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Lot 1445
the dome top dated 1685 and initialled 'M D' with flower motifs and radiating corner studs, the base with drop front revealing two drawers, with iron carrying handles to the sides, height 48cm, width 99cm, depth 53cm. *Condition: Considerable wear to the leather and old worm, losses to wood and some brass studs missing, catch from the lock needs re-attaching, one carrying handle a later replacement, some hinges loose.
Lot 1203
Christiana Mucha (*1961). Figurine. Lithographie, sign., dat. 1986, mit Widmung an M. Krings / Peter Paul (1943-2013). Chrysler-Building. Lithographie, sign., dat. 1983, mit Widmung an M. Krings / Christiana Mucha & Peter Paul. Komposition. Lithographie, sign., dat. 1986, 48 x 69 cm bis 67 x 49 cm. **
Lot 157
Franz M. Jansen, "Zwei Männerköpfe", Holzschnitt um 1920 & Johannes Wüsten, "Schweijk" und "Lenin", Kupferstiche von 1933/34Franz M. Jansen, 1885 Köln-1958 Büchel, Eifel, "Zwei Männerköpfe", Holzdruck, 17,1 x 13,2 cm, verso Stempel zu Nachlassdruck; Johannes Wüsten, 1896-1943, "Schweijk" und "Lenin", 2 Kupferstiche von 1934 u. 1933, 24,3 x 19,3 / 17,3 x 12,2 cm, in der Platte monogr. u. dat., mit Nachlassstempel
Lot 158
7 x moderne Grafik, u.a. Horst Janssen, Kazua Katase, Dietrich Klinge, Tom Philipps, alle gerahmtRolf Böttcher, 1929 Stendal - 2001, "Tänzchen- Commedia dell'arte", Farbradierung, 24,6 x 15,5 cm, sign., num. 1191K/3/50 (Wiss. Buchgesellschaft), 1983, hinter Glas gerahmt; Erich Buchholz,1891-1972, o.T., Holzschnitt, 48 x 34,5 cm, von 1920, posthum gedruckt, verso num. 52/175, Nachlasstempel, hinter Glas gerahmt; Horst Janssen, 1929 - 1995, Unter Kerinnes (...), nach Callot, Radierung, 30 x 21 cm, Blattgr. 40 x 32 cm, in der Platte bez., dat. 1988 u. monogrammiert, handsigniert, zwischen zwei Glasscheiben gerahmt; Kazuo Katase, *1947, "Schattenschirm", Farbserigraphie, 60 x 42 cm, sign., dat. 1999 u. num. 3/70, hinter Glas gerahmt; Dietrich Klinge, *1954, aus der Folge "Rouge", Farbradierung, 20 x 12 cm, sign., dat. 1997 u. num. 7/15, m. P.p. hinter Glas gerahmt; Hetty Krist, *1942 Den Haag, "Commedia dell'arte,", Farbradierung, 18 x 23,5 cm, sign., num. 1192K/16/50 (Wiss. Buchgesellschaft), 1984, hinter Glas gerahmt; Tom Philipps, 1937-2022, "Sonette an Orpheus", Aquatinta-Radierung, 27 x 20 cm, sign., num. 97/100, hinter Glas gerahmt
Lot 162
5 antiquarische Kunstbücher zu Horst Janssen, einmal mit signierter Original-Radierung, einmal Buch handsigniertHorst Janssen, Drollerei, griffelkunst, Hamburg St Gertrude, 1991, 117 S. m. zahlr. Abb., im Oln. m. Schutzumschlag, Vorzugsausgabe mit einer sign. Aquantinta-Radierung, 29,5 x 21 cm; Horst Janssen, Bobethanien. Hundert Landschaften, Hamburg, Verlag St. Gertrude, 1991, 3 TextS., 134 Farbtaf., 2 Bll. Quer. OLn. m. Schutzumschlag; Gerhard Kaufmann (Hg.), Horst Janssen zum 65. Geburtstag. Landschaften 1984-1994, Publikation zur Ausstellung im Altonaer Museum in Hamburg - Norddeutsches Landesmuseum, 11.11.1994 - 12.2.1995. Mit zahlr. farb. Abb., Hamburg, Altonaer Museum, 1994, quer, 1994, im Oln. u. Schutzumschl., handsigniert; Horst Janssen und Lieselotte Kruglewsky, Radierungen und Lithographien in der Griffelkunst 1958-1989: Ein Traktat über die Herstellung einer Radierung, Hamburg, St. Gertrude, 1989, im Oln. u. Schutzumschl., verschweißt; Horst Janssen, Radierzyklen, 1996, Hamburg, St. Gertrude, im Oln. u. Schutzumschl., verschweißt
Lot 165
Raimer Jochims, "Lethe", signiertes Acrylgemälde auf gerissenem Papier von 1989, gerahmtRainer Jochims, *1935 Kiel, Amorphe Komposition, Acryl-Gemälde mit dunkelgrünem bis rotem Farbverlauf auf gerissenem Papier, 53 x 84,5 cm, signiert, datiert, betitelt, WVZ-Nr. 89g3, unter Glas gerahmtZum Künstler: lebt und arbeitet in Maintal, 1967-71 Dozent an den Kunstakademien KA und München, 1971-85 Professur für Freie Malerei und Kunsttheorie an der Städelschule, Frankfurt/M.
