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Lot 366
A well made hand built scale model of H M Survey Vessel 'Dart' 470 tons 250 horsepower employed on the Australian Station from 1887-1904 made by WG Holbrow Ex C.P.O Rn who served on her 1901-1904 on the Great Barrier Reef, Solomon Islands, Coral Sea and Tasmania, in a glazed case, case size 60cm x 67cm x 23cm, in good condition
Lot 366
2 boxes (estimated 1,900+) of postcard-size, b&w LONDON BUS & SERVICE VEHICLE PHOTOGRAPHS taken from the 1940s-70s. More than half of one box is service vehicles, bus classes include DMS, M, T, experimental double-deckers, L, RN, RB, RS, P, D, later Green Line types, misc later types and London Transport bus garages. Very good-quality shots, mostly uncaptioned, some by well-known photographers. [1,900+]
Lot 267
Pair of c1931/32 Metropolitan Railway MAPS OF LONDON, the Met's own version of the London Underground map, comprising issues coded M1090/100M (red cover, excellent condition, barely a blemish) and M.1495.100M (green cover, used condition with damage at one fold). Neither has an additional print-code on the map-side. [2]
Lot 317
Pair of London Bus DESTINATION BLINDS from M-class Metrobuses comprising an intermediate points/numbers blind (coded KM) from Willesden (AC) garage and a side blind (numbers etc, coded CC) from Fulwell (FW) garage. Both are c1980s but are undated. Complete blinds, manufactured in Tyvek material by McKenna Bros and in very good, ex-use condition. [2]
Lot 379
Selection (6) of fare-collecting items: ALMEX M-TYPE TICKET CANCELLER labelled Black Prince, A small brass/glass FAREBOX, 2 Williamson/Willebrew TICKET PRINTERS, one labelled Ribble, Almex PDR TICKET MACHINE labelled Eastern Counties & Beckson TICKET MACHINE. Not thoroughly tested but the ticket machine handles work. [6]
Lot 48
Railway ephemera (28 items): GWR 1878 Tourist Arrangements, 1896 Service Time Tables Supplement, c1920 'Labour Troubles' Time Tables Alterations, M&SW Junction Rlwy 1915 Time Tables, 5 x Southern Railway Working Timetables from 1929-1947 incl WW2 issues and misc other items incl 1908 GWR memo signed by Collett, LBSCR telegrams, M&SWJR dividend warrant, GWR Royal Train timetables, GWR Magazines etc. Condition mostly good, some are worn with age. [28]
Lot 454
Original 1938 WATERCOLOUR PAINTING 'Underground - the cosy & warm way to the theatres' by M Palmer Smith. Marie Palmer Smith(1899 - 1977) was a graphic artist in the 1930s and no doubt produced this in an effort to obtain a commission from London Transport but was presumably unsuccessful. Painted in strong colours on thick paper and measures 12" x 20" (30cm x 51cm). Generally in good condition with edge nicks and scuffs and small corner-losses. [1]
Lot 364
2 boxes (estimated 1,400+) of postcard-size, b&w RAILWAY PHOTOGRAPHS. The first box is main-line locomotives: NER Pacifics, other types & electrics, NBR incl Atlantics, M&GN, LM&SR, LTSR, MR, LNWR, Claughton Class & Royal Scots. The second box is London Underground: Sub-Surface and Tube Stock, steam locos and electric locos. These are very good-quality prints, taken taken over many decades. Mostly uncaptioned, some taken by well-known railway photographers. [1,400+]
Lot 201
Selection (10) of Transport for London double-royal POSTERS for the 2012 London Olympic Games and from the 'Get Ahead of the Games' series developed by M & C Saatchi to encourage passengers to adapt their travel habits during the Games. All are different and feature amusing illustrations of athletes mixing with various transport modes. The posters bear the official Olympics and Paralympics logos as well of those of Network Rail, Highways Agency, Dept of Transport, Mayor of London. Generally in excellent condition with minor storage blemishes. [10]
Lot 191
2 boxes (estimated 1,300+) of postcard-size, b&w RAILWAY PHOTOGRAPHS of Southern Railway (& constituents) locomotives including classes H, B classes, Terriers, K, L, Q, Q1, D, E, F, G, M, P, R and more These are very good-quality prints, taken throughout the lives of the locos. Mostly uncaptioned, some taken by well-known railway photographers. [1,300+]
Lot 24
Pair of 1920s/30s Metropolitan Railway MAPS OF LONDON, the Met's own version of the London Underground map, comprising c1931 issue print-coded M.1795/50M and c1925 issue coded G.3285/50M. Neither has an additional print-code on the map-side. These are in used condition with some wear, small fold-partings etc, but very reasonable overall. [2]
Lot 78
A yellow and white metal, diamond and emerald ring, the marquise shape mount set mixed oval cut emerald to centre bordered by twelve old-cut diamonds (yellow metal assessed as 18ct. gold), size UK M-M 1/2. (gross weight 3.0g)Condition note: emerald with numerous scratches to table and crown facets.
