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A collection of jewellery, comprising, a Victorian gold round locket with a central buckle motif enclosing a double sided glazed panel (unmarked), an early 20th century gold heart-shaped locket, the front star-gypsy set with three small cabochon turquoises (unmarked), a Victorian foliate engraved heart shaped locket with gold front and back, a 9ct gold square section stock pin, import marks for London 1911, another similar stamped '9ct', 4.6g, an early 20th century gold