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Lot 18
A pair of WWI military boots by Flights Ltd, for New Burlington Street, London W1, with stays engraved to Captain R. G Dyer, by M. Wildsmith & Sons, makers of 17 Jermyn Street, London SW.Captain Ronald George Dyer served as a gunner in the Hampshire Royal Garrison Artiller, before being commissioned in the Hampshire Regiment. Subsequently attached and then transferred to the RAF he finished his career in the Second World War as a Wing Commander.
Lot 170
Philately. EII, commemorative stamps, in books, comprising Northern Ireland., BBC 75., European 96., H M Queen Elizabeth The Queen Mother., Breaking Barriers., Her Majesty's Stamps., A Gracious Accession., Unseen and Unheard., World Changes A Tale of British Scientific Genius., Microcosmos., World of Invention., A Perfect Coronation., and Letters By Night. Approx face value 150 to 180
Lot 279
The Gordon Highlanders Cap Badge and Cross Belt collection including: K&K: 687 1898 onwards Cap Badge w/m (By Dand in two words), K&K: 686 Cap Badge (Bydand one word) with regimental Tartan w/m, Aberdeenshire Rifle Vol's Corps - one of the Army Volunteer Corps to form the 4th Battalion in 1893 w/m (plate 25; page 65 Gaylor), K&K: 686 WWI Brass Economy Issue 1916 Cap Badge, EIIR Sporran Badge, Gordon's Shoulder title and Victorian 92nd Foot Cross Belt Badge w/m).
Lot 222
Royal Artillery Cadet (Gilding-metal), three lugs. K&K: 810. -Royal Artillery Militia WWI Cap Badge (Bi-metal), slider. K&K: 818, rare variant with the letter 'M' in the centre in white-metal. -Royal Artillery WWI Territorial Forage Cap Badge (Gilding-metal), slider with Ubique replaced with laurel-spray.-Royal Artillery (5th London Brigade) Royal Field Artillery WWI Cap Badge (Gilding-metal), slider. K&K: 822.
Lot 252
A quantity of cameras and equipment to include a Pentax ME SLR 35mm camera, an Agfa Apotar Silette Prontor camera in leather case, various lenses to include Komura Telimore 95 Mk2 (7-K-M-C), an Asahi SMC Pentax-M, 1:1.7, 50mm lens, an Asahi SMC Pentax-M 1:3.5, 135mm lens, a Hoya Zoom close-up lens, a Toshiba 227 flash, a small pocket camera and a telescopic tripod, etc.
Lot 250
Five cased camera lenses to include a Soligor 35-70mm, Komura lend M MFG. Ltd, Telemore 95 II 7.K.M.O, a Sankyo Tele Converter X 1.5 lens, a Hoya HMC Tele-Auto Close Focus FE 1355mm lens, a Hoya HMC 52mm Skylight (1A) lens, a Hoya HMC Zoom and Macro 80-2055mm 1.3.8 lens and a quantity of photographic camera and lens cases to include Nikon and Hama (2).
Lot 318
TEEDOSE wohl Rudolstadt, 20.Jh. Farbig bemalte Reliefszene m Stil von Capodimonte / Neapel. Gemarkt. H.12cm A TEA CADDY probably Rudolstadt, 20th century Relief scene painted in colour and in the style of Capodimonte / Naples. Maker's mark. 12 cm high. Keywords: miscellaneous pieces, Germany, Deutschland, German, pottery, ceramic, chinaware
Lot 1
Nine hand-drawn Allan Cameron concepts from the production of Michael Radford's dystopian drama 1984. The collection consists of seven large pencil drawings of several sets, including Winston's (John Hurt) apartment, an apartment building, some run-down areas of London, the infamous torture chamber Room 101, and the witness room. There is also a hand-drawn storyboard depicting helicopters flying over London, adhered to a larger piece of paper with handwritten notes, and a printed copy of the storyboard with additional handwritten notes in blue pen. The artwork for Room 101 is coloured with watercolour paint. The artwork has some wear from production use and age, including creases, small tears and edge wear, where the pages have been pulled from a sketchbook. Dimensions (largest artwork): 42 cm x 59 cm (16 1/2" x 23 1/4"); (storyboard): 21 cm x 29.5 cm (8 1/4 x 11 1/2") Sold without copyright; see copyright notice in the Buyer's Guide.Estimate: £800 - 1,200 M
Lot 10
Roger Christian's annotated script from the production of Ridley Scott's sci-fi horror Alien. Christian was nominated for an Academy Award® for his work as art director on the film, and had recently won an Academy Award® for his set decoration on Star Wars. The script is 116 pages long, including the title and end pages, and is bound between its original brown card cover and a black leather hardback cover, added after production. "Roger Christian" is handwritten in red ink on the title page, and Christian has annotated the script in pencil, with notes detailing set dressing requirements and necessary props. The script has some wear from production use and age, including creasing and wear to the original cover. It is accompanied by a letter of authenticity from Christian himself. Dimensions: 32 cm x 23 cm x 3 cm (12 1/2" x 9" x 1 1/4")Estimate: £2,000 - 3,000 M
Lot 100
A photo signed by Heath Ledger from the promotion of Christopher Nolan's action-thriller sequel The Dark Knight. The colour promotional still shows an eerie close-up shot of the Joker's face, with his distinctive clown make-up. The image has been autographed by Ledger in silver-coloured marker. Extremely rare, the photo originates from the personal collection of Mr Ledger's personal assistant. Water damage is present on the top-right corner, slightly affecting the penmanship, and the image displays light surface scratches. Dimensions: 21 cm x 30.5 cm (8 1/4" x 12")Estimate: £2,000 - 3,000 M
