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HARRY JACKSON (AMERICAN 1924-2011) Steer Roper (Hard and Fast) , 1959 bronze with medium brown patina atop granite base overall height: 34 cm (13 3/8 in.) signed, dated, and inscribed Bustin' One on base PROVENANCEEstate of the artist LITERATURELarry Pointer, Donald Goddard, Harry Jackson (New York: Harry N. Abrams, Inc., 1981), pp. 160-161, nos. 214-215 (illustrated)LOT NOTESIn his unparalleled creative trajectory from realism to abstraction to realism again, Harry Jackson - as perhaps no other American artist of the period - embodies the spirit of relentless inquiry that came to define the art of the 20th century. One of the most prolific and significant Western artists of his generation, Jackson also produced an immensely diverse body of work, represented in lots 119-122, including two important canvases from his Abstract Expressionist period. Prior to settling in Wyoming to make his best-known work, Chicago-born Jackson had served in World War II as a combat Marine artist, awarded a Purple Heart, and, in 1944, stationed in Los Angeles. Soon after, he saw Jackson Pollock's The Moon-Woman Cuts the Circle and The She-Wolf, which impressed him profoundly. Determined to meet Pollock, Jackson moved to New York, where he became a close friend of the artist and gained notoriety for his own Abstract Expressionist works, capturing the attention of Clement Greenberg and Meyer Shapiro (who featured him in their Talent 1950 show at the Kootz Gallery) and later exhibiting at Tibor de Nagy Gallery.Eventually, Jackson's childhood fascination with cowboys (he, aged 14, had run away from home to a Wyoming farm), his academic training at the Art Institute of Chicago, and a 1954 tour through Italy reinvigorated Jackson's interest in Realism. Perspective and modeling, infused with the ethos of abstraction, made their way into his works. During a second trip to Italy in 1956, Jackson began studying sculpture at the Vignali-Tommasi Foundry, producing the first of his Western bronzes in the tradition of Frederic Remington and Charles M. Russell. He made trips to both the American West and Europe throughout the 1950s and 60s, setting up his own foundry and finally relocating his studio to Wyoming in 1970.In 1958, an inspired conversation with Robert Coe (United States Ambassador to Denmark and trustee of the Whitney Gallery of Western Art in Cody) about Gustave Courbet's Burial at Ornans at the Louvre led Jackson to secure a monumental commission, now part of the Range Burial cycle. In preparation for the piece, Jackson began experimenting with bronze, and produced Steer Roper (Hard and Fast) soon after, in the summer of 1959. Reflecting on the work, Jackson notes that while the process was initially difficult, he conquered the vagaries of metal armatures, and learned how to control and detail the wax surface. He explains: The surface of this bronze was worked very broadly and roughly in order to stress the extraordinary action in this everyday task.
A SMALL GILT PORCELAIN DRINKING CUP AND SAUCER comprising:a) a drinking cup with floral cartouches and gilt rim on a circular foot, marked undernearth with USSR export mark U*S*S*R / M*M / 01-06-1937; height: 7 cm (2 3/4 in.)b) a saucer with conforming decoration, marked undernearth with USSR export mark U*S*S*R / M*M / 01-06-1937; diameter: 10.2 cm (4 in.)
An antique later 19th / early 20th century Armand Marseille doll / dolly. Bisque head, with sleeping eyes. Composition body. All fingers and toes present. Largely in good condition for age, with no cracks or repairs to the head. Stamped to rear of head ' Germany 990 A 14 M '. Measures approx; 62cm tall.
British Exhibition, Military Sports, Music Prize, and Society Medals (9): British Empire Exhibition 1925 'Torchlight Tattoo' silvered bronze 38mm, Eimer no. 1998, named to 'C. SPARKES', GEF with original case; Hovis' Bakers Exhibition 1921 bronze medal d.38.5mm insc. 'CROYDON BAKERS, AWARDED TO F.S. OSBORNE, FOR HOVIS, EXHIBITION 1921' nEF; Confectioners, Bakers and Allied Traders Annual International Exhibition London, bronze d.48.5mm, insc. 'F. GOULD . LINCOLN. 1906', EF, a couple of scratches; The Army Rifle Association large white metal medal 101mm for 'THE PARACHUTE REGIMENT CUP 1959' aEF; The Flora Medal bronze d.51mm by 'J.C.' insc. 'YARDLEY & STETCHFORD SHOW, AWARDED TO T. EDWARDS FOR VIOLAS, AUG. 17th 1910' EF with some remnants of a paper label on top edge; Royal Academy of Music, two bronze medals d.40mm, Eimer 1165, named to 'WINIFRED M. WILLIAMS' for 'SIGHT SINGING 1904' and 'VIOLIN 1904', EF with suspension loops; Silver-plated medalet 20mm of Anton Rubinstein 1829-1894, toned aEF; and Yellow and white plated base metal jewel 54mm, 'JUVENILE BRANCH' around image of the Good Samaritan, makers details on the back, EF with suspension and pin.
