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Lot 907
Pulian, Johann Gottfried (1809 - 1875), wohl Altstadtansicht v. Bacharach am Rhein -Marktpl. m. Gaukler u. einem Kamel, Aquarell, rs. bez.: "Pouljahn Düsseldorf", Blattgr. ca. 22 x 28 cm, hinter Glas gerahmt, Goldstuckrahmung (Gr. ca. 37 x 47 cm). Versand nur durch externen Dienstleister möglich.
Lot 7068
Maillol, Aristide -- Femme de dos, drapée; Femme debout nouant sa chevelure2 Lithographien auf Bütten. Um 1925 bzw. 1927.27,5 x 13,2 bzw. 23 x 7,7 cm (47,3 x 30,5 bzw. 37,5 x 30,5 cm).Guérin 272 und 289.Alle wohl monogrammiert "M" im Kreis.Aus der Auflage für das Album Maîtres et Petits Maîtres d'aujourd'hui bzw. aus der Auflage bei H.M. Petiet, Paris, mit dessen Blindstempel unten rechts. Ausgezeichnete Drucke mit dem wohl vollen Rand, teils mit Schöpfrand. – Beigegeben: Eine weitere Lithographie von Aristide Maillol, "Femme nue assise sous un arbre", 1895 (Guérin 264). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Lot 115
A KOMAI-STYLE GILT-DAMASCENED IRON HEXAGONAL BOX AND COVER, WITH FUKU MARKMarked FukuJapan, Kyoto, Meiji period (1868-1912)Finely decorated in predominantly gold nunome-zogan in the manner of the Komai company, the top of the hinged cover with a central medallion enclosing a landscape with a shrine and other buildings between towering trees, all below Mount Fuji in the background, surrounded by a dense design of maple leaves borne on twisting vines repeated on the sides below a band of flowerheads, the base finely engraved in katakiri-bori with three plovers perched on a flowering prunus branch, above a small fan-shaped reserve incised with a two-character mark reading Fuku ('luck'), the interior of the box similarly decorated with a duck on a rocky outcrop amid grasses and a chrysanthemum above another duck in the water below birds flying in the distance.WEIGHT 69.2 gSIZE 1.9 x 4 x 4.6 cmCondition: Good condition with minor wear, small nicks and tiny dents to edges, light scratches to base and interior. Provenance: From a private collection in southern England.Museum comparison: Compare a related hexagonal box signed by Komai of Kyoto in the Victoria & Albert Museum, accession number M.254:1-1928.Auction comparison:Compare a related small iron box, by the Komai company, at Christie's, Japanese Art: Meiji Period Magnificence, 24 June 2014, New York, lot 18 (sold for USD 3,500).
Lot 119
A MASTERFUL SILVER AND CLOISONNE ENAMEL KORO (INCENSE BURNER AND COVER), ATTRIBUTED TO HIRATSUKA MOHEIAttributed to Hiratsuka Mohei (born 1836), unsignedJapan, late 19th century, Meiji period (1868-1912)The cup-form body set on a spreading foliate foot and rising to a tapered shoulder, flanked by two scroll-form handles, the interior fitted with a removable silver liner, surmounted by a domed cover with a floral finial. The body decorated with two shaped panels pierced and carved in high relief and worked in bright enamels and silver wire with a rooster and hen amid leafy chrysanthemums and peony to one side and two butterflies fluttering amid chrysanthemums and asters to the other, the cover similarly decorated with a single beetle amid chrysanthemum, prunus blossoms, and other flowers. The foot, handles, and shoulder worked in translucent enamels and silver wire with butterfly, floral, cloud, and geometric designs.HEIGHT 14.7 cmWEIGHT 516 gCondition: Very good condition with minor wear and manufacturing irregularities, few tiny dents, few light surface scratches.The enamel work on this piece is by Hiratsuka Mohei (b. 1836), who contributed similar decoration to several silver pieces in the Khalili and other collections (see Literature comparison).Literature comparison: For two similar examples of a metal koro and cover by Hiratsuka Mohei, see O. Impey, M. Fairley (eds.), Meiji No Takara: Treasures Of Imperial Japan: Metalwork Vol I, London 1995, nos. 61 and 62, in the Nasser D. Khalili Collection, and for two more examples of a similar koro and cover, see the Sano Museum (ed.), Kindai Shippo no Hana, Meiji no Shippo, p. 98, nos. 144 and 145.Auction comparison: Compare a related silver and cloisonne enamel incense burner by Hiratsuka Mohei, 12.1 cm high, at Bonhams, 12 September 2018, New York, lot 1214 (sold for 23,750 USD).
