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Lot 415
CHAFFERS (W), THE NEW KERAMIC GALLERY, 2 vols, gilt pictorial green cloth, London, Reeves and Turner, 1926; HOBSON (R), THE WARES OF THE MING DYNASTY, with d.j., and slip case, Charles E Tuttle Company, 3rd, 1971; KENT (W), DESIGNS OF INIGO JONES, Gregg Press, 1967; PATER (W), THE RENAISSANCE, studies in Art and Pottery, Limited Editions Club, 1976; POOLE (M), THE WOOD ENGRAVINGS OF JOHN FARLEIGH, Gresham Publishing, 1985; with four 1960s Sotheby’s auction catalogues on manuscripts.
Lot 434
FAIRLESS (M), THE ROADMENDER, limited edition, 144/1025, Riccardi Press 1920; BLAIR (R), THE GRAVE, with illustrations by William Blake, 1/2 vellum with red boards, London, Routledge; GOOSE (E), ROBERT BROWNING, London, Fisher Unwin, 1890; WHITTIER (J), THE KING'S MISSIVE MABLE MARTIN, London, Sampson Lowe, 1881 (4).
Lot 443
HULME (F), FAMILIAR GARDEN FLOWERS, five series, 3/4 red leather with red boards, Cassell and Company; CATLOW (M), POPULAR BRITISH ENTOMOLOGY, colour plates, gilt red cloth (spine faded), 2nd edition, 1852; DRUMMOND (H), NATURAL LAW IN THE SPIRITUAL WORLD, London, Hodder and Stoughton, 1885 (7).
Lot 452
A large miscellany of mostly 19th century cloth bound poetical and other books, to include, MATHER (M), THE SIGN OF THE WOODEN SHOON, green cloth, Frederick Warne, 1896; WATSON (W), EXCURSIONS ON CRITICISM, Elkin Matthews and John Lane, 1903; TWAIN (M), THE ADVENTURES OF TOM SAWYER, new edition, Chatto & Windus, 1889; DRUMMOND (H), THE LOWELL LECTURES ON THE ASCENT OF MAN , London, Hodder & Stouhgton, 1894; GALSWORTHY (J), THE ELDEST SON, Duckworth, 1912 (quantity).
Lot 465
CALDWELL (T), A PILLAR OF IRON, 3/4 Morocco with red cloth boards by Sangorski and Sutcliffe, edges gilt, Collins, 1966 (p65/66 slightly loose); WEST (M), THE SALAMANDER, 3/4 blue leather with blue cloth boards, HEINEMANN, 1976; BELLOC (H), CAUTIONARY TALES, 3/4 green leather, Duckworth, reprint 1965; PINE (L), THE STORY OF SURNAMES, County Life Limited, 1965; WEST (M), PROTEUS, Collins, 1979, all bound by Sangorski & Sutcliffe, with OSBORNE (J), THE ENTERTAINER, first edition, 1957; later impressions by Osborne, Bronowski and Fry; DURNT (F), limited edition, two copies in slip case, Acheve d’impimer, 1977; and two other books (15).
Lot 1060
DOCKER & BURN LTD; a pair of George V hallmarked silver napkin rings, with repoussé decoration of swags and bow, with engraved initials 'M', together with a further hallmarked silver napkin ring, and two pewter napkin rings, weighable 1.7ozt/53g, (5).Additional InformationEach of the silver ones are engraved with initials, minor denting and wear.
Lot 1073
An Edwardian hallmarked pierced silver and glass oil lamp, with silver plated burner fitting above cut glass reservoir, on a silver stand decorated with flower heads, acanthus leaf columns on paw feet and triform base, with moulded slate base, maker's initials M & S Birmingham 1902, gross weighable silver 33ozt/1033g, overall height 35cm.Additional InformationGeneral tarnishing to the plated fitting of the burner. The reservoir has a chip to the flange which is about 1.5cm long but this does not appear to have affected the ability of the chamber to hold liquid. The silver stand is tarnished and grubby throughout. The base with general age wear discolouration and some small chips.
