Lenny Luthor's (Jon Cryer) jacket and trousers from Sidney J. Furie's superhero sequel Superman IV: The Quest for Peace. Lenny wore his distinctive jacket and trousers when he broke his uncle Lex (Gene Hackman) out of prison, and drove two prison guards off a cliff in a remote-control car. The jacket features a shiny leopard-face design with a pearlescent finish. Its two breast pockets form the leopard's eyes. The trousers are styled to look like reptile skin with a golden finish. Each item contains a Berman's & Nathan's label, which reads "John Cryor [sic] 5198 cost. 4. Superman IV". The clothes exhibit some wear from production use, including plucked stitching and some scuffing on the trousers.£600-800 M
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A Staff of Ra headpiece from Steven Spielberg's Raiders of the Lost Ark. This piece comes from the personal collection of legendary producer Robert Watts. Thought to be a simple medallion by its owner, Marion Ravenwood (Karen Allen), it became a major plot device when she and Indiana Jones (Harrison Ford) attempted to thwart the Nazis' attempts to locate the legendary Ark of the Covenant. Indy used it in the Map Room at Tanis to reveal the location of the Well of Souls, the resting place of the Ark. This headpiece was cast from the original moulds during production to create a special gift for Watts. The headpiece is made of cast metal, finished in faux-gold paint, and features plastic crystal €˜eyes'. It is mounted on a custom-made wooden display. This piece shows few signs of wear, with just some light tarnishing to the metal. Dimensions (displayed): 6.5 cm x 6.5 cm x 18 cm (2 1/2" x 2 1/2" x 7 1/4")£4000-6000 M
A pair of the Predator's feet from Predator 2 (1990). The Predator (Kevin Peter Hall) hunted Dutch (Arnold Schwarzenegger) and his team through the Guatemalan jungle during their mission to extract the survivors of a helicopter crash. Created by artists at Stan Winston Studio, the feet are made of foam and are painted and textured to look as detailed as possible, with Velcro strips at the back to secure them to the actor. Each foot has a "W" handwritten in black marker pen on the inside. Due to the age of the pieces and use on the production, the foam is no longer pliable. There is some cracking in the foam, most notably on the top of the feet. Dimensions (each foot): 40 cm x 21 cm x 20 cm (15 3/4" x 8 1/4" x 8")£1500-2500 M
A set of Viper squadron war room miniatures from sci-fi television series Battlestar Galactica. Spotter models of ships were used by the military leaders of the Galactica to work out their battle plans before facing off against the Cylon fleet throughout the show's run. This lot consists of four resin miniatures of the Colonial Viper, the primary fighter ship of the Colonial fleet. Each one is painted grey and features red tape to mimic the markings on the ships. A small hole is drilled on the base of each so it can be fixed onto a clear acrylic stand, which was then pushed around the map during mission planning. The miniatures have some wear from production use and age, including the build up of grime in some recesses and a small crack on the tail wing of one of the models. Dimensions (each Viper): 13 cm x 7 cm x 4.5 cm (5" x 2 3/4" x 1 3/4"); (displayed): 27 cm x 15 cm x 14 cm (10 1/2" x 6" x 5 1/2")£2000-3000 M
Captain Dennis Dearborn's (Matthew Modine) cap and a script from Michael Caton-Jones' World War II film Memphis Belle. Dearborn wore his cap throughout the film as he led his bomber crew. The cap is made from brown felt with a dark brown leather strap and brim, and has a gold-coloured US Army Air Force badge. A handwritten label inside reads "M. Modine". The script is 126 pages, including the title page and a Memphis Belle diagram. It is printed on white paper with a red card cover and is bound with metal pins. It features a handwritten "57" on the front and comes with two stickers featuring the Memphis Belle logo. The cap is intentionally distressed for a well-worn appearance. Dimensions (script): 30 cm x 21 cm x 2 cm (12" x 8" x 1")£400-600 † Δ
A poster autographed by the cast of Sam Raimi's superhero sequel Spider-Man 3. The poster is a rolled one-sheet printed on glossy paper depicting Spider-Man (Tobey Maguire) in his black symbiote suit with a grey "3" in the bottom right corner. The poster has been autographed in silver pen by Tobey Maguire, Kirsten Dunst, Thomas Haden Church, Topher Grace, Bryce Dallas Howard and director Sam Raimi. The poster shows minimal wear, with a few small dents along the ends and throughout the poster, from where it has been unrolled. Dimensions: 69 cm x 102 cm (27" x 40")£400-600 M
A cast and crew photo book dedicated to producer Robert Watts and signed by Gary Kurtz and George Lucas, from the production of Star Wars: A New Hope.These items come from the personal collection of legendary producer Robert Watts. The item is bound in a black cardboard cover with a sticker on the front that uses the film's original title "The Star Wars". Inside are 25 black-and-white photographs from the film's production. On the back page, handwritten in gold permanent pen, is the message "Robert Watts, thank you for your contribution to Star Wars", followed by the autographs of writer/director George Lucas and producer Gary Kurtz. The book shows some signs of age. There are marks and scuffs on the black cover; some of the bindings along the spine are slipping loose; and the photos are bending slightly in the bottom right-hand corner and display some yellowing and discolouration marks. Dimensions: 21 cm x 26 cm x 1.5 cm (8 1/4" x 10 1/4" x 1/2")£3000-5000 M
The Headless Horseman's (Ray Park) tunic from Tim Burton's fantasy horror Sleepy Hollow (1999). The Headless Horseman wore his tunic throughout the film as he haunted the town of Sleepy Hollow, with his costume decaying as the film progressed. Created by renowned costume designer Colleen Atwood, the tunic is made from a combination of distressed faux leather and black velour. Ornately decorated, the front displays a silver-coloured double-headed dragon emblem, and contrasting red piping runs along the collar and sleeves. The back displays a zip fastening and the bottom features several eyelets. Four small metal hooks are located near the collar where the cape was attached, and a thick shoulder pad is adhered to the inside. Intentionally distressed for the production, the tunic displays two holes at the front and the majority of the lacing at the back is missing.£2000-3000 M
