Seven early 3rd century AD Imperial Roman silver denarii first Rome AD 218-222 IMP ANTONINVS PIVS AVG, laureate, horned, draped bust of Elagabalus right / SACERD DEI SOLIS ELAGAB, Elagabalus sacrificing right over lighted altar, star in right or left field; second Rome 218-222 AD IMP ANTONINVS PIVS AVG, Laureate draped bust of Elagabalus right /ABVNDAN-TIA AVG, Abundantia standing left, emptying cornucopia, star in right field; third Rome 229 ADIMP SEV ALEXAND AVG. Laureate draped bust of Severus Alexander right. / P M TR P VIII COS III P P. Romulus advancing right, holding spear and trophy, fourth Rome 225 AD IMP C M AVR SEV ALEXAND AVG, laureate draped bust of Severus Alexander right /IOVI VLTORI, Jupiter seated left, holding Victory & sceptre; fifth Rome 227 AD I M P C M AVR SEV ALEXAND AVG laureate draped bust of Severus Alexander right / PM TR P COS II PP emperor sacrificing from patera over altar; sixth Rome 22 AD IMP C M AVR SEV ALEXAND AVG Laureate, draped bust right / P M TR P-III-COS P P Mars standing facing, head left, olive branch upward in right hand, reversed spear in left; seventh Rome 232 AD, IVLIA MAMAEA AVG, diademed and draped bust of Jlia Ammaea right / FECVND AVGVSTAE, Fecunditas standing left extending her hand to a child standing before her and holding a cornucopiae, (7)first diameter 21 mm., Condition: first good fine flan crack, second very fine third very fine/ood very fine, fourth very fine, fifth very fine, sixth very fine, seventh good fine/near fine.
We found 375864 price guide item(s) matching your search
There are 375864 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
375864 item(s)/page
Five early 3rd century AD Imperial Roman silver Antoninianii first IMP CAES M ANT GORDIANVS AVG, Radiate draped and cuirassed bust right / IOVI CONSERVATORI, Jupiter standing, head left, holding thunderbolt and sceptre; to left, Gordian standing left; second IMP CAES M ANT GORDIANVS AVG. Raditate, draped and cuirassed bust to right / AEQVITAS AVG. Aequitas standing left, holding scales in her right hand and cornucopiae with her left; third IMP CAES M ANT GORDIANVS AVG, Radiate draped and cuirassed bust right / PROVIDENTIA AVG, Providentia standing left, holding globe and sceptre; fourth Rome 218 AD, IMP CAES M AVR ANTONINVS AVG, Radiate, draped, cuirassed bust right of Elagablaus / P M TR P-COS P P Roma seated left, Victory in right hand, sceptre in left, shield at side; fifth Rome 219 AD, IMP ANTONINVS AVG radiate, draped and cuirassed bust of Elagabalus right / LAETITIA PVBL legend with Laetitia standing left holding wreath and rudder set on globe, (5)first diameter 25 mm,Condition: first good very fine, second very fine, third very fine, fourth extremely fine, fifth very fine.
Five mid 3rd century AD Imperial Roman silver and silvered Antoninianii first Rome, 244-249 AD, IMP M IVL PHILIPPVS AVG, radiate, draped and cuirassed bust of Philip I right / AEQVITAS AVGG, Aequitas standing left, holding scales in right hand, cornucopia in left; second Rome, 246 A.D. IMP. M. IVL. PHILIPPVS AVG. radiate, draped, cuirassed bust of Philip I right / P. M. TR. P. III COS. P. P. Feliciitas standing left, holding long caduceus and cornucopiae; third Rome, 247-249 AD, IMP PHILIPPVS AVG, radiate, draped and cuirassed bust of Philip I right / FIDES EXERCITVS, four standards, one of which is a legionary eagle; fourth, Rome 244-246 AD. M IVL PHILIPPVS CAES, radiate, draped & cuirassed bust right.PRINCIPI IVVENT, Philip II, in military dress, standing right with globe & transverse spear; fifth Rome 248-249 AD, OTACIL SEVERA AVG, Diademed, draped bust right on crescent, hair weaved in straight lines and rows with long plait carried up the back of head / PIETAS AVGVSTAE, Pietas standing left, right hand raised, box of perfumes in left, (5)first diameter 21 mm.Condition: first good fine, second very fine poor legend definition, third very fine/extremely fine, fourth good very fine, fifth good fine/very fine
Four mid 3rd century AD Imperial Roman silver and Antoninianii from the reign of Trajan Deciusfirst Rome, 249-251 AD, IMP C M Q TRAIANVS DECIVS AVG, radiate, draped and cuirassed bust to right / PANNONIAE, the two Pannoniae, veiled, standing facing, turning to right and left away from each other, each holding a standard; the one on the right raises her right hand;second ibid.; third Rome 249-250 AD, IMP C M Q TRAIANVS DECIVS AVG, Radiate, draped and cuirassed bust of Decius right / DACIA, Dacia standing left, holding draco standard; fourth Rome, 250 AD, IMP C M Q TRAIANVS DECIVS AVG, radiate, draped and cuirassed bust of Trajan Decius right / ADVENTVS AVG, emperor on horseback left, extending arm in salute and holding sceptre, (4)diameter 25 mm.Condition: first extremely fine, large flan, second extremely fine, third very fine, fourth extremely fine, large flan.