Lot 283
11 Künstler Espresso-Sammeltassen, Rosenthal studio-linie11 Espresso-Sammeltassen mit Unterteller von unterschiedlichen Künstlern, Entwürfe: B. Brenner (Nr. 2), Y. Galgon (Nr. 6), Otmar Alt (Nr. 7), B. Wiinblad (Nr. 9), M. Morandini, Salome (Nr. 17), Yang (Nr. 22), Ch. Häusler Goltz (Nr. 24), Katja Marzahn (Nr. 25), Sanja Zivo (Nr. 27), Kitty Kahane (Nr. 28)
Lot 301
Martin Schöneich, 2 geometrisch reduzierte Figuren, BronzeplastikenMartin Schöneich, 1955 Grünstadt, deutscher Bildhauer, Sohn des Horst Schöneich, hier: Sitzende/r & Stehende/r auf einer Mauer, 2 Bronzen mit grün-grauer Patina, H 23 cm / 18 cm, beide sign. M. Schöneich1978 Studium der Bildhauerei an der Kunstakademie in München, 1982 Meisterschüler, 1984 Abschlussdiplom, seit 1985 freischaffend, 1996 bei Eduardo Chillida/ Spanien.Ausstellungen: 1984 Galerie ART-CONTAKT Karlsruhe,1986 Kahnweilerhaus/ Rockenhausen, 1986 Hardinghouse Lincoln/England, 1989 Rheinischer Kunstverein Aachen, 1990 Kunstverein Schönaich, 1991 Galerie AWANGARDA Breslau/Polen, 1993 Kunstverein Eisenturm Mainz, 1997 Kunstverein Speyer, 2001 Kunstverein Germersheim, 2003 Kunstverein Jockgrim, 2005 Landtag Mainz, 2006 Galerie TU Kaiserslautern, 2006 Altes Rathaus Wörth, 2007 Kunstverein Zweibrücken, 2008 Kunstverein Germersheim, 2009 Burg Kronberg/Ts, 2009 Ars Palatina Vianden/Lux, 2010 Feuerbachhaus Speyer, 2010 Kunstverein Jockgrim, 2010 Rosengarten Mannheim, 2011 Kunsthaus Frankenthal, 2012/13 Museum Pachen/Rockenhausen, 2013 Heylshofmuseum Worms, Kunstforum Heidelberg.
Lot 336
Winand Victor, Ohne Titel, 2 Unikate, Acryl auf geknittertem Papier, 1976, galeriegerahmtWinand Victor, 1918 Schaesberg - 2014 Reutlingen, Abstrakte Kompositionen, an geologisches Material erinnernd, 2 Arbeiten, Acryl/geknittertes Papier, 36 x 45 cm, je signiert, einmal datiert 1976, unter P.p. und Glas im GoldrahmenZum Künstler: 1932 Teilnahme an Abendkursen der Aachener Kunstgewerbeschule; 1935 Privatunterricht bei Josef Mataré, Aachen; 1936-40 Studium an der Kunstakademie Düsseldorf bei Prof. M. Paatz; 1948 Leben und Arbeiten in der Künstlergemeinschaft Bernstein; Ausstellungen ab 1959 u.a. in der Galerie Nierendorf Berlin, Mailand, Zürich, München, Paris, Wien und Florenz. In seinem Werk sind Material und Techniken vielfältig. Seine Arbeiten erinnern an Organisches sowie Anorganisches, Zellenhaftes oder Kristallines, Erscheinungen aus der Natur, insbesondere Geologisch-Mineralisches.
Lot 356
Sammlung Bibliophile Raritäten mit Grafiken, 1925-2005Jan Molfen und Walther A. Kenzing, Ein Schwarzwaldmärlein. Mit 5 Zeichnungen von Walther A. Renzing, Nr. 4 von 150 Ex., Privatdruck von Johann Hinrich Meyer, Hamburg, 1925, Karton, mit Widmung von Renzing; Gabriele d'Annunzio, L'immagine di Pan "Signore dell'Opre", 1936; Paul Valery, Henri Bergson, Allocution prononcée à la séance de l'Académie du jeudi 9 janvier 1941, Paris Domat-Montchrestien, coll. "Au voilier", 1945, Nr. LXXI von 100, im Karton; Emile Gallois, Le costumes en France de François Ier à 1900, 48 farb. handkolorierte Taf., OLwd.-Mappe m. losen Bl., Paris, H. Laurens, o. J., 1952; Kasimir Edschmid, Frühe Satiren 1917-20, Privatdruck der Neuen Darmstädter Sezession zum 70. Geburtstag von Kasimir Edschmid, Nr. 14 von 100 Exemplaren, mit sechs handsignierten Lithografien von sechs Darmstädter Künstlern, Roetherdruck, Darmstadt, 1960; 2 x Gerhard Neumann, Versalien von A bis Zett, Hamburg Abakus Presse, 1992, Pappeinband; Die Bärengeschichte. Ein Brief von Pfarrer Alfred Mehl an seinen Vater Ernest in Augsburg, geschrieben von seiner Frau Dora. Die Originale zum Brief in Abbildungen, Solomon-Presse, 8 Holzschnitte von Solomon Wija, faksim. Briefe u. Fotos, unpaginiert in Leporelloform, beidseits bedruckt, kart., Leipzig Hochschule für Grafik und Buchkunst, 1995; Günter Coufal, Der Klumprich, 15 S., 4 Holzschnitte von Solomon Wija. Papiereinband mit Fadenheftung in Kartonhülle. Nr. 59 von 70 Expl., Leipzig, 1998; Der Dahlemer Waldfriedhof/Cartes de amor desde Berlin, Mappenwerk mit 5 Aquantinta-Radierungen von Ana Bellido, *1960, 40 x 30 cm, alle sign. u. dat. (20)05, num 15/50
Lot 366
Sammlungsnachlass mit über 50 Graphiken und Originalen, 20. Jh., für Selbstbesichtiger!Großes Konvolut mit über 50 Arbeiten, Graphiken und Originale, verschiedene Techniken und Größen, dabei Hans Jaenisch, Wolfgang Hartmann, Ruth Stöhr, Peter Lübbers, D. Bouchard, Gerd Winter, Werner Bunz, Willi Wissenbach, Volker Tannert, Georg Herold, Erika Hasenschwanz, Gisela Bührmann, Gust Kulche, M. Lowrey, Georg Karl Pfahler, Horst Janssen, Frank Ermschel, Michael Langer, Pierre Bertin, Wladimir Zabotin, unterschiedliche Zustände, Selbstbesichtigung empfohlen
Lot 388
Angelo Maria Crivelli, "Il Crivellone", zugeschr., Fuchs im Hühnerhof (Volpe che caccia le galline), Ölgemälde um 1700, gerahmtAngelo Maria Crivelli, um 1650 Mailand - 1730, arbeitete am Hof von Parma, galt unter Zeitgenossen als einer der führenden Stilllebenmaler seiner Zeit, hier: Ein angeleinter Fuchs giert nach einer Gruppe von Hühnern, die sich arglos mit ihren Küken auf einem Bauernhof tummeln. Zwei Gänse ergreifen bereits die Flucht, Öl/Lw., altdoubliert mit einigen Retuschen, ungereinigt mit schönem Alterskrakelee, 50 x 102 cm, alt gerahmtIn der zweiten Hälfte des 17. Jahrhundert in Mailand geboren, ist Crivellone zwischen 1662 und 1730 dokumentarisch erfasst. Er arbeitete am Hof von Parma (siehe Orlandi, Abecedario pittorico del M. R. P. Pellegrino Antonio Orlandi, bolognese, contenente le notizie de’ professori di pittura, scoltura, ed architettura, Venedig 1753, S. 60). Unter dem Einfluss von flämischen Künstlern wie Hondecoeter, Weenix, Snyders und Fyt spezialisierte er sich auf die Darstellung von Tieren, wobei sich seine Stillleben durch eine feine und genaue, aber nichtsdestotrotz lebendige Pinselführung auszeichnen. In seinem Schaffen kehrte er immer wieder zu denselben Bildthemen, wie z.B. der Fuchs im Hühnerhof, zurück, die er variierte.