Ghostface's hero knife from Wes Craven's horror sequel Scream 2. Ghostface wielded his knife throughout the film, first using it to murder Phil Evans (Omar Epps) in the cinema where he was watching Stab, the film-within-a-film based on the events of Scream. This knife is made of metal with a distinctive upturned blade. The handle is painted black and there are spots of faux blood from production still present along the blade. The knife shows some signs of age and production use, including chipped paint and worn trim. Dimensions: 30 cm x 6 cm x 2 cm (11 3/4" x 2 1/2" x 3/4")£4000-6000 M
A set of door signs from Irvin Kershner's Star Wars: The Empire Strikes Back. Signs would have adorned the door of each department and they would have been displayed in restricted areas on location at the Finse 1222 hotel in Norway. Made of white card, the signs feature a blue screen-printed The Empire Strikes Back logo. Marked "No Entry" and "Props", with a third blank sign also included, each title has been handwritten by the film's lettering artist in blue, and the signs are laminated and sealed. The signs exhibit minor wear to the logo prints, marks from age and wear to the edges from use on production. Dimensions (each sign): 7.5 cm x 33 cm x 0.2 cm (3" x 13" x 1/4")£400-600 M
A "Starship Chronology" computer display from sci-fi TV series Star Trek: Deep Space Nine. This display is a smaller version of the one clearly seen on the wall of Keiko O'Brien's (Rosalind Chao) classroom in episodes such as Season 1's "The Nagus". The display shows the history of warp vessels, as well as the different classes of starship within Starfleet. This one is translucent so it can be backlit and displayed as a computer screen. It was designed by Academy Award-winner Doug Drexler, and features Greg Jein's design for the first "warp-capable" craft, the Bonaventure. The display features a note from the art department stuck to the front, and different coloured acetate pieces are stuck on the reverse. There is some minor wear from production use, including some scratching and creasing. Dimensions: 27 cm x 35.5 cm (10 1/2" x 14")£1000-1500 M
A Starfleet SIMs beacon from sci-fi TV show Star Trek: Voyager. The wrist flashlights were used in several episodes, most notably Season 5, Episode 6 "Timeless", in which Chakotay (Robert Beltran) and Harry Kim (Garrett Wang) use them to explore the crashed remains of a frozen Voyager.The item is black and grey cast resin with two internal SureFire flashlights, it has a Velcro strap and foam padding underneath and a button at the rear activates the lights powered by four 3v batteries. The Starfleet insignia was added after the production of "Timeless" for use in later Star Trek series.Inside, "Tapped" is handwritten and "4.4.98" and "4" carved into the resin. It has some wear including scuffing. The silver decals are curled in some places. Dimensions: 14 cm x 9 cm x 6 cm (5 1/2" x 3 1/2" x 2 1/2")£800-1200 M *Contains electronics; see electronics notice in the Buyer's Guide
Wolverine's (Hugh Jackman) dog tag from Bryan Singer's comic-book adaptation X-Men. Key to his character's back story, Wolverine's dog tag appeared in close-up during the cage-fight and motorhome scenes with Rogue (Anna Paquin). Sabretooth (Tyler Mane) took the tags when he and Wolverine fought, with Wolverine winning them back during the climactic battle on top of the Statue of Liberty. The rectangular metal dog tag has "Wolverine" and the digits "458 25 243" stamped on it. The tag exhibits production wear and scratches from use. The ball chain is a replica added to complete the aesthetic of the lot. The dog tag is accompanied by a 20th Century Fox certificate of authenticity. Dimensions: 41.5 cm x 4.5 cm x 0.2 cm (16 1/2" x 1 3/4" x 1/4")£3000-5000 M
Tom Booker's (Robert Redford) jacket and belt from Redford's adaptation of Nicholas Evans' novel The Horse Whisperer. Tom wore his jacket and belt during several scenes. Featuring a distinctive fold in the left pocket, this jacket screen matches the one in the scene where he and Annie (Kristin Scott Thomas) meet for the first time. The brown cotton duck jacket is made by Carhartt, with a label stitched to the front left pocket. It features a blanket lining and a corduroy-trimmed collar. The belt is made of leather with an ornate metal buckle featuring a horse's head and flowers in each corner. The leather features an intricate carved floral design. The items have some wear from production use and age, with some scuffing and discolouration on both items, most notably on the right sleeve of the jacket.£400-600 M
A limited-edition print of Harley Quinn (Margot Robbie) from David Ayer's superhero film Suicide Squad. This artwork was created by illustrious American artist Olivia De Berardinis, who is famous for producing distinctive female pin-up art pieces. The giclee print, entitled "Daddy's Lil Monster", is a publisher's proof numbered 14 of 20, and depicts an alluring close-up of Harley with a devious grin, wearing her raglan T-shirt. An array of vibrantly coloured paint marks and splatters comprise the background, contrasting with Harley's bright pink-and-blue pigtail hair. The print has been autographed by Margot Robbie in faux-silver pen and De Berardinis' signature adorns the bottom-left corner in gold-coloured pen. The print is displayed in a black frame and is accompanied by a certificate of authenticity signed by the artist. Dimensions (framed): 72 cm x 62 cm x 3 cm (28 1/4" x 24 1/2" x 1 1/4") This item was very generously donated by Margot Robbie to the parents of a young girl named Laura Nuttall, who was diagnosed with Glioblastoma Multiforme, the most aggressive form of brain cancer. All hammer proceeds from this item are being donated to the Macmillan Cancer Support charity. Ms. Robbie has added that the new owner will also receive a picture of her holding the painting for additional proof of authenticity. This image is offered on the understanding that it is for private reference only, and not to be published or made public.£800-1200 M
A newspaper, letters and a set of assorted postage slips from Wes Anderson's comedy The Grand Budapest Hotel. Zero (Tony Revolori) carried his newspapers from the newsstand up to the hotel to show M. Gustave (Ralph Fiennes) the news of the death of the dowager Madame D. (Tilda Swinton), and each of the establishments throughout the film had their own headed stationery. The design of the newspaper's frontpage is the version seen at the newsstand. The lot includes one newspaper, two letters in envelopes, one small letter, four loose letters, one mail tag, seven parcel postage slips and five stamps. The newspaper has a printed cover with blank pages inside. Dated "Monday, Október 13th, 1932", the headline reads "WILL THERE BE WAR? Tanks at Frontier' with a small article and photos on the death of the dowager. All pieces display wear from production use, including some folds in the large letters. Dimensions (newspaper): 47 cm x 33 cm (18 1/2" x 13"); (largest page): 30 cm x 21 cm (11 3/4" x 8 1/4")£400-600 M