Lot 196
TOMOCHIKA: A FINE IVORY NETSUKE OF A GROUP OF SEVEN RATSBy a member of the Tomochika school, signed TomochikaJapan, Edo (Tokyo), mid-19th century, Edo period (1615-1868)Carved in the round and intricately stained, seven rats huddled together, some grooming each other with tails curling around. Some rats are stained with dark hair or piebald spots while others are completely white, each rat with eyes inlaid in dark horn. Natural himotoshi formed by the open spaces between the rats' bodies. Signed within the typical wavy reserve TOMOCHIKA.LENGTH 3.8 cmCondition: Excellent condition with minor wear and natural flaws including a plugged nerve channel. Museum comparison:Compare a closely related ivory netsuke depicting a group of rats by the same artist, signed Tomochika, in the Los Angeles County Museum of Art, accession number M.87.263.116.Auction comparison:Compare a closely related ivory netsuke depicting a group of rats by the same artist, signed Tomochika, at Christie's, Japanese Art & Design Including Arts of the Samurai, 9 November 2011, London, lot 170 (sold for GBP 2,250).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
Lot 231
SHIBATA ZESHIN: SURIMONO OF A MAGNOLIA BRANCH, CENSER, AND INCENSE ENVELOPEBy Shibata Zeshin (1807-1891), signed Shibata Zeshin and sealed TairyukyoJapan, 19th centuryHaikai color woodblock print and blind stamping on paper. Obosho format. Signed Shibata Zeshin and sealed Tairyukyo to the lower right corner. Titled A Magnolia Branch, Censer, and Incense Envelope.The right register depicting a magnolia branch with purple blossoms and green leaves borne on a stem next to a bronze koro (censer) on a red tray next to an incense envelope with kirigane decorations. Three rows of vertical text stretch from the center to the left edge.SIZE of the sheet 44.5 x 58.2 cmCondition: Good impression and vivid colors, light creasing, folding lines, some foxing, and minimal staining, overall presenting very well.Provenance: Collection of Robert and Isabelle de Strycker. Inside the passepartout inscribed, 'Enveloppe contenant des pastilles de parfum. Koro (brule parfum) et branche Me Kulen (magnolia).' Robert de Strycker (1903-1968) was a French engineer who specialized in metallurgy. He was a Stanford graduate, a professor at the University of Leuven, a director of the Institute of Metallurgy at the Universite Catholique de Louvain, and one of the most influential members of the faculty of applied sciences. After World War II, he made large contributions to France's post-war recovery. Robert and his wife Isabelle (1915-2010) first encountered Chinese art at the British Museum during a stay in London in the 1930s. Enamored with the style and beauty, they both decided to study and collect Japanese and Chinese works of art. In 1938 they eventually began to build their collection, buying from Belgian, Parisian, and English dealers. They kept close contact with the famous English collector Sir Harry Garner (1891-1977) and noted Czech collector and expert Fritz Low-Beer (1906-1976). In 1964, the couple lent 174 objects from their collection to the Belgian city of Leuven's museum for an exhibition titled Oude kunst in Leuvens Privebezit ('Old Art in Private Collections in Leuven'), and in 1967 they lent around thirty Japanese objects to the Royal Museums of Art and History in Brussels for their exhibition Kunst van Japan im belgischen Privatverzameingen ('Japanese Art in Belgian Private Collections').Shibata Zeshin (1807-1891) was a Japanese painter, lacquer artist, and printmaker of the late Edo period to early Meiji era. He has been called 'Japan's greatest lacquerer.' His work, unlike the oils being used by so many of his contemporaries, never need re-touching and never faded. He was a master of emulating oil or ink painting with lacquer and combined groundbreaking techniques with traditional subjects. His studio was situated on the bank of a river, providing him with ample opportunity to observe nature, and the creatures that inhabited the natural world. Like many painters of the 19th century, he was eclectic in his sources and would have been exposed to traditional styles. However, Zeshin's skill level was such that he could fluidly mix techniques, ideas, and stylistic options, thus painting part of a composition in one manner and including elements of another to add variety and dynamics unheard of at the time.Museum comparison:Compare a related surimono with two rows of vertical inscription and a hat and bundle printed on the lower right-hand corner, by Shibata Zeshin, in the Los Angeles County Museum of Art, accession number M.79.152.291. Compare a related surimono with three rows of vertical inscription with a monumental rock surrounded by foliage on the right-hand register, by Shibata Zeshin, in the British Museum, accession number 2021,3013.322.
