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Lot 90
An 18ct white gold tsavorite garnet and diamond cluster ring, an hexagonal step cut tsavorite garnet, rub set to the centre, with a border of princess cut diamonds, rub set between brilliant cut diamond points. Princess cut diamond shoulders, chenier gallery and a plain shank. London 2012. Stated gemstone weights of tsavorite garnet 0.71ct, diamond 0.69ct total. Head 12.8 x 12.5mm, 5.31g. Finger size M LE
Lot 84
A 9CT GOLD HALF ETERNITY RING AND A 9CT GOLD BAND RING, the half eternity ring channel set with a graduated row of twelve brilliant cut and single cut diamonds, stamped total diamond weight 0.25ct, ring size N 1/2, the bi-colour band ring with pierced plaited design to central band, ring size M, both with 9ct hallmarks, approximate total weight 3.5 grams
Lot 25
FOUR 9CT GOLD RINGS, to include an amethyst and cubic zirconia oval cluster ring, ring size M, cubic zirconia round cluster ring (af one stone deficient), ring size I, a narrow wedding band, measuring approximately 2.8mm in diameter, ring size J 1/2, a wider wedding ring measuring approximately 6.0mm in diameter, ring size W 1/2, approximate gross weight 8.8 grams
Lot 669
LADIES CLOTHING to include jacket by Viyella size 14, skirt size 12, unbranded woolen two piece, Didier Parakian large dress and smock, Silver Moon mink jacket, size 8/10 leather jacket, formal occasion hats, and various bags by Fiorelli, Principles, M&S, Clarks, Tula and Jane Shilton snakeskin bag etc
Lot 100
THREE 9CT GOLD RINGS, the first designed as an oval cameo panel depicting a lady in profile within a collet mount to the tapered shoulders, with 9ct gold hallmark for London, ring size M, the second of tiered cluster design set with circular sapphires and opals, to the textured shoulders, with 9ct hallmark for London, ring size P, the third ring designed with an oval cut sapphire and single cut diamond surround, estimated total diamond weight 0.08ct, with 9ct hallmark for Birmingham, ring size L 1/2, approximate total weight 11.2 grams
Lot 102
TWO DIAMOND SET RINGS, the first of crossover design set with three round brilliant cut diamonds, stamped diamond weight 50pts, with 18ct hallmark for London, ring size S, the second ring with two illusion set single cut diamonds, total estimated diamond 0.04ct, stamped 18ct plat, ring size M 1/2, approximate total weight 6.2 grams
Lot 109
AN EMERALD AND DIAMOND RING, designed with a central rectangular cut emerald and a single cut diamond surround, to the tapered shoulders, estimated total diamond weight 0.30ct, stamped 18k, ring size M, approximate weight 3.3 grams (condition: possibly treated, Overall good condition, light to moderate surface scratches to the shank, one diamond is a little loose in its setting and will need attention. The emerald measures approximately 7.5mm by 6mm. There are three surface reaching fractures showing small fine hairline cracks to the surface)
Lot 152
4 Matchbox Series. A Major M-1 B.P. Tanker in yellow, green and white livery, with black base and black plastic wheels. Plus a A-1 B.P. Garage Pumps and Sign set. No.3 Accessory Pack garage in yellow with green doors with brown roof. Plus a No.5 Routemaster Bus in red with BP Longlife adverts to sides, white interior and black plastic wheels. All boxed, minor/some wear. Contents VGC-Mint. £60-80
Lot 83
A quantity of various makes. A Victory Industries Vosper R.A.F. Crash Tender. In black, grey and white plastic with battery powered motor, boxed, complete with accessories. Plus a model of a WW2 American produced 'Liberty Ship' in the style of the Jeremiah O'Brien one of the last surviving examples of these very quickly produced supply ships for convoy work to and from the U.S. to the U.K. and beyond. The waterline model measures 49cm and is painted overall in Battle Ship Grey, simplistically detailed but effective. Set as a harbour display (measuring 61cm x 15cm) with a small supply ship and barges alongside, with a small Naval craft hovering in the background. Together with a Hornby M series 0-4-0 tender locomotive, with tender, RN3435 and 2 Pullman coaches Aurelia and Viking. Plus 3 Bing table top 4 wheeled LMS passenger coaches. Plus 2x Exley OO LMS passenger coaches, 3rd class and 3rd brake.. Also 5x plastic O gauge open goods wagons and an unusual scaled 2-6-2 plastic 2-rail electric tank locomotive. An interesting Lot. QGC-VGC some wear mostly to railway items, Vosper box worn/damaged. £100-130
Lot 596
A George V yellow metal, graduated five stone emerald and diamond chip ring and one other four(ex five) stone ring. Condition: Emerald ring- Size M, gross weight 2.7 grams. Three diamond chips missing. Wear to the facets of central stone and one other stone. Central stone length approx. 5.3mm. Settings quite worn. Ring has been re-sized.Red stone ring size K, gross weight 3.8 grams. One stone missing. Central stone badly chipped. One outer stone chipped and worn. Central stone length approx. 4.7mm. Poor condition.