Lot 101
A Gotham City Police badge with mourning band and ranking bars from Christopher Nolan's action-thriller sequel The Dark Knight. Gotham City Police wore their badges during the funeral procession for Commissioner Loeb (Colin McFarlane), where the Joker (Heath Ledger) attempted to assassinate Mayor Garcia (Nestor Carbonell). Mounted on a leather backing, the faux-silver resin police badge features the Gotham City emblem, the etched words "Founded 1820" and a black elastic mourning band. Four enamelled medal bars are situated above the badge, with one displaying gold-coloured text reading "R.C.- D.W.I." Signs of production use include glue remnants on the back, minor scratches, and a missing butterfly clasp on one of the bars. Dimensions: 12.5 cm x 6 cm x 1 cm (5" x 2 1/4" x 1/2")Estimate: £300 - 500 M
Lot 106
A storyboard set from the production of the sci-fi television series Battlestar Galactica. Originally used by the production's special effects team, this set of 142 printed storyboards depict the pilot episode, titled "Saga of a Star World". The storyboards are based on an early version of the script and feature elements that were changed in the final pilot, including changes to character names and the title sequence. The sheets are bound with two brass pins within a card cover, which has"Galactica" printed in the lower-right corner. Each sheet features a large image, a shot number, a brief description, details of background elements, dialogue, and special instructions. Labelled as "#9" on the inside of the front cover, the storyboard set displays light edge wear, discolouration and creasing on the card cover. Dimensions: 21.5 cm x 35.5 cm x 1.5 cm (8 1/2" x 14" x 1/2")Sold without copyright; see copyright notice in the Buyer's Guide.Estimate: £800 - 1,200 M
Lot 109
A Cylon civilian robe and mask from the sci-fi television series Battlestar Galactica. Cylon civilians were inhabitants of the planet Gamoray and were seen in the Season 1 episode "The Living Legend: Part 2".The hooded robe is made of faux-gold lamé fabric, featuring wizard-style sleeves and a zip fastening running down the front. Metallic black striping decorates the robe's hood, sleeve cuffs and front. Made of blue vacuum-formed plastic, the mask features a faux-gold painted face displaying a long eye slit and several adhered electronic components. There is visible wiring present on the interior, and the electronics within the mask no longer function. The fragile mask displays paint wear, glue remnants on the front, and cracking around the edges. Fading is present on the robe's striping. Dimensions (mask): 17 cm x 16 cm x 29 cm (6 3/4" x 6 1/4" x 11 1/2")Contains electronics: see electronics notice in the Buyer's Guide.Estimate: £1,000 - 1,500 M
Lot 110
Specter's (Murray Matheson) Cylon costume from the sci-fi television series Battlestar Galactica. Specter wore his costume in the episode "The Young Lords" as he commanded the Cylon garrison on Antilla. The costume consists of a long silver-and-purple striped brocade robe, which is stamped with "Roger Sides Battlestar Archives" in black ink near the collar. It shows some wear from age and production use. The costume has become slightly dusty in appearance, and the collar no longer stays upright as it does on screen.Estimate: £1,000 - 1,500 M
Lot 111
A Sandworm puppet from Tim Burton's horror comedy Beetlejuice. This puppet was created by the production for stop-motion sequences featuring the snake-like creature that eventually devoured Beetlejuice (Michael Keaton).The lot is made of foam-filled, textured latex skin with a metal armature, and is painted in black and white stripes. The puppet features red eyes, a green mouth, and a dorsal fin that is attached via a thin, braided inner wire in order for the puppet to appear as one solid piece. There are signs of age and production use, including cracking on the skin and minor paint wear, with the lot in fair overall condition. The metal armature is visible on the base end of the puppet which was not visible on camera and therefore did not require finishing. The puppet comes mounted on a custom display featuring the production title artwork, which illuminates when a switch at the back of the base is pressed. Dimensions (displayed): 18 cm x 52 cm x 39 cm (7" x 20 1/2" x 15 1/4")Contains electronics: see electronics notice in the Buyer's Guide.Estimate: £4,000 - 6,000 M
Lot 114
Blade's (Wesley Snipes) armored tactical vest from Stephen Norrington's action horror Blade. The half-vampire "Daywalker" wore his vest as part of his signature costume, as he sought to prevent Deacon Frost (Stephen Dorff) from unleashing the supreme blood god La Magra.Custom-made for the production, the vest is made from a combination of black faux leather, padded rubber sections and a Neoprene piece at the back. Numerous storage pouches and loops adorn the front, and popper fastenings are present on the sides and back. Two non-adjustable metal buckles clip across the chest, with a further two buckles situated on the shoulders. The garment displays signs of production use, including several light marks on the front, fraying on some of the loops, and minor wear, notably to the interior of the Neoprene section.Estimate: £3,000 - 5,000 M