Lot 1658
GIESE, MARIE (1874-1950), "Aus Wertheim", drei Frauen in einer Straße, u.re. signiert 'M. Giese', Gouache über Graphitstift/beigegraues Papier, HxB: Darstellung ca. 20x14 cm, Blatt ca. 32,5x26 cm, Außenmaße Rahmen ca. 35x29 cm. Alters- und Staubspuren, Papier leicht fleckig (außerhalb der Darstellung). Mit verglastem Rahmen. VERSO Etikett mit Bezeichnung der Künstlerin, Titel und Sammlungsvermerk.| GIESE, MARIE (1874-1950), "From Wertheim", three women in a street, l.r. signed 'M. Giese', gouache over graphite pencil/beige-grey paper, HxW: image approx. 20x14 cm, sheet approx. 32.5x26 cm, outer dimensions of frame approx. 35x29 cm. Signs of age and dust, paper slightly stained (outside the image). With glazed frame. VERSO label with artist's name, title and collection note.
Lot 421
KAMINUHR MIT TURTELTAUBEN, Frankreich, 2. Hälfte 19. Jh., Bronze, Allegorisch dekoriertes Gehäuse mit bemalten Porzellanplatten im Sèvres Stil, Werk mit Fadenaufhängung und Schlag zur vollen und halben Stunde auf eine Glocke, Werk auf der Rückplatine gestempelt: „RICHOND F' A PARIS M“ sowie „Vincenti & Cie., Medaille d'Argent“. HxBxT: 28/20/12 cm. Alters- und Gebrauchsspuren, rest, erg, Werk im Kurztest funktionstüchtig.| CHIMNEY CLOCK WITH TURTLE DOVES, France, 2nd half of the 19th century, bronze, allegorically decorated case with painted porcelain plates in the Sèvres style, movement with thread suspension and striking on the hour and half hour on a bell, movement stamped on the back plate: "RICHOND F' A PARIS M" and "Vincenti & Cie., Medaille d'Argent". HxWxD: 28/20/12 cm. Signs of age and wear, rest, replacement, movement functioning in short test.
Lot 831
LAMBEAUX, Joseph Marie Thomas, NACH (1852-1908), "Erotische Szene", Bronze, patiniert, vollplastischer Guss, an der Plinthe im Guss bezeichnet 'J. M. Lambeaux', HxB: ca. 6x10,5 cm. Leichte Altersspuren.| LAMBEAUX, Joseph Marie Thomas, AFTER (1852-1908), "erotic scene", bronze, patinated, fully plastic cast, inscribed 'J. M. Lambeaux', HxW: approx. 6x10.5 cm. Slight signs of age.
Lot 847
GEYGER, ERNST MORITZ (1861-1941) "Der Bogenschütze" Bronze, dunkelbraun patiniert, schwarzer Marmor, auf der Plinthe bezeichnet "E. M. Geyger fec." verso "Akt. Ges.: Gladenbeck. Berlin".. über einem rechteckigen Sockel leicht naturalistische Plinthe mit vollplastischer Darstellung eines Männerakts, den Bogen spannend und einen Helm tragend, H: 41 cm. (mit Sockel) Bogen gebrochen anbei. GEYGER, ERNST MORITZ (1861-1941) "The Archer".Bronze, dark brown patina, black marble, inscribed on the plinth "E. M. Geyger fec." verso "Akt. Ges.: Gladenbeck. Berlin"... above a rectangular plinth slightly naturalistic plinth with fully plastic representation of a male nude, stretching the bow and wearing a helmet, h: 41 cm. (with plinth) bow broken enclosed.