William Wallace's (Mel Gibson) hero claymore sword from Gibson's Academy Award-winning medieval biopic Braveheart. Scotsman Wallace wielded his claymore during numerous battles against the English while leading a rebellion against their rule. Wallace's sword is used throughout the film and Gibson held it on many of the film's promotional images and posters, standing heroically in front of a large fire. He typically wore his claymore on his back when charging into battle armed with a war hammer, switching to the sword to cut down his enemies. At the end of the film, when Robert the Bruce (Angus Macfadyen) decided to go into battle against the English and continue Wallace's legacy, Hamish (Brendan Gleeson) hurled the sword into the battlefield to inspire the Scottish soldiers before they charged. A claymore is a two-handed Scottish broadsword used since the late Medieval period. This impressive weapon is made of steel and features a leather-wrapped grip and blade shoulder. It has a wide aluminium cross guard, with a strip of tartan wrapped around it, and a rounded aluminium pommel. The blade, pommel and cross guard have been intentionally tarnished to look well used and aged. Several variants of Wallace's signature claymore were made for the production, including fighting swords, stunt swords, and special-effects swords with retractable and bloodletting blades. This sword is a hero steel version, one of only two made for the film (The second hero sword was gifted to Mel Gibson on completion of filming), for use in close-up shots, most notably near the end when it is thrown and sticks into the ground before the charge at the Battle of Bannockburn.. It shows minor wear due to production use and age, including some scuffing and scratches. There are rust spots on the blade and there is a small crack in the leather at the base of the blade. Accompanied by two letters confirming its history, one from Simon Atherton, the film's armourer, the second from the consignor. Dimensions: 152 cm x 34 cm x 5 cm (59 3/4" x 13 1/2" x 2")£30000-50000 M
Javert's (Russell Crowe) waistcoat and trousers from Tom Hooper's musical drama Les Misérables (2012). Javert wore his waistcoat and trousers while singing "Stars", composed by Claude-Michel Schönberg, on a rooftop, after unwittingly rescuing his long-time rival Valjean (Hugh Jackman) and Cosette (Amanda Seyfried) from Thénardier (Sacha Baron Cohen) and his gang of pickpockets. The waistcoat is made of black cotton with red trim, metal buttons featuring a flaming torch design, grey braided epaulettes, and a stitched gendarmerie design at the collar. The trousers are black cotton with red trim, foot straps and inner plastic buttons for detachable suspenders. The item shows minor wear, and the waistcoat has a few loose buttonhole threads.£2000-3000 M
An autographed crew photo book from the production of George Lucas' Star Wars: A New Hope. Photo books featuring behind-the-scenes images, were gifted to the cast and crew for their efforts on the production. The photo book is bound in black card, which features the pre-release Ralph McQuarrie-designed sticker showing a rough concept of Luke Skywalker wielding a lightsaber above the working title "The Star Wars". The book contains 24 photos, one of which depicts Obi-Wan Kenobi (Alec Guinness) and Darth Vader (Dave Prowse) in battle without visual effects applied to their lightsabers. On the back of the last photo is a message for property master Frank Bruton, autographed by George Lucas and producer Gary Kurtz. The photo book shows relatively minor wear. The pages and photos have worn edges and the plastic binder has two broken rings. Dimensions: 26 cm x 20.5 cm x 1 cm (10 1/4" x 8" x 1/4")£1500-2500 M
Supergirl's (Helen Slater) tunic from Jeannot Szwarc's superhero film Supergirl. Supergirl wore her tunic throughout the film as she attempted to retrieve the Omegahedron from the sorceress Selena (Faye Dunaway). This tunic was specifically created for the film's flying sequences. The tunic is made from blue silk-like stretch fabric and the front is decorated with the classic red-and-yellow appliquéd "S" emblem. Four large black poppers are sewn onto the shoulders where the cape was attached during filming. Multiple strips of Velcro are adhered all over, and four red cotton harness attachments with additional popper fastenings adorn the back. A label is adhered to the inside of the neckline and features handwritten text which reads "Left Shoulder. & Fro,167, 7". A hole is present on the left shoulder with zig-zag stitching around the edges. Signs of production use include minor wear and loose threads, while the Velcro has caused the fabric to appear snagged in some places.£3000-5000 M
Alfredo Garcia's (Benjamin Bratt) SAPD police uniform from Marco Brambilla's sci-fi action film Demolition Man. Garcia wore his uniform throughout the film, adding his jacket to his attire when he accompanied John Spartan (Sylvester Stallone) and Lieutenant Lenina Huxley (Sandra Bullock) to the museum. Custom-made for the production, the uniform consists of a synthetic padded jacket with metal hardware, a button-up shirt (labelled "Jahng"), a pair of black trousers, and a hat (size large). The shirt is decorated with several embroidered emblems, including red and gold bars, an officer's number and an SAPD emblem. "Garcia" has been written in white pen on the inside of the jacket and trousers. The lot displays wear from production use, including several marks, and is accompanied by a studio certificate of authenticity.£800-1200 M
A clapperboard from the set of Peter Jackson's adaptation of J.R.R. Tolkien's fantasy epic The Lord of the Rings. The clapperboard consists of a white acrylic plate with a wooden clapperstick fixed to the top. The trilogy title and the names of director Peter Jackson and director of photography Andrew Lesnie are engraved in black. The board displays a number of fields completed with black marker, including slate, take, scene description and date. It still shows the last shot for which it was used, described as "Track in on Gimli". Accompanied by a letter of authenticity from New Line Cinema, the board is still stored in the original frame it was presented in by New Line: a custom shadow box with black frame and grey mount. The frame exhibits some small chips to the edge of the moulding. Dimensions (display): 5 cm x 41 cm x 41 cm (2" x 16" x 16")£2000-3000 M
