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Lot 808
Buch, Voltaire, "Oeuvres de M. de Voltaire"; Nouvelle Edition, Revue, corrigée & considérablement augmentée avec des Figures en Taille-douce; Tome Septieme; Etienne Ledet & Compagnie; Amsterdam 1749; Ledereinband der Zeit; 416 Seiten; handschriftlicher Besitzvermerk (?) auf der vorderen Umschlaginnenseite (nicht koll.)
Lot 1512
Richter-Reich, F. Max (Berlin 1896 - 1950), "Blumenmarkt in Amsterdam", Öl auf Leinwand, signiert unten links M. Richter-Reich., 55 x 81 cm, kleine Farbabplatzungen, verschmutze Oberfläche.Das Gemälde trägt neben der Signatur von M. Richter-Reich eine weitere, stark verputzte Signatur unten rechts R. Hornemann. Beide Künstlernamen sind mit dem Motiv des Amsterdamer Hafens, einmal den Blumen-, ein anderes Mal den Fischmarkt zeigend bekannt. Ob es sich um den selben Künstler handelt, der unter mehreren Pseudonymen malte, konnte nicht endgültig recherchiert werden.
Lot 799
Buch, H. Schellen "Die magnet- und dynamo-elektrischen Maschinen. Ihre Construction und praktische Anwendung zur elektrischen Beleuchtung und Kraftübertragung"; Mit 221 in den Text eingedruckten Abbildungen; Zweite nach dem gegenwärtigen auf der Pariser elektrischen Ausstellung vertretenen Zustande dargestellte und vermehrte Auflage; Halbledereinband der Zeit; Verlag der M. DuMont-Schauberg'schen Buchhandlung; Köln 1882; 656 Seiten (nicht koll.)
Lot 1142
Cartel-Uhr, Bronze, vergoldet, Friedrich Böhler, Frankfurt/M., um 1850, Gehäuse mit Rocaillen, Blüten und bekrönendem Putto, weißes Emailzifferblatt und Werkplatine bezeichnet F. Böhler, Ankergang, Schlossscheibenschlagwerk auf Glocke für Stunde und Halbstunde, 60 cm hoch, Werk ungeprüft, Federaufhängung defekt, Pendel fehlt, Fronton lose, Altersspuren
Lot 794
Buch, J. M. Bernatz, G. H. v. Schubert, J. Roth, O. Fraas, "Palästina. Neues Album des heiligen Landes", 50 Ansichten biblisch wichtiger Orte. Natur-Aufnahmen von J . M. Bernatz und anderen Künstlern. Mit einer Karte von Palästina. Mit Erläuterungen von Dr. G. H. v. Schubert, Dr. J. Roth & Dr. O. Fraas; J. F. Steinkopf; Stuttgart, 1868 (nicht koll.); Einband beschädigt, zahlreiche Stockflecken.
Lot 762
Pour le Mérite, wohl Zweitausführung, Kupfer vergoldet und emailliert, mit Halsband, Ausführung mit Bogenagraffe, keine Herstellermarke, ca. 5.3 x 5.2 cm, Gesamtgewicht 35.3 g m. B., Schrift mit kl. Fehlstellen in der Vergoldung, Bereibungen und Tragespuren.Aus dem Nachlass des kaiserlichen Generalleutnants Walter von Eberhardt (1862 Berlin - 1944 Wernigerode). Walter von Eberhardt selbst war nicht Träger des Pour le Mérite. Allerdings waren sein Großvater sowie sein Bruder Ordensträger. Möglicherweise handelt es sich hier um ein Exemplar, welches Walter von Eberhardts Bruder, General der Infanterie Magnus von Eberhardt (1855 Berlin - 1939 ebd.) nach der Verleihung im Mai 1917 als Auszeichnung für seinen Einsatz als Befehlshaber des X. Reserve-Korps als Zweitausfertigung hat anfertigen lassen..Provenienz: westdeutscher Adelsbesitz
Lot 1382
Hager, Marie (Penzlin 1872 - 1947 Burg Stargard, Landschafts- und Architekturmalerin des Spätimpressionismus, studierte u.a. bei Max Uth, Eugen Bracht und Ernst Kolbe), "Der Frühling ", Öl auf Leinwand, signiert unten rechts M. Hager, rückseitig Aufkleber Exlibris Franz Langheinrich mit weiteren Hinweisen zum Werk, 82 x 60 cm, großflächiges Craquelé, leicht abstehende Farbschollen mittig, minimale Farbabplatzungen
Lot 3139
'00' gauge - predominantly Hornby/Tri-ang: two Viaducts, Girder Bridge and Operating Turntable Set; all boxed; two H&M Duette Power Control Units; quantity of track, track laying accessories, points etc; some boxedCondition Report:Condition varies with most boxed items in reasonably good condition.Some boxes empty.Track grubby with some rusting.Working condition of controllers unknown.