Lot 420
Milton M. Miller, Ehepaar Käserer, 2 sign. & kolorierte Fotografien um 1865, gerahmt Milton M. Miller, 1830 - 1899, bedeutender Fotograf amerikanischer Nationalität, vertreten im Metroplitan Museum of Art, hat wohl im Zuge der Gründung der Photographischen Gesellschaft in Wien im Jahre 1861 dort ein eigens Atelier für den europäischen Markt gegründet, hier: Bildnis des Johann Nepomuk Käserer (1818 Salzburg - 1886) & seiner Frau Constanza (1818 - 1881), Hofwirte des "Schenkgartens" in Aldersbach bei Passau, 2 kolorierte Fotografien, je ca. 17 x 14 cm, handsigniert M. Miller, verso altes Etikett der "photographischen Anstalt des M. Miller in Wien", unter Glas gerahmt in Gründerzeitrahmen
Lot 463
Umfangreicher Sammlungsnachlass mit 127 Blatt Altmeistergraphik 16.-18. Jh, u.a. Adriaen Brouwer, Buffon, Jacques Callot, Daniel Chodowiecki, M. Merian, Robert Nanteuil, Johann Georg Wille, dabei auch zwei restaurierungswürdige Großgraphiken nach Jacob Jordaens & Guido Reni, für Selbstbesichtiger!Adriaen Brouwer, Radierung Geigenspieler vor einer Schenke // Buffon, 17 Kupferstiche aus l´Histoire naturelle, mit exotischen Tieren 18. Jh. // Jacques Callot, Radierung "la bataille" //Daniel Chodowiecki, 6 Radierungen Ost-Indien & 4 Radierungen Gothaischer Hofkalender // Matthäus Merian, "Jagdgelage am Wolfsbrunnen" HD-Schlierbach, 1620 rest. // Robert Nanteuil, Kupferstich von 1656, Jean-Francois Sarrazin u.v.a. // Johann Georg Wille Kupferstich "L`observateur distrait" // dazu zwei restaurierungswürdige Großgraphiken: Pieter de Jode der Jüngere, 1606 - 1674 nach Jacob Jordaens, 1593 - 1678, St. Martin, Bischof von Tours, heilt einen vom Teufel besessenen Mann, Kupferstich & Radierung, 69,8 x 47,8 cm, vgl. Sammlung der Royal Academy of Arts, London, sowie Johann Burger, 1829 - 1912, nach Guido Reni, 1757 - 1642, vielfigurige Szene "Aurora" (Fresko im Palazzo Rospigliosi in Rom), 43 x 100 cm, Besichtigung dieser kleinen "Schatzkammer" sehr empfohlen
Lot 877
Antiquarischer Sammlungsnachlass: Sechs Karten und Veduten sowie ein Heirats-Brief des 16. bis 18. Jhs.Nicolas Cochin (1610-1686), Kupferstich-Karte des Rheinübergangs der Franzosen bei Speyer, "Plan du passage du Rhin par l'Armée du Roy très Chrestien Louis XIV., Commandée par Monseigneur le Duc d'Anguien Prince du Sang, Pair de France, General des Armée de Sa. M. en Allemagne le 19. de Juin 1645", 45 x 53,5 cm; Guillaume De l'Isle (1675-1726), Kupferstichkarte "Le cours du Rhin depuis Strasbourg jusqu'a Worms et les pays adjacens", aufwändig koloriert, 48 x 64 cm; Josse van der Baren (ca. 1560-1604), Panorama von Heverlea, nach einer Zeichnung des Künstlers graviert und gedruckt in Justus Lipsius’ 1605 erschienenem Lovanium, einer Darstellung der Geschichte des Herzogtums Brabant, mit Begleittext 31 x 40,5 cm; Georg Braun und Frans Hogenberg, zwei Kupferstiche des Stadt Worms, Wormatia aus Civitates Orbis Terrarum, Köln um 1580, unterschiedlich altkoloriert, je 10,5 x 46,5 cm; wohl Francesco Terzio (ca. 1523-1591), biblische Szene, Holzschnitt mit tschechischer Erläuterung, 12,2 x 17,8 cm sowie ein Heyraths-Brief von 1702, 34 x 42 cm, alle unter Glas qualitätvoll gerahmt
Lot 885
Sammlung Bücher zur Geschichte Deutschlands u. Europas, 18./19. Jh., dabei seltene Titel!8 Bände: Gottfried August Büttner, Denkwürdigkeiten Aus Dem Leben Des Königl. Preuß. Generals Von Der Infanterie, Freiherrn De La Motte Fouque, 1. Theil, Berlin, Lagarde, 1788, im Halbleder; Rudolf Eickemeyer, Denkschrift über die Einnahme der Festung Mainz durch die fränkischen Truppen im Jahre 1792, Hamburg, Mutzenbecher 1798; Ludwig Ernst Posselt (Hrsg.), Krieg der fränkischen Nation gegen die coalirten Mächte Europens, Nürnberg, in der Bauer- und Mannischen Buchhandlung, 1795, XVI, 380 S. mit gestochenem Porträt (Brissot), gestochenem Titelblatt u. 9 (statt 12) Kupfern, im Ganzleder; Carl Cäsar von Leonhard, Geschichtliche Darstellung der Schlacht bei Hanau am 30. Oktober 1813, Kittsteiner, 1814; Moritz von Kotzebue, Der Russische Kriegsgefangene unter den Franzosen/Der Gefangene in Russland, Frankfurt a. M. / Leipzig, 1816; Christoph von Rommel, Geschichte von Hessen, Krieger und Hampe, Marburg und Kassel, 1820, 1. Theil; Hans Christoph Ernst Freiherr von Gagern, Die Resultate der Sittengeschichte: Die Fürsten oder die Natur der Monarchie, Band 1, Stgt./ Tüb., Cotta, 1835; Ernst Moritz Arndt, Versuch in vergleichender Völkergeschichte, 1844, 2. Aufl., Weidmannsche, Leipzig.