Sword Wilkinson ERII 1897 pattern presentation sword with ERII cypher to guard blade embossed the East Yorkshire regiment (the Duke of Yorks own) the Poona guards the Snappers with ERII cypher on the other side is embossed Sgt W M Birkin 1st battalion 14039201 with battle owner’s of the regiment in its metal scabbard very nice sword
Aethelred II silver penny, Crux Issue, Spink 1148, obverse reads:- +AEDELRAED REX ANGLOX [Both 'AE's ligulate, 'D' with thorn, reverse reads:- +BYRHTRIC M-O DEOD [First 'D' with thorn], Thetford Mint, moneyer Byhtric, Ex. Noble Numismatics, Auction 111, lot 1379, April 2016 Ex. Ditto Auction 54, lot 931, full, round, well centred, GVF
Aethelred II silver penny, First Hand Issue, Spink 1144, early transposed variety, obverse reads:- +AEDELRED REX ANGLOX [ 'AE' ligulate, first 'D' with thorn], A W transposed, reverse reads:- +LEOFRIC M-O GIPES, Ipswich Mint, moneyer Leofric, this coin Sadler Vol. I, p.41, Fig.22, 7 known all same dies, present piece Ex. York Coins Dec. 2009, Ex. Gordon V.Doubleday Collection, Glens, 6.10,1987, lot 188, Ex, R.C. lockett Collection 672 and from the dark tone Ex. Ipswich Hoard 1863 extremely rare, with 3 old tickets, GVF
Aethelred II silver penny, First Hand Issue, Spink 1144, obverse reads:- +AEDELRED REX ANGLOX ['AE' and 'NG' ligulate, 'D' with thorn], reverse reads:- +LIVINC M-O NORDPIC ['D' with thorn], Norwich Mint, moneyer Livinc, Ex. Doubleday Collection, Ex. Duke of Argyll Collection and with an Ipswich Hoard black patina 1863, with an old ticket, full, round, well centred, VF
Aethelred II silver penny, First Hand Type, Spink 1144, obverse reads:- +AEDELRAED REX ANGLOX [both 'AE's'and 'NG' ligulate although 'NG' could be 'I G', first 'D' with thorn, OX with connecting crescent], reverse reads:- +OSFERD M-O DEOTFO [both 'D's with thorn], Thetford Mint, moneyer Osferth, found near Lincoln on 22June.2003 and was recorded in the BNJ 74, 2004, p.215, no.177, ill.pl. 20, Ex. DNW Auction 65, 16.March.2005, lot 102, ill., 7 coins these dies known to cataloguer. Die flaw at obverse 4 o'clock, full, round, well centred, typical East Anglian Bust, slightly rough surfaces, GVF
Aethelred II silver penny, Long Cross Issue, Spink 1151, obverse reads:- +AEDELRAED REX ANGLO [Both 'AE's and 'NG' ligate, first 'D' with thorn, 'O' with central pellet, reverse reads:- +AELEPINE M/O LEIE ['AE' ligate, 'O' with central pellet], Chester Mint, moneyer Aelewine, Ex. CNG electronic auction, central hairline crack, crinkled, peck marked, round and well centred, AVF
Aethelred II silver penny, Second Hand Issue, Spink 1146, Anglo-Scandinavian imitation, blundered legend looks engraved not produced from official punches, also has pecks, obverse reads:- +POFNI?R?D?EFNOT? barbarous, reverse reads:- +MANINIC M-O NORPI, 'Norwich' Mint, moneyer 'Maninc', 1 41g., Ex. Spink Auction 191, lot 223, Nov. 2007, Ex. Viking lot 1221, this very interestinc coin has 5 old tickets, one of which is incorrect, full, round, lightly crinkled, GF
Aethelred II silver penny, Second Hand Issue, Spink 1146, obverse:- +AEDELRAED REX ANGLOX [Both 'AE's ligulate], reverse reads:- +EADELM M-O LVND, London Mint, moneyer Eadelm, Ex. Bob Thomas, Ex. Lack and Pheatt Collections, Ex. Commander Mack Collection, Ex. Duke of Argyll Collection, with 3 old tickets and photos. one ticket states 'Dr, Gibson 7/-', full, round, well centred, GVF
Septimius Severus silver denarius, Rome Mint 198 A.D., rev. reads:- IOVI CONSERVATORI, Jupiter seated left, holding Victory and sceptre, S. 6289, with old ticket, patchy tone, VF, a ditto but, Severus Alexander, Rome Mint 227 A.D., rev. reads:- P M TR P VI COS II P P, Pax advancing left, holding olive-branch and sceptre, S. 7905, with old ticket, VF, and a ditto but Antoninus Pius, Sear 4131? from the corrosion this flan has attracted this is probably the core of an ancient forgery, with ticket, NF [3]
Septimius Severus silver denarius, Rome Mint 200 A.D., reverse reads:- P M TR P VIII COS II P P, Victory hovering left, holding open wreath with both hands, over round shield set on base, obverse 9 o'clock striking crack, weak on P P but nice portrait NEF, with a ditto but Severus Alexander, Rome Mint 222 A.D., reverse reads:- P M TR P I I COS P P, Salus seated left, feeding snake arising from altar, Sear 7894, both have old tickets, VF [2]
William II silver penny. Cross in Quatrefoil Type, Spink 1259, obverse reads:- +P[ ]LLELM REX [M R ligulate], reverse reads:- +[ ] I IGLRIC ON OR, Norwich Mint, moneyer Aegelric?, with 2 old tickets, Ex. Timeline Auctions 53, 12.9.2015, lot 2793, full, round, half legend each side flat, small piece missing at obverse 9 o'clock, nice clear portrait, rare, centres VF, coin GF

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375851 item(s)/page