Lot 116
A clapperboard from the production of Stephen Norrington's action horror Blade. Used by the "B" camera unit during filming, the clapperboard consists of an acrylic slate with a wooden clapper fixed to the top. The film's title is engraved in blue at the centre, with fields situated above for the roll, scene and take number; handwritten black marker pen details are still present within the fields. The names of director Norrington and director of photography Theo van de Sande are also engraved in blue, and the clapperboard is dated "6 6 97". It shows minor wear due to production use, including scratches, paint wear along the clapper arm, and some fading of the ink over time. Dimensions: 2 cm x 28 cm x 24.5 cm (3/4" x 11" x 9 3/4")Estimate: £1,500 - 2,500 M
Lot 118
Hannibal King's (Ryan Reynolds) costume from David S. Goyer's action-horror sequel Blade: Trinity. The ex-vampire wore his costume when he, Abigail (Jessica Biel) and Blade (Wesley Snipes) killed several familiars and visited Dr. Vance's (John Michael Higgins) office, where they came face to face with Drake (Dominic Purcell).The costume consists of a burnt orange Sixty leather jacket (size L), a black tactical vest, a black long-sleeved Diesel® top (size M), a pair of navy cotton-blend cargo trousers, and a black suede-like belt. Three faux-silver metal stakes are adhered to the front of the vest and a target is painted on the back. A vintage truck belt buckle finished in faux silver and teal adorns the front of the belt. Several marks and scuffs are present on the jacket, and the costume displays minor wear.Estimate: £1,000 - 1,500 M
Lot 119
Hannibal King's (Ryan Reynolds) special effects pistol from David S. Goyer's action-thriller sequel Blade: Trinity. King wielded his pistol as he and fellow Nightstalker Abigail Whistler (Jessica Biel) joined forces with Blade (Wesley Snipes) to battle Drake (Dominic Purcell) and the Vampire Nation. King's pistol had a top-mounted camera, which he used to document the Nightstalkers' targets.Custom-made for the production, the pistol is cast in metal and the main body is finished to replicate the look of blued steel. A small artificial camera is mounted on the top and a holographic computer disc is housed in an indent on the right side. The top section lifts, allowing the disc to be removed. Powered by three AAA batteries within the barrel, the disc spins continuously when the lower green button on the main body is pressed. The weapon exhibits minor paint wear and scuffs from production use. Dimensions: 28 cm x 4.5 cm x 19.5 cm (11" x 1 3/4" x 7 3/4")Contains electronics: see electronics notice in the Buyer's Guide.Estimate: £3,000 - 5,000 M
Lot 12
An H.R. Giger-designed special effects mechanical alien head from the production of Ridley Scott's sci-fi horror Alien. The Alien stalked the crew of the Nostromo, picking them off one by one after bursting through the chest of executive officer Kane (John Hurt). This head was constructed for the production by David Watling, who also previously worked on the mechanical R2-D2 unit on Star Wars. Although Carlo Rambaldi was commissioned to make three mechanical alien heads, he was busy working on another film at the time, so Watling was asked to construct a back-up in case Rambaldi's were delayed or below par. Watling's head was intended to be operated via a radio-control system, whereas Rambaldi's was operated using hand levers. The head was based on H.R. Giger's iconic design and, judging by the piece's airbrushed paintwork, it was also likely to have been hand-painted and finished by Giger himself. Ultimately, Rambaldi delivered his three Alien heads on time as promised, and Watling's, though well documented in numerous interviews about it being built for production, was never used on camera.The head is largely made of resin and fibreglass, and has a moveable jaw and toothed 'tongue' that can protrude from the mouth. The front of the head is shaped like a human skull, as per Giger's original design, with resin teeth that are plated to look metallic. The back of the head is missing, with cables protruding, revealing where the controls were attached to manipulate the mouth. A headcap is fitted within, allowing the head to be comfortably worn by the Alien performer. The head shows wear from production use and age. The jaw and 'tongue' are both mounted on a slide mechanism, with the chrome plated teeth on the tongue spring loaded and mechanised. There are cracks and small holes in the resin, most notably on the left side. Some of the paintwork has chipped away, most clearly on the teeth. Dimensions: 83 cm x 22 cm x 36 cm (32 3/4" x 8 3/4" x 14 1/4") Special shipping required; see special shipping notice in the Buyer's Guide.Estimate: £40,000 - 60,000 M
