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Lot 1
A Silver and Green Stone Brooch, circular cabochon-cut stone collet set above a moulded circular mount, by Bernard Hertza; A Green Stone and Silver Brooch, the oval cabochon-cut stone collet set within a moulded scroll mount and beaded border, by Danske Arbejde; An Oval and Cornelian Brooch, of stylised design with moulded flowers, by M Hammer; and A Silver and Amber Brooch, the circular cabochon-cut amber collet set within floral scroll mount suspending amber bead drop on trace-link chain
Lot 1
Attributed to James M. Burnet (fl.1783-1800) FIGURES AND A DOG BESIDE A CORNFIELD, A FARMER ON HORSEBACK WITH A HORSE AND CART NEARBY AND A MAN GATHERING WHEAT IN THE FOREGROUND. Inscribed on an old label verso with the artist's name etc, oil on panel, 48.5cm by 66.5cm (19in by 261/4in) *The picture is inscribed on an old label verso with the following: "Picture by James Burnet, a much esteemed Scottish artist who died in 1816 at the early age of 28". *The painting is contained within its original period late 18th century carved giltwood frame, the frame decorated with foliate scrolls
Lot 1
A Hadley's Worcester Two-Handled Pedestal Vase, painted to the front and reverse with red and yellow roses, signed "M E Eaton", with acanthus sheathed handles and gadrooned circular foot, enriched in olive green colours and gilt, puce printed crowned circle mark, numbered "2032", also "H127.74", date code for 1908, 22cm high
Lot 1
A Large Pair of "Sevres" Porcelain and Ormolu Mounted Pedestal Vases and Covers, each with acorn shape engine turned finials, acanthus sheathed swan head shoulder handles, frontal kidney shape panels painted with scenes of Napoleon directing his generals and troops, signed "F Amblet", the opposite sides with wintry scenes of a deserted and devastated country track, against midnight blue grounds, on swept circular pedestals from ormolu bases with inscription "a J P Barbosa Gama a Commissao d'Alumnua, 31-Janeiro 1911", on lion paw feet, each lid with script mark in red "M. Imp.le de Sevres", 63cm high
Lot 1
Beer (Andrew, 1862 - 1954). Racing Pigeon, 'Blue Cock. N. U. H. P. 20. M. 7181. N. U. R. P. 20. P. 5543. Winner of Oil Painting Special for W. B. Average. Pontnewynydd H. S. 1920. Presented by Andrew Beer. Bred & Flown by Albert Jones.', oil on card, with hand - written caption to lower margin, approx. 295 x 395 mm (11.5 x 15.5 ins), contemp. stained wood frame (1)
Lot 1
Haig (Axel Herman, 1835 - 1921). Interior of Amiens Cathedral, 1897, signed in pencil, approx. 290 x 380 mm, framed and glazed, together with Martin (M. E.), Chartres, uncol. aquatint, signed and titled in pencil, approx. 300 x 225 mm, framed and glazed, plus one other late 19th c. etching entitled "Old Chelsea, Cheyne Walk", by Percy Harvey [ - ], approx. 240 x 175 mm, signed and titled in the image (signature indistinct), framed and glazed (3)
Lot 1
Moore (Henry, 1831 - 1895). Shelter sketch book, pub. Editions Poetry, 1945, col. and b&w plts., some minor foxing to endpapers, orig. cloth, upper inner hinge loosened, oblong square 8vo. Presentation copy, inscribed to front endpaper 'for Mac & Denise from Henry M. Paris. November 1945'. (1)
Lot 1
A George III pewter lidded measure, Jersey, early 19th century with acorn thumb piece (restored handle) together with a German wine flagon, with ball thumb piece and heavy spout to baluster body and an English baluster measure with double volute thumb piece monogramed 'J M M' (lid missing) (3) Jersey measure; h.21cm.