A beaded silver-and-red evening dress worn by Arlena Stuart Marshall (Diana Rigg) in Guy Hamilton's Agatha Christie adaptation Evil Under the Sun.The dress is a long, figure-hugging maxi dress with a fishtail hem, higher at the front and dipping at the back. It heavily embellished all over with red-and-gold-coloured bugle beads, and features two front straps and a single back strap, which are garnished with diamante and bugle beads - as is the bust, which gathers to a horseshoe shape. This item is quite fragile and shows some signs of age. It is missing some beads and diamante, and the weight of the garment has caused it to fray away from the back strap. The lot is accompanied by an original 11" x 14" lobby card featuring Rigg wearing the dress.£500-700 M
A velociraptor egg display from Joe Johnston's action-thriller sequel Jurassic Park III. Velociraptor eggs were found on Isla Sorna by Dr. Alan Grant (Sam Neill) and his companions while searching for missing boy Eric Kirby (Trevor Morgan). Dr. Grant's assistant Billy (Alessandro Nivola) stole one of the eggs, which caused the velociraptors to track them. When the velociraptors finally surrounded the group, the egg was carefully surrendered, saving them from a grisly death. The egg is made of resin and is realistically painted and textured. It has some wear from production use, including scuffing and scratches, with some dark staining around the bottom half of the egg, from being positioned in mud while on set. Dimensions: 13 cm x 7.5 cm 7.5 cm (5" x 3" x 3")£1000-1500 M
Hand-drawn artwork depicting two sets from Val Guest, Ken Hughes, John Huston, Joseph McGrath and Robert Parrish's Bond spoof Casino Royale. Titled "Int Q Dept: Harrod's Basement", one illustration depicts Evelyn Tremble's (Peter Sellers) visit to Q's (Geoffrey Bayldon) cellar, which was full of ineffective inventions. The second design, titled "The Goldfinger Room", shows a hidden room within the Casino Royale, where several women were painted gold. Rendered by Oscar-nominated production designer Michael Stringer, both designs consist of pen-and-coloured ink drawings showing various details within the rooms. The "Harrod's Basement" drawing is signed by Stringer in the bottom-right corner and has been adhered to thick grey card. The "Goldfinger Room" design features several annotations and is displayed within a matted frame. Both artworks displays light wear from production use, including minor marks, and the paper on the annotated design has become discoloured over time. Dimensions ("Harrod's Basement" artwork): 55 cm x 67 cm (21 3/4" x 26 1/2"); ("Goldfinger Room" artwork): 50 cm x 61 cm (19 3/4" x 24")£600-800 M *Sold without copyright; see copyright notice in the Buyer's Guide
Blade's (Wesley Snipes) aluminium stake from Stephen Norrington's vampire action-thriller Blade. The half-vampire "Daywalker" wore metal stakes in a bandolier around his left thigh throughout the movie, notably pinning Quinn (Donal Logue) to a wall with two before setting him alight. The stake is made of cast aluminium and displays a chromed faux-silver finish. An indented line adorns the top and the opposite end is pointed. Signs of production use are present on the lot, including light scratching and marks. Dimensions: 24.5 cm x 3 cm x 3 cm (9 3/4" x 1 1/4" x 1 1/4")£400-600 M
A Samsonite briefcase from the promotion of Roger Spottiswoode's Bond movie Tomorrow Never Dies. These briefcases were only available in very limited numbers to help promote the film. The set includes a 007 custom black Samsonite briefcase with a brown leather handle; a multi-tool card with a bottle opener and small knife; a face razor; a toy BMW 750iL; a calculator; a burgundy silk tie; a keyring; a two-pack of 007 trading cards; a small bottle of vodka; a shot glass; and two bottles of L'Oreal nail varnish. The briefcase shows minimal wear, with a few nicks on the leather handle, and the packaging of some of the items has been well handled. Dimensions: 46 cm x 39 cm x 12 cm (18" x 15 1/4" x 4 3/4")£500-700 M
An original, hand-painted film cel from Robert Zemeckis' detective comedy Who Framed Roger Rabbit. This item comes from the personal collection of legendary producer Robert Watts. This cel depicts a scene in the film where Judge Doom (Christopher Lloyd) has tied up Roger and Jessica Rabbit on a hook, and is about to drop them into his toxic "dip" made of turpentine, acetone, and benzene €†fatal to Toons. The image has a stamp in white ink, which certifies that this is a "Walt Disney„¢ original hand-painted movie film cel". The cel is secured on a white cardboard mount and shows a few signs of age and storage. There are marks on the cardboard, dents on the protective plastic sheet, and the adhesive holding the cardboard mount has dried out, causing the mount to come away in places. However, the cel remains in good condition. Dimensions: 51 cm x 39.5 cm (20" x 15 1/2")£1000-1500 M
A hand-drawn piece of advertising concept artwork from the promotion of Richard Donner's family adventure The Goonies. The final version of the art features on promotional Goonies merchandise and depicts the scene in which Andy (Kerri Green) plays an organ made of human bones to open a door to the lagoon. The artwork was hand-drawn by Greg Winters, who created promotional art for The Goonies and drew from life on set, even posing the actors for specific setups. The artwork is in pencil on an illustration board with a tracing paper cover sheet indicating the colours to be used on the finished artwork, marked in black pen. This item shows signs of age on the delicate cover sheet, which is discoloured and has some small tears and rips around the edges. Dimensions: 39 cm x 34 cm (15 1/2" x 13 1/2")£600-800 M *Sold without copyright; see copyright notice in the Buyer's Guide
A production-used script autographed by three key cast members of Gene Roddenberry's sci-fi series Star Trek: The Next Generation. This final draft script of the Season 7 episode "Descent, Part II" has been autographed in black marker pen by Patrick Stewart, Gates McFadden and Michael Dorn. The script is 63 pages long, with a title page, a cast and sets list, and a shooting schedule also bound within the red card cover with metal butterfly fasteners. The script is printed on white US Letter paper, dated "June 24, 1993" and is credited to René Echevarria. It has very minor wear from storage and age, including minor creasing. Dimensions: 28 cm x 22 cm x 1 cm (11" x 8 1/2" x 1/2")£400-600 M