Seven mid to late 3rd century AD Imperial Roman silver and silvered Antoninianii first Mediolanum 252 AD, IMP C C VIB VOLVSIANVS AVG, radiate, draped and cuirassed bust of Volusian right / FELICITAS PVBL, Felicitas standing left, long caduceus in right, cornucopia in left hand; second Rome 250-251 AD, Q HER ETR MES DECIVS NOB C, Radiate and draped bust of Herennius Etruscus Caesar right / PRINCIPI IVVENTVTISApollo seated left, holding branch and resting elbow on lyre; third 251-253 AD. IMP CAE C VIB TREB GALLVS AVG, radiate, draped bust right of Trebonian Gallus / PIETAS AVGG, Pietas, veiled, standing left, raising both hands, star in right field; fourth Trier 262 AD, IMP C POSTVMVS P F AVG, radiate, draped and cuirassed bust of Postumus right / VIRTVS AVG, Virtus standing right, holding spear and shield; fifth IMP GALLIENVS P AVG radiate, draped and cuirassed bust right / SALVS AVGG l Salus standing left, sceptre in hand, feeding snake rising from altar beside; sixth, IMP C POSTVMVS P F AVG, radiate, draped & cuirassed bust of Postumus right / VICTORIA AVG, Victory advancing left holding wreath and palm frond, captive at feet; seventh Billon Antoninianus, Antioch, 280-281 AD, IMP C M AVR PROBVS AVG, Radiate bust right wearing the imperial mantle / CLEMENTIA TEMP, Probus in military dress, standing left receiving globe with Victory above from Jupiter standing right holding sceptre; XXI in exergue, (7)first diameter 23 mm.Condition: first Ad extremely fine, second very fine, third extremely fine, fourth good very fine, fifth good fine, sixth near extremely fine, seventh near extremely fine.
Livia AE Dupondius.Rome, Struck under Tiberius, 22-23 AD.SALVS AVGVSTA, Bare-headed and draped bust of Livia as Salus, right / TI CAESAR DIVI AVG F AVG P M TR POT XXIIII around large S C.Tiberius AE As16-22 ADTI CAESAR DIVI AVG F AVGVST IMP VIII Tiberius laureate right / Figure advancing left, S C in field.(2)first diameter 29 mmCondition: First near fine, second fair
Drusus Julius Caesar AE As. Rome, Restitution issue struck under Titus, 80-81 ADDRVSVS CAESAR TI AVG F DIVI AVG N, bare head left / IMP T CAES DIVI VESP F AVG REST around large S C.Vespasian AE AsStruck 69-70 ADHead of Vespasian, right.Claudius AE SestertiusRome, Struck 41-50 AD.TI CLAVDIVS CAESAR AVG P M TR P IMP, Laureate head right / EX S C | OB | CIVES | SERVATOS, Legend in four lines, oak wreath.Claudius AE SestertiusRome, Struck 41-50 AD.TI CLAVDIVS CAESAR AVG P M TR P IMP: Head of Claudius, laureate, right / SPES AVGVSTA S C: Spes, draped, advancing left, holding flower in right hand and raising skirt with left.Caligula AE As. Struck 37-38 AD. C CAESAR AVG GERMANICVS PON M TR POT, bare head left / VESTA above, S C across field, Vesta seated left, holding patera and sceptre, (5)Diameter 26 mmCondition: First fair/fine, Second poor, third fair, fourth and fifth fine.
Trajan AE SestertiusRome, Struck 103-111 ADIMP CAES NERVAE TRAIANO AVG GER DAC P M TR P COS V P P: Head of Trajan, laureate, right / S P Q R OPTIMO PRINCIPI S C: Dacia, seated left, in attitude of mourning on shield and pile of arms; before her on left a trophy.Trajan AE SestertiusIMP CAES NERVAE TRAIANO AVG GER DAC P M TR P COS V P P: Bust of Trajan, laureate, draped, right / S P Q R OPTIMO PRINCIPI S C: Ceres, draped, standing left, holding two corn-ears in right hand over modius left, and long vertical torch in left hand. (2)first diameter 33 mmCondition: Both fine to very fine
Trajan AE SestertiusRome, Struck 103-111 ADIMP CAES NERVAE TRAIANO AVG GER DAC P M TR P COS V P P: Bust of Trajan, laureate, draped on left shoulder, right / S P Q R OPTIMO PRINCIPI S C: Trajan, bare-headed, in military dress, cloak floating behind him, riding right, thrusting spear at Dacian in front of horse.Trajan Copper AsRome, Struck 101-102 ADIMP CAES NERVA TRAIAN AVG GERM P M, Bust of Trajan, laureate, right, with drapery on left shoulder / TR POT COS IIII P P, Victory advancing left, holding in right hand shield inscribed S P Q R. (2).First diameter 33 mmCondition: First fair/near fine, second extremely fine/very fine.