Lot 1
A stained glass armorial panel, possibly 18th century with a latin moto and with the initials 'C E B' and 'E M O B' together with another armorial with the inscription 'Sidney, Sussex College Cambridge', and an armorial panel with the moto NEC VI NEC ASTUTIA and another panel with the moto PEQUAM SERVARE.MENTEM (4) restorations
Lot 1
A Continental white metal flatware service comprising 12 table knives, 12 table forks, 12 dessert forks, 9 table spoons, 12 cake forks, 11 tea spoons, 9 fish forks, 9 fish knives, 12 coffee spoons, 9side knives, 1 soup ladle, 1 sauce ladle, 1 serving spoon, 2 soup spoons, all marked '800' and the initials 'L M P'.
Lot 1
A George IV mahogany twin pedestal rolltop desk, the three-quarter galleried reeded top above solid ebony strung roll front enclosing a fitted interior with sliding writing surface, above a frieze drawer and kneehole flanked by two columns of four graduated drawers, on bracket feet, the top drawer stamped 'T Willson 68 Great Queen Street London' 135cm wide, 119cm high, 76cm deep Thomas Willson is entered in directories as a furniture broker and appraiser at 68 Great Queen Street between 1821 and 1829. He was also a cabinet maker, with the firm being established in 1818. The business was continued by his widow Mary from 1830 and his son Matthew from 1838, bearing the stamp 'M Willson'
Lot 1
BIBLE. The "Vinegar Bible" The Holy Bible containing the Old Testament and the New: newly translated out of the original tongues and with the former translations diligently compared and revised. By His Majesty's special command, appointed to be read in churches ... 2 volumes in 1, engraved frontis. by Thornhill, engraved vignettes on the titlepages to both parts, other engraved head and tail pieces by Thornhill, Cheron, Laguerre, etc. engraved by Dubosc, Vander Gucht, etc., decorative initials, ruled in red throughout, contemporary full black morocco, covers with three gilt panels, the inner panel comprising a richly tooled gilt border, surrounded by a panel with pyramids on the sides and devices at the corners, spine decorated gilt in compartments, a.e.g., a little wear at head and tail, edges a little rubbed, lower cover very slightly scuffed, one or two minor neat repairs to inner margins, large folio, Oxford: John Baskett, 1717. Note: D & M 942A; Herbert 942 variant ** Acclaimed for both the beauty of its typography and abundant illustration, this printing was also infamous as "A Baskett-ful of Errors" of which the misprint of "vinegar" for "vineyard" in the headline title above Luke chapter 20 v. 9 is an example and which has come to identify this particular printing.
Lot 1
Chevalier (M.). Decription of the Plain of Troy: with a Map of that Region, Delineated from an Actual Survey, Read in French before the Royal Society of Edinburgh, Feb. 21. and 28. and March 21. 1791..., Translated from the Original not yet Published..., by Andrew Dalzel..., Edinburgh, 1791, half-title, four folding eng. maps, occ. scattered spotting, contemp. calf, rebacked, slim 4to, together with Rulhiere (Clause Carloman de), A History, or Anecdotes of the Revolution in Russia, in the Year 1762, pub. 1797,eng. port. frontis., some spotting & yellowing, modern marbled boards, 8vo, plus three others (5)
Lot 1
Niebuhr (Carsten). Travels through Arabia, and other Countries in the East, Performed by M. Niebuhr, now a Captain of Engineers in the Service of the King of Denmark, trans. Robert Heron, 2 vols., 1st English ed., Edinburgh, 1892, two large folding eng. maps, ten eng. plts., contemp. tree calf gilt, upper joint of vol. 1 cracked, 8vo (2)
Lot 1