Lot 891
Sammlung antiquarische Bücher über die Antike, 18./19. Jh., dabei seltene Titel!11 Bände: Francois de Salignac de La Mothe (Fenelon), Die seltsame Begebenheiten des Telemach, in einem auf die wahre Sitten = und Staatslehre gegründeten, angenehmen und sinnreichen Heldengedichte durch den Herrn von Fenelon abgefasst, In zwey Theile abgetheilet, Peter Conrad Monath. Frankfurt und Leipzig, 1756, im Ganzleder; Johann Friedrich Wilhelm Egen, Ueber die Homerischen Gleichnisse, ihre Uebereinstimmung und Abweichung von den Gleichnissen neuerer Dichter; über ihr Eigenthümliches und Behandlung bei Erklärung derselben. Nebst einer Beispielsammlung der wichtigsten Homerischen Gleichnisse und Erläuterungen derselben, Bei Johann Adam Creutz, 1790; Francois de Salignac, Les Avantures de Telemaque, Fils d'Ulysse, Paris, Daniel Bartelemy & Fils, 1745, m. 24 Kupfer-Taf. u. zahlr. Vignetten; Vier Tragödien des Aeschylos - übersetzt von Friedrich Leopold Grafen zu Stolberg, Hamburg, Perthes und Besser, 1802; Johann Heinrich Voss, Hesiods Werke und Orpheus der Argonaut, Mohr und Zimmer, Heidelberg, 1806, im Halbleder; Q. Horatii Flacci Opera / ad optimarum editionum fidem scholarum in usum curavit G. H. Lünemann, Göttingen : Deuerlich, 1818; Philoctetes. Tragödie des Sophocles. Zweyte verbesserte Auflage, Weimar, Wilhelm Hoffmann, 1827; Valerius Maximus Sammlung merkwürdiger Reden und Thaten, übersetzt von Friedrich Hoffmann, Tle 1 - 5 geb. in 1, Stuttgart: Metzler, 1828, im Halbleder; Ausgewahlte Biographieen des Plutarchos, übersetzt von J. G. Klaiber und J. F. C. Campe, Metzlersche Buchhandlung, Stuttgart, 1859; Q. Curtius Rufus von den Thaten Alexanders des Großen. Verdeutscht von Johannes Siebelis, Stuttgart Krais & Hoffmann, 1865, im Halbleder; Johann Joachim Winckelmanns Geschichte der Kunst des Alterthums nebst einer Auswahl seiner kleineren Schriften. Mit einer Biographie Winckelmanns und einer Einleitung versehen, Zweite Auflage, Heidelberg, G. Weiß, 1882, im Halbleder
Lot 897
Golf in der Kunst der Jahrhunderte, Portfolio, in Kassette, limit. Aufl., 1999Richard Leech (Text), Golf in der Kunst der Jahrhunderte, zweisprachige Ausgabe in Deutsch und Englisch, Großformat, H 51 cm, unpaginiert, 10 Tafeln, m. Leinen, in m. blauem Velour bezogener Kassette mit goldgeprägtem Deckel- und Rückentitel, Messingecken, num. 192/499, München, Pro Sport Verlag, 1999
Lot 206
Ranftbecher aus Chrysoprasglas Boehmen M. 19. Jh. Mit Uran eingefaerbtes Alabasterglas. Passig geschliffener Stand. Gezackter Ranft. Facettierte Wandung mit hochgeschliffenen tropfenfoermigen Ornamenten. Darunter pastose Goldmalerei. Abgesetzter, vergoldeter Lippenrand. Spannung. Hoehe: 11 cm
Lot 219
Pokal mit Hirsch Boehmen M. 19. Jh. Farbloses, teils gelb gebeiztes Glas. Fusskante mit graviertem Eichenlaub, Schaft mit Nodus facettiert. Die eifoermige Kuppa mit Diamantbuckel. Frontal fein geschnittener Zehnender in baumbestandener Landschaft. Rueckseitig Rosette aus Verkleinerungslinsen. Abgesetzter Lippenrnad. H. 18 cm
Lot 56
Monatsbecher April mit Sternzeichen Stier Riesengebirge, M. 18. Jh. Farbloses Glas. Boden mit Schliffstern. Auf der teils schliffverzierten, leicht geweiteten Kuppa geschnittener, partiell geblaenkter Dekor: Dame in Zeittracht in einer Gartenlandschaft. Rueckseitig ornamentale Kartusche mit Stier und Inschrift: '' APRILIS hat. 30. tag / der fruehling sucht mit sanften blueten uns nach dem Winter zu erquicken, nach harten frost nach langer nacht ergoesst uns florens lust undt pracht''. Mattierter Lippenrand mit Kugelungen min best. H. 8,3 cm
Lot 561
Grosser Krug Aloys F. Gangkofner (Entwurf), Glashuette Lamberts GmbH, Waldsassen, 1953 Gelbbraunes, feinblasiges Glas, mit weissen Opalglasplaettchen zwischen den Schichten. Der angesetzte Henkel in Farblos. H. 31 cm Lit.: Aloys F. Gangkofner - Glas und Licht, Prestel Verlag, Muenchen 2008, Abb. S. 74 (dekoridentische Formvariante) - Ausst.- Kat. Glasmuseum Frauenau, Die Sammlung Wolfgang Kermer, Muenchen - Zuerich 1989, Kat.- Nr. 50 (identisch) Ein verwandtes Exemplar im Besitz des Kunstgewerbemuseums der Stadt Koeln, vgl.: Mus.- Kat. Koeln 1973, Kat.- Nr. 667 m. Abb.