Marcus Aurelius AE SestertiusRome, Struck under Commodus, 180 AD.DIVVS M ANTONINVS PIVS legend with bare head right / CONSECRATIO legend around with S-C across fields and eagle standing right on garlanded altar, head turned back, wings spread.Marcus Aurelius AE SestertiusRome, Struck 171-172 AD.Bare head right / M ANTONINVS AVG TR P XXVI Head of Marcus Aurelius, laureate, right / IMP VI COS III S C Roma, helmeted, draped, seated left on cuirass, holding sceptre in right hand and resting left elbow on a round shield perched on two other shields either oval or hexagonalMarcus Aurelius AE AsRome, 175-176 ADCOMMODO CAES AVG FIL GERM SARM, Bust of Commodus, bare-headed, draped, right / PIETAS AVG S C, Priestly implements: knife, aspergillum, jug, etc. (3)First diameter 33 mmCondition: First almost fine, second poor, third good fine
Make & Model: BMW 320I M Sport AutoDate of Reg: LC10 SFYColour: Blackcc: 1995MoT: 29-10-2021Fuel Type: PETROLMileage: 78kTransmission: AUTOSummary: 6 Service stamps - Last entry Feb 2021 at 78k.Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=145986
Make & Model: BMW 118D M SportDate of Reg: VO64 LCAColour: Bluecc: 1995MoT: 01-12-2021Fuel Type: DIESELMileage: 82kTransmission: MANUALSummary: 2 Registered keepers - Last keeper since Nov 2016.Sold with an after sales test driveVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=145935
Make & Model: BMW 520D M Sport Bus EditDate of Reg: LA59 VMLColour: Bluecc: 1995MoT: 10-02-2022Fuel Type: DIESELMileage: 141kTransmission: AUTOSummary: 2 Registered keepers - Last keeper since Feb 2014. 12 Service stamps - Last entry Nov 2020 at 139k. Selection of invoices and receipts. 2 Keys (not tested) Sat nav (not tested)Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=145958
![MURDOCH MACKENZIE (1712 - 1797)The South Coast of Ireland from Gally Head to Cape Clear [1776]50 x 90cmSurveyed and navigated](https://cdn.globalauctionplatform.com/b484a599-cc8d-4491-aee1-acf700997ea5/1498ecd1-26b7-423c-9fa0-acf7009cd8b1/468x382.jpg)
Ein Paar LeuchterAugsburg, 1747 - 1749 Andreas Friedrich Stem(m)ler Silber. Geschweift gerippte Barockform mit ziseliertem Akanthusblattdekor. Am Boden gravierte Nummerierung 69 und 76. Marken (Seling 2007, Bz. Nr. 2000, Mz. Nr. 2361 b) Meister um 1745, stirbt 1755. Tremolierstich. Min. rep, kleiner Spannungsriss. H. 22 cm. Zus. 874 g. Provenienz: Sammlung Udo und Maria Bey, Sorengo. Literatur: Seling, Helmut, Die Kunst der Augsburger Goldschmiede. München 1980, Bd. I., S. 177, S. 321, Nr. 825, Bd. II., Abb. 825.- Pietsch, Ulrich, Preziosen einer Süddt. Kunstsammlung. München 2001, S. 100. A pair of candlesticksAugsburg, 1747 - 1749, Andreas Friedrich Stem(m)ler Silver. Chiselled decoration. Engraved numbers 69 and 76 on the bottom. Hallmarked (Seling 2007, hallmark number 2000, maker's mark number 2361 b) master circa 1745, died 1755. Assayer's mark. Minor repairs, small tension crack. Height 22 cm. In total 874 g. Provenance: collection of Udo und Maria Bey, Sorengo. Literature: Seling, Helmut, Die Kunst der Augsburger Goldschmiede. Munich 1980, vol. I, p. 177, p. 321, no. 825, vol. II, ill. 825.- Pietsch, Ulrich, Preziosen einer Süddt. Kunstsammlung. Munich 2001, p. 100.
Ein Paar Ohrstecker mit Diamanten im Emerald CutDeutschland Weißgold 750/-, gestempelt. 2 Diamanten im Emerald Cut, zus. ca. 2,50 ct., Top Cape (M-N), VVS1, gute Schliffausführung. Neuwert, makellos. D. ca. 7,8 x 5,6 mm. Ca. 2,2 g. BK A pair of stud earrings with emerald cut diamondsGermany White gold 750/-, hallmarked. 2 emerald cut diamonds, totalling approx. 2.50 ct., top cape (M-N), VVS1, good cut. In mint condition, flawless. Diameter approx. 7.,8 x 5.6 mm. Ca. 2.2 g.