Lot 120
Abigail Whistler's (Jessica Biel) costume from David S. Goyer's action-thriller sequel Blade: Trinity. Abigail Whistler wore her costume throughout the film as she and the Nightstalkers battled their vampiric enemies.This costume consists of a brown leather waistcoat laced with leather thong; a pink Nike® crop top (size S/M) with adjustable straps; a black leather lace-up arm protector with lacing; a pair of soft black low-slung fleece leggings; a brown leather archery glove; and a black leather harness that sits on the hips. The leather items all show signs of wear, most notably creasing, and there is one small circular water mark on the glove's index finger.Estimate: £2,000 - 3,000 M
Lot 121
Abigail Whistler's (Jessica Biel) bow, quiver, arrows and backpack from David S. Goyer's action-thriller sequel Blade: Trinity. Abigail used her weapon in multiple scenes and handed the backpack to Hannibal (Ryan Reynolds) when she rescued him after his capture by vampires.The compound bow consists of a black metal frame with three red-and-black cables. It has a five-pin sight with a built-in spirit level connected to the front, and comes inside a camouflage Boorman Archery bag. The canvas quiver contains three tubes, in which seven plastic arrows are adhered. The triangular backpack features sections made from a variety of materials, a mesh pocket and adjustable straps with clip fastenings. The lot displays minor wear from production use, including remnants of dirt on the backpack, and one of the arrows has become loose within its tube. The lot is accompanied by two New Line Cinema letters of authenticity. Dimensions (bow): 37 cm x 7 cm x 89 cm (14 1/2" x 2 3/4" x 35"); (quiver): 73 cm x 11 cm x 5 cm (28 3/4" x 4 1/4" x 2"); (backpack): 56 cm x 39 cm x 10 cm (22" x 15 1/2" x 4")Estimate: £3,000 - 5,000 M
Lot 122
Blade's (Wesley Snipes) Daywalker sword from David S. Goyer's action-horror sequel Blade: Trinity. The half-human half-vampire carried his sword in multiple scenes throughout the film and wielded it as he fought Drake (Dominic Purcell) during the film's climactic battle.The weapon has a thin, polished aluminium blade with fuller detailing running along its length. Finished in black and faux-silver paint, the sword's grip is flat on one side and decorated with ornate vampiric glyphs and ribbed detailing. Signs of wear from production use are present on the weapon, including light scratches, paint wear and marks on the blade and grip. Dimensions: 89 cm x 5 cm x 4.5 cm (35" x 2" x 1 3/4")Estimate: £3,000 - 5,000 M
Lot 123
Abigail Whistler's (Jessica Biel) hero UV Laser Arc Bow from David S. Goyer's action-thriller sequel Blade: Trinity. Abigail used her weapon when she brawled with a band of vampires at a deserted train station, and Hedges (Patton Oswalt) also demonstrated it to Blade (Wesley Snipes) at the Honeycomb Hideout.Made of metal, the arc bow features a central handle, two silicone "laser" components which insert into each end, and several incorporated grooved sections finished in faux silver to produce a futuristic appearance.Powered by an MN21/23 battery, both laser components feature internal blue LEDs, activated by a button on the base. The UV Arc Bow displays minor paint wear and several marks on the handle, while its electronics are temperamental. The lot is accompanied by a New Line Cinema letter of authenticity. Dimensions: 91.5 cm x 35 cm x 4.5 cm (36" x 13 3/4" x 1 3/4")Contains electronics: see electronics notice in the Buyer's Guide.Estimate: £2,000 - 3,000 M
Lot 124
Blade's (Wesley Snipes) final battle costume from David S. Goyer's action-horror sequel Blade: Trinity. Variations of Blade's signature costume were worn throughout the film, and he donned his red-top attire for his final confrontation with the vampire patriarch Drake (Dominic Purcell) during the film's climactic scenes.The costume comprises a full-length faux-leather coat; a padded tactical vest featuring an engraved chest buckle fastener and a metal belt buckle at the waist (labelled "Wesley"); a red long-sleeved leotard decorated with printed tribal designs; a pair of neoprene gloves with faux-silver painted stud detailing; a pair of black trousers with a metal stake adhered in the left leg pocket (labelled "Wesley"); and a pair of thick-soled lace-up boots. Handwritten text inside the coat reads "Padded fit, sprayed for water repellency". A sword scabbard is adhered to the back of the vest and there is an intentional hole at the back of the coat, which allows the sword to be inserted. The costume exhibits minor wear from production use, with light marks on the coat and glue remnants around the waist buckle. The costume is displayed on a custom-made mannequin featuring Snipes' likeness. Dimensions (displayed): 32 cm x 70 cm x 190 cm (12 1/2" x 27 1/2" x 74 3/4")Special shipping required: see special shipping notice in the Buyer's Guide.Estimate: £6,000 - 8,000 M
Lot 125
