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Lot 66
Regal-, Containersytem von Dieter Rams8 einzelne Elemente, je Element L: ca 90,7 cm, T: ca 35,5 cm, H: ca 39,3 cm,7 Elemente mit Schiebetüren, 1 Element mit Klapptür (nach unten),Anordnung im Aufbau beliebig, hier im Foto 3-reihig, Gesamtlänge hier 2,73 m, Höhe vom Boden 2,22 cm,zeitloses 70er Jahre Design in überdurchschnittlicher guter Erhaltung aus sehr gepflegtem Medizinerhaushalt
Lot 3
New Kingdom, 18th Dynasty, Ca. 1390 - 1352 BC.A rare ushabti of Amenhotep III, depicted mummiform with the torso runing parallel to the body and the lower arms are crossed over the chest. The remains of a 'nemes' wig cover, with two long lappets at the front and a queue at the back, can be seen from the end resting on the shoulder. The shabti holds two 'ankh' signs in his hands, symbolising life and, in particular, the desired life after death, thus identifying the figure with the king himself. The shabti is inscribed with six rows of hieroglyphs, with Chapter 6 from the Book of the Dead, invoking the shabti to serve as a surrogate for the Pharaoh if he was called upon to labour in the afterlife. For similar examples, see pp. 79-81, pls 12-13. in J.-F. and L. Aubert, Statuettes Égyptiennes: Chaouabtis, Ouchebtis, Paris, 1974. The tomb of Amenhotep III was originally found by two engineers under Napolean's expedition in AD 1799, and was subsequently rediscovered by Victor Loret in AD 1898 - 1899 and excavated by Theodore M Davis in AD 1905 - 1914. Many shabtis from the tomb are now in museum collections including the Metropolitan Museum of Art, New York, and The British Museum. Size: 150mm x 70mm; Weight: 555g Provenance: Prince collection, 1990s-2014, acquired from Aaron Gallery, April 2003, London, UK. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 86
Ca. 1st-2nd century AD.An oval-shaped carnelian intaglio engraved with a nude male figure depicted seated atop a pile of rocks. He holds a stick or staff in his left hand. Probably the god Mercury (Greek Hermes). Groundline. The intaglio is set in a high carat (20-22ct), possibly later gold ring of a broad hoop tapering gently to the back. For a similar example, see Catalogue of Engraved Gems - Greek, Etruscan and Roman - G. M. A. Richter, 1956, Plate XLI, 288.Size: D:17.12mm / US: 6 3/4 / UK: N; Weight: 12.3gProvenance: Property of a London Ancient art collector, formerly in a Mayfair private collection of Mr. P. S., formerly acquired on the UK art market since the 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 161
New Kingdom, 18th Dynasty, Ca. 1550 - 1295 BC.A slender cylindrical kohl tube carved from a single piece of ebony and taking the shape of a palm column. Eight palm fronds rise from the sgaft, flaring out slightly at the top of the vessel. At the base of the fronds, a series of four horizontal incised lines represent the ropes used to lash the fronds together. For additional information, see D. Antoine and M. Vandenbeusch, Egyptian mummies. Exploring ancient lives, Sydney 2016, pp. 132-3. For a similar example, see The British Museum, Accession Number: EA2591. Size: 85mm x 20mm; Weight: 20g Provenance: Prince collection, 1990s-2014, acquired from Jean-David Cahn Auktionen. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 113
Ca. 100 BC - AD 100.A gold finger ring of a flat-section hoop with a red jasper intaglio engraved with a landscape profile figure of an elephant. The animal is beautifully designed showing four legs, tail, ears, and long spout. For more information, see. M. Henig, The Elephant and the Sea-Shell, Oxford Journal of Archaeology no. 3, 1984. Size: D:13.3mm / US: 2 / UK: D; Weight: 2g Provenance: Central London private collection of Ancient Art and jewellery; acquired since the 1970s on the UK and European art markets.