Memoryring mit BrillantenDeutschland Gelbgold 750/- gestempelt. 19 Brillanten, zus. ca. 3,70 ct., TCR-Top Cape (I-J-M), VVS1. Neuwert, makellos. Ringgröße: 58. Ca. 4,4 g. BK A memory ring with brilliant cut diamondsGermany Yellow gold 750/- hallmarked. 19 brilliant cut diamonds, totalling approx. 3.70 ct., TCR-Top Cape (I-J-M), VVS1. In mint condition, flawless. Ring Size: 58. Ca. 4.4 g.
TischjardinièreBremen, Wilkens & Söhne Silber. Metalleinsatz. Oval mit zwei Rocaillegriffen auf vier Volutenfüßen. Reicher Reliefdekor im Rokokostil mit Rankenkartuschen, Rocaillen, Blütenranken u. a. Marken (800), Juweliermarke M. Bückmann. 18 x 55,5 x 24 cm. 2268 g. A table jardinièreBremen, Wilkens & Sons Silver. Metal insert. Rich relief decoration. Hallmarked (800), jeweller's mark of M. Bückmann. 18 x 55.5 x 24 cm. 2268 g.
Klassissch moderner Bandring mit BrillantenDeutschland Gelbgold 750/-, getestet. Ca. 352 Brillanten, zus. ca. 6,24 ct., Cape (M-N), VVS-VS1, sehr gute Brillanz. Neuwert, makellos. B. ca. 8,5 mm. Ringgröße: 56,5. Ca. 9,7 g. BK A classic modern band ring with brilliant cut diamondsGermany Yellow gold 750/-, assayed. Approx. 352 brilliant cut diamonds, totalling approx. 6.24 ct., Cape (M-N), VVS-VS1, very good brilliance. In mint condition, flawless. Width approx. 8.5 mm. Ring Size: 56.5. Ca. 9.7 g.
Sautoir-BrillantenketteDeutschland Gelbgold 750/-, gestempelt. 29 Brillanten, zus. ca. 4,25 ct., CR-Top Cape (L-M), VS1, sehr gute Brillanz. Neuwert, Handarbeit, makellos. Rundankerkette mit Fassungen: L. ca. 70 cm. Ca. 15,8 g. Goldschmiedetechnische Ausführung: die Brillanten wurden in einzelne Zargenchatons in einem Abstand von ca. je 4,5 cm gesetzt. Die Enden werden mit einem Federring verschlossen. Die Kette kann mehrfach um den Hals gelegt werden. In der Art Déco-Periode waren diese Pretiosen sehr begehrt und wurden in Platin mit Brillanten sowie mit Saphiren, Rubinen und Smaragden in allen Längen für die Damenwelt kreiert. BK A Sautoir brilliant cut diamond necklaceGermany Yellow gold 750/-, hallmarked. 29 brilliant cut diamonds, totalling approx. 4.25 ct., CR-Top Cape (L-M), VS1, very good brilliance. In mint condition, handwork, flawless. Round anchor necklace with settings: length approx. 70 cm. Ca. 15.8 g.
Ring mit herzförmigem Diamant und RubinenItalien Platin PT 950/-, gestempelt. 1 Diamant im herzförmigen Facettenschliff von 1,08 ct., CA (M), P1. 23 Rubine im runden Facettenschliff, zus. 6,50 ct., leuchtendes Himbeerrot. Ringgröße: 55. Ca. 15,57 g. SvP A ring with heart-shaped diamond and rubiesItaly Platinum PT 950/-, hallmarked. 1 heart-shaped facet cut diamond of 1.08 ct., CA (M), P1. 23 round facet cut rubies, totalling 6.50 ct., bright raspberry red. Ring Size: 55. Ca. 15.57 g.
Ludwig XVI. und Marie-AntoinetteFrankreich, Manufacture Royale de la Charité sur Loire, um 1774 Profilbüsten nach links bzw. nach rechts in schleifenbekrönten Medaillons mit Profilrahmen. Medaillon Ludwig XVI. rücks. bez. MANUFACTURE ROYALE DE LA CHARITE SUR LOIRE 1774. Bronze, vergoldet. H. 25,4 cm bzw. 25,7 cm. Umschriften: LUD. AUG. XVI. D.G.FR. ET NAV. REX. DILECTUS A SUBDITIS... bzw. M. ANT. ARCHID. D'AUTRIC. REG. FRANC: PIETATIS AC VITRUTUM EXEMPLAR. Die Manufacture Royale de Quincaillerie, Taillanderie et Bijouterie bestand in La Charité sur Loire von 1756 bis 1809. Provenienz: Kunsthandel G. Röbbig, München Louis XVI and Marie AntoinetteFrance, Manufacture Royale de la Charité sur Loire, circa 1774 Louis XVI medallion inscribed MANUFACTURE ROYALE DE LA CHARITE SUR LOIRE 1774 verso. Bronze, gilt. H. 25.4 cm / 25.7 cm. Inscriptions: LUD. AUG. XVI. D.G.FR. ET NAV. REX. DILECTUS A SUBDITIS... and M. ANT. ARCHID. D'AUTRIC. REG. FRANC: PIETATIS AC VITRUTUM EXEMPLAR. Provenance: art dealer G. Röbbig, Munich
Johannes Lingelbach1622 Frankfurt a. M. - 1674 AmsterdamSeeschlachtL. u. signiert. Rücks. diverse Etiketten und Nummerierungen. Öl auf Lwd. 31,5 x 40,5 cm. Doubliert. Rest. Rahmen min. besch. Gutachten Dr. Walther Bernt, München, März 1977. Provenienz: Hugo Ruef, München, Auktion 430, 8.-10. Juli 1987. Kat.-Nr. 1324. - Süddeutsche Privatsammlung. Johannes Lingelbach1622 Frankfurt a. M. - 1674 AmsterdamNaval battle Signed lower left. Various labels and numbers verso. Oil on canvas. 31.5 x 40.5 cm. Relined. Restored. Minor damage to frame. Expert opinion by Dr. Walther Bernt, Munich, March 1977. Provenance: Hugo Ruef, Munich, Auction 430, 8-10 July 1987. Catalogue number 1324. - Private collection, South Germany.