Lot 620
An 18ct and Plat, sapphire and illusion set diamond oval cluster ring, size M, gross weight 3.5 grams, sapphire approximately 6.8mm in length, with a depth of 3.2mm. Diamond are approximately 0.01cts each. Condition: Minor surface scratches to the shank and setting. No visible damage to any of the stones.
Lot 624
A modern 9ct gold and collet set white opal set dress ring, size M, gross weight 3.9 grams. Condition: A few very minute surface scratches to the opal. The setting has a couple of very minor knocks. Closed back setting. Appears not to be a doublet, but setting proving hard to confirm?? Minor surface scratches to the gold. Hallmarks clear.
Lot 629
A modern 18k yellow metal, chrysoberyl? and diamond set oval cluster ring, size M, gross weight 4.2 grams. Condition: A few minor scratches to the surface of the green stone. The sheen of the stone has a cloudy appearance. Shank and setting in good order. Overall condition is generally good.
Lot 667
A modern 18ct white gold and princess cut solitaire diamond ring and a 585 and solitaire diamond ring, sizes M & L, gross 2.7 gram & 2.0 grams. Condition: Princess cut stone 0.23ct. No visible damage to the stone. Colour and clarity approx. H/I and VS2. Minor wear to the shank and setting.585 ring- Setting quite worn and is damaged. Colour & clarity approx. J/K and I1. Old oval cut approx. 0.20ct. Shank quite thin.
Lot 669
An 18ct and three stone ruby set dress ring, size M, gross 2.7 grams. Condition: Two outer stones are in a white metal setting. Some minor surface scratches to the shank commensurate with age and use. No visible damage to any of the stones. The outer stones have a slightly more pink hue than the central stone. Central stone dimensions are approx. 6.2mm by 5.6mm by 2.3mm.
Lot 692
An Edwardian engraved silver cigarette case, Samuel M. Levi, Birmingham, 1905 and two similar vesta cases, cigarette case, 83mm, gross weight 130.3 grams.Condition: All are in relatively good order, commensurate with age and some use. The cigarette case has engraved initials and one of the vesta cases has a little green hardstone pig charm attached.
Lot 186
Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Low Window" Dated: '94 Oil on Canvas. Signed, dated, titled and sized verso. Having exhibition label verso. Overall Size: 28 x 36 in. (- 4311)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France
Lot 212
Charles J Lundgren (New York, Connecticut, 1911 - 1988) "U.S.S. North Carolina" Signed lower right. Original oil on Masonite painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Fleetwood Commemorative Cover for the U.S.S. North Carolina. The first of the U.S. Navy's modern battleships, construction of the U.S.S. North Carolina began after the expiration of the Washington Treaty which placed a limit on the size of battleships. The treaty was negotiated after World War I to reduce the threat of a nation building a navy of "super dreadnoughts". She was commissioned on 9 April 1941 with Captain Olaf M. Hustvedt in command. After her commissioning, she received so much attention during her trials, she was nicknamed "Showboat." Sailing in the Caribbean, she completed her initial cruise just prior to the Pearl Harbor attack and entered the Pacific 10 June 1942. U.S.S. North Carolina spearheaded the navy's "island hopping" campaign as she participated in the landing of marines on Guadalcannal and Tulagi on 7 August 1942. Again and again in the months that followed she proved her superior fighting abilities. She used her mighty 16-inch guns to bombard enemy shore positions; her crew became a crack anti-aircraft unit -- downing between seven and fourteen enemy planes in an eight minute engagement at the Battle of the Eastern Solomons -- and she provided valuable screening support for America's aircraft carriers. She was also responsible for sinking the Japanese battleship Yamato -- the largest battleship ever built. Image Size: 13.5 x 15.75 in. Overall Size: 20.5 x 21.75 in. Unframed. (B10408)
Lot 213
Charles J Lundgren (New York, Connecticut, 1911 - 1988) "U.S.S. New Hampshire" Signed lower right. Original oil on Masonite painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Fleetwood Commemorative Cover for the U.S.S. New Hampshire. Completed as the Great White Fleet circled the globe, the U.S.S. New Hampshire was commissioned on 19 March 1908 with Captain Cameron M. Winslow in command. As one of her first duties, U.S.S. New Hampshire carried a Marine Expeditionary Regiment to Colon, Panama in June, 1908. She then participated in the Naval Review by President Theodore Roosevelt in Hampton Roads 22 February 1909 welcoming home the "Great White Fleet." Through the next eighteen months, she exercised along the East Coast and in the Caribbean. She departed with the Second Battleship Division for Cherbourg, France and Weymouth, England on 1 November 1910. U.S.S. New Hampshire returned to the United States to run training missions for Naval Academy midshipmen off New England. Her training service was interrupted when she was called to patrol off strife-torn Hispaniola in December 1912. She was similarly called to protect American interests along the Mexican coast on 15 April 1914. There, she supported the occupation of Vera Cruz which helped restore stability to the tumultuous Mexican government. She was again called to quell a revolution in December, 1916 in Santo Domingo. During World War I, U.S.S. New Hampshire provided invaluable gunnery and tactical training for the American Expeditionary Forces. Image Size: 13.5 x 15.75 in. Overall Size: 20.5 x 21.75 in. Unframed. (B10951)