A production-used clapperboard from Robert Zemeckis' Oscar-winning detective comedy Who Framed Roger Rabbit. Made of black-painted wood, the clapperboard displays the film's title painted in white at the top, and the names of director Zemeckis (written as "Bob Zemeckis") and director of photography Dean Cundey below. Lines of white paint divide the clapperboard into two sections, which feature the last slate and take numbers written in chalk. The field titled "Date" features an adhered strip of masking tape, with the text "28th March 1987, Night-Int" handwritten in black marker. The lot shows signs of age and use, including corrosion on the metal hinge of the clapper stick and minor paint wear. The chalk writing within the fields has begun to rub away over time and the tape has started to peel from the board. Dimensions: 2 cm x 38 cm x 35 cm (3/4" x 15" x 13 3/4")£3000-5000 M
A single-issue, limited-edition print of Space Station V in Earth Orbit by aerospace artist Robert McCall, from the production of Stanley Kubrick's sci-fi epic 2001: A Space Odyssey. This is a one-of-one, unique print.Painstakingly produced from the original reference transparency held by The Stanley Kubrick Archive, this was printed with the permission and approval of Warner Bros. Entertainment and the Kubrick family. Profits raised from the auction of this print will be donated to The Jane Goodall Institute. Dimensions: 82.5 cm x 64 cm (32 1/2" x 25 1/4")2001: A Space Odyssey and all related characters and elements are trademarks of and © Turner Entertainment Co.(s19)£400-600 M
Cruella de Vil's (Glenn Close) car hood ornament from Stephen Herek's comedy adventure 101 Dalmatians. Cruella drove her distinctive car with a bird ornament while pursuing the dalmatians. Shaped like an angular bird of prey, the ornament is made of chrome-plated steel and sits on a circular base, which would have attached to the car. This is the hero version, but due to the considerable time and effort it took to make, a simpler version was used in the film so as not to delay production, and this was only ever a backup on set. It displays some wear and the metal has tarnished slightly with age. Dimensions: 29 cm x 11 cm x 11 cm (11 1/2" x 4 1/4" x 4 1/4")£300-500 M
A wrist communicator from Nicholas Meyer's sci-fi sequel Star Trek II: The Wrath of Khan. Wrist communicators were worn by members of Starfleet. Chekov (Walter Koenig) and Captain Terrell (Paul Winfield) used communicators to talk to Khan (Ricardo Montalbán) after they were forced to betray Kirk (William Shatner) on Regula. The communicator is made of black-painted resin and attached to a black leather strap. The strap attaches around the wrist with Velcro. On the body of the communicator there are four solid buttons and 20 holes which represent the speaker. A strip of paper above the buttons indicates communicator functions. There is some wear from production use and age, including scuffing and scratching on both the communicator and the leather. There is also glue residue on the back, where the two pieces are stuck together. Dimensions: 27 cm x 7.5 cm x 2 cm (10 1/2" x 3" x 3/4")£2000-3000 M
The Bride's (Uma Thurman) hero pistol from Quentin Tarantino's martial arts film Kill Bill: Vol. 2. The Bride carried her pistol when she tracked down Bill (David Carradine) to his apartment, and found her daughter in Bill's care. She also wielded her pistol in a flashback, batting an assassin who attacked her in her hotel room. The pistol is a Star Firestar M45 with a custom extended barrel, which can be unscrewed and removed. The gun features a stainless steel finish with a plastic textured grip and is engraved with the serial number "2062018". It has been sympathetically deactivated, with the magazine release, hammer, safeties and trigger still functional, though the barrel of the gun is blocked and the slide no longer moves. It is accompanied by an official deactivation certificate. Interestingly, there is a minor continuity error regarding the pistol: when The Bride first arrived at Bill's apartment, she held the weapon, ready to enter. At this point the gun did not have the custom extended barrel. However, once she entered the apartment, the pistol had the extension attached. The gun has some minor wear from production use and age, including some scuffs and scratches, most notably on the slide and barrel. Dimensions: 22.5 cm x 3.5 cm x 12 cm (9" x 1 1/2" x 4 3/4")ADDITIONAL INFORMATION The gun was produced by the now defunct company "Star Bonifacio Echeverria, S.A.", who were a Spanish arms manufacturer based in Eibar.£6000-8000 M *Firearm deactivated; see firearm deactivation notice in the Buyer's Guide
A set of action storyboards from the production of two John Glen-directed James Bond films, A View to a Kill and The Living Daylights. This set consists of 392 storyboards in total: 70 large boards from The Living Daylights depicting stunts, including Bond's (Timothy Dalton) Russian aeroplane manoeuvre; 101 boards from A View to a Kill, plotting such ambitious scenes as Bond (Roger Moore) tying Zorin's (Christopher Walken) airship to the Golden Gate Bridge; 95 smaller storyboards from The Living Daylights, of which 75 are bound with a blue spine bar; and 126 from A View to a Kill illustrating sequences, including Bond pursuing May Day (Grace Jones) after her assassination of Achille Aubergine (Jean Rougerie) at the Eiffel Tower. Many of the pages have "J. Glen" handwritten at the top, identifying them as the director's personal copies. Some pages display minor creasing. Dimensions (large boards): 41 cm x 30.5 cm (16" x 12"); (small boards): 30 cm x 22 cm (11 3/4" x 8 3/4")£800-1200 M *Sold without copyright; see copyright notice in the Buyer's Guide
A production-used shooting script belonging to Academy Award-winning special effects artist George Gibbs, from Robert Zemeckis' detective comedy Who Framed Roger Rabbit. This script is 147 pages long and features assorted colour revisions. Bound in a red imitation leather cover, it is dated "October 15, 1986". The title page details it as the fourth draft and uses the working title "Who Shot Roger Rabbit?". Page 17 has a sticker showing it belonged to Gibbs, and he has annotated the script throughout, using highlighting and tape to categorise sections. This script shows signs of use and age, with discolouration on the paper, marks on the cover and various light soiling throughout. Dimensions: 32 cm x 24 cm x 3 cm (12 1/2" x 9 3/4" x 1 1/4")£400-600 M
A production-used script from Stanley Kubrick's 2001: A Space Odyssey. The film, inspired by Arthur C. Clarke's short story "The Sentinel", garnered numerous awards and Oscar nominations, including best screenplay, ultimately winning the Academy Award for Best Special Visual Effects. The 229-page script is bound with metal split pins contained within a black card cover. A pink title page declares that the screenplay is written by Stanley Kubrick and Arthur C. Clarke. It consists of a number of colour revisions on pink, blue and green paper, each with the date of the revision at the bottom of the page, mostly from October through December 1965. The pages have foxed edges and shows slight discolouration from age. Dimensions: 28 cm x 22 cm x 2.5 cm (11" x 8 1/2" x 1")£2000-3000 M