Franz Adam1815 Mailand - 1886 MünchenReiter mit Raupenhelm - Feldmarschall Johann Josef Wenzel Graf von Radetzky zu PferdZwei Gemäldeminiaturen. R. u. signiert und 1831 datiert bzw. u. M. signiert und 1852 datiert. Öl auf Lwd. auf Karton bzw. Öl auf Weißblech. 10,9 x 8,9 bzw. 11 x 8,8 cm. Besch. Rahmen min. besch. Franz Adam war der zweite Sohn des Künstlers Albrecht Adam und Schüler seines Vaters. Bereits 1848 hatte Albrecht Adam, nachdem er in Mailand Radetzky vorgestellt worden war, ein Bildnis desselben, auf einem Apfelschimmel sitzend, geschaffen (Bayerische Staatsgemäldesammlungen, Neue Pinakothek, WAF 11). 1858 präsentierte schließlich Franz Adam sein eigenes, "nach dem Leben gemaltes", lebensgroßes Reiterbildnis des Feldmarschalls auf der Münchener Kunstausstellung. Die Zusammenarbeit der Mitglieder der Künstlerfamilie Adam miteinander ist in vielen Fällen belegt. Es kann davon ausgegangen werden, dass Franz Adam die Studien seines Vaters zu dessen Radetzky-Bildnis kannte, bei unserem Gemälde aus diesen Vorbildern schöpfte, um dann später sein großes Reiterbildnis Radetzkys anzufertigen. Provenienz: Aus dem Besitz der Nachfahren des Generalmajors Friedrich von Winther (1784-1857), Schloss Mühlfeld / Herrsching. Franz Adam1815 Milan - 1886 MunichRider with dragoon helmet - Field Marshal Johann Josef Wenzel Graf von Radetzky on horsebackTwo miniature paintings. Signed and dated 1831 lower right / signed and dated 1852 lower centre. Oil on canvas mounted on cardboard / oil on tinplate. 10.9 x 8.9 / 11 x 8.8 cm. Damaged. Minor damage to frame. Provenance: owned by the descendants of Major General Friedrich von Winther (1784-1857), Mühlfeld Castle / Herrsching.
Hugo Kauffmann1844 Hamburg - 1915 Prien am ChiemseeBursch, einem Mädel beim Zitherspiel lauschendM. u. signiert. Öl auf Holz. 20,5 x 25 cm. Rahmen. Hugo Kauffmann1844 Hamburg - 1915 Prien am ChiemseeMan listening to a girl playing the zitherSigned lower centre. Oil on panel. 20.5 x 25 cm. Framed.
