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Art Nouveau; a silver drop pendant of openwotk design decorated in blue-green opalescent enamels, maker's mark M&B, Birmingham 1908, 2in long; a hammered silver hat pin of pierced heart-shaped design inset with blue-green enamel, maker's mark J.W, Birmingham 1908; Art Deco; a silver blue and white paste jabot pin, formed as opposing stylized peacock feathers with calibrÈ and cabochon cut stones, 4in long; and a pair of rose quartz tear drop earrings with alternate amethyst and crystal bead suspension with gold wires, 1 3/4in long. (4)
(LOUIS WAIN) THE PICCANINNIES LIBRARY, comprising the full set of 5 volumes in this series: Stories from Pussyland by S. Sutton Smith, Illustrated by Louis Wain and M. York Shuter; Stories from Puppyland by S. Sutton Smith, Illustrated by Cecil Aldin; Doings of the Dollymites by Henry Howard, Illustrated by Percy J. Billinghurst; Two Simple Tales by H. S. Stirling, Illustrated by John Hassall and Cecil Aldin; & Topsy in Toyland by Ernest Mathews, Illustrated by M. York Shuter. All with coloured plates throughout. 12mo, original crimson cloth pictorially blocked in white. Stitching broken in one volume and slack in two others; the bindings bright. All contained in the original box with lettered lid; the box faded and hinge split. Sands & Co. [1904].
Marie Laurencin Columbine (M. 136) lithograph, 1928, on japon nacr, signed in pencil, with margins, pale time- and mount-staining, a little soft creasing at the sheet edges, the right sheet edge irregularly trimmed, a very minor surface abrasion to the upper sheet edge on the reverse, otherwise in good condition L. 375 x 275mm., S. 463 x 335mm.
Marc Chagall (1887-1985) Four plates, from Dessins pour la Bible (Mourlot 236, 237, 240 and 246) lithographs in colours, 1960, on wove paper, printed to the edges of the full sheets, each with a lithograph in black on the reverse, published by Verve, Paris, in very good condition, M.240 framed L., S. 355 x 262mm
Marc Chagall Theoclymenus, from The Odyssea II (M. 816; Cramer 96) lithograph in colours, 1975, on Arches, from the edition of 250 (there were also twenty hors commerce copies and a signed edition of 30 on japon nacr), published by Mourlot, Paris, printed close to the edges of the full sheet, a few pale scattered fox marks at the sheet edges, otherwise in good condition L., S. 420 x 330 mm.
Marc Chagall In Hell, from The Odyssea II (M. 828; C. 96) lithograph in colours, 1975, on Arches, aside from the signed edition of 250 (there were also twenty hors commerce copies and a signed edition of 30 on japon nacr), published by Mourlot, Paris, printed close to the edges of the full sheet, pale foxing at the sheet edges, otherwise in good condition L., S. 420 x 329mm.
Marc Chagall Ulysses' bow, from The Odyssea II (M. 818) lithograph in colours, 1975, on Arches, from the edition of 250 (there were also twenty hors commerce copies and a signed edition of 30 on japon nacre), published by Mourlot, Paris, printed close to the edges of the full sheet, a few pale scattered fox marks and handling marks at the sheet edges, otherwise in good condition L., S. 420 x 330mm.
Joan Miro Plate 19, from Album 19 (M. 330) lithograph, 1961, on Arches, initialled in pencil, numbered 72/75 (there were also fifteen in Roman numerals), published by Maeght, Paris, printed to the edges of the full sheet, very pale discoloration at the sheet edges, the upper sheet edge taped to the mount on the reverse, otherwise in good condition, framed L., S. 665 x 510mm.
Joan Miro Plate 10, from Album 19, (M. 321) lithograph in red, blue and black, 1961, on Velin-Rives, signed in black ink, numbered 72/75, (there were also fifteen in Roman numerals), published by Maeght, Paris, printed to the edges of the full sheet, a very short tear at the extreme left sheet edge, pale bands of discoloration at the upper and right sheet edges, otherwise in good condition L., S. 665 x 510mm.
Joan Miro Plate 11, from Album 19 (M. 322) lithograph in blue, red and black, 1961, on Arches, initialled in pencil, numbered 72/75 (there were also fifteen in Roman numerals), published by Maeght, Paris, printed to the edges of the full sheet, very pale discoloration at the sheet edges, the upper sheet edge taped to the mount on the reverse, otherwise in good condition, framed L., S. 510 x 665mm.
Joan Miro One plate, from Le Lzard aux Plumes D'or (M. 522) lithograph in colours, 1967, on japon nacr, signed in pencil, inscribed E.A., published by Broder, Paris, printed to the edges of the full sheet, remains of old tape to the upper sheet edge on the reverse, an unobtrusive rubbing mark in the image, otherwise in good condition L., S. 410 x 560mm.
Joan Miro Homage Aux Prix Nobel (M. 1094) (C. 224) lithograph in colours, 1976, on Arches, signed in pencil, an E.A. aside from the numbered edition of 100 (there were also 43 hors commerce copies), published by Galerie Brjeson, Malm, printed to the edges of the full sheet, minor soft creasing at the extreme upper sheet corners, otherwise in very good condition L., S. 760 x 560mm.