A Toon .38 pistol with Dum-Dums crew gift from the production of Robert Zemeckis' detective comedy Who Framed Roger Rabbit. This item comes from the personal collection of legendary producer Robert Watts. Eddie (Bob Hoskins) swapped his real gun for a Toon one before entering Toontown. Eddie's new oversized gun shot idiotic Toon rounds which he later referred to as "Dum-Dums". During filming, a stand-in gun was used, with the animated cartoon gun added in post-production. The pistol €†a casting from the stand-in's mould and given as a crew gift to Robert Watts €†is cast in resin and presented in a display case with six Dum-Dum character bullets. On the back is a business card of Steve Crawley, a Model Shop Project Supervisor from Industrial Light and Magic. The plastic case shows some signs of age and wear, with light scratches on the case, and the plaque has slipped from its position. Dimensions (displayed): 35.5 cm x 24 cm x 10 cm (14" x 9 1/2" x 4")£3000-5000 M
Two original watercolour designs of Thuggee guards from Steven Spielberg's action adventure Indiana Jones and the Temple of Doom. This item comes from the personal collection of legendary producer Robert Watts. Created by Academy Award-winning costume designer Anthony Powell, the designs comprise a full-length watercolour of a Thuggee guard costume, and a study of a face, which details a temple guard's black-and-red headscarf. The first watercolour design closely resembles the Thuggee costumes featured in the film: the black dhotis around their waists; the long, white, red-spattered lungi; the black beads around their necks;and the black fabric tied tightly around their arms just above their elbows. The temple guards seen in the film also wear head scarves very similar to the second design. These items display slight signs of age, with faint yellowing of the paper. Dimensions: 53 cm x 45 cm (20 3/4" x 17 3/4")£1000-1500 M
A pair of Obi-Wan (Alec Guinness) costume designs by Oscar-winning costume designer John Mollo, from George Lucas' Star Wars: A New Hope. One page is a printed copy that was hand-coloured by Mollo, and matches exactly to an illustration seen in issue 23 of Starburst magazine. The other page is a printed copy of the same illustration, without additional work by hand, though it is signed by Mollo in blue ink. In his interview with the Starburst, Mollo explained, "George [Lucas] wanted Obi-Wan Kenobi to look like a cross between a monk and a samurai knight." The coloured sketch has a fold line down the right edge and sticky tack marks on the front, while both designs show some minor edge wear and discolouration from age. Dimensions (each): 29 cm x 21 cm (11 1/2" x 8 1/4")£800-1200 M
An autographed photograph of the cast of the science-fiction television show Star Trek: Enterprise. The photograph has been autographed by principal cast members Jolene Blalock, Connor Trinneer, Dominic Keating, Anthony Montgomery, Linda Park, and John Billingsley. The six autographs are in gold and silver marker pen, and the picture is mounted on purple card with four Velcro pads on the back. The item shows some signs of wear at the corners, which are slightly dented. Dimensions: 35 cm x 30 cm (13 3/4" x 11 3/4")£200-300 M
Jackson "Jax" Teller's (Charlie Hunnam) costume from Kurt Sutter's crime drama series Sons of Anarchy. Jax was the son of John Teller (Victor Newmark), the titular biker gang's founder and original president , and rose through the ranks, becoming president himself, before his excommunication. The centrepiece of the costume is Jax's sleeveless leather cut (size XL), made by Lil Joes Legendary Leathers„¢. It features embroidered patches on the front reading "Redwood Original", "President Men of Mayhem", "Samcro", and "In Memory of Opie". On the back is the legendary Sons of Anarchy reaper emblem. The leather vest was made for filming but unused. The remainder of the costume comprises a white T-shirt (size L), featuring the logo "Samcro", and a handwritten label reading "Jax #1"; a long-sleeved blue top (size L) with a handwritten label reading "Jax"; a pair of gloves; and a pair of blue bootcut jeans (36" x 34"), with a handwritten label reading "Jax #1". Jax's costume is accompanied by three documents confirming provenance. The pieces show signs of production use and wear, but are in good condition.£2000-3000 M
A pair of cast-autographed shooting schedules from the production of the sci-fi adventure series Stargate SG-1. Shooting schedules were used by the crew to plan scenes and organise special effects, props, set design and makeup. The shooting schedules feature the autographs of director Michael Shanks, writer Christopher Judge, and actors Dan Shea, Peter Williams, Tony Amendola and Teryl Rothery across the covers. The pink schedule features the title of the Season 5 premiere episode "Enemies (Part 2)" and the blue schedule features the title of Season 4 Episode 3, "Upgrades". The pages remain in very good condition. Dimensions: 28 cm x 21.5 cm x 0.5 cm (11" x 8 1/2" x 1/8")£200-300 M
A Daily Planet "Caped Wonder Stuns City" newspaper from Richard Donner's superhero film Superman. Perry White (Jackie Cooper) held up a newspaper the morning after Superman (Christopher Reeve) rescued Lois (Margot Kidder) from an out-of-control helicopter, and demanded the Planet reporters discover more about the flying stranger. Printed on newspaper stock, the cover features the Daily Planet logo, with a bold headline reading "Caped Wonder Stuns City", two images of Superman, and several surrounding articles. The cover is adhered to a copy of the International Herald Tribune, producing the appearance of a full newspaper. The lot displays minor discolouration, a fold line from storage and small tears along the edges of the paper. Dimensions: 59.5 cm x 42.5 cm (23 1/2" x 16 3/4")£1000-1500 M
A Klingon communicator from Leonard Nimoy's Star Trek IV: The Voyage Home. The crew of the Enterprise used Klingon communicators to talk to each other while trying to return home, after they used their Klingon Bird of Prey €†renamed the Bounty €†to jump through time, ending up in "present-day" San Francisco. Made of resin and painted predominantly bronze, the communicator has been intentionally distressed to look weathered and worn, with faux-silver paint having been lightly dry-brushed on. It features red, white and blue detailing and a metal speaker in the centre, as well as eight silver-coloured fins at the top. It shows some wear from production use and age, with scuffs and scratches on top of the intentional distress. There are small areas where the paint has chipped away, revealing the paint underneath, and there is some glue residue where parts of the item have previously been repaired. Dimensions: 15.5 cm x 6.7 cm x 3 cm (6" x 2 3/4" x 1 1/4")£1000-1500 M