Lesser Ury1861 Birnbaum/Posen - 1931 BerlinBurgruine im Rheingau. Um 1924Links unten signiert L. Ury. Verso auf der Leinwand das runde Nachlass-Etikett mit der handschriftlichen Nummer in blau 107. Auf dem Keilrahmen rechts oben Reste eines Klebe-Etiketts. Öl auf Leinwand. 97,7 x 67,3 cm. Am linken oberen Bildrand stellenweise krakeliert. Sonst guter Zustand. Rahmen. Literatur: Rom Landau, Der Unbestechliche Minos, Kritik an der Zeitkunst, Hamburg 1925, Abb. zw. S. 52f. (Landschaft am Rhein) - Deutscher Bote, Monatsschrift für Literatur und Kunst, 32. Jg., Nr. 10/Oktober, Hamburg 1925, Farbabb. S. 450f. (Landschaft am Rhein) - Joachim Seyppel, Der Maler der alten City, Leben, Kunst, Wirkung, Eine Monographie, Berlin 1987, S. 209, Nr. 320 (Schloßruine am Rhein, 1924) Provenienz: Nachlass des Künstlers Gedächtnis-Ausstellung, Berlin 1931, Nr. 123 Inventar des Nachlasses von Lesser Ury im Zentralarchiv Staatliche Museen zu Berlin Preussischer Kulturbesitz (ZA), Nr. 107 Die Cousine des Künstlers, Lucie Meyerheim erbte das Gemälde direkt aus dem Nachlass des Künstlers, Frankfurt/Oder (1932). Für den erblichen Übergang auf Lucie Meyerheim liegt ein Gesprächsprotokoll vor mit Sybille Gross vom 21.8.2017, die sich auf Dokumente im Nachlass Meyerheim beruft. Unterlagen in öffentlichen Archiven, die das belegen, konnten bislang nicht ausfindig gemacht werden. Das Gemälde ist nicht Teil der im Zentralarchiv der Staatlichen Museen zu Berlin überlieferten Liste der an Lucie Meyerheim auszuliefernden Bilder des Nachlasses vom 21.4.1932, ebenso ist es nicht Teil der Nachlass-Auktion 'Lesser Ury' bei Cassirer am 21. Oktober 1932. Privatbesitz Weinmüller, München, Auktion 143, 25./26.10.1972, Nr. 1191 m. Abb. Taf. 74 (Parkimpression) - unverkauft Weinmüller, München, Auktion 146, 14.-16.3.1973, Nr. 1895 m. Abb. Taf. 199 (Parkimpression) Privatbesitz Niedersachsen (seit 1973) Grisebach Berlin, Auktion 265, 1. Dezember 2016, Kat.-Nr.-1 (zurückgezogen, nicht bei "artnet") Das Gemälde entstand während eines Sommeraufenthaltes 1924, als Lesser Ury mehrere Wochen auf Schloß Reichartshausen verbrachte. Er bereiste vor allem das Mittelrheintal mit seinen Burgen, Ruinen und Schlössern. Die von Ury dargestellten Bauwerke lassen sich nicht identifizieren. Im Hintergrund erkennt man einen in der Morgensonne rot aufleuchtenden Burgturm mit Zinnenkranz, am linken Bildrand die Stirnseite eines Gebäudes mit Mauereinfassung. Es entstanden Gemälde und Pastelle von "ungeahnt jugendlichem Temperament", wie der damalige Direktor der Berliner Nationalgalerie Ludwig Justi bemerkt. Er kaufte für die Sammlung mehrere Bilder für die Nationalgalerie, darunter auch das Werk mit dem Titel "Morgensonne" von 1924, welches in Sujet und Stil mit unserem Gemälde verwandt ist und heute noch im Besitz der Nationalgalerie ist. Echtheitsbestätigung: Eine schriftliche Echtheitsbestätigung von Frau Dr. Sibylle Groß vom 8. September 2016 liegt vor. Das Gemälde stammt aus dem künstlerischen Nachlass von Lesser Ury. Im Inventar des Nachlasses wird das Bild unter der Nummer 107 mit dem Titel "Schlossruine am Rhein" geführt. Ausstellung: Nationalgalerie Berlin. Lesser Ury. Gedenkausstellung. 1931 Danksagung: Wir danken Frau Anne Rubin (HCPO), Frau Prof. Dr. Meike Hopp, Herrn Prof. Dr. Christian Fuhrmeister, Herrn Dr. Stephan Klingen (Zentralinstitut für Kunstgeschichte Münden) und Herrn Dr. Willi Korte, Washington für die wertvollen Hinweise zur Überprüfung und Bearbeitung der Provenienz. Ein Verkauf des Gemäldes erfolgt auf der Grundlage einer durch Neumeister vermittelten gütlichen Einigung zwischen den Erben der Familie Meyerheim und dem Einlieferer im Sinne einer gerechten und fairen Lösung der "Washington Principles". Lesser Ury1861 Birnbaum / Posen - 1931 BerlinRuins of a castle in the Rheingau, circa 1924Signed L. Ury lower left. Round estate label with handwritten number 107 in blue on the canvas verso. Remnants of an adhesive label on the stretcher upper right. Oil on canvas. 97.7 x 67.3 cm. Partly with craquelure upper left. Otherwise good condition. Framed. Literature: Rom Landau, Der Unbestechliche Minos, Kritik an der Zeitkunst, Hamburg 1925, illustration between page 52 f. (Landschaft am Rhein) - Deutscher Bote, Monatsschrift für Literatur und Kunst, Volume 32, number 10/October, Hamburg 1925, colour illustration on page 450 f. (Landschaft am Rhein) - Joachim Seyppel, Der Maler der alten City, Leben, Kunst, Wirkung, Eine Monographie, Berlin 1987, page 209, number 320 (Schloßruine am Rhein, 1924) Provenance: estate of the artist Memorial exhibition, Berlin 1931, number 123 Inventory of the estate of Lesser Ury in the Central Archives of the Berlin State Museums, Prussian Cultural Heritage (ZA), number 107 The artist's cousin, Lucie Meyerheim, inherited the painting directly from the artist's estate, Frankfurt / Oder (1932) Private owner Weinmüller, Munich, Auction 143, 25-26 October 1972, number 1191 with illustration plate 74 (park impression) - unsold Weinmüller, Munich, Auction 146, 14-16 March 1973, number 1895 with illustration plate 199 (park impression) Private owner, Lower Saxony (since 1973) Grisebach Berlin, Auction 265, 1 December 2016, catalogue number 1 (withdrawn, not on "artnet"). Exhibition: Nationalgalerie Berlin. Lesser Ury. Gedenkausstellung. 1931 We thank Anne Rubin (HCPO), Dr. Meike Hopp, Dr. Christian Fuhrmeister, Dr. Stephan Klingen (Central Institute for Art History Münden) and Dr. Willi Korte, Washington, for the valuable information during the check and elaboration of the provenance. Written confirmation of authenticity by Dr. Sibylle Groß from 8 September 2016 is available.