Lot 16
A group of 11 Matchbox and Airfix model kits, comprising a "Phantom F-4 M/K model kit, a "BAC Lightening" model kit, a "BAC S Jaguar" model kit, a "Dog Fight Doubles Me110D and Spitfire IX" kit, a "Hawker Siddeley Hawk" model kit, a "Boeing 707" kit, a "Vickers VC10" kit, a "Concorde" kit, a "Joan of Arch" kit, a "Caravelle" kit, and a "Comet 4B" kit, plus 2 unboxed Revell fighter plane model kits
Lot 85ST
Make & Model: BMW 120d M Sport AutoDate of Reg: LS59 ZLOColour: Greycc: 2000MoT: 15-06-2022Fuel Type: DIESELMileage: 90kTransmission: AUTOSummary: Two keys (not tested) Selection of invoice and old MoT certsThe V5C for this vehicle is missingVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=148609
Lot 10
JENNIE M HARRIS (SCOTTISH 19TH/20TH CENTURY), FRUIT STUDIES oil on canvas attributed and dated 1907 label verso image size 41cm x 51cm each, overall size 56cm x 66cm each Framed. Label verso: David C Lamond, Dundee. Handwritten label verso, stating Harris was a student at Paisley School of Art.
Lot 309
A lot comprising pewter lidded stoneware pitchers include white relief moulded examples, a Brownfield of Cobridge blue ground pitcher decorated with gilt cranes, two Chinoiserie decorated mantle clocks, a gilt painted jewellery drawer, a studio pottery model of seals by Caroline M. Cowan & other items Condition Report: Not available for this lot
Lot 2003
Ancient Roman, 6 x AE Sestertii comprising: Severus Alexander, obv. IMP ALEXANDER PIVS AVG around laureate bust, rev. MARS VLTOR , Mars advancing right holding spear & shield, 19.1g,AVF, Severus Alexander, obv. IMP SEV ALEXANDER AVG around laureate bust, rev. P M TR P VIII COS II P P Alexander in triumphal quadriga, S C below, 22.6g Fine to GFine, Marcus Aurelius rev. CONCORD AVGVSTOR TR P XV COS III, Marcus Aurelius & Lucius Verus standing facing each other & clasping hands, 22.12g, GFine/VG, TRAJAN rev.TR POT COS III P P S C around Pax enthroned holding sceptre, 26.14g well struck AVF, Faustina Junior, obv. FAUSTINA AVGVSTA around draped bust, rev. IVNO S C around Juno standing facing holding patera & sceptre, 21.63g, GFine or+ & DIVA FAUSTINA SENIOR, obv. DIVA FAVSTINA around bust, rev. AETERNITAS, Providentia(?) standing left, holding globe & grasping star-studded veil, some light surface corrosion o/wise VG/Fine, , together with 8 x Roman Provincial coins, all with Greek legends, & comprising Claudius 2 x billon tetradrachms Alexandria, obv. laureate head of Claudius, rev. Messalina, as Demeter, standing left & holding two small figures (her children Octavia & Britannicus), one coin 12.98g well struck AVF, other 12.5g VG & six x bronze (or possibly billon) coins diameters 18mm to 20mm, Diocletian & possibly Maximianus Fine to VF
Lot 45