Joan Miro Joan Miro Graphics (M. 502) lithograph in colours, 1966, on Arches, hors texte, a printer's proof aside from the signed edition of 150, published by Philadelphia Museum of Art, with margins, a short tear at the lower sheet edge, otherwise in good condition L. 650 x 500mm., S. 760 x 560mm.
Pablo Picasso Le Vieux Roi (M. 317, B. 869) lithograph, 1959, on Arches, from the edition of 1000 with red stone signature (there was also a signed edition of 200), the full sheet, overall pale scattered foxing, remains of old glue and a little associated staining to the upper sheet edge on the reverse, otherwise in good condition L., S. 670 x 510mm.
Pablo Picasso Les Saltimbanques, from Souvenirs d'un collectionneur (B. 855, M. 285) lithograph, 1958, on wove paper, from the edition of 2000 (there was also a signed edition of 100), published by A.C. Mazo, Paris, with margins, light-staining, remains of old tape to the sheet edges on the reverse, otherwise generally in good condition L. 215 x 165mm., S. 280 x 225mm.
Stanley William Hayter Nageuse (B&M. 241) etching and aquatint in colours, 1958, on BFK Rives, signed, dated and titled in pencil, numbered 1/50 (there were also five artist's proofs), with margins, a pressure mark at the extreme left sheet edge, a small fox mark in the upper margin, minor surface dirt in the margins, otherwise in good condition P. 406 x 325mm,. S. 685 x 505mm.
Stanley William Hayter Albatross (B&M. 365) etching in colours, 1973, on BFK Rives, signed and dated in pencil, numbered 99/100 (there were also 25 artist's proofs), published by Editione M'Arte, Milan, with full margins, a tiny tear at the lower sheet edge, soft creasing in the margins, otherwise in good condition P. 491 x 513mm., S. 550 x 750mm.
Stanley William Hayter Seven plates, from Nine Engravings (B&M. 78,89,93,122,127,166 and 192) engravings, 1933-49, on Barcham Green, each signed and dated in pencil, numbered 27/100 (there was also an edition of ten numbered with Roman numerals and ten hors commerce copies), from the edition published in 1973 by Associated American Artists, New York, with full margins, a few minor blemishes, otherwise in good condition P. 220 x 305mm., S. 285 x 400mm. (7)
Alex Katz Face of the Poet, Brooke Alexander and Marlborough Graphics, New York, 1978 (M. 96 - 109) the complete set of fourteen aquatints, 1978, with title, poems and justification, each plate signed in pencil, numbered 24/25 (there were also ten artist's copies), printed by Prawat Laucheron, with his blindstamp, each print with margins and in very good condition, loose (as issued) within a wooden box with plexiglass, the box slightly damaged(portfolio)overall S. 410 x 485 mm.
A Bagnall Narrow Gauge 0-4-0 Tank Locomotive, built to 7 1/4in gauge with steel boiler, to M J Engineering design and completed by Mr Cyril Finch in 2004. Fire box and fittings including twin water gauges with protectors, shut-off cocks, safety, blower, injector, axle pump, whistle, clack and blowdown valves and washout plugs. Chassis details including twin outside cylinders with Bagnall Price valve gear, cab controlled draincocks, two mechanical lubricators, injector, whistle, axle driven feed pump with two displacement lubricators, hand operated brake gear, water tank with drain pipes and valve. Finished in Victorian Maroon and Black paintwork with polished brightwork, cast makers plates. 22in x 52in. And a four wheel driving trolley based on a coal wagon. Transporting trolley. Boiler History. Farncare Inspections certificate dated 9th May 2004. Tested Hydraulic 140 psi Boiler serial No 1842. Also 80 feet of portable aluminum track. Drawings included.
A Bagnall Narrow Gauge 0-4-0 Tank Locomotive 'Lostock', built to 71/4in gauge with copper boiler, to M J Engineering design and completed by Mr Brian Reading in 1995 fire box and fittings including twin water gauges with protectors, shut-off cocks, safety, blower, injector, whistle, clack and blowdown valves and washout plugs. Chassis details including twin outside cylinders with Bagnall Price valve gear, cab controlled draincocks, mechanical lubricators, injector, whistle, shuttle valve feed pump with displacement lubricator, hand feed pump, hand operated brake gear, water tank with drain pipes and valve. Finished in green and black paintwork with polished brightwork, cast name and other plates. 38in x 51in. And a four wheel driving trolley with wooden seat and handbrake. No boiler history.
Manuel Rivera (1927-1994) Caja azul transparente signed, inscribed and dated 'Manuel Rivera Caja azul transparente 1970/colocar sobre superficie blanca separandolo 10 ctms' (on the rim of the frame), signed again 'M. Rivera' (on the inside of the frame) oil and wire mesh construction in metal frame 19 x 25in. (50.2 x 65.4cm.)
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334368 item(s)/page