Lot 3145
Hornby '00' gauge - diesel locomotive No.6124; 0-6-0 tank locomotive No.8751; 0-6-0 Thomas The Tank Engine locomotive No.1; two passenger coaches and Royal Mail Van; quantity of track and trackside accessories including turntable, H&M Duette power controller, tunnels, buildings etcCondition Report:Generally used and playworn but still in reasonable condition.
Lot 3234
Good quality late 20th century wooden dolls house by M. James dated 1992, as a 19th century style three-storey double fronted property with textured brick walls and faux slated pitched roof with dormer windows, the double hinged front elevation with faux iron railings, opening to reveal four rooms on two floors with central hall stairs and landing; the roof hinged along the ridge opening to give access to two further rooms with central bathroom; windows to both front and rear elevations with drapes; simulated floor boards and tiling throughout with decorated walls, coving and ceilings; wired for electric lighting with bank of switches on the back; bears makers plaque W92cm H89cm D47cm; on modern oak two-tier coffee table as stand.Auctioneers Note: the WC cistern is no longer fitted in the bathroom and is not included with this lot.Condition Report:Generally in good condition with minor storage damage.Lacking drapes to landing window.Working condition of electrics unknown.One side lantern to front door detached but present.Please note: the WC cistern is no longer fitted to the bathroom.
Lot 3235
Good quality late 20th century dolls house by M. James dated 1995 in the form of a Beverley East Yorkshire Antique Shop called 'North Bar Antiques'; single-storey single-roomed shop with textured brick walls and flat roof, fully glazed hinged front with recessed hinged customer door and central window to the rear; comprehensively furnished with chests of drawers, pedestal desk, breakfast table, lowboy, two longcase clocks, delft rack with ceramics, occasional tables, pictures, Regency style mirror and collectibles; decorated walls with coving and picture rail and simulated floorboarding; wired for electric lighting; maker's plaque W61cm H42.5cm D41.5cmCondition Report:Generally in good condition. Working condition of electrics unknown.
Lot 3236
Good quality late 20th century dolls house by M. James dated 1996 in the form of 'Graysons' Shop with two storeys above; textured brick walls under a faux slated pitched roof with dormer window, hinged along the ridge giving access to a single attic room; the hinged front elevation with large glazed shop window and opening customer door; single room shop with first floor room over currently furnished with various scale domestic items including settee and armchair, longcase clock, chests of drawers, tables, chairs etc; together with bakery stock of cakes, pies, bread loaves and biscuit tins W39cm H79.5cm D33cmCondition Report:Generally looks to be in reasonably good condition. Not wired for electric lighting.