Birmingham. An Historical and Descriptive Sketch of Birmingham, pub. Beilby, Knott, and Beilby, Birmingham, 1830, eng. plts., slight damp staining, modern green qtr. calf gilt, 12mo, together with Cambridge, The New Cambridge Guide; or a Description of the University, Town, and County of Cambridge, printed by M. Watson for J. Nicholson, Cambridge, 1804, folding aquatint frontis. and folding eng. plan, modern qtr. calf, 8vo, plus seven other 19th c. mostly Birmingham & Coventry related (9)
Lot 1
Swan (Joseph, Engraver). Select Views of the River Clyde, Engraved by Joseph Swan, From Drawings by J. Fleming, with Historical and Descriptive Illustrations by John M. Leighton, 1830, eng. title & forty-two eng. plts. on India-paper (complete), occ. scattered spotting, a.e.g., contemp. straight-grained gilt dec. morocco, 4to (1)
Lot 1
Egerton (M.). Airy Nothings; Or, Scraps and Naughts, and Odd-cum-Shorts; in a Circumbendipus Hop, Step, and Jump, by Olio Rigmaroll, 1825, twenty-three hand-col. aquas. by George Hunt, some minor scattered spotting and a few marks to margins, contemp. green half morocco gilt, a little rubbed, slim 4to (1)
Lot 1
*Gauci (Maxim, 1774-1854). Portraits of distinguished characters of all nations; drawn on stone by M. Gauci, from the sketch book of P. E. Stroehling Historical Painter to His Majesty George the Fourth, pub. Engelmann, Graf, Coindet, & Co., n.d., c. 1820s, eng. title (discol.), and ten proof litho. ports. on India paper, some marks and a little fraying to margins, loose, without covers, slim folio (sheet size approx. 34.5 x 25 cm) . Not found in BL or Abbey. (1)
Lot 1
Cundall (Joseph). A Booke of Christmas Carols. Illuminated from Ancient Manuscripts in the British Museum, Henry G. Bohn, [1845], sixteen stiff card leaves, drawn and lithographed by John Brandard, and printed in cols. by M. & N. Hanhart, slight soiling, orig. full red embossed leather, lettered on a central gilt octagonal panel, a.e.g., a trifle rubbed, 8vo. McLean, Design, pp.90-91. Cundall's first illuminated book. (1)
Lot 1
Francis of Assisi (). Un Mazzetto Scelto di Corti Fioretti del Glorioso Poverello di Cristo San Francesco di Assisi, Ashendene Press, 1904, printed in red and black on hand-made paper, woodcuts by W. H. Hooper after C. M. Gere, orig. linen-backed boards, soiled, paper label worn, folio, together with Pepler (Douglas), The Devil's Devices, or Control versus Service, Hampshire House Workshops, 1915, full-page and smaller woodcuts by Eric Gill, orig. linen-backed boards, soiled, 8vo, and ten other private press books and limited editions. (12)
Lot 1
Jones (Owen). Fruits from the Garden and Field. Poetry by M. A. Baron, Designs by Owen Jones, Longman, 1850, chromolithographed title-page and twelve plts. of fruit, text printed in gold throughout, drawn on stone by E. L. Bateman, orig. brown relievo leather, design by Owen Jones sunk into the surface of the leather, just slightly rubbed, a.e.g., large 8vo. McLean, Design, p.94. McLean, Cloth, p.11. (1)
Lot 1
Jones (Owen). Flowers and their Kindred Thoughts, Poetry by M. A. Bacon, Designs by Owen Jones, Longman, 1848, chromolithographed title-page, and 14 plts. of flowers, text printed in gold throughout, drawn on stone by E. L. Bateman, orig. brown relievo leather, design by Owen Jones sunk into the surface of the leather, just lightly rubbed, a.e.g., large 8vo. McLean, Design, pp.92-93. McLean, Cloth, p.32. (1)
Lot 1
Simpson (William). Picturesque People: being Groups from all Quarters of the Globe. With an Introduction and Descriptive Letterpress by the Artist himself, W. M. Thompson, 1876, eighteen chromo. and one other plt., neatly recased in orig. brown cloth, blocked in gillt and black, slightly rubbed, spine faded, a.e.g., folio. (1)
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334368 item(s)/page