Lot 100
Ca. AD 300-400.A substantial gold ring with hollow hoop widening to the shoulder. The oval bezel is set with a carnelian intaglio, engraved with Serapis and Luna. Size: D:16.71mm / US: 6 1/4 / UK: M; Weight: 11g Provenance: Property of a London Ancient Art Gallery; formerly in the famous Alison Barker collection, a retired London barrister; acquired between early 1960s to 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 65
Ca. 600 BC.A finelly modelled helmet made of hammered bronze sheet, with a rectilinear opening for the face, long, pointed cheek pieces, horizontal ribbing on the forehead framing the upper facial opening, and twin parallel ridges on the crown, each flanked by a group of three later ribs in low relief, engraved band between. The back and sides flare out to guard the neck and has three perforations for attachment of leather liner. This example has a rich, blue-green patina and is a somewhat more impressive example of Type II, variant A, with a more pronounced dome-like form. The Roman historian Appian wrote that the Illyrian lived in the area south from the Macedonians and Thracians. Traditionally the Illyrians were farmers and miners, but during war time they were respected as seasoned soldiers, primarily for the infantry. For a discussion of Type II, variant A, see Angelo Bottini et. al. Antike Helme (Mainz, 1988) pp. 48-52, and ef. Figs. 7-8, p. 49. These helmets were particularly popular in northern Greece, in the province of Illyria, in the modern day Balkans. They were made for hoplites, the citizen-soldiers of the Greek city states, who often furnished their own bronze armor. As a result, regional styles developed, and there is a great deal of variation in shape and form.For similar examples to this helmet from the Metropolitan Museum of Art (1992.180.1, 2006.221, 2003.407.6) and the Louvre (CA 2221Or). For a similar, see H. Pflug, 'Illyrische Helme', in A. Bottini et al. Antike Helme, Mainz, 1988, 55-9. For further reading, see A. M. Snodgrass, Early Greek Armour and Weapons. From the End of the Bronze Age to 600 B.C., Edinburgh, 1964. Size: 280mm x 200mm; Weight: 1.16kg Provenance: London private collection; formelry in a private New York, USA collection; formerly acquired from the German collection of Hans Hagmann in 1968/69. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 382
Ca. AD 700-800.An open-work matched pair of gold earrings in a crescent shape, with hook and eye closure. Each plaque features a central scene of two birds flanking the cross. The edges are ornamented with five spherical baubles, which hang from the bottom of the outer edge. For a similar example, see The Victoria and Albert Museum, accession number: M.6&A-1970. Size: 40mm x 40mm; Weight: 12g Provenance: Private UK collection; formerly with R. A. collection formed on the UK art market since the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 129
Ca. AD 100-200.A gold finger ring with a slender flat-section band and a sizable bezel set with an emerald intaglio portraying the goddess Victory, often identified in Greek mythology as Nike. Victory was a divine figure and the personification of triumph and success, often depicted with wings to emphasize the swift and inevitable nature of triumph. For these reasons, she was a popular choice of subject for rings of high-ranking Roman military men and soldiers. Authentication report by Sami Fortune, ancient jewellery specialist. Size: D:16.71mm / US: 6 1/4 / UK: M; Weight: 4g Provenance: Private London collection, UK art market before 2000. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 179
Late Dynastic Period, Ca. 664-332 BC.A cylinder seal made from attractive, hard blue faience. The seal is engraved with a large register of hieroglyphs and motifs. For additional information, see W. M. F. Petrie, Scarabs and Cylinders with Names. Size: 15mm x 9mm; Weight: 1g Provenance: Prince collection, 1990s-2014, acquired from Sand of Time Gallery, Jul 2006, Lot 62.
Lot 356
Cricket bat signed by six of Englands Captains, whom all played over 100 Tests matches, signatures comprising A Stewart, M Atherton, D Gower, I Botham, G Boycott and G Gooch, in black marker pen on a Gray-Nicolls bat, mounted beside a 9.5 x 5.5in. colour photograph of the players and an engraved plaque, in a glazed box frame, 96 x 45 x 9cm.
