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Lot 116
An old Turkish panelled ground kilim, each filled with sand spiders motifs within multiple borders, 1.4 m x 3.6 mPrivate estateThe Kelim is in quite good order for its age, Although I have found one threadbare section and one area of discolouration and perhaps some patches in the yellow panels.The dyes are a mixture of vegetable and aniline/chemical I would think the Kelim dates from the first half of the 20th century.This is the last batch of a very large private collection we have been selling over the course of several months.This is an old kelim that has had a life and so some imperfections should be expected. It is in "Country House" condition and needs cleaning.
Lot 152
A Meissen figure group 'The Broken Eggs', after the model by M. V. Acier, modelled as a young lady turned away from her seated companion, an upturned basket of eggs at her feet and Cupid kneeling before them, crossed swords mark in blue, impressed numbers, 24 cm high x 15 cm wide.Restoration visible, notably to both of Cupid's arms, losses to the applied floral decoration. Gilt and enamel rubbing in places. Hairline crack visible to the underside
Lot 273
WW2 7 Signed Robert Bailey Colour Print Titled Typhoon Fury. 106 of 500 Housed in a Presentation Frame. Signatures include The Artist, F/Lt. Harry James Hardy, DFC, CD, F/Lt. Robert E. Spooner DFC, F/O A. M. Scott, F/Lt. Victor McMann, F/Lt. Alex A. MacDonald, F/Lt. Roy Burden, Frame Measures Approx 29 x 36. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 383
Group of 15 glass decorative paperweight. By artists and manufacturers including: Randy Strong, Steven Correia, Adam Jablonski, Toby McGee, Hal David Berger, Bruce Freund, Karg Glassworks, Coleen Ott, Brian Maytum, Fratelli Toso, Paul M., and Malta.Height ranges from 2 1/4 in to 6 1/2 in; diameter ranges from 2 1/4 in to 4 1/2 in.
Lot 429
Charles Schulz (American, 1922-2000). Original "Peanuts" comic strip, the daily strip for Sunday, September 9, 1973. Black ink over pencil on drawing board. Pencil signed in the first panel and inscribed "For all my friends at Gordon School - Every best wish - Charles M. Schulz." The United Feature Syndicate copyright notice is affixed to the board in the seventh (bottom row, center) panel.Charles Schulz grew up in St. Paul, Minnesota, and fostered a love of comics throughout his childhood. He spent his later teen years studying drawing and cartoon work through a correspondence course with Art Instruction Schools. Following deployment in Europe during WWII, Schulz returned to St. Paul and got a job working as an instructor for the Art Instruction Schools. After a short lived comic strip for the St. Paul Pioneer Press, he hit it big with Peanuts in 1950, which was syndicated by United Features. The strip quickly became an enormous success, with legions of fans across the country–and world–falling in love with his quirky cast of characters and charming illustrations.The present lot typifies the characteristics for which Schulz’s comics were best-loved. It shows the characters’ personalities, always distinctive and lovingly mocked by Schulz. The strength of the character depictions, together with Schulz’s crisp, mobile linework, makes this a wonderful example of a Peanuts daily strip and of Schulz’s facility with character.Sight; height: 16 1/2 x width: 23 1/2 in. Framed; height: 19 1/2 in x width: 26 1/4 in.
Lot 67
RAFAEL ZABALETA FUENTES (Quesada, Jaén, 1907 - 1960).El barranco del lobo ("The Wolf's Ravine"). 1946.Oil on canvas.Signed and dated in the lower left corner.It has a label from the Ministry of National Education on the back, due to the inclusion of the painting in an anthology of the artist.Measurements: 82 x 66 cm; 100 x 83 cm (frame).Rafael Zabaleta was an extremely versatile painter, capable of developing in parallel a post-cubist work in which the image is fragmented evoking colourful stained glass windows and, at the same time, a landscape painting apparently traditional but in which the avant-garde legacy can be appreciated. The present landscape with wolf belongs to this second group. The brushstrokes here are protean: they metamorphose into circles to represent the iridescent tops of the trees, broken strokes on the rocks, etc. Cezanne's influence is also evident in the essentialist and synthetic reduction of nature.Born into a well-to-do family, Rafael Zabaleta showed a love of painting from an early age, and after completing his secondary school studies he moved to Madrid and enrolled at the San Fernando School of Fine Arts in 1925. His teachers there were Lainez Alcalá, Cecilio Pla and Ignacio Pinazo, and in 1932 he took part for the first time in a group exhibition, that of the San Fernando students. One of his works, entitled "La pareja" ("The Couple"), was selected to illustrate the critical review by Manuel Abril for the magazine "Blanco y Negro". Three years later Zabaleta made his first trip to Paris, where he studied the works of the masters of contemporary painting. In 1937 he was appointed delegate of the National Artistic Treasury, and also around this time he began a series of drawings on the Civil War. At the end of the war he was denounced and briefly spent time in the Higuera de Calatrava concentration camp and in Jaén prison, where his two albums of drawings made during the war were confiscated. Finally freed, in 1940 he settled in Madrid, where he attended the gatherings at the Café Gijón and drew and painted at the Círculo de Bellas Artes. Two years later he visited Aurelio Biosca, director of the Madrid gallery Biosca, with a letter of introduction from the sculptor Manolo Hugué. It was there that he held his first solo exhibition that same year, after being rejected from the National Exhibition of Fine Arts. However, the following year he took part in the First Salón de los Once and became a member of Eugenio d'Ors's Academia Breve de Crítica de Arte, to which Biosca also belonged. Zabaleta took part in most of his Salones de los Once and anthological exhibitions. In 1945 Zabaleta took part in the group exhibition "Floreros y bodegones" held at the National Museum of Modern Art, while he continued to exhibit individually and collectively in galleries in the capital. In 1947 he held his first personal exhibition in Barcelona, at the Argos gallery, and his first monograph was published. Two years later he travelled again to Paris, coming into contact with Picasso, Óscar Domínguez, M. Ángeles Ortiz and others. The year of his definitive consecration was 1951, when he held a solo exhibition at the Museum of Modern Art in Madrid. In 1955 he won the UNESCO Prize at the Hispano-American Biennial in Barcelona. That same year he took part in the Mediterranean Biennial held in Alexandria, and held a solo exhibition in Bilbao. During his last years Zabaleta became a fully recognised artist, invited to the most important exhibitions and salons both in Spain and in foreign cities of the importance of Paris.
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