Lot 18
A silver presentation spoon, London 1902, inscribed Presented by Provost Mackie (possibly of Leith) to Bailie M Smith 9th August 1902, and a similar spoon inscribed, 22nd June 1911, (12cm) combined weight 34 grammes, both in original boxes, a handwarmer, a flask, a cigarette case, an enamel miniature wall clock, etc (a lot)
![[JONATHAN SWIFT]: TRAVELS INTO SEVERAL REMOTE NATIONS OF THE WORLD BY LEMUEL GULLIVER, ill Charles E Brock, London and New Yo](https://cdn.globalauctionplatform.com/f3296fa3-bab9-45a8-8262-af2500bd6167/919a3484-520a-4c3f-b9b2-af3800c0e7e9/468x382.jpg)
Lot 103
[JONATHAN SWIFT]: TRAVELS INTO SEVERAL REMOTE NATIONS OF THE WORLD BY LEMUEL GULLIVER, ill Charles E Brock, London and New York, MacMillan, 1894, 1st edition, original pictorial cloth bright gilt, all edges gilt + MARIAN EVANS "GEORGE ELIOT": SILAS MARNER, ill Hugh Thomson, London, MacMillan, 1907, 1st edition, original pictorial cloth gilt, rebacked preserving original spine, new end papers, all edges gilt + WILLIAM MAKEPEACE THACKERAY: THE HISTORY OF HENRY ESMOND..., ill Hugh Thomson, London and New York, MacMillan, 1905, 1st edition, original pictorial cloth gilt, all edges gilt + ELIZABETH CLEGHORN GASKELL: CRANFORD, ill Hugh Thomson, London and New York, 1891, 1st edition, original pictorial cloth, all edges gilt + FANNY BURNEY: EVELINA..., ill Hugh Thomson, London and New York, MacMillan, 1904, reprint, original pictorial cloth gilt worn, all edges gilt + MARY RUSSELL MITFORD: OUR VILLAGE, ill Hugh Thomson, London and New York, 1893, 1st edition, original pictorial cloth gilt, all edges gilt + another edition, London and New York, MacMillan, 1893, reprint, original pictorial cloth gilt, all edges gilt + DAYS WITH SIR ROGER DE COVERLEY, A REPRINT FROM "THE SPECTATOR", ill Hugh Thomson, London and New York, MacMillan, 1892, 3rd edition, original pictorial cloth gilt, all edges gilt + OLIVER GOLDSMITH: THE VICAR OF WAKEFIELD, ill Hugh Thomson, London and New York, MacMillan, 1890, 1st edition, original pictorial cloth gilt, top board with some soiling, all edges gilt + WASHINGTON IRVING: 2 titles: BRACEBRIDGE HALL, ill Randolph Caldecott, London, MacMillan, 1882, 1st edition, original pictorial cloth gilt, all edges gilt; OLD CHRISTMAS, ill Randolph Caldecott, London, MacMillan, 1894, reprint, original pictorial cloth gilt, all edges gilt + RICHARD BRINSLEY SHERIDAN: A SCHOOL FOR SCANDAL AND THE RIVALS, ill Edmund J Sullivan, London and New York, MacMillan, 1896, 1st edition, original pictorial cloth gilt, spine dulled, all edges gilt + FLORA ANNIE STEEL: TALES OF THE PUNJAB TOLD BY THE PEOPLE, ill J Lockwood Kipling, London and New York, MacMillan, 1894, reprint, original pictorial cloth gilt, all edges gilt + WILLIAM MAKEPEACE THACKERAY: BALLADS AND SONGS, ill H M Brock, London, Paris and Melbourne, Cassell, 1896, 1st edition, original pictorial cloth gilt, all edges gilt + JOSEPH JACOBS (ED): THE MOST DELECTABLE HISTORY OF REYNARD THE FOX, ill W Frank Calderon, London and New York, 1895, 1st edition, original pictorial cloth gilt, all edges gilt (15)
Lot 107