Lansdowne (J. F. & John A. Livingstone). Birds of the Eastern Forest, 2 volumes, 1st editions, Canada: McClelland and Stewart 1968-70, Birds of the Northern Forest, reprint edition, Canada: McClelland and Stewart, 1967, numerous colour & monochrome illustrations, period inscriptions to the front endpapers, original cloth in dust jackets & custom slipcase, minor rubbing to head & foot of the spines, large 8vo, together with; Cooper (William T. & Joseph M. Forshaw), The Birds of Paradise and Bower Birds, 1st edition, London: Collins, 1977, numerous colour & monochrome illustrations, original cloth in dust jacket & slipcase, folio, plus Ripley (S. Dillon), Rails Of The World, a Monograph of the Family Rallidae, 1st edition, Boston: David R. Godine, 41 colour plates by J. Fenwick Lansdowne, some very minor marginal toning, original cloth in dust jacket & slipcase, spine very lightly rubbed to head & foot, folio, and Sitwell (Sacheverell et al), Fine Bird Books 1700 - 1900, London: Collins & Van Nostrand, 1953, 38 colour plates, some offsetting to the front & rear endpapers, original cloth in dust jacket, covers lightly rubbed to head & foot, folio, plus other large format ornithology & natural history reference, including Audubon's Birds of America, by Roger Tory Peterson & Virginia Marie Peterson, London: Heinemann, 1981, 'baby elephant' folio, all original cloth in dust jackets, folioQty: (18)
Lot 114
* Payne (Charlie Johnson 'Snaffles'). John Jorrocks Esq. M. F. H. "Tell me a man's a fox hunter and I loves 'im at once" 1923, colour lithograph finished with bodycolour, snaffle bit blind stamp, signed by the artist in pencil to the lower right, uncoloured remarque of a huntsman watching a fox trot across a ride, several repaired closed tears to the lower margin, margins appear to have been overpainted and the title re-written in pencil, overall size 385 x 420 mm, framed and glazed, together with A Sight to take Home and Dream about - But old Jorrocks would have had it - "They were nasty jealous steeple-chasin' little hussies" Fores Ltd [1950], colour photolithograph, uncoloured remarque of two lady point - to - pointers riding a close finish, signed in pencil by the artist to the lower left, faint marking to left-hand margin, overall size 500 x 630 mm, with another framed and glazed example of the same print, somewhat faded, and 'blued'Qty: (3)
Lot 130
* After Brandard (John 1812-1863). The Count Rodolpho "Silenzio, Un Sol Passo, Un Sol Grido L'Uccide," Atto 2. Sceno 10., colour lithograph published by M & N Hanhart, image size 27.5 x 22.5cm (10.75 x 8.75ins), framed and glazed, frame size 41.5 x 35.5cm (16.25 x 14ins), together with a large collection of framed music sheets mostly by the same artist and publisher including Luisa Miller, Martha Quadrille, "Martha", No.4 "I was Poor, Yet I Was Happy." No.5 Gipsy Song, "Stride La Vampa." Sung by Made Viardot Garcia plus Valse A La Guilietta Crisi published at Mori & Lavenu's New Musical Subscription Library, 28 New Bond Street, 29.5 x 22cm, mount aperture, creases and paper scuffs, framed and glazed and othersQty: (32)NOTESJohn Brandard (1812-1863) was an English lithographic artist. Brandard designed many hundred illustrated title pages for sheet music and had a lifelong partnership with the lithographic printers M. & N. Hanhart, for whom he produced designs for Louis-Antoine Jullien from 1844 until 1856 when Jullien was ruined following a fire that destroyed his entire stock of music. Collection of Brandards work are held at Reading University, the Theatre Museum in Covent Garden, The V&A Museum, British Library and the Bodleian Library in Oxford.