Lot 1053
Floris M. Neusüss (1937 Lennep - lebt in Kassel)3 Photogramme in: Körperschatten. 1967/1989. Je s/w und auf Agfa-Photopapier. Blattmaße je 40 x 30 cm. Je verso signiert. In Original-Flügelmappe, diese mit typographischem Titel sowie Text auf der Innenseite. - Kanten punktuell angestoßen. Punktuell leichte Stockflecken. Mappe außen leicht stockfleckig und vereinzelt auch innen. Insgesamt gut. 253/ 254 E167a bis E167c. - Enthält die Arbeiten: - Knoten, 1967 - Platonisches Ei, 1982 - Portraitsilhouette, 1984. - Exemplare der Griffelkunstvereinigung, die 1989 erschienen sind. - Vollständige Folge. 3 photograms. Each b/w and on Agfa photo paper. Each signed on the verso. In original folder with typographic title and text on the inside. - Edges isolated bumped. Isolated foxing. Folder with light foxing on the outside and isolated on the inside. All in all good. - With works as mentioned above.
Lot 245
Norbert Tadeusz. (1940 Dortmund - 2011 Düsseldorf). Flügel. 1971. Farblithographie, partiell mit Goldfarbe überarbeitet, auf festem BFK Rives-Velin (m. Wz.). 70,2 x 99,3 cm. Signiert und datiert. - Rechts oben unmerkliche Knickspur, verso vereinzelte leichte Griffspuren, vereinzelte blasse Farb-/Druckpuren,insgesamt sehr gut und tadellos schön. Ausgesprochen prachtvoller, farbsatter und kontrastreicher Druck der formatfüllenden Darstellung, links mit dem Schöpfrand. Singulärer Andruck. xxxxxColour lithograph, partially reworked with gold paint, on strong BFK Rives wove paper (with watermark). Signed and dated. - Inconspicuous crease mark on upper right, isolated light grip traces on the verso, isolated faint colour-/printing tracesm all in all very good and impeccably nice. Extremely splendid, colour- and contrast-rich impression of the format-filling depiction, deckle edge at the left. - Unique press print.
Lot 257
A.R. Penck (d.i. Ralf Winkler). (1939 Dresden - 2017 Zürich). Mut zu Reformen. 1994. Farbserigraphie auf BFK Rives-Velin (m. WZ). Ca. 58 x 44 cm (84 x 59,5 cm). Signiert und nummeriert. Punktuell unter Passepartout montiert und unter Glas gerahmt (geöffnet). - Sehr gut erhalten. Prachtvoller Druck in leuchtender Farbigkeit, mit Rand. Eines von 50 Exemplaren. - Herausgegeben von der Edition Staek, Heidelberg. Colour serigraph on BFK Rives wove paper (with watermark). Signed and numbered. Spot-mounted to mat and framed under glass (opened). - Very good condition. Splendid impression in vibrant colours, with margin. - One of 50 copies.
Lot 279
Karl Otto Götz. (1914 Aachen - 2017 Wolfenacker/Westerwald). Blonto. 1999. Fablithographie auf CMFabriano-Velin (m. Wz.). 64,9 x 50,1 cm (80 x 60 cm). Signiert, datiert, betitelt und nummeriert. - Oben rechts blassdunkler, länglicher Fleck, verso in Ecken minimal bestoßen, insgesamt sehr gut und tadellos schön. Prachtvoller, farbintensiver Druck mit breitem Rand, links mit dem Schöpfrand. Hügelow 178. - Eines von 99 Exemplaren. Colour lithograph on CMFabriano wove paper (with watermark). Signed, dated, titled and numbered. - Faint-dark, lenghtened spot on upper right, minimally bumped in cornes on the verso, all in all very good and impeccably nice. Splendid, colour-intensive impression with wide margin, deckle edge on the left.- One of 99 copies.
Lot 324
Joseph Beuys. (1921 Krefeld - 1986 Düsseldorf). Urschlitten I. 1982. Kaltnadelradierung auf Arches-Velin (m. WZ). 15,5 x 25 cm (56,5 x 45 cm). Signiert und nummeriert. - Vereinzelt kaum merkliche Griffspuren. Verso leichter Papierabrieb als Spur der ehemaligen Montierung in den oberen Ecken. Insgesamt sehr gut. Prachtvoller, gratiger Druck mit breitem Rand, oben und unten mit dem Schöpfrand. Schellmann 434. - Eines von 75 Exemplaren. - Aus der Suite "Zirkulationszeit". - Hg. vom Grafos-Verlag, Vaduz 1982. Drypoint-etching on Arches wove paper (with watermark). Signed and numbered. - Occasional barely noticeable traces of handling. On the verso slight paper abrasion as a trace of the former mounting in upper croners. All in all very good. Superb, burr-like impression with wide margins, scooped edge at top and bottom. - One of 75 copies. - From the suite "Zirkulationszeit". - Ed. by Grafos, Vaduz 1982.
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375864 item(s)/page