Lot 66
Pokal mit Monogramm Thueringen, M. 18. Jh. Scheibenfuss mit Abriss und nach unten umgeschlagenem Rand. Gemodelter Schaft. Frontal geschnittene, von Blattzweigen gerahmte Kartusche mit Darstellung eines Gelehrten mit Buch in der Hand vor einem Tisch. Rueckseitig Monogramm ''J.S.L.'' und Jahreszahl ''1733''. H. 18 cm
Lot 94
BAKER, Richard (c.1568-1645). A Chronicle of the Kings of England, London, 1674, folio, engraved title, lacking index leaves at the end, later half morocco. With 5 other works in 6 vols. The lot sold not subject to return. (7)BAKER, Richard (c.1568-1645). A Chronicle of the Kings of England. From the time of the Roman Government, unto the Death of King James ... Whereunto is Added, the Reign of king Charles the First, and The first Thirteen years of his Sacred Majesty, King Charles the Second ... All which Additions are revised in this Sixth Impression, and freed from many Errors and Mistakes of the former Editions. London: "Printed for George Sawbridge ... and Thomas Williams," 1674. Folio (347 x 228mm). Additional elaborate engraved architectural and figural title, initials, text printed in double column (variable browning, spotting and staining, a few darker spots, some wormtracks to index with slight loss, lacking index leaf or leaves after Mmmmm4 at the end). 19th-century half morocco gilt by E. Riley, later endpapers (rubbed and scuffed). Provenance: John Trevenen, 1796 (signature at head of engraved title); Sydney Hastings (armorial bookplate, and signature dated 1866 on front free endpaper). With 5 other works in 6 vols., namely [John Stow & Edmund Howe's The Annales, or a General Chronicle of England] (London, [colophon:] "Printed by A. M. for Richard Meighen," 1632, folio, black letter, text printed in double column, lacks all before dedication including title, several leaves torn with loss at the end, contemporary calf, worn, with an early mention of WILLIAM SHAKESPEARE at the foot of p.811/head of p.812 (affected by fraying, illustrated), included in the paragraph opening, "Our moderne, and present excellent Poets which worthily flourish in their owne workes, and all of them in my owne knowledge lived together in the Queene's raigne [i.e. Elizabeth I] ..."), [John Woodall's The Surgeon's Mate or Military and Domestique Surgery] (London, 1639, lacking all before A3 including title and leaves at the end, a few plates, disbound, defective), Venn and his Mermydons: or, the Linen=Draper Capotted: being a Serious and Seasonable Advice to the Citizens of London, Occasioned by the Indirect Practices used in the late Election of Sheriffs. Written by a Citizen of London (London, 1679, 12-page pamphlet, later boards), John Adams' Index Villaris: or, an Exact Register, Alphabetically Digested, of all the Cities, Market-Towns, Parishes, Villages, the Hundred, Lath, Rape, Ward, Wapentake, or Other Division of each County (London, 1690, folio, lacks plate and map, contemporary calf, rubbed) and The Book of Common Prayer (Oxford, "Printed by the University-Printers", 1712, 2 vols., 4to, contemporary calf, "pulpit copy" with numerous vellum page-tabs). The lot sold not subject to return. (7)
Lot 91
ACKERMANN, Rudolph (1764-1834, publisher). The History of the Abbey Church of St. Peter's Westminster, London, 1812, 2 vols., folio, portrait, plan, 82 hand-coloured aquatint plates, contemporary morocco (rubbed). FIRST EDITION. With another book. (3)ACKERMANN, Rudolph (1764-1834, publisher) & William COMBE (1742-1823). The History of the Abbey Church of St. Peter's Westminster, its Antiquities and Monuments. London: Printed for R. Ackermann, 1812. 2 volumes, folio (345 x 285mm). Half titles, engraved portrait of William Vincent, Dean of Westminster, engraved plan, 82 aquatint plates by J. Bluck, T. Sutherland and others after F. Mackenzie, A. Pugin and others, all hand-coloured except one (portrait spotted and creased, title in vol. one browned, some light spotting, staining and browning to 'Introduction', plate 28 detached, with the margins trimmed, not affecting image, some light manly marginal spotting and staining but plates generally clean, plates offset onto text). Contemporary half brown morocco gilt, top edges gilt, others uncut, marbled endpapers (extremities heavily rubbed and scuffed, spines faded). Provenance: From the Collection of the late Seymour Stein (1942-2023); Ferdinand M. [?]McVeagh (armorial bookplate). FIRST EDITION. Abbey Scenery 213, 214; not in Brunet; Hardie English Coloured Books pp.103-4 (calling for 80 aquatint plates only); Lowndes 2880; Tooley 2; Upcott II, 859-68. With a fragment of Rudolph Ackermann's The History of St Paul's School (London, 1816, folio, 2 hand-coloured aquatint plates (only), modern marbled boards). (3)
Lot 190
STANFORD, Edward (1827-1904, publisher) - The Family Atlas ... including the Geological Map of England and Wales, by Sir I. Murchison, London, 1865, folio, 80 hand-coloured engraved maps, half morocco (worn). With a folding map of London (c.1854). (2).STANFORD, Edward (1827-1904, publisher) - The Family Atlas Containing Eighty maps, Constructed by Eminent Geographers, and Engraved on Steel, under the Superintendence of the Society for the Diffusion of Useful Knowledge, including the Geological Map of England and Wales, by Sir I. Murchison, F.R.S., the Star Maps by Sir John Lubbock, Bart. and the Plans of London and Paris, with the New Discoveries and Other Improvements to the Latest Date. London: Edward Stanford, 1865. Square folio (454 x 385mm). 80 hand-coloured engraved maps including 6 star charts and plans of London and Paris (one map and one star chart torn without loss, some light spotting and staining). Contemporary black half morocco (worn and stained). Provenance: From the Collection of the late Seymour Stein (1942-2023); J. M Gillespie (old signature on title). With Davies' Map of the British Metropolis with Extension to the Crystal Palace [title from wallet] (London, Edward Stanford, [1854 or later], large hand-coloured engraved map in sections mounted on linen, folding into original cloth wallet). (2)