Lot 635
Collection of British Lions 1974 memorabilia of autographs and photography's, a large binder containing autography's and photography's of the 1974 British Lions touring team to South Africa, 22 games were played, 21 won and the final game the Fourth Test v South Africa was drawn. Autographs include coach Syd Millar, players including W. McBride, P. Bennett, M. Davies, JPR Williams, T. David, J.J Williams, G. Edwards, R. Milliken, J. Moloney, F. Slattery, M. Gibson, S. McKinney, K. Kennedy, G. Evans, T. Neary, A. Old, C. Ralston, M. Burton, A. Morley, F. Cotton, R. Uttley, I. McGeechan, I. McLauchlin, S. Carmichael, A. Irvine, The Pontypool front row W. Steele, B. Windsor, R. Bergiers and A. Ripley. Multiple autographs of most of the players and the majority of the South African players who played in the Test series. A ticket for the Western Province Test match 8th June 1974 included and may personal letters from both Lions and Springboks to the collector of these autographs who was collecting them to raise funds for his sick grandchildren. Also included is a menu for the 1966 Lions 25th Anniversary dinner at The Savoy, London with ten autographs. Superb collection and well presented, (1 binder)
Lot 548
Pierre- Emil Hojbjerg red No.23 Denmark player issue short sleeved shirt, 2021, Adidas M crew neck collar, printed badge with EURO 2020 ENGLAND V DENMARK 7TH JULY WEMBLEY SEMIFINAL lettering below, back lettered HOJBJERG with EURO 2020 flash to right sleeve and UEFA RESPECT flash to the left
Lot 127
Klaus Böttger1942 Dresden - 1992 Wiesbaden - "Altes Haus" - Radierung/Bütten. h. c. III/III. 19,3 x 26,9 cm, 24,2 x 30 cm (Passepartoutausschnitt). Sign. und dat. r. u.: Klaus Böttger (19)78. Betit. m. u.: Altes Haus. Verso auf Galerieetikett (Galerie Depelmann, Langenhagen) bez. Unterlegkarton. Passepartout. - Provinienz: Galerie Depelmann, Langenhagen.
Lot 139
Borsdorf, Werner1935 Höchst im Odenwald - "Der Eingebildete" - Farblinolschnitt/Papier. Probe. 7/14. 50,3 x 60 cm, 55,5 x 68,4cm. Sign. und dat. r. u.: W Borsdorf 1992. Betit. l. u. "Der Eingebildete", Bez. m. u.: Linolsch. Probe. Widm. l. o.: Frau Depelmann gewidmet im Juni 1992. Verso auf Galerieetikett (Galerie Depelmann, Langenhagen) bez. Unterlegkarton. - Provenienz: Galerie Depelmann, Langenhagen.
Lot 166
Johannes Haider1954 Eisenstadt - 2014 Oslip - "Die rote Kletterrose" - Farbige Kaltnadelradierung/Papier. 2/34. 99 x 33 cm, 105 x 37 cm (Passepartoutausschnitt). Sign. und dat. r. u.: Johannes Haider 2014. Betit. M. u. Verso auf Galerieetikett (Galerie Depelmann, Langenhagen) bez. Passepartout. Unter Glas gerahmt. - Provenienz: Galerie Depelmann, Langenhagen.
Lot 168
Johannes Haider1954 Eisenstadt - 2014 Oslip - "Abends überzieht die Rebe das Hügelland" 2013 - Farbige Kaltnadelradierung/Papier. 3/34. 49 x 99,7 cm, 62 x 115,4 cm (Blattmaß). Sign. und dat. r. u.: Johannes Haider 2013. Betit m. u.: "abends überzieht die Rebe das Hügelland". Verso auf Galerieetikett (Galerie Depelmann, Langenhagen) bez. Unterlegkarton. - Provenienz: Galerie Depelmann, Langenhagen.
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375892 item(s)/page