Lot 133
* Dola (Georges, 1872-1950). La Chauve-Souris (Die Fledermaus), Operette en 3 actes, d'apres H. Meilhac et L'Halevy, Livret de Paul Ferrier, Musique de Johann Strauss, 1904, colour lithograph poster, printed by Imprimerie Ch. Wall et Cie (Atelier Dola), generally in good condition, sheet size 81 x 53.5 cm (32 x 21 ins), framed and glazed, together with: Gottlob (Fernand Louis, 1873-1935). Les Pecheurs de St. Jean, de Henri Cain, Musique de Ch-M. Widor, 1906, colour lithograph poster, printed by Imprimerie Delanchy, Paris, sheet size 90.5 x 64 cm (35.5 x 25.25 ins), laid down on linen, plus: Rochegrosse (Georges Antoine, 1859-1938). Pénélope, Poème Lyrique en 3 actes de René Fauchois, Musique de Gabriel Fauré, [1913], colour lithograph poster printed by Maquet, Paris, sheet size 82.5 x 59.5 cm (32.5 x 23.5 ins), laid down on linenQty: (3)
Lot 137
* Roscioni (Vincenzo). Gioachino Rossini, Rome, Martelli, 1847, uncoloured lithograph on pale cream wove paper, sheet size 42 x 33 cm (16.5 x 13 ins), framed and glazed, together with 16 similar 19th century lithograph portraits of famous opera singers and composers, including Melle. Cornelie Falcon, by Lemercier after Deveria, published by Charles Tilt, circa 1830s, Adelaide Kemble as Norma, by R.J. Lane, published by J. Mitchell, November 18, 1841, Mme. Branchu as Dido, by F. Noel after A. Collin, Paris, F. Noel et Compie. Editeurs, circa 1824, Adelina Patti, by Lemercier after Desmaisons, Paris, Brandus et S. Dufour, circa 1840s, Tamburini, by Gihaut freres after Deveria, Paris, Gihaut freres, Editeur & Charles Tilt, circa 1830s, Alboni by R.S.E. Gallon, a proof lithograph published by E. Sidebetham, December 15, 1847, F.B. Pischek by Hofelich after Kriehuber, Vienna, Pietro Mechetti, circa 1840s, Gioachino Rossini, by Hullmandel, published by Giuseppe Bistolli, January 20, 1824, Signor de Begnis by M. Gauci, published by W. Sams, April 27, 1829, L.G. Duprez by Thierry Freres after Deveria, Emilio Naudin by B. Riccardi, Adolphe Nourrit by P.C. Van Geel, Paris, Madelle. Kaeppelin, Editeur, circa 1830s, Gaetano Fraschini by Francesco Casanova after O. Nannini, Rubini by M. Alephe, Verdi by Abel Lurat after Camille Gilbert, circa 1860s, and Sims Reeves after Brandard, all framed and glazed, the largest measuring 58.5 x 49 cm (23 x 19.25 ins) overallQty: (17)
Lot 142
* Charles (1948) Prince of Wales & Diana (1961-1997) Princess of Wales. A large slice of cake icing and marzipan base from one of the 23 official wedding cakes made for the Royal Wedding of HRH Prince Charles and Lady Diana Spencer on Wednesday 29th July 1981, the white icing with a sugared onlay of the Royal Coat-of-Arms coloured in gold, red, blue, and silver, a small silver horseshoe and leaf spray adjacent, some white decorative icing tracery laid on top at head and foot, partly cracked and slight damage to shield of crest and other extremities, approximately 20 x 18 x 4cm, and 800 grams (28 oz) weight, preserved in cling film and supported on a card and tin foil base in an old cake tin with hand-made manuscript paper label signed by M[oyra] Smith taped to lidQty: (4)NOTESThis layer of cake icing was given to Moyra Smith, an employee to the Queen Mother at Clarence House. Moyra began her career at Clarence House in the kitchen before moving on to more general duties on the recommendation of Lady Jean Rankin. Besides the main official five-tier wedding cake, some 22 other wedding cakes were supplied by various manufacturers and this seems likely to have been one sent to Clarence House for the consumption of the Queen Mother's staff. In view of its size, it is most likely that it was either from the side of a cake, or from the top of a single-tier cake. This slice of 40-year-old cake icing was acquired from Dominic Winter Auctioneers on 27 August 2008 (lot 301) when it was sold on behalf of Moyra's family. It appears to be in exactly the same good condition as when originally sold, but we advise against eating it, and the royal letter and bottle of commemorative beer that accompanied the lot are not present. However, included here are printed Ceremonial and Order of Service programmes for the wedding in St Paul's Cathedral, and a memorial Royal Wedding Breakfast programme for Buckingham Palace, all 29 July 1981.