Lot 28
FORSTER, E. M. (1879-1970). The Celestial Omnibus and other Stories, London, 1911, square 8vo, original decorated cloth and endpapers designed by Roger Fry. With 14 other works in 15 vols. (16)FORSTER, E. M. (1879-1970). The Celestial Omnibus and other Stories. London: Sidgwick & Jackson Ltd., 1911. Square 8vo (184 x 135mm). Half title, printer's woodcut ornament, 3-pages of publisher's advertisements at the end (some faint browning at gutters). Original grey decorated cloth gilt and grey pictorial endpapers designed by Roger Fry (corners lightly rubbed). The book was issued without a dust-jacket. Provenance: Anthony Eden, 1st Earl of Avon (modern armorial bookplate loosely-inserted). A FINE COPY OF THE FIRST EDITION of the author's first collection of short stories. Other copies are recorded with 4-pages of advertisements at the front, rather than with 3-pages at the end, as here. Bleiler Supernatural Fiction p.75; Kirkpatrick A5a. With 14 other works in 15 volumes, namely Charles J. Darling's Scintillae Juris ... With Frontispiece and Colophon by Frank Lockwood ... Fourth Edition (Enlarged) (London, 1889, 8vo, original parchment wrappers printed in red and black, NUMBER 72 OF 75 "LARGE PAPER" COPIES), George Meredith's Jump to Glory Jane ... Edited and Arranged by Harry Quilter (London, 1892, 8vo, plates and illustrations by Lawrence Housman, one plate detached, original pictorial paper boards by Housman, FIRST EDITION, ONE OF 1,000 COPIES), Dante Gabriel Rossetti's The Poems ... With Illustrations from his own Pictures and Designs. Edited with an Introduction and notes by W. M. Rossetti (London, Ellis & Elvey, 1904, 2 vols., 4to, plates by Rossetti, original parchment-backed buckram boards gilt), Edgar Saltus's Vanity Square. A Story of Fifth Avenue Life (Philadelphia, 1906, 8vo, original yellow pictorial cloth, FIRST EDITION, inscribed, "Anthony from Mummie, Feb. 1923", old armorial bookplate of Anthony Eden), Aldous Huxley's The Defeat of Youth & Other Poems (Oxford, Blackwell, 1918, 8vo, original green decorated wrappers, FIRST EDITION of the author's third book), Ronald Firbank's Santal (London, Grant Richards Ltd., 1921, original mauve wrappers with blue crescent, FIRST EDITION), Le Diable Amoureux, Nouvelle Espagnole (Paris, chez Camille Bloch, 1921, 8vo, etched plates by J.-E. Laboureur, original wrappers with printed label on upper wrapper, NUMBER 321 OF 575 COPIES), Francis Bacon's Essayes. Religious Meditations. Places of Perswasion & Disswasion (London, 1924, "The Haslewood Books", 8vo, initials and ornaments, original parchment boards, dust-jacket, NUMBER 253 OF 975 COPIES, book label of Clarissa Churchill printed in red, not found anywhere else in this collection [illustrated]), John Clare's Madrigals & Chronicles Being newly found Poems ... Edited with a Preface and Commentary by Edmund Blunden (London, The Beaumont Press, 1924, 8vo, illustrations by Randolphe Schwabe, original buckram-backed decorated paper boards, NUMBER 377 OF 398 COPIES, old armorial bookplate of Anthony Eden), D. H. Lawrence's Glad Ghosts (London, 1926, 8vo, original wrappers, "second impression"), Dylan Thomas's Twenty-Five Poems (London, 1936, 8vo, original boards, without the jacket, reprint, SIGNED "Clarissa Churchill, 1938"), Guillaume Apollinaire's Choix de Poésies. Introduction by C. M. Bowra (London, Horizon, 1945, 8vo, frontispiece portrait of Apollinaire by Picasso, original cloth), Jacques Prévert's Histoires. 30 Poèmes de Jacques Prévert. 30 Poèmes d' André Verdet. 31 Dessins de Mayo (Paris, 1946, 8vo, illustrations, original pictorial wrappers, ONE OF 450 COPIES, PRESENTATION COPY, the half title inscribed, "pour Clarissa Churchill, Jacques Prévert" with a small drawing of a flower around the 'o' of "Histoire") and Guillaume Apollinaire's Ombre de Mon Amour (Geneva, 1947, 8vo, plates by Juan Gris, original pictorial wrappers, inscribed [to Anthony Eden], "With my love, C[larissa], Paris, May, 1964"). (16)
Lot 10
BYRON, Lord (1788-1824). Childe Harold's Pilgrimage, London, 1812, Cantos I-II in one vol., 4to, facsimile letter, FINELY BOUND in contemporary red morocco, FIRST EDITION. With Cantos III & IV (1816-18, 2 vols., FIRST EDITIONS) in wrappers and boards. (3)BYRON, George Gordon Noel, Lord (1788-1824). Childe Harold's Pilgrimage. A Romaunt [and] Poems. London: "Printed for John Murray ... William Blackwood, Edinburgh; and John Cumming, Dublin," [March] 1812. Cantos I - II and Poems bound in one volume, 4to (270 x 208mm). 4-lines of errata on verso of "Contents" leaf, engraved facsimile of a Romaic letter at the end ([?]lacks half title and advertisements, first few leaves and a few others very lightly browned, occasional mainly marginal light spotting and staining, a few darker spots, linear stain to L1, more staining to facsimile letter). FINELY BOUND in contemporary red panelled morocco elaborately decorated in gilt and blind, gilt edges (extremities rubbed, some scuffing). Provenance: George Chetwynd (armorial bookplate); "Sotheby's April 22 1837" (old pencil inscription on front free endpaper); Grendon Hall, 1850 (small blindstamp to title). FIRST EDITION, with "vengeance forego" on p.97, line 11. "Murray had printed the usual 500 copies [of the first edition], at the time considered adequate for any book of verse. The edition was sold within three days ... [I]t was the very 'romanticism' of Childe Harold that established Byron and Byronism as a temporarily national and centennially international force in the western mind. What the whole of the nineteenth century admired most was the fascinating blend of aristocratic arrogance and revolutionary enthusiasm, sexual licentiousness