eight day fusee movement striking on a gong, architectural case, 54cm high, c.1870

A George III oak mule chest, hinged top, three panel front flanked by architectural rusticated angles, above a pair of cockbeaded drawers, brass swan neck handles, skirted base, bracket feet, 90cm high, 125cm wide, c.1775

ANDREW VARAH (DESIGNER & CABINET MAKER 1944-2012), an Infinity model, No.3, circa 2005, of architectural form, the cupola in maple and pear above a removable dome given a verdigris patination, the rest of the model in burr oak, sycamore, pear, vavona burr and maple, on a square stand with removable glass shelves in solid oak, burr oak and stainless steel, with certificate, height approximately 182cm x maximum width 36.5cmcondition:The underside of the dome has two patches of paint loss on the inner rim that sits inside the edge, if you look up inside the top you can see a couple of chips of paint, on the base one of the top corners has been knocked, the top of the stand has a small indentation into the veneer. 

An Edwardian inlaid mahogany cheval mirror with architectural pediment flanked by urns over a bevelled rectangular mirror, on curved supports and castors, mirror plate 121cm by 59.5cm

A Victorian slate mantel clock with gilt metal and enamel dial, marked Glading, Brighton, in architectural case, on plinth base with green marble insets, 31cm

A GEORGE II SILVER SNUFF BOX of cartouche form with a shaped outline, flat-chasing all over the base and a repousse-work cover incorporating scrolls, flowers, an architectural capriccio and a crest, the front initialled "F", gilt interior, unmarked c.1745; 3.5" (9 cms) long; 2.4 oz

FIVE LATE 19TH CENTURY PAPIER-MACHE SNUFF BOXES (a large one "Take a Pinch!", one with gilt decoration on the cover, a shoe, an oval example A/F, and one with an architectural scene on the cover); the largest one 5.1" (12.7 cms) long (5)

A 19TH CENTURY RUSSIAN SMALL SILVERGILT & NIELLOWORK SNUFF BOX with an architectural scene on the cover & base, marks partially unclear, maker's mark "IK" (Cyrillic), 1840-60; 2.25" (5.8 cms) long; 1.3 oz

A 19th CENTURY MARBLE MANTLE CLOCK, architectural style with rouge marble case and tapering column supports; Approx 17cm

A 20th Century architectural print, farmed and glazed. 75x51cm

GARDEN MIRRORS, a set of three, architectural in a verdigris metal frame, 78cm x 49cm. (3)

WALL MIRROR, architectural form, grey painted faux marble, with triangular pediment, 112cm H x 81cm. (with faults)

GARDEN MIRRORS, a set of three, Architectural style verdigris metal framed with an arched top, 66cm W x 159cm H. (3)

WALL MIRRORS, a pair, architectural design arched top metal frames with wall fixings, 70cm H x 88cm. (2)

A quantity of Book Plates to include Architectural by Anthony Dyson, 'Romance of King Arthur' by Arthur Rackham, Robin Hood, Fashion, etc.

A Late Victorian Vienna wall clockThe mahogany case with turned columns flanking a glazed door with architectural pediment mask detail, the door revealing white enamelled dial subsidiary second style, sound with pendulum and weights, 115cm high.

A late 19th Century French mantle clockThe domed architectural case inlaid with various wood marquetry panels, further applied with gilt metal rococo style panels detailed with putti, flanked with twin ring handles and gilt dial with black Roman numerals and glazed dial cover, the movement stamped, the dial Medaille D'Argent and numbered 2728, sold with pendulum and key, 45cm high.

An early 19th Century mahogany cased eight day longcase clockWith a twin swan neck pediment above ring turned columns flanking a 14" painted break arch dial with a rolling moon over painted Roman numerals centred with a subsidiary second dial and subsidiary date dial and embraced by spandrels painted with architectural subjects, the two train movement strikes on a saucer bell, the wide case with substantial turned columns flanking a shaped door above a conforming crossbanded lower panel raised upon bracket feet, two weights and pendulum, 239cm high.

A Victorian mahogany Gothic influence side or console tableThe rectangular moulded top above a plain frieze raised on architectural legs of square section, 144x76x53cm.

A pair of substantial rustic hardwood Eastern Asian architectural columnsThe painted cylindrical and square section columns mounted within composition stone plinths and with a leaf carved and scroll capital, height approximately 220cm.

A three piece ceramic Garniture, architectural in shape, the centre piece having a brass cased Clock with clockwork mechanism, the clock and both Vases decorated with birds and foliage

A Victorian slate and Marble architectural Mantle Clock with white, Arabic numeral face and 30 hour movement, glass a/f, 8 3/4'' wide x 10 1/4'' high x 4 1/2'' deep.

Three Architectural Brochures to include 'The Studio Year Book 1919 Cottage Design', 'Old English Cottages 1906-7' and 'Old Houses in Holland 1913'

A Victorian architectural style slate and marble mantle clock

Nicholas Poullis - Three watercolours - Architectural views, 38cm x 57cm and 34cm x 38.5cm, all unframed Condition:

A collection of images and pictures to include 19th century etchings of Steamer Ships, architectural etc

A framed and glazed limited edition print picture  ( 2 / 100 ) of Tower Bridge London by artist Stephen Wiltshire. Stephen Wiltshire MBE, Hon.FSAI, Hon.FSSAA is a British architectural artist. He is known for his ability to draw from memory a landscape after seeing it just once. His work has gained worldwide popularity.

A collection of framed and glazed 19th century style architectural etchings / plates pictures of famous landmarks. To include The Prospect of Montague House to the street London,  Interior of the Grand Pump Room, Drury Lane etc.

A pair of 20th century brass wall mounted architectural wall lights of conical form with inverted turned finials.