Lot 32
A CHINESE YELLOW GLAZED PORCELAIN VASE, LATE QING DYNASTY. Of baluster form covered in a with M formed ring handles and apocryphal six character mark of Chenghua to base. With a carved and pierced wood display stand. Vase 22cm tall.Provenance: Property of Terence E B Harnden who served as Senior Naval Stores Officer in Hong Kong between 1937 - 1940. Acquired in Hong Kong before returning to England, thence by descent. Two 2cm vertical hairlines at the rim. Firing cracks to underside of each handle. No signs of repairs.
Lot 305
Maurice de Vlaminck (Paris 1876 – 1958 Rueil-la-Gadelière). „Ballon à Pontoise“. 1923Öl auf Leinwand. 38 × 46 cm (15 × 18 ⅛ in.). Unten links signiert: Vlaminck. Auf der Mittelleiste des Keilrahmens ein Etikett der Galerie Flechtheim, Berlin/Düsseldorf.[3184] Gerahmt. Provenienz: Sammlung Yorck von Wartenburg (lt. Etikett der Galerie Flechtheim) / Carlotta Hasse, Bremen / Privatsammlung, Moskau / Privatsammlung, Monte CarloAddendum/Erratum: Literatur und Abbildung: Auktion 550: Kunst des XX. Jahrhunderts. Köln, Lempertz, 14. Mai 1976, Kat.-Nr. 573, Abb. Tf. 35. Ausstellung: 52 / Ausstellung: Frühjahrs-Ausstellung 1927, Sport. Berlin, Berliner Secession in Gemeinschaft mit dem Museum für Leibesübungen e. V., 1927 (= Veröffentlichungen des Kunstarchivs, Nr. 34/35), Kat.-Nr. 251, m. Abb. („Der Freiballon“)Wir berechnen auf den Hammerpreis 32% Aufgeld.
Lot 366
Ida Kerkovius (Riga 1879 – 1970 Stuttgart). Stillleben mit Anemonen. 1924Öl auf Holz. 40,3 × 36,8 cm (15 ⅞ × 14 ½ in.). Unten rechts monogrammiert und datiert: IK 24. Darunter mit Feder signiert: Ida Kerkovius. Rückseitig ein Etikettenrest des Württembergischen Kunstvereins Stuttgart.Kleine Retuschen. [3131] Gerahmt. Provenienz: Hanna Bekker vom Rath, Frankfurt a. M. / Privatsammlung, Oldenburg/BremenWir berechnen auf den Hammerpreis 32% Aufgeld.
Lot 472
Fritz Winter (Altenbögge 1905 – 1976 Herrsching am Ammersee). Ohne Titel. 1972Öl auf Papier. 61,2 × 43,2 cm (24 ⅛ × 17 in.). Nicht bei Lohberg.–[3123] Gerahmt. Provenienz: Frankfurter Kunstkabinett Hanna Bekker vom Rath, Frankfurt a. M. / Privatsammlung, DeutschlandWir berechnen auf den Hammerpreis 32% Aufgeld.
Lot 474
Fritz Winter (Altenbögge 1905 – 1976 Herrsching am Ammersee). Ohne Titel. 1972Öl auf Papier. 61,2 × 43,2 cm (24 ⅛ × 17 in.). Nicht bei Lohberg.–[3123] Gerahmt. Provenienz: Frankfurter Kunstkabinett Hanna Bekker vom Rath, Frankfurt a. M. / Privatsammlung, DeutschlandWir berechnen auf den Hammerpreis 32% Aufgeld.