and purity of love, glowing passion and deep melancholy, bitter irony and lachrymose sentimentality, exquisite dandyism and high personal courage. All these traits, and many more beside them, the public found in the mixture of realistic confession and stylized saga with which Byron expressed as well as veiled himself in the guise of Childe Harold ... The Byronic combination of oriental enchantment and nature worship, pessimism and pantheism, stamped itself upon European civilization" (PMM). "The Poem enjoyed tremendous success. After the publication of Cantos I and II in March 1812 Byron wrote, 'I woke one morning and found myself famous'" (The Oxford Companion to English Literature, ed. M. Drabble, 1985). Grolier English 68; PMM 270; Randolph pp.19-20; Wise Byron I, p.50. With the same author's Childe Harold's Pilgrimage. Canto the Third (London, John Murray, 1816, large 8vo, 4-pages of publisher's advertisements dated December 1816 at the end, original or contemporary wrappers, FIRST EDITION, the issue with the exclamation mark at the end of the first line on p.4) and Childe Harold's Pilgrimage. Canto the Fourth (London, John Murray, 1818, large 8vo, contemporary paper boards, spine very defective but retaining part of the lettering-piece, FIRST EDITION, second issue). (3)
Lot 170
PETRUS DE NATALIBUS (1370-1400). Catalogus sanctorum, Venice, 1516, small 4to, woodcut illustrations and initials (staining, spotting and light browning), contemporary panelled calf elaborately decorated in blind.PETRUS DE NATALIBUS (1370-1400). Catalogus sanctoru[m et] gestorum eorum. [Colophon:] Venice: Nicolaus de Franckfordia, 1516. Small 4to (214 x 152mm). Full-page woodcut of the Crucifixion surrounded by 14 smaller narrative scenes, the opposite page with 9 woodcut scenes and woodcut foliate borders to two sides, numerous initials, many historiated, the text printed in double column (lacks all before title and with 2 stubs [?for initial blanks], a few leaves loose, variable staining, spotting and light browning throughout). Contemporary panelled calf elaborately decorated in blind (rebacked preserving old spine, a few other repairs, rubbed). Provenance: Petrus Franciscus Passerini (old label on front pastedown); later library label and later pencil collation on the same pastedown; contemporary annotation mainly to first few leaves and, more extensively, at the end. A history of the lives of the Saints, first published in Vicenza in 1493. Adams N47; cf. Brunet III, 496 (citing the first edition); Essling 1511; Sander 4941.
![MILTON, John (1608-74). Paradise Lost ... The Eighth Edition [Third vol:] Paradise Regained [etc], London, 1775-77, 3 volumes](https://cdn.globalauctionplatform.com/9f62f50f-e3e9-488b-bedd-b02f00c8e0e3/78d90f9d-7101-436e-a4d7-b03000b1b34b/468x382.jpg)
Lot 50
MILTON, John (1608-74). Paradise Lost ... The Eighth Edition [Third vol:] Paradise Regained [etc], London, 1775-77, 3 volumes, 4to, 20 engraved plates, contemporary calf (rebacked). (3)MILTON, John (1608-74). Paradise Lost. A Poem in Twelve Books ... The Eighth Edition, With Notes of Various Authors, By Thomas Newton [Third volume:] Paradise Regain'd. A Poem in Four Books. To which is added Samson Agonistes: and Poems upon Several Occasions ... A New Edition, With Notes of Various Authors, By Thomas Newton. London: Printed for J Beecroft, W. Strahan, J. and F. Rivington (and others), 1775-77. 3 volumes, 4to (291 x 222mm). 3 engraved portraits of the author and 17 engraved plates by G. Vertue, S. F. Ravenet, C. Grignion and J. S. Miller after F. Hayman and I. Richardson (plates offset onto text, occasional light spotting and staining, a few leaves more heavily browned and spotted in vol. III). Contemporary marbled calf (rebacked by A. & M. Winstanley's, Salisbury, in 1968, preserving old lettering-pieces and bookplates, new endpapers). Provenance: William Charles Henry (armorial bookplate). Brunet III, 396. (3)
Lot 35
HOGARTH PRESS - John MAYNARD KEYNES (1883-1946). The End of Laissez-Faire, London, Hogarth Press, 1926, 8vo, original cloth-backed paper boards. FIRST EDITION. With 3 other books from the same press. (4)HOGARTH PRESS - John MAYNARD KEYNES (1883-1946). The End of Laissez-Faire. London: "Published by Leonard and Virginia Woolf at The Hogarth Press," 1926. 8vo (185 x 120mm). Half title, woodcut printer's device on title. Original cloth-backed paper boards, printed spine label (boards lightly stained, without the dust-jacket). FIRST EDITION. Woolmer Hogarth Press 97. With 3 other books from the same press, namely E. M. Forster's Pharos and Pharillon (Richmond [London], The Hogarth Press, 1923, 8vo, original blue cloth-backed decorated paper boards, spine label, FIRST EDITION, Woolmer 29), Clive Bell's The Legend of Monte Della Sibilla (Richmond, The Hogarth Press, 1923, 4to, illustrated by Duncan Grant and Vanessa Bell, original pictorial paper boards by Vanessa Bell (without the dust-jacket), FIRST EDITION, Woolmer 27) and [Dorothy Bussy's] Olivia by Olivia (London [Tavistock Square], The Hogarth Press, November 1949, 8vo, original mauve cloth gilt, fifth impression, with a printed dedication "To the Beloved Memory of V. W."). Provenance: Anthony Eden (modern armorial bookplates loosely-inserted in each book). (4)
Lot 180