A box of rock and pop vinyl LP records with Led Zepplin, The move, David Ruffin, Average White Band, Gerry Rafferty, Free, The Rolling Stones, Boney M, Tutti Frutti, The Beach Boys, Ray Charles, Adam Faith, Gerry and the Pacemakers, Crosby, Stills, Nash and Young, Bob Dylan, Marillioin, Cream, Fleetwood Mac, Yes, Cockney Rebel etc Condition Report: Available upon request
A bright yellow metal bangle by Swedish maker GD & Co (Gustav Dahlgren & Co) with the further city stamp 'M' for Malmo of open wave design and set with pearls, together with an 18ct gold Swedish expanding bangle, this one with a date stamp for 1964, weight combined 12.2gms Condition Report: Available upon request
GOLDENE SAVONETTE / SPRUNGDECKEL TASCHENUHR / golden hunter case pocket watch, Handaufzug (Krone und Schieber), um 1900, Gehäuse aus 585er Gold (wohl Rotgold), insgesamt 75,8 Gramm. Guillochiertes Gehäuse mit Blüten- und Blattdekor, schauseitig mit freier Monogrammkartusche. Gepunzt mit deutschem Reichsgoldstempel und Schweizer Goldpunze. Gehäusehersteller "M. Silberschmidt & Cie. / Schweiz" oder "Albert Dreyfuss / Schweiz". Weißes Emaillezifferblatt mit römischen und arabischen Ziffern und äußerer Minuterie. Mit Stunde, Minute und kleiner Sekunde bei der Sechs. Gehäusenummer 233651. Staubdeckel aus Metall. Gehäusedurchmesser (ohne Krone) ca. 4,9 cm. (Gebrauchsspuren). Uhr läuft im Kurzzeittest.
Good 6-Bore Irish Back Action Percussion Wild Fowling Gun by Rigby No. 10914, browned twist barrel signed W. & J. RIGBY DUBLIN, engraved breech inlaid with platinum line and with inlaid platinum safety plug, signed lock foliate engraved with a pair of duck, dolphin hammer, foliate engraved brass furniture, half stocked, chequered small, silver escutcheon engraved with crowned M. Barrel 125.5cms, overall 170cms. Good condition.
25-Bore Snider Action Breech Loading Sporting Rifle by Reilly No. 15227, round blued barrel London proved and engraved COLD DRAWN STEEL, 3 leaf platinum lined leaf sights to 300yds, colour hardened breech stamped SNIDER’S PATENT and engraved E. M. Reilly & Co, 502 New Oxford St.t London, signed colour hardened lock, half stocked, steel furniture, chequered small and fore, horn fore-cap, iron sling eyes, vacant nickel escutcheon. Barrel 58cms, overall 106cms. Good condition.
A First World War Trio, comprising 1914/15 Star, British War Medal and Victory Medal, awarded to 15146 PTE J. FRIEND. SUFF: R.; a General Service Medal 1962, with clasp NORTHERN IRELAND, partly renamed to 24214723 GNR M D PEARSON RA; a Royal Naval Reserve Long Service Good Conduct Medal, awarded to 3661 W.S. J. REID SKPR RNR.