Lot 244
Louis Loeb (New York, New Hampshire / France, 1866 - 1909) "Plantation Scene" Oil on canvas painting. Signed and dated lower left. Loeb is represented in public collections throughout the United States, including the Akron Art Museum, Akron, Ohio; Harvard University, Cambridge, Massachusetts; Washington County Museum of Fine Arts, Hagerstown, Maryland; the Museum of Fine Arts, Houston; the New Britain Museum of American Art, New Britain, Connecticut; the Brooklyn Museum of Art, New York; the Metropolitan Museum of Art, New York; the Museum of the City of New York; the National Academy of Design, New York; the National Arts Club, New York; the Nassau County Museum, Syosset, New York; the M. H. de Young Memorial Museum, San Francisco; the St. Louis Art Museum; the Library of Congress, Washington, D.C.; the National Gallery of Art, Washington, D.C., and the Smithsonian American Art Museum, Washington, D.C. Sight Size: 29 x 14 in. Overall Size: 20 x 23.5 in.
Lot 347
Chinese Gov. - Reorganization Gold Loan of 1913 Coupons. Brown 20 5, German Bank Issue or French Indochina Issue. 42-43 Coupons. The following is courtesy of John M. Thomson in the Historic Foreign Bonds of China book. 1913 - 5 Reorganisation Gold Loan The Reorganisation Gold Loan of 1913 was for the capital sum of 25,000,000. The Loan was, "..authorized by Presidential Order of 22nd April 1913 officially communicated by the Wai Chiao Pu to the Ministers in Peking of Great Britain, Germany, France, Russia and Japan." The newly appointed President of the Republic of China, Yuan Shih Kai, initially approached Britain, France, Germany and United States of America seeking a substantial loan to assist the fledgling government of the Republic of China. Later this group was expanded to include Japan and Russia, but eventually the United States of America withdrew from participation, leaving five countries which agreed to assist the Chinese Government with financial aid. The principal financial institutions which participated in the loan arrangements were the Hongkong & Shanghai Banking Corporation, Deutsch-Asiatiche Bank, Banque de I'Indo-Chine and Russian Asiatic Bank. The Yokohama Specie Bank participated on behalf of Japan, but did not issue separate bonds, countersigned by the bank. Arrangements were made as to convertibility into Japanese Yen of the bearer bonds issued by the other four issuing banks. The banks all received 6% commission allocated to each bank together with bonds issued are detailed in the data tables below: Hongkong & Shanghai Banking Corporation 7,416,680 Deutsch-Asiatiche Bank 6,000,000 Banque de I'Indo-Chine 7,416,660 Russian Asiatic Bank 2,777,780 Russian Asiatic Bank (Belgium) 1,388,880 It should be noted that the original Russian issue bonds which were brown coloured, were subsequently withdrawn and exchanged for a series of green coloured bonds. The original brown coloured bonds, sometimes referred to as "Yellow Bonds" were annulled. Overall Size: 32.5 x 22 in. Framed behind glass.
Lot 130
German Army Southern Front M-40 Steel Combat Helmet, interesting example of a M-40 pattern steel combat helmet which retains the original German army single decal which can be seen under the camouflaged paint finish which is in a light colour, not quite tropical, but probably for Southern France or Southern Russia. Interior of the helmet retains its original leather liner, this has worn and has damage in places. Part of the leather chinstrap also remains to the helmet. Shell is stamped “ET64” and “4000”.
Lot 143
Early 20th century Royal Doulton part coffee set decorated in underglaze blue with the Granby pattern of a couple in a pastoral landscape, most pieces impressed dated 1915/1917, the set comprising 11 cups, saucers, side plates with milk jug and sugar bowl, together with a set of six wine glasses, manufactured by M & W and further wine glass (qty)
Lot 121
A group three gold rings, comprising a 14k gold ring set with a cultured pearl, size N, 3.0g, a 9ct gold ring set with three garnets and two opals, size M, 2.0g, and a 9ct gold ring set with two amethyst, one red glass, and a seed pearl, size N, 2.4g, together with an Edwardian 15ct gold stick pin set with seed pearls, 1.0g, and 9ct gold stick pin set with an amethyst, 0.8g, boxed. (5)
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375864 item(s)/page