AUGUSTUS PUGIN: GOTHIC ORNAMENTS SELECTED FROM VARIOUS ANCIENT BUILDINGS BOTH IN ENGLAND AND FRANCE DURING THE YEARS 1828-1829 AND 1830, London, Henry G Bohn, 1854, 4to, contemporary quarter calf, boards soiled, lower board detached + CHARLES ROBERT COCKERELL: ICONOGRAPHY OF THE WEST FRONT OF WELLS CATHEDRAL WITH AN APPENDIX ON THE SCULPTURES OF OTHER MEDIEVAL CHURCHES IN ENGLAND, Oxford and London, John Henry Parker, 1851, 4to, later cloth + HISTORIC HOUSES OF THE UNITED KINGDOM DESCRIPTIVE HISTORICAL PICTORIAL, London, Cassell & Co, 1891, 4to, original cloth gilt + ADOLF FEULNER (INTRO): HISTORIC INTERIORS IN COLOUR, London, B T Batsford, 1929, 4to, original cloth gilt + HENRY R KNIPE: NEBULA TO MAN, London, J M Dent, 1905, 4to, original cloth gilt + CAMPBELL DODGSON: THE ETCHINGS OF JAMES MCNEILL WHISTLER, ed Geoffrey Holme, London, The Studio, 1922, 4to, original vellum backed boards gilt, v worn and soiled + WALTER SHAW SPARROW: ADVERTISING AND BRITISH ART, London, John Lane, The Bodley Head, 1924, 4to, original cloth backed decorative boards (7)
![PERCY BYSSHE SHELLEY: THE LYRIC POEMS, ed Brenest Rhys, L, J M Dent [1895] 12 mo, orig dec cl gt + H C BEECHING (ed): A PARAD](https://cdn.globalauctionplatform.com/f3296fa3-bab9-45a8-8262-af2500bd6167/6df9da63-697f-4e87-97ac-af3800c08f6d/468x382.jpg)
Lot 66
PERCY BYSSHE SHELLEY: THE LYRIC POEMS, ed Brenest Rhys, L, J M Dent [1895] 12 mo, orig dec cl gt + H C BEECHING (ed): A PARADISE OF ENGLISH POETRY, L Rivingtons, circa 1900, new edn, orig dec cl gt worn, both with book plts of Pamela Margaret Jekyll designed by her godfather, Sir Edward Burne-Jones, (2)
Lot 68
PRIDEAUX JOHN SELBY: ILLUSTRATIONS OF BRITISH ORNITHOLOGY, Edinburgh W H Lizars, 1833, vol 2 Water Birds, contempary half calf worn + ARTHUR CLEVELAND BENT: LIFE HISTORIES OF NORTH AMERICAN GULLS AND TURNS, Washington Government Printing Office, 1921, modern cloth, ex-library + ELLIOTT COUES: HANDBOOK OF FIELD AND GENERAL ORNITHOLOGY... London, MacMillan 1890, original blind stamped cloth worn + LINDA GARDINER: RARE VANISHING AND LOST BRITISH BIRDS COMPILED FROM NOTES BY W H HUDSON, London and Toronto J M Dent, 1923, first edition, original cloth + four others, ornithology interest (8)
Lot 76
REV P DUCHAUSSOIS: MID-SNOW AND ICE, THE APOSTLES OF THE NORTH-WEST, London, 1923, 1st edition, original cloth gilt + R M BALLANTYNE: HUDSON BAY..., London, Thomas Nelson, 1908 reprint, coloured frontis, original pictorial cloth worn, inner joint split + HAPPY NORWAY TOU, Bergen J W Eides, 1949, 1st edition, original pictorial boards, (3)
Lot 83
GOIN,THE MOONCHILD,2 Colours screenprint (Gold / Black) on Somerset satin white 300 g/m² paper, sgned and marked AP,18cm x 24cm,Artist ProofGoin has been a rebel calling out injustice since his first works in the late 90's. Rather than take his lead from newspaper headlines, he seizes on subjects he finds intolerable and transforms them in to images, with an eye for the best visual punch-line. In his work Moonchild he depicts a child wearing an astronauts helmet holding a flag that shows a heart surrounded by a planetary ring. I wonder if the child has just landed from another planet bringing us hope, or is it asking for help from outer space to leave this planet by waving a flag of surrender in a quest for love? Is the child representative for all those younger generations fighting for their future.