An Early 20th Century Black Japanned Tin for a Busby, with brass maker's shield for Hawkes & Co., 14 Piccadilly, London, stencilled L.R.M.NAPIER ESQ., THE CAMERON HIGHLANDERS; an Elizabeth II Home Services Helmet, with helmet plate to the West Riding, in an associated glazed display case; a Small Quantity of Military Related Books, including Guerilla Warfare (Restricted) by C N M Blair, London 1957, green cloth (pages 81-86 torn out); also, two unframed signed limited edition prints by Peter Archer ''Three VC's Before Breakfast'' and ''Be jabers boys, oi have the cuckoo'', each 33/100 (5)
An Edwardian silver cylindrical caster by West & Son, London 1903, with a scroll handle and reeded bands, 11cm (4 1/4in) high; an Edwardian caster by D. & M. Davis, Birmingham 1908, with a baluster finial to the pierced and domed cover, the body pierced with loops and on a circular spreading foot, 14cm (5 1/2in) high, with a blue glass liner; a pair of baluster pepperettes, heavily chased with florals sprays and foliate swags, 14cm (5 1/2in) high; a baluster caster; and a gilt metal octagonal baluster caster, 20cm (8in) high, 639g (20.55 oz) gross weighable Condition Report: There is no condition report available for this lot and is sold as seen Condition Report Disclaimer
A small collection of jewellery, to include a circular hinged locket, dated 1917 to the front, stamped 9ct, 3.1cm diameter; a nephrite dress ring, the cabochon nephrite within a rope twist surround, finger size M 1/2; a pair of gold coloured beaded fringed crescent brooches, with turquoise glass accents, 2cm wide; a pair of 9 carat gold blue zircon and cultured pearl floral spray ear studs, 2.3cm long; a cultured pearl and gold coloured leaf cluster ear studs, 1.6cm diameter; and a gold coloured thimble, stamped 14K; 35.3g gross Condition Report: All items have wear commensurate with age and use Condition Report Disclaimer
An early 20th century baroque pearl dress ring, the baroque pearl within a collet setting, the shank stamped 18ct, finger size J; together with a three stone diamond ring, the brilliant cut diamonds in a lovers knot style setting, finger size M 1/2; a 9 carat gold garnet ring, the oval cut garnet in a raised claw setting, finger size R; and a 9 carat gold three stone amethyst and diamond point ring, finger size L 1/2; 11.4g gross Condition Report: The rings have wear commensurate with age and use, the three stone ring has a lot of repairs Condition Report Disclaimer
A lemon quartz and ebony dress ring by Sanalitro Gioielli, Milan, the fancy cut square lemon quartz rub over set in an ebony mount and tapered shank, unmarked, finger size M (with inner sizing band), stamped 750, signed Sanalitro Milano, 25.2g gross, with a Sanalitro Gioielli ring box and certificate Condition Report: Overall minimal wear. No chips, nicks or scuffs to the lemon quartz. No damage or scuffs to the ebony mount or shank. Condition Report Disclaimer
An Victorian ruby and diamond three stone ring, the old cut diamond flanked by circular cut rubies, hallmarked Birmingham 1892, finger size P; together with an 18 carat gold single stone diamond ring, the brilliant cut diamond estimated to weigh 0.35 carats, in a claw settings, finger size M; 5.5g gross Condition Report: One of the rubies has a chip to the crown and down to the girdle, some general wear to the settings commensurate with age and use. The single stone diamond clarity I2, there is a big inclusion under the table, the stone is still bright and lively,some light wear to the setting Condition Report Disclaimer
An amethyst and diamond seven stone ring, the central oval cut amethyst flanked by two trios of brilliant cut diamonds, approximately 0.06 carats total, with partial 9 carat gold Birmingham hallmark, finger size O; a diamond accented signet ring, the 0.01 carat eight cut diamond in a star setting, 9 carat gold Birmingham hallmark, finger size M; 4g gross Condition Report: Both rings are modern, the amethyst ring has some thinning to the back of the shank, the signet ring has minimal wear Condition Report Disclaimer
A single stone diamond ring, the brilliant cut diamond in a claw setting, estimated to weigh 0.40 carats, to brilliant cut diamond accented shoulders, finger size K, together with a two colour 18 carat gold band ring, finger size K, 6.6g gross Condition Report: The diamond is not properly set into the claws, it is tilted, colour M, clarity I, there is wear to the claws on the one side where it has been holding the stone tilted for some time, there is thinning to the back of the shank, the band ring has wear from use Condition Report Disclaimer
A small collection of jewellery, to include a single stone diamond ring, the brilliant cut diamond estimated to weigh 0.40 carats, platinum hallmark, finger size M; a 9 carat gold white stone pendant on chain, the knot style pendant set with round cut white stones, suspended from a 9 carat gold curb link chain; a 9 carat gold sapphire and diamond point ring, finger size J; and an amethyst and diamond point cluster ring, finger size P, 13.5g gross Condition Report: There is wear commensurate with age and use Condition Report Disclaimer
A peridot ring, the circular cut peridot in a claw setting, the shank stamped 18ct Plat, finger size M; an 18 carat gold emerald ring, the circular cut emerald in a claw setting, fingers size Q; a jadeite panel ring, the oval cabochon jadeite panel within a four claw setting, the shank stamped 18k, finger size Q 1/2; and a pearl set ring, finger size Q Condition Report: All rings have wear commensurate with age and use. The pearl ring is a higher carat gold, unmarked Condition Report Disclaimer
A5 Wiljon Stamp Stock Album, GB mostly u/m, Geo. V, Geo. VI and ERII, including 1948 Olympic Games, Festival Britain and other commemorative sets, 2x high val Castle sets of 4, Wilding and Machin definitives in sets and blocks of 4, high vals, used high vals, 'to pay' sets of four with high val singles, etc
Loading...-
375864 item(s)/page