Report upon United States Geographical Surveys West of the One Hundredth Meridian, in Charge of Capt. Geo. M. Wheeler. Washington, [1875-]-89. Volumes I-V only ([?]of 7), 4to, plates and maps, contemporary half morocco (worn). With another. (6)Report upon United States Geographical Surveys West of the One Hundredth Meridian, in Charge of Capt. Geo. M. Wheeler. Washington: Government Printing Office, [1875-]-89. Volumes I - V only ([?]of 7, and not including atlases), 4to (290 x 232mm). Comprising: Vol. I. - Geographical Report (1889, 24 lithographed plates, some tinted, including fine views, together with a number of maps, some folding, errata slip); Vol. II. - Astronomy and Barometric Hypsometry (1877, 22 plates, some folding, tables); Vol. III. - Geology (1875, 13 plates); Vol. IV. - Paleontology (1877, 83 plates); Vol. V. - Zoology (1875, 45 plates including 15 fine coloured plates of birds). (Some mainly marginal staining.) Contemporary half morocco gilt (worn, covers detached from vol. I, some quite severe dampstaining). With a supplementary "Geology" volume. Provenance: From the Collection of the late Seymour Stein (1942-2023); "Ministry of Defence, Whitehall. Withdrawn" (stamps); "A Contribution from the Engineer Department, U. S. Army" (bookplate in vol. one). Sold as a collection of plates, not subject to return. (6)
![BINDINGS - Robert Smith SURTEES (1805-64). [Selected Works], London, 1888 [or c.1888], 7 volumes, 8vo, 102 hand-coloured vig](https://cdn.globalauctionplatform.com/9f62f50f-e3e9-488b-bedd-b02f00c8e0e3/be1b7bb3-37d0-45df-a542-b03000b6b369/468x382.jpg)
Lot 99
BINDINGS - Robert Smith SURTEES (1805-64). [Selected Works], London, 1888 [or c.1888], 7 volumes, 8vo, 102 hand-coloured vignettes and plates, FINELY BOUND in red half morocco gilt by Mudie. (7)BINDINGS - Robert Smith SURTEES (1805-64). [Selected Works]. London: John C. Nimmo [and others], 1888 [or c.1888]. 7 volumes, 8vo (218 x 140mm). Half titles, 5 hand-coloured vignettes and 97 hand-coloured wood-engraved plates by John Leech, Henry Alken, Hablot K. Browne and others (occasional mainly marginal very light spotting and staining). FINELY BOUND in contemporary red half morocco by Mudie, spines elaborately gilt in compartments, marbled edges and endpapers. "His eight long novels deal mainly with the characteristic aspects of English fox-hunting society, but his vivid caricatures, the absurd scenes he describes, the convincing dialect and often repeated catch-phrases, and perceptive social observation distinguish him from other writers of this genre and won him praise from Thackeray and others; the illustration of his novels by Leech, Alken, and Phiz [i.e. Hablot K. Browne] also contributed to their success" (The Oxford Companion to English Literature, ed. M. Drabble, 1985). A FINE SET OF SURTEES' "JORROCKS" NOVELS. (7)
Lot 119
EGAN, Pierce (1772-1849). Life in London, London, 1821, large 8vo, 36 hand-coloured aquatint plates, 3 folding leaves of music (some staining and spotting), FINELY BOUND in 20th-century scarlet crushed morocco gilt by Sangorski & Sutcliffe. FIRST EDITION.EGAN, Pierce (1772-1849). Life in London; or, the Day and Night Scenes of Jerry Hawthorn, Esq. and his Elegant Friend Corinthian Tom, accompanied by Bob Logic, the Oxonian, in their Rambles and Sprees through the Metropolis. London: Printed for Sherwood, Neely, and Jones, 1821. Large 8vo (236 x 145mm). Hand-coloured aquatint frontispiece, wood-engraved vignette on title, and 35 plates by I. R. & G. Cruikshank, 3 folding leaves of music, the first leaf unnumbered, wood-engraved illustrations, 8-pages of publisher's advertisements at the end (some variable spotting, staining and offsetting of plates onto text, the leaves of music more heavily browned and spotted). FINELY BOUND in 20th-century scarlet crushed morocco gilt by Sangorski & Sutcliffe, the covers with double gilt fillet borders, spine gilt in 6 compartments, gilt edges, marbled endpapers (some very light fading to edge of upper cover and spine). Provenance: From the Collection of the late Seymour Stein (1942-2023). FIRST EDITION of this "description of the life of the 'man about town' of the day, interesting for the light it throws on the manners of the period and for the many slang phrases it introduces" (The Oxford Companion to English Literature, ed. M. Drabble, 1985). Abbey Life 281; Brunet II, 169; Cohn 262; Hardie English Coloured Books p.197: "Robert and George Cruikshank won a huge success by their illustrations to Pierce Egan's Life in London ... Containing thirty-six aquatint plates [i.e. including the frontispiece], coloured by hand, as well as numerous wood-engravings by the two brothers, it ... took town and country by storm"; Tooley 196.
Lot 192
STOW, John (1525-1605), SEYMOUR, R. & J. MARCHANT. The History and Survey of ... London and Westminster, London, 1754, 2 vols., 82 engraved plates ([?]only), all FINELY COLOURED BY HAND, modern morocco. With another related but defective work. (3)STOW, John (1525-1605), SEYMOUR, Robert [dates unknown] & J. MARCHANT [dates unknown]. The History and Survey of the Cities of London and Westminster, Borough of Southwark, and Parts Adjacent ... Being an Improvement of Mr Stow's, and other Historical Writers, and Surveys. To which will be added, A New History of the County of Middlesex. London: "Printed for M. Cooper ... and C. Simpson," 1754. 2 volumes, folio (382 x 240mm). Titles printed in red and black, 82 engraved plates and plans ([?]only), all FINELY COLOURED BY HAND, of which 20 folding, engraved illustrations in the text, text printed in double column, initials (variable spotting, staining and browning). Modern full burgundy morocco, spines gilt. With William Maitland's The History of London (London, 1739, folio, engraved plates [uncoloured], many lacking, modern old-style panelled calf gilt. Provenance: From the Collection of the late Seymour Stein (1942-2023). The colouring in the first 2-volume work is fine, and appears to be quite early. We have been unable to locate a detailed collation for this apparently uncommon edition (the British Library does not seem to hold a copy), but the title page calls for "... upwards of an hundred Copper-Plates, by the most eminent Masters," so we can assume that some are lacking. The William Maitland History is also incomplete. For this reason, regrettably, this lot is sold as a collection of plates, not subject to return. (3)
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