A production-used clapperboard from David S. Goyer's action-horror sequel Blade: Trinity. The clapperboard consists of an acrylic slate with a wooden clapper fixed to the top. Pieces of tape have been applied to some of the fields on the slate, and feature handwritten text, including the production title "Blade III (Trinity)" and the names of director David S. Goyer and additional-photography cinematographer Steven Bernstien. Dated "Nov 17, 2003", the back of the clapperboard features an adhered image of a door with Bernstien's name on it, and his autograph is situated below in black ink. The lot shows minor wear from use, including scuff marks on the arm, scratches on the acrylic, and remnants of dirt on the tape. Dimensions: 2.5 cm x 28 cm x 23.5 cm (1" x 11" x 9 1/4")Estimate: £600 - 800 M
Lot 126
Two hand-drawn sketches from the production of Ridley Scott's sci-fi thriller Blade Runner. Created by effects illustrator Tom Cranham, the artwork depicts the highly detailed industrial 'Hades Landscape' seen during the film's opening sequence. Rendered in pencil on tracing paper, both sketches show front views of the distinctive structures which formed the future-LA skyline, with added smoke clouds filling parts of the sky. Six smaller empty boxes are situated below the artwork on both pages, and each sheet is labelled "Blade Runner, Hades Landscape - Tom Cranham" on the left edge. The sketches display signs of production use, including minor crease lines, pin holes, slight discolouration and small tears around the edges. Dimensions (each sheet): 68.5 cm x 53 cm (27" x 21")Sold without copyright; see copyright notice in the Buyer's Guide.Estimate: £800 - 1,200 M
Lot 127
A crew jacket from the production of Ridley Scott's sci-fi classic Blade Runner. Satin jackets like these were gifted to crew members who worked on the film.This black The Cloth Tattoo zip-up bomber jacket (size M) is made of satin polyester with a hand-embroidered silver-and-red threaded patch reading "Blade Runner" in both English block and Japanese characters. While satin jackets from this era are frequently heavily faded, this jacket retains its original jet-black colour and exhibits only minor signs of wear. It remains in excellent overall condition.Estimate: £800 - 1,200 Ω
Lot 129
A Liberator teleport bracelet and two autographed promotional stills from the BBC sci-fi television series Blake's 7. Teleport bracelets were first seen in the season one episode "Cygnus Alpha" when Blake (Gareth Thomas), Jenna (Sally Knyvette) and Avon (Paul Darrow) explored the commandeered Liberator. It is missing the red jewel button, and a bracelet similarly missing its button is seen situated at the front of the banking station when Jenna announced that the ship had become stationary. This bracelet was originally gifted to a neighbour of Knyvette, who she personally invited to visit the London set in 1979, with the cast autographs also obtained during the set visit.The resin bracelet is finished in metallic brown paint with silver-and-light-brown-coloured decals decorating the outside. The device can be opened via a clasp-like mechanism. The two black-and-white stills are autographed on the back in black and blue ink by Paul Darrow, Gareth Thomas, Sally Knyvette, Michael Keating, Jan Chappell and David Jackson. The bracelet displays scratching and wear to the silver-coloured decals and there is notable creasing and some minor discoloration on both stills. The lot comes with a letter of authenticity from the original owner. Dimensions (bracelet): 9 cm x 9 cm x 4 cm (3 1/2" x 3 1/2" x 1 1/2"); (larger still): 9 cm x 14 cm (3 1/2" x 5 1/2")Estimate: £2,000 - 3,000 M
Lot 13
A prop department rake and shooting schedule from the production of Ridley Scott's sci-fi horror Alien. The rake belonged to the property department and is made of wood with a metal head. The handle has "Alien Props" carved into one side, with illegible markings written in black pen on the other side. The shooting schedule comprises six stapled-together pages, including a cover page. Dated "13th June 1978", it lists which scenes were being shot on which days, and the actors needed for those scenes. The document covers the shoot from "Monday July 3" to "Friday July 14". The rake has some wear from age and production use. The metal head and teeth have become rusted over time and there are scuffs and scratches on the handle. Dimensions (rake): 153 cm x 40 cm x 7.5 cm (60 1/4" x 15 3/4" x 3"); (schedule): 29.5 cm x 21 cm (11 1/2" x 8 1/4")Estimate: £200 - 300 M
Lot 130
Jason Bourne's (Matt Damon) wetsuit costume from Doug Liman's action thriller The Bourne Identity. Bourne wore his wetsuit when he was discovered unconscious in the Mediterranean Sea by a group of Italian fishermen during the opening scenes of the film.The costume consists of a grey-and-black neoprene wetsuit; a black weighted buoyancy control device vest (size M), featuring a small affixed metal COâ‚‚ canister; a pair of gloves; and a pair of thick socks. The canister is empty, and a damaged pull cord is located inside the right zipped pocket. Two intentional holes adorn the back of the wetsuit and vest, representing bullet holes. A label within the vest displays the text "Matt" in red ink. Corrosion is present on the top of the canister, and the wetsuit exhibits minor wear and marks, while the stitching around the neckline and under the crotch has become damaged.Estimate: £1,000 - 1,500 M