Lot 170
Sallust. C. Crispi Salustii de L. Sergii Catilinæ Coniuratione, ac bello Jugurthino historiæ, Gandavi : Ex officina Cornelii Manilii, 1556, printer's woodcut device to title (small hole to fore-margin), occasional marginalia, minor damp stains, some fraying to margins, contemporary limp vellum, lightly dust-soiled, without ties, small 8vo, together with: Lucano (Marco Anneo), M. Annaei Lucani Pharsalia, siue De bello ciuili Caesaris et Pompeii lib. X ex emendatione V.C. Hug: Grotii. cum eiusdem notis, Amsterdam: typis Danielis Elzevirii ..., 1671, engraved title (torn to lower blank margin and bookplate to verso), edges frayed, front endpaper removed, contemporary vellum, 16mo in 8s, Junius, Stat nominis umbra, 2 voilumes, London: printed by T. Bensley for Vernor and Hood, J. Cuthell, Lackington, et al., 1801, engraved portrait frontispiece and additional engraved titles to each, 19 engraved portrait plates, wood engraved vignettes by Thomas Bewick, some toning and scattered spotting, bookplates of Joceline Percy and Jown William Pease, all edges gilt, contemporary gilt decorated red straight-grain morocco, spines slightly faded, 8vo, Justinus (Marcus Junianus), Justini Historiarum ex Trogo Pompeio lib. XLIV cum notis Isaaci Vossii, Leiden: Ex officina Elzeviriana, 1640, engraved title, contemporary calf, lacking upper board, worn, 12mo, Amhurst (Nicholas), Terræ-filius: or, the secret history of the University of Oxford; in several essays. To which are added, remarks upon a late book, entitled, University education, by R. Newton, 2 volumes, London: R. Francklin, 1726, engraved frontispiece to each, titles in red & black, scattered spotting, adhesive tape residue to front hinges, bookplate of C.A. Branston to upper pastedowns, contemporary calf, joints cracked, 12mo in 6s, Marino (Giambattista), L'adone : poema del Cavalier Marino con gl'argomenti, le allegorie, e l'aggiunta di pezzi fuggitivi, 4 volumes, London, 1789, engraved titles and numerous engraved plates, contemporary calf, gilt decorated spines, 12mo, Mannercrantz (C. Gust). Kort Grammatica Eller Underrättelse Om Forsta Grunderne af Engelska Spraket, Stockholm: Tryckt i Stolpiska Tryckeriet, 1783, library stamp to title & final leaf, contemporary marginal notes to some leaves, contemporary and later notations to front endpaper, library ink stamp to endpapers, contemporary half sheep, rubbed and some wear, 12mo, and three othersQty: (15)
Lot 190
Grego (Joseph). Rowlandson the Caricaturist. A selection from his works with anecdotal descriptions of his famous caricatures, 2 volumes, London: Chatto & Windus, 1880, illustrations, some spotting, 4pp. autograph letter from the author to Colonel Gould Weston, 1880, presenting the work tipped-in to volume I half title, top edge gilt, original morocco-backed boards, spines gilt-decorated, a little rubbed and scuffed, 4to, together with Catalogue of the Loan Collection of English Water-Colour Drawings held at the Institute of Art Research, Ueno, Tokyo, October 10-24th, 1929, 54 uncoloured plates, some light spotting and occasional marginal water stains, original limp cloth wrappers, portfolio with bone toggles, s[pine toned, folio, with 4 others including Turner's Liber Studiorum, reproduced in Autotype from the original etchings, 3 volumes, 1871, John M. Gray's George Manson and his Works, 1880, Notes by Mr. Ruskin on Samuel Prout and William Hunt, in illustration of a loan collection of drawings exhibited at the Fine Art Society's Galleries in 1879-80, Fine Art Society, 1880 and Laurence Binyon's The Followers of William Blake, Edward Calvert, Samuel Palmer, George Richmond & their Circle, 1925Qty: (9)
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375864 item(s)/page