Walter White's (Bryan Cranston) costume from Vince Gilligan's crime-thriller series Breaking Bad. Walter White wore many variations of his iconic plain trousers, jacket and plaid shirt ensemble throughout the series. Costume designer Jennifer Bryan explained that "his character gets darker," so she "shifted his colour palette" to match his new persona, introducing darker tones into everything he wore including this particular ensemble. This costume consists of a grey polyester bomber jacket (Size M) from the Season 5 episode "Rabid Dog", in which Jesse (Aaron Paul) tried to kill Walter; a pale blue plaid cotton shirt (Size L) with a handwritten label reading "W W"; and a pair of brown trousers (Size W34 L34) with a handwritten label reading "Walt". The costume remains in very good condition.£1500-2500 M
Professor G.H. Dorr's (Tom Hanks) suit and hat from Joel and Ethan Coens' Ealing Comedy remake The Ladykillers (2004). The charming professor wore his full suit when he first met Marva Munson (Irma P. Hall) and enquired about the spare bedroom she had advertised to let. The costume consists of a beige herringbone three-piece suit; a matching sleeveless caped coat; a pink Anto Beverly Hills textured shirt; a tan sateen bow tie with clip fastenings; and a straw boater-style hat, which features a woven brown band. Embroidered in blue, the initials "TH" feature on the label within the shirt, and the lot is accompanied by six production wardrobe tags, which display detailing about each garment, change numbers and scene numbers. The costume shows minor wear, including light plucks and dirt marks on the trouser hems.£2000-3000 M
A production-used second unit clapperboard from Robert Zemeckis' Oscar-winning detective comedy Who Framed Roger Rabbit. This item comes from the personal collection of legendary producer Robert Watts. As well as being one of the film's producers, Frank Marshall also took the role of second unit director, and was responsible for shooting additional footage. This clapperboard was created for his second unit, which included camera operator Paul Beeson. It is made of black-painted wood, with the film's title and crew details applied in white paint. It shows signs of production use, with dust and dirt marks on the wood and metal hinge. Dimensions: 26 cm x 21 cm x 1.5 cm (10 1/4" x 8 1/4" x 1/2")£2000-3000 M
A set of three Isolinear chips and stand from Jonathan Frakes' sci-fi sequel Star Trek: Insurrection. Isolinear chips were used throughout the film, often seen on Picard's (Patrick Stewart) desk and in his quarters. The three isolinear chips are made of orange, yellow and green acrylic and have a faux-circuit-board design applied in silver-coloured paint on one side and bronze paint on the other. Each chip is marked with the ship's name, "U.S.S. ENTERPRISE 1701-E". The chips come on a stand made to present the chips on Picard's desk, which is made of black and clear acrylic, has chip slots and also features the ship title. The isolinear chips and stand show minimal signs of wear. Dimensions (each chip): 10 cm x 4.5 cm(4" x 1 1/2"); (chips in stand): 9.5 cm x 6.5 cm x 16 cm (4" x 2 1/2" x 6")£600-800 M
Tom Cruise's director's chair with two chair backs from Doug Liman's sci-fi action movie Edge of Tomorrow. Director-style chairs are used on set by cast and crew members to relax when they are not filming. The chair frame is made of wood and stained a medium brown colour. It has a footrest, armrests and a black cotton seat, and it folds down. The chair backs are both made of black cotton. Printed on one side is the film's original title, "All You Need Is Kill", in a white, grey and orange logo. One chairback has "Tom Cruise" printed in white on the reverse and the other displays Cruise's character name "Cage", also in white. The chair backs show some signs of storage, with minor creases in the material and colour-fading. Dimensions (chair unfolded): 116 cm x 54 cm x 64 cm (45 3/4" x 21 1/2" x 25 1/2")£1000-1500 M
A single-issue limited edition, autographed autographed print of Bedroom and Monolith by unit photographer Keith Hamshere, from the production of Stanley Kubrick's sci-fi epic 2001: A Space Odyssey. This issue is limited to just three prints. This is the first, autographed by Keith Hamshere and dated "April 2, 2018", marking the 50th anniversary of 2001's initial theatrical release. Number two is retained by the photographer, and number three is with restoration coordinator Piers Bizony.Scanned at high resolution and remastered from the still held by The Stanley Kubrick Archive for the Taschen book The Making of Stanley Kubrick's 2001: A Space Odyssey, this was printed with the permission and approval of Warner Bros. Entertainment and the Kubrick family. Profits raised from the auction of this print will be donated to The Jane Goodall Institute. Dimensions: 82.5 cm x 64 cm (32 1/2" x 25 1/4") 2001: A Space Odyssey and all related characters and elements are trademarks of and © Turner Entertainment Co.(s19)£400-600 M
An Axon injector device from Michael Ferguson's Doctor Who arc The Claws of Axos. Devices were used by the Axons to inject Axonite, the source of their growth technology, into a frog, as a demonstration of the element's potential. The injector comprises a resin centre rod surrounded by clamp discs securing metal prongs attached to an acrylic handle, with fibres dipped in orange-tinted resin to create the Axonite pieces. The injector shows minor wear from production use and aging, the Axonite shows significant disintegration, there is a chip on the base of the handle, and there is denting and discolouration throughout. Dimensions: 29 cm x 7 cm x 7 cm (11 1/4" x 2 3/4" x 2 3/4")£2000-3000 M
Felicity Shagwell's (Heather Graham) screen-matched dress and shoes from Jay Roach's retro spy spoof Austin Powers: The Spy Who Shagged Me. Felicity Shagwell wore her dress and shoes on a day out in London with Austin after he time-travelled back to 1969. She also wore them during the stool-retrieval scene with Fat Bastard (Mike Myers) in a Paddington Station toilet. The ensemble consists of an orange-and-pink long-sleeved crocheted dress made of glittery thread and a pair of pink Kenneth Cole shoes with orange trim (US size 7 1/2). The dress has a stitched-in pink bra, which is not visible when worn. Also included are two spare spools of thread, in orange and pink. The costume shows signs of wear, mostly on the shoes, which display scuffs on the top, wear on the soles and some flaking on the orange trim. The lot is accompanied by a print of the costume design.£4000-6000 M