Lot 478
Karl Otto Götz (Aachen 1914 – 2017 Niederbreitbach). „9.X.1956“. 1956Mischtechnik auf Leinwand. 71 × 61 cm (28 × 24 in.). Unten links signiert: K.O. Götz. Rückseitig bezeichnet und datiert: K.O.GÖTZ 9.X.1956.Nicht bei Ströher. Mit einem Zertifikat von Ina Ströher, K.O. Götz und Rissa-Stiftung, Niederbreitbach-Wolfenacker, ohne Datum (in Kopie). Das Gemälde wird in den Ergänzungsband des Werkverzeichnisses von Karl Otto Götz von Ina Ströher, K.O. Götz und Rissa-Stiftung, Saarbrücken, aufgenommen.–Kleine Retuschen. [3357] Gerahmt. Provenienz: Galerie Daniel Cordier, Frankfurt a. M. / ehemals Privatsammlung, FrankreichAddendum/Erratum: Das Gemälde ist im Online-Werkverzeichnis der Arbeiten auf Leinwand von Karl Otto Götz der K.O. Götz und Rissa-Stiftung, Saarbrücken, unter der Nr. WVL-1956-23 verzeichnet.Wir berechnen auf den Hammerpreis 32% Aufgeld.
Lot 505
Pier Paolo Calzolari (Bologna 1943 – lebt in Lissabon). Ohne Titel. 1981Tempera auf Holz. 120 × 100 cm (47 ¼ × 39 ⅜ in.). Rückseitig bezeichnet: TECNICA MISTA. Dort auch Maßangaben.[3234] Gerahmt. Provenienz: Privatsammlung, Schweiz (1982 bei M. Knoedler, Zürich, erworben)Wir berechnen auf den Hammerpreis pauschal 32% Aufgeld und 7% verauslagte Einfuhrumsatzsteuer.
Lot 511
Otto Greis (Frankfurt a. M. 1913 – 2001 Ockenheim). “Dynastie“. 1955Mischtechnik auf Leinwand. 110 × 65 cm (43 ¼ × 25 ⅝ in.). Unten rechts signiert und datiert: Greis. 55. Rückseitig mit Pinsel in Schwarz betitelt und signiert: "DYNASTIE" Greis.Siegert 98.–[3167] Gerahmt. Provenienz: Privatsammlung, Bayern (direkt vom Künstler)Wir berechnen auf den Hammerpreis 32% Aufgeld.
Lot 2506
ENGLISH LANGUAGE Kay, R. The New Preceptor, Or, Young Lady's & Gentleman's True Instructor in the Rudiments of the English Tongue M. Angus & Son and W. Charnley (pubs.), Newcastle, 1801, inscribed in pencil inside back cover "Rebound by Blackledge, May 1941" Fisher, George The Instructor; Or, Young Man's Best Companion Printed for the Booksellers, London, 1799 Walker J. A Dictionary of the English Language Answering at once the Purposes of Rhyming, Spelling, and Pronouncing T. Becket (pub.), London, 1775 Jones, Stephen A General Pronouncing and Explanatory Dictionary of the English Language; For the Use of Schools, Foreigners learning English, &c. In which it has been attempted to improve On the Plan of Mr. Sheridan Various pubs., London, 1804, bound in full diced calf Bailey, N. An Universal Etymological English Dictionary Various pubs., London, 1773 "The Three and Twentieth Edition, with considerable Improvements", rebound in half-calf Sheridan A.M., Thomas A Course of Lectures on Elocution: Together with Two Dissertations on Language Printed by W. Strahan, London, 1762, endpapers extensively annotated with a biography of Sheridan (6) Condition Report:Available upon request
Lot 2444
A GEORGE V FOUR PIECE SILVER TEA SERVICE by Lawson & Co, Glasgow 1919, of baluster form, with banded decoration, the spouts modelled as birds, the shaped handles terminating in twin dragons, monogrammed 'M', with ivory insulators, on footed and banded bases, 2,056gms / 66.1oz (4) Ivory Declaration Reference: 5B8VVU5R Condition Report:Available upon request
Lot 2766
AN 18CT GOLD DIAMOND FLOWER RING set with estimated approx 1.30cts of brilliant cut diamonds, finger size M, weight 4.3gms Condition Report:Mount and claws all good. I cannot give you the 4C's as I am not qualified to d o so, but I can tell you what I can see. by eye diamonds appear bright clean and sparkly, with a loope, there are a few tiny grey carbon dots and a few tiny clusters of clear crystal inclusions. Generally needs a good ultrasonic clean
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375851 item(s)/page