Lot 131
Mel Gibson's chair back and a clapperboard from the production of Gibson's historical epic Braveheart. The clapperboard is made of acrylic, with wooden clapper sticks and a metal hinge, and is machine-engraved with the film's title. It features a handwritten scene reference reading "274" and is dated "29:10:94", coinciding with the end of principal photography. The chair back is made of black cotton, with "Braveheart" and the image of a purple flower printed on one side, and "Mel Gibson" printed in red on the other. The clapperboard shows scratches and wear from use throughout production, with the chair back displaying dirt marks and a fold line down the middle. Dimensions (chair back): 52 cm x 16.5 cm x 0.5 cm (20 1/2" x 6 1/2" x 1/4"); (clapperboard): 28 cm x 24.5 cm x 3.5 cm (11" x 9 1/2" x 1 1/2")Estimate: £2,000 - 3,000 M
Lot 133
A screen-matched pair of baronial-style thrones from Mel Gibson's historical epic Braveheart. The thrones sat in King Edward's (Patrick McGoohan) chamber, where Prince Edward (Peter Hanly) used one to prop up his target during archery practice. Edward also sat on the other throne following his coronation. The thrones match those seen on screen through the pattern of the woodgrain and the placement of the arrow mark. They were originally commissioned for Franco Zeffirelli's Hamlet, also starring Gibson, and recycled for use on Braveheart. The thrones are made of solid wood, and each comes with a red velvet cushion. They have some wear from production use and age, including some scuffing and scratches. Dimensions: 68 cm x 79 cm x 194 cm (26 3/4" x 31" x 76 1/2") Special shipping required; see special shipping notice in the Buyer's Guide.Estimate: £600 - 800 M
Lot 134
King Edward I's (Patrick McGoohan) tunic and crown from Mel Gibson's Academy Award®-winning medieval biopic Braveheart. The King donned his tunic as he confronted Prince Edward (Peter Hanly) after discovering Wallace (Mel Gibson) had successfully sacked the city of York, and later added his crown to his regal ensemble during the Battle of Falkirk.The red diamond-patterned tunic features an orange-striped trim, and the traditional English heraldry of the three lions adorns the front. A Penny McVitie label with handwritten text reading "P. McGoohan, The King, Braveheart" is sewn inside the neckline. Designed to fit over a chain mail hood, and large enough to accomodate McGoohan's wig, the faux-gold metal crown displays repeating fleur-de-lis-style pieces, and has a padded suede band adhered to the inside. Sections of one of the tunic's lions have become detached over time, and loose threads are present along the trim and hem. The crown displays minor paint wear and scratches.Estimate: £2,000 - 3,000 M
Lot 135
A royal knight's helmet from Mel Gibson's historical epic Braveheart. The knights of King Edward (Patrick McGoohan) accompanied their monarch at the Battle of Falkirk, which saw the defeat of William Wallace's (Mel Gibson) army. The helmet is made of sheets of steel riveted together, with two narrow eye slits at the front and small holes around the mouth for breathing. The interior is fitted with leather straps to secure the helmet during wear, and is padded with black foam for comfort. The helmet has some wear from production use and age, including scuffs, scratches and rust, both inside and out. The foam padding has degraded and large parts have come away from the helmet. Dimensions: 30 cm x 21 cm x 33 cm (11 3/4" x 8 1/4" x 13")Estimate: £1,000 - 1,500 M
Lot 136
Robert De Niro's chair back from Terry Gilliam's dystopian comedy Brazil. Chair backs were used throughout the production, with this particular chair back designated for De Niro, who played renegade heating engineer Harry "Archibald" Tuttle. Made from thick beige linen, the chair back features De Niro's name printed in black within a white box. Pieces of wood are stapled to either end of the fabric. The lot displays four intentional holes, exhibits minor wear from production use, and an unfinished edge has begun to fray on the back. Dimensions: 43 cm x 68 cm x 3 cm (17" x 26 3/4" x 1 1/4")Estimate: £500 - 700 M
Lot 137
The Cousins' (Daniel and Luis Moncada) Heisenberg Sketch from Vince Gilligan's crime-thriller series Breaking Bad. Leonel and Marco Salamanca - commonly known as "The Cousins" - pinned a sketch of Heisenberg to a shrine dedicated to Santa Muerte, the lady of death, at the beginning of the Season 3 episode "No Más".Printed onto a piece of A4 lined paper, the pencil sketch shows the expressionless face of Walter White in his "Heisenberg" persona. The drawing features his trademark black pork-pie hat and sunglasses, and several lines produce the appearance of wrinkles. Intentionally folded for the production, the sketch displays light creasing. The lot is accompanied by a Sony Pictures certificate of authenticity. Dimensions: 27 cm x 20 cm (10 1/2" x 8")Estimate: £600 - 800 M
Lot 139
A hand-painted illustration of Bruce Lee by acclaimed artist Chris Achilleos. This illustration is of Lee from his iconic martial arts film Enter The Dragon, during his climactic fight with Han (Shih Kien). The portrait was originally created by Achilleos for the cover of Lee's book My Martial Arts Training Guide 'Jeet Kune-Do' and later used for a Warner Bros VHS release of Enter the Dragon. Achilleos also worked as a concept artist on the movies Heavy Metal and Willow, and his artwork appeared on the cover of Whitesnake's album LovehunterThe portrait is drawn in pencil and finished using Achilleos' signature airbrushing technique. Achilleos has signed it alongside Lee's right hip. The artwork is presented under UV protective glass with a black wooden frame, with a steel cable on the reverse for displaying. The artwork is sold with copyright. The frame has some wear from use. Dimensions: 75.5 cm x 60 cm x 2.5 cm (29 3/4" x 23 1/2" x 1")Estimate: £6,000 - 8,000 M
Lot 14
Nostromo crew trousers from Ridley Scott's sci-fi horror Alien. The crew wore their trousers throughout the film as they tried to fight off the ship's deadly interloper. The Nostromo crew's uniforms were designed by John Mollo, who was inspired by the work of French artist Moebius. The pockets of this pair appear to match Lambert's (Veronica Cartwright) death scene through distinctive folds and creases on the front left pocket. However, it seems these trousers were later repurposed for Ian Holm’s character, Ash. The trousers are made of cotton and dyed light blue. They feature belt loops with press studs around the waist and Velcro fastenings on the pockets and leg cuffs. "IH (2)" is handwritten in black pen inside the waistband. The trousers have faded over time back to white and have lost a belt-loop stud. Modified for use in subsequent productions, the trousers' knee patches show evidence of alteration and the large shin pockets seen in the film are no longer present.Estimate: £2,000 - 3,000 M
Lot 140
Han's (Shih Kien) knife hand from Robert Clouse's martial arts film Enter The Dragon. The villainous crime lord Han had several different weaponised attachments to replace his severed hand, and he used his knife hand in the climactic fight against Lee (Bruce Lee), inflicting the iconic scars. Lee wanted the villain to have a unique and terrifying weapon, with this hand designed by Lee's student and friend George Lee. This piece was exhibited at a 2014 SENI show at the London Soccerdome, alongside many other pieces of Lee memorabilia. It is one of two metal sets known to exist, and another wooden set was also used during the fight. The weapon is made of metal with four real, sharpened knives attached to a metal block. It features a removable handle, allowing it to be held by Kien and his double during filming. There is some wear from age and production use, including some scuffing and scratches on the main block. It comes with a letter of authenticity signed by George Lee. Dimensions: 43.5 cm x 7.5 cm x 6 cm (17 1/2" x 3" x 2 1/2")Estimate: £10,000 - 15,000 M
Lot 141
Bruce Lee's outdoor-filming nunchaku from his incomplete martial arts film Game of Death. Martial arts legend Bruce Lee sadly passed away before completing production and Robert Clouse, director of Enter the Dragon, was enlisted to finish the film. Clouse's revised version was released in 1978, using some of the original footage to complete the movie.Lee wielded his nunchaku, also known as nunchucks, during test promotional fight scenes photographed in 1972, in the New Territories countryside of Hong Kong. These scenes included his fight against Dan Inosanto, but the footage was ultimately lost and a different duel appeared in the rescripted version of the film. The nunchaku were displayed as part of a dedicated exhibition which took place at a 2014 SENI show at the London Soccerdome, alongside many other pieces of Lee memorabilia.Made by Lee's student and friend George Lee, the nunchaku comprise two light-lacquered tapered wooden handles, which feature metal cap tops and are joined together via a dark chain. Three grip grooves are located on the kikon-bu (lower) section of both handles. Bruce Lee customised the weapon with a longer chain, something he often did for practical use. George Lee came into possession of this weapon after Bruce Lee's passing and kept it for around 40 years.There are visible signs of rewelding on the chain anchor loops, very light scuffing on the wood, and minor wear on the metal caps from use. The nunchaku are accompanied by a letter of authenticity signed by George Lee's family. Dimensions: 84 cm x 3 cm x 3 cm (33" x 1 1/4" x 1 1/4")Ownership of this weapon may be restricted. Please enquire for further details. It is solely the buyer's responsibility to check, prior to ordering, the legal status of this prop within their own country and its importation therein.Estimate: £20,000 - 30,000 M
Lot 146
A hand-illustrated and autographed Jeet Kune Do drawing by Bruce Lee, created c.1968. Jeet Kune Do is a martial arts system founded by Lee, which teaches fighters to respond instinctively without following a fixed pattern or style. This piece was exhibited at a 2014 SENI show at the London Soccerdome, alongside many other pieces of Lee memorabilia. Rendered in red marker and black ballpoint pen, the diagram shows various striking points on a muscly male figure. The illustration is autographed with the salutation "Best Wishes, Bruce Lee" in black marker. The drawing displays minor wear, including discolouration around the edges due to its age and minor creasing. It is accompanied by a letter of authenticity signed by Lee's close friend and student Taky Kimura. Dimensions: 28 cm x 21.5 cm (11" x 8 1/2") Sold without copyright; see copyright notice in the Buyer's Guide.Estimate: £7,000 - 9,000 M
Lot 151
A light-up Hydra battery from Joe Johnston's superhero film Captain America: The First Avenger. Batteries were used by Hydra soldiers to power their equipment and weaponry. The battery is a resin shell, painted faux silver to mimic metal, with clear acrylic windows. Hundreds of small transparent plastic balls are contained within the battery, and these illuminate with blue LEDs when powered.A battery pack and wires are secured inside, and the lot is supplied with a charger. The battery has some wear from production use, including scuffs and scratches. Some of the acrylic around the outside has chipped off and one of the LEDs glows green instead of blue. Dimensions: 34 cm x 10.5 cm x 6 cm (13 1/2" x 4 1/4" x 2 1/4") Contains electronics; see electronics notice in the Buyer's Guide.Estimate: £600 - 800 M
Lot 16
Two pencil storyboards from James Cameron's sci-fi action sequel Aliens. One features a panning shot across "Gateway Station", showing Ripley's (Sigourney Weaver) hospital room (labelled "FX 6 (continued)"). The other depicts Ripley and Burke (Paul Reiser) talking in the simulated park (labelled "FX 9A" and dated "Oct. 25"). Both storyboards feature descriptions of the shots beneath the illustrations. There is some minor wear on both sheets. A crease runs the length of the panning shot on its left side, and the park shot has some brown staining on the back and a small piece of tape over the handwritten date. Dimensions (each storyboard): 21 cm x 29.5 cm (8 1/4" x 11 1/2") Sold without copyright; see copyright notice in the Buyer's GuideEstimate: £400 - 600 M
Lot 162
A Triple Dazzle Caramel Wonka bar and chain crew gift from the production of Tim Burton's family comedy Charlie and The Chocolate Factory. Stacks of Wonka bars appeared in various locations during the hunt for the five Golden Tickets, and key chains were gifted to crew members by Johnny Depp.Covered in silver foil, the Wonka bar is made of brown plastic and features a "Wonka" logo imprinted on each segment. The orange wrapper has a gold-coloured printed seal and the back displays nutritional information. The ball-link chain features a "W" charm and an engraved coin suspended from a ring. The lot exhibits minor wear and the chain is presented in a thin burgundy gift box. Dimensions (bar): 9.5 cm x 18.5 cm x 1 cm (3 3/4" x 7 1/4" x 1/4"); (gift box): 20.5 cm x 4.5 cm x 2.5 cm (8" x 1 3/4" x 1")Estimate: £400 - 600 M
Lot 164
Dylan Sanders' (Drew Barrymore) "Lady Insane" wrestling costume from McG's action-comedy sequel Charlie's Angels: Full Throttle. Dylan dressed as her in-ring persona "Lady Insane" during a professional wrestling match, seen as part of a flashback montage showing the past professions of all three Angels.The custom-made costume comprises a stand-up collared cape constructed from panels of tinsel-like silver and smooth metallic fabric; a Lurex silver ombré knitted T-shirt with "Lady Insane" in red glitter lettering on the front; a pair of black trousers covered in lines of multicoloured glitter with elasticated stirrups (labelled "dylan"); and a matching pair of Dr. Marten platform boots. Red-and-blue rhinestone lightning bolt emblems adorn the back of the cape and T-shirt. Two support rods are located within the sides of the cape to allow it to be held outwards. The lot displays minor paint wear on the shoe platforms, multiple rhinestones have fallen off the cape collar, and the T-shirt neckline and hem are unfinished.Estimate: £600 - 800 M
Lot 165
A hand-painted artwork depicting the serial-killer doll Chucky created for the 2004 DVD release of Tom Holland’s horror film Child’s Play.The artwork – presented on watercolour paper and rendered in a combination of gouache, acrylic paint and pencil – shows the possessed Good Guys doll wielding a knife in black, white and varying shades of grey. This artwork was subsequently colourised for the DVD cover. A section of Chucky’s hair at the top remains unpainted, with the pencil outline still visible. The number “31” is written in pencil in the top-right corner on the reverse. The artwork displays minor wear to the paper edges and comes in a rolled condition. Dimensions: 42 cm x 31.5 cm (16 ½” x 12 ½”)Sold without copyright; see copyright notice in the Buyer's Guide.Estimate: £600 - 800 M AR
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