One-Eyed Willy's booby trap treasure scales from Richard Donner's adventure film The Goonies. A set of scales filled with coins was seen among the treasure hoard discovered aboard One-Eyed Willy's hidden pirate ship, the Inferno. The scales were rigged as part of a hidden trap, so when Mama Fratelli (Anne Ramsey) removed the coins, she caused the cave containing the ship to collapse. Crafted from brass, the scales consist of a ribbed pillar, an ornate pivoting beam featuring two extended arms, and two circular weighing pans suspended from each end of the beam. Several Chinese-style fish-like creatures featuring layered scales and open-mouthed expressions decorate many parts of the piece, curling in various directions to produce an intricate design for the hooks, both at the top and on each end of the beam. The irregular base of the lot displays nine different-sized holes, designed to house the various weights which accompany the scales. Included is the original invoice, displayed within a wooden frame. Dated "02-28-85", the statement features the total cost for renting the piece for two weeks, with the production company details at the top. Minor wear is present on the scales and parts of the piece have become discoloured over time. Signs of oxidation are present, notably on the central part of the beam. The lot comes in separate parts and can be easily assembled. Dimensions (scales assembled): 27 cm x 69 cm x 85 cm (10 3/4" x 27 1/4" x 33 1/2"); (invoice): 25 cm x 36 cm x 3 cm (10" x 14 1/4"x 1 1/4")£8000-10000 M
An R4-X2 astromech droid dome from Rian Johnson's Star Wars: The Last Jedi. Droids were important members of the Resistance, working to keep weapons, ships and other machinery functional. R4-X2 worked in the hangar on the main Resistance cruiser, preparing fighter craft for battle. The hanger was destroyed by Kylo Ren (Adam Driver) as Poe Dameron (Oscar Isaac) and the other Resistance pilots were getting ready to battle the First Order. R4-X2 also featured heavily in the promotion of the film, having been turned into a toy after its release, and can be found on page 21 of Star Wars: The Last Jedi €†The Visual Dictionary. The droid dome was hand-built by Brad Oakley, who also produced droids for Rogue One: A Star Wars Story and Solo: A Star Wars Story. It is made of CNC (computer numerical control)-cut styrene frames that were hand skinned. Key features include its radar eye, two aluminium holographic projectors that move at random and flash when the droid head is connected to a power supply, and two sets of five RGB (red-green-blue) LEDs that flash in patterns under the droid's projectors. A small panel, finished in faux-silver paint, hides a "bad motivator" smoke function. The panel is designed to extend outwards and emit water vapour (similar to that used in e-cigarettes) to mimic the appearance of smoke. The droid dome is hollow except for the wiring and panels used to control the electronics. The dome is intentionally distressed in places to look worn and well used, in keeping with George Lucas' "used future" concept, like much of the technology and weaponry of the Resistance. This includes damage to the white paint on the lower ring. There is additional wear from production use, such as scuffing and scratches. The lot is accompanied by a copy of Star Wars: The Last Jedi €†The Visual Dictionary and an official Disney toy set featuring R4-X2 and another droid, Y5-X2. Dimensions: 40 cm x 40 cm x 38 cm (15 3/4" x 15 3/4" x 15")LiteratureStar Wars: The Last Jedi €†The Visual Dictionary by Pablo Hidalgo, published by DK.£15000-25000 M *Contains electronics; see electronics notice in the Buyer's Guide
A Mr DNA animation cel autographed by Steven Spielberg from his sci-fi adventure Jurassic Park. Mr DNA, voiced by Greg Burson, was the mascot for John Hammond's (Richard Attenborough) introductory video, in which he explained how he bioengineered the dinosaurs. Mr DNA is hand-drawn and painted on a cel, which features handwritten production numbers "7" and "A139". The cel comes with its original hand-drawn and coloured test sheet, with the same handwritten "A139" in the corner. Spielberg's autograph is written on the right of the cel in black ink, and the cel is displayed on a card back with a card frame. The front layer of ink has worn slightly, most evidently on Mr DNA's right eye. Dimensions (display): 51 cm x 41 cm x 1 cm (21" x 16" x 1/8")£600-800 M
A clapperboard from "Bad Wolf" €†Episode 12 in the first series of the BBC's revived sci-fi show Doctor Who. This clapperboard is marked with handwritten production information identifying this as slate 489, take 4, a night scene shot outdoors ("NIGHT EXT") for visual effects purposes ("VFX"). It is dated "15th March 2005" and the director credited as Joe Ahearne, who was the most prolific director during Christopher Ecclestone's tenure as the Doctor, helming five episodes of the series. The body of this clapperboard is made of yellow acrylic, with "Doctor Who" engraved in black across the front, black Velcro on the back, and wooden clap-sticks at the top. There are some signs of production use and handling, most notably on the handwritten notes on the clapperboard; the number 5 from "15th March" has been partially erased. Dimensions: 29 cm x 25 cm x 3 cm (11 1/2" x 9 3/4" x 1 1/4")£1500-2500 M
An autographed photo of Irvin Kershner from the production of Star Wars: The Empire Strikes Back. The photograph is an 8x10 close-up of Kershner during filming of the Hoth scenes, printed on glossy paper. It features his autograph in blue ink. Along the bottom edge is a copyright notice reading "Kurtz/Joiner Archives". The photograph remains in very good condition. Dimensions: 25 cm x 20 cm (10" x 8")£200-300 M
An autographed photograph of the cast of sci-fi TV show Star Trek: The Next Generation. This is a photograph of eight of the principal cast members of Star Trek: The Next Generation: Captain Jean-Luc Picard (Patrick Stewart); Commander William Riker (Jonathan Frakes); Lieutenant Commander Geordi La Forge (LeVar Burton); Counselor Deanna Troi (Marina Sirtis); Lieutenant Commander Data (Brent Spiner); Lieutenant Worf (Michael Dorn); Dr. Beverly Crusher (Gates McFadden) and Wesley Crusher (Wil Wheaton). Each autograph is signed over each cast member's respective character. The photograph shows some minor signs of handling and age, with the imprint of a pen scribble on the back and a small tarnished hologram square sticker. Dimensions: 20 cm x 25.5 cm (8"x 10")£400-600 M

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