Lot 277
§ Émile Gilioli (French 1911-1977) Lys 1/5 and 3/5, each signed and numbered (to the marble), polished bronze and marbleDimensions:each 27.5cm high, 30cm wide, 12cm deep (10 3/4in high, 11 3/4ing wide, 4 3/4in deep) including baseProvenance:Provenance:Edition 1/5: Estate of Lee A. Ault;Sotheby's, New York, 12 June 1997, lot 257. Edition 3/5: M. Knoedler & Co., Paris, 1961;Joseph H. Hirshhorn, New York. 1961-1966;Gift to the Hirshhorn Museum and Sculpture Garden, Washington, 1966;Christie's, Modern Paintings, Drawings and Sculpture, 23 February 1994, lot 89, where sold by the Order of the Trustees of the Hirshhorn Museum.Note: Émile Gilioli was one of the pre-eminent sculptors of the new abstract movement in France in the 1950s. He believed that the foremost challenge in sculpture was the synthesis of architecture and art, and that the choice of material, whether it be marble, onyx, bronze, lapis-lazuli, agate, alabaster or cement, was of utmost importance in shaping the form of the object. Having studied at the École des Beaux-Arts in the 1930s, the influences of the pre-war Paris school of artists such as Brancusi and Henri Laurens clearly shine through in his work and after the Second World War he associated and exhibited with the leading avant-garde artists of the period including Giacometti, Picasso and Soulages. This included being vice-president of the leading abstract collective, Espace, initiated by Andre Bloch, Le Corbusier and Fernand Leger. Gilioli went onto exhibit in many notable exhibitions internationally, his work is held at major institutions such as Tate Modern, London, Museum of Modern Art, New York and Museu de Arte Moderna, Sao Paulo, as well as being honoured with a retrospective after his death at the Musée National d’Art Moderne, Centre Georges Pompidou in Paris in 1979.
Lot 358
Sindhu Raga: Illustration to a Ragamala, Northern Deccan, circa 1700, opaque pigments and gold on paper, including wider red border, inscribed above with the Sanskrit text of a verse numbered 1 of Mesakarna’s Ragamala system, and the number 67 on the album page, 31.5 x 25.25cm. Sindhu raga is portrayed here as a violent battle between equal forces of both cavalry and foot-soldiers. On a green ground strewn with flowers in the Popular Mughal manner, extremely violent killings are recorded. Safely behind the horizon is a line of musicians beating drums and blowing trumpets, whose efforts are meant to encourage the fighters.This large now dispersed series with its mixture of Deccani and Rajasthani characteristics come from the northern Deccan but it is difficult to be more precise. Aurangabad, the Mughal headquarters in the Deccan during the assaults on Bijapur and Golconda, is often mentioned in this context as the source of such paintings, but the finest of the mid-seventeenth century sets have now been reclaimed for Mewar (Topsfield 2002, pp. 77, 91-92), while the later material seeming to come from there is more obviously Mughal in character. It seems best to regards this ragamala set as a provincial offshoot from this school of Aurangabad. The Sanskrit verses suggest Hindu patronage, perhaps even Maratha.The painting is from a much larger set of ragamala paintings according to Mesakarna’s system which makes Sindhu raga the first son (hence the number 1 in the inscription) of Sri raga, although the relevant verse is numbered 75. Ragamalas are sets of paintings that illustrate the descriptive verses that have become attached to the main musical modes of Indian music, conceived in the plains as consisting of six main ragas each with five raginis or wives. In the Ragamala sets in the Pahari tradition from the hills and in some sets from the Deccan we find instead a small number of 84 piece sets based on the system of Mesakarna that in addition to the six main ragas and their five wives gives each main raga eight sons. The situation can be complicated further in the Deccan by giving each son a wife of his own. Mesakarna in his text first gives each raga a personality and then describes the music in terms of the sounds of nature or of everyday household activities. According to Mesakarna, the iconography of Sindhu should show a warrior on a horse, here interpreted as a battle, while the sound of the raga is compared to that of a horse (Ebeling, p. 76).BibliographyEbeling, K., Ragamala Painting, Ravi Kumar, Basel, 1973Topsfield, A., Court Painting at Udaipur: Art under the Patronage of the Maharanas of Mewar, Artibus Asiae, Zurich, 2002Zebrowski, M., Deccani Painting, Sotheby Publications, University of California Press, London and Los Angeles, 1983Please refer to department for condition report
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375851 item(s)/page