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A WWI and later family group of medals: 1914-15 Star, British War and Victory medals to Sgt G H Lewis RAMC; 1914-15 Star, British War and Victory medals to 10404 Pte E V Lewis, York & Lancs Regt (killed Somme 1-7-16), with Somme commemorative medal and GR VI and Army Long Service & Good Conduct medal to 1422924 W O CL2 F M Lewis RA, all with corresponding miniatures, (framed).
1 pair of good quality full length curtains in silk 'Palladio' fabric by Sanderson, with ivory sunflower motifs on an olive/gold ground. Lined and thermal lined with triple pleat heading. Approx size per curtain; length 2.27 m, fixed top width 1.08m, bottom width 2.5m, together with a roman blind in same fabric width 74cm
R&B/ JUMP BLUES - 7" RARITIES. A smashing pack of 8 7" rarities, mostly R&B/ Blues. Artists/ titles include Jimmy Sedlar - Understanding/ Shorty's Got To Go (Big M 1000, Record is strong VG+), John J Moses - Fickle Women/ Night Out (45-6127, Ex+), Roger Borden - Blues At Home/ Hey Little Judee (N8OW-9827, VG+), Ike Turner's Kings Of Rhythm - (I Know) You Don't Love Me/ Down And Out (Artistic 1063, strong VG+), Leon Ad The Hi-Tones - I'm Singing The Blues/ Rock And Roll In The Groove (7-19169, promo. stong VG+), Morris Bailey And The Thomas Boys - Tell Me Why/ Calendar Hanging On The Wall (45-500, Ex), Joe Turner - Blues Jump The Rabbit/ The Sun Is Shining (45-015, VG) & Juke Boy Bonner - Yakin' In My Plans/ Runnin' Shoes (Blues Unlimited 101, VG+).
ART ADAMS AND THE RHYTHM KNIGHTS - ROCK CRAZY BABY/INDIAN JOE 7" (ORIGINAL US COPY - CHERRY REDS 1005). Superb Rockabilly rarity from Carollton, Kentucky favourite Art Adams! This is the original 1959 copy on Cherry Records (1005). The record is in neat VG+ condition showing a few light and minor surface marks to the playing surfaces, though these are never at all heavier in nature with absolutely no feelable scratches to mention. With lovely clean and sharp labels. Matrix/runout: 45-1004 M (in circle) 96 & 45-1005 M (in circle) 96
ART ADAMS AND THE RHYTHM KNIGHTS - DANCING DOLL/SHE DON'T LIVE HERE NO MORE 7" (ORIGINAL US COPY - CHERRY RECORDS 1018). Another huge in-demand 45 from Art Adams and his Rhythm Knights with Dancing Doll c/w She Don't Live Here No More, this again the extremely rare original 1960 copy and not the reissue! The record is in very sharp VG+ condition showing only a few rather light and minor surface hairline marks, these never at all heavier in nature with absolutely no feelable scratches to mention. With brilliant clean and bright labels. Matrix/runout: 1018 96 M (in circle) & 1019 96 M (in circle).
Anning Bell, Robert (Illus.). A Midsummer Night's Dream, by William Shakespeare, London: J. M. Dent & Co., 1895, small quarto, publisher's gilt illustrated cloth, top edge gilt (remainder untrimmed), contents good, cloth binding worn/discoloured. Together with Memoirs of the Life and Writings of Lord Byron, [by George Clinton], London: [Robins & Co.], 1824, incomplete, half-calf; Down the Bright Stream, by 'BB', Watkins-Pitchford, London: Eyre & Spottiswoode, no date, green cloth, lacking jacket; The Complete Works of William Shakespeare, Art-Type Edition, 1947, school prize labels, and a late-18th century etching of Newstead Park, seat of Lord Byron, 12cm by 20cm, framed & glazed. Condition varied, sold as found with all faults (5)
A nineteenth century superb quality hand-painted German Carl Magnus Hohenberg porcelain plate with raised gilding and a central floral spray in the form of the letters 'M'. With a blue-painted pseudo Sevres mark. 1865-77. Gilded crown and intertwined Ms to the reverse. 32 cm wide. Condition: Glued break to rim. Provenance: a small collection from a local, private collector.
A collection of 60s and 70s clothing including a brown and white maxi dress with tie belt by Kati (Laura Phillips), a black evening dress with marabou trim, an orange velvet evening dress with gold sequinned band, a teal green dress with a cowl neck and a blue dress with sequinned neck (mostly size M). these are in good condition. the Kati dress has some minor colour variation and the acetate lining has discoloured. (5)
Shannon Stirnweis (American, B. 1931) "U.S. Marines Land on Saipan" Signed middle right. Original Oil painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. The upper portion of this painting originally appeared as the cachet on the First Day Cover of the Republic of the Marshall Islands 29c U.S. Marines Land on Saipan 1944 stamp issued June 15, 1994. The lower portion of this painting appeared as the stamp itself. The U.S. wanted Saipan, in the Marianas, as an advance base from which B-29 bombers could strike Japan's home islands. On June 15, 1944, hundreds of U.S. planes and warships bombarded the beaches. It took only 20 minutes for 8,000 Marines from the 2nd and 4th Divisions, commanded by Lieutenant General Holland M. "Howling Mad" Smith, to land. Although the Japanese fought back with fanatical banzai attacks, thousands more U.S. Marines were ashore by nightfall. On June 16, reinforcements from the Army's 27th Division were called in. By June 20, the remaining Japanese troops were trapped, but their defensive positions in caves and hills made progress over the next two weeks difficult. On July 9, Saipan was finally declared secured. Image Size: 25.75 x 16.75 in. Overall Size: 28.75 x 18.75 in. Unframed. (B14720)
Basil Smith (British, B. 1925). "The Cow Jumped over the Moon" Original Mixed Media painting on Hot Press Illustration Board. Signed lower left. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the Westminster Collector's Society 20p The Man on the Moon stamp issued February 6, 1990. The Moon, Earth's satellite and closest astral neighbor, has been a source of inspiration to poets and dreamers throughout the centuries. Its craters and mountains were first studied by astronomer Galileo, but weren't actually mapped until 1837 by Johann von M?dler. Because of their eerie resemblance to the human face, lunar spots have afforded an especially rich subject for the play of human fancy. Perhaps the oldest myth relating to the man in the moon originates in the Old Testament. In the Book of Numbers, a man is caught gathering sticks on the Sabbath, and as an example to mankind, he is condemned to stand forever on the moon with a bundle on his back. Chaucer and Shakespeare also allude to the man in the moon as an individual who was banished to the lunar surface as punishment. Even so, people throughout the centuries have seen the man in the moon as a more benevolent presence in the night sky, evoking the mysteries of the universe and of love. Many nursery rhymes have also been inspired by the moon. One credits the man in the moon with visiting earth: "The Man in the Moon came down too soon and asked his way to Norwich..." and another popular nursery rhyme conjures up a cow jumping over the moon. Image Size: 6 x 7 in. Overall Size: 9 x 10 in. Unframed. (B12343)
SWAINE & ADENEY VICTORIAN BAMBOO HORSE MEASURING STICK WITH ANTLER HANDLE The very finest quality Victorian horse measuring stick by the Rolls Royce of equestrian accessories, Swaine and Adeney of 185 Piccadilly. Superb, complete and working condition. Bamboo with antler handle and hallmarked silver collar, London 1899. Engraved on the collar is “H M WILSON 1900”. Internally is a boxwood rule in hands and inches extending to 17 hands with an articulated brass withers stick. Makers mark on the boxwood rule. 177cm fully extended, 94cm non extended (as waking stick), antler handle 12cm long. Original bras feral, rich nutty patina to the bamboo. A stunning, collectible and usable antique stick. Pease note, Spirit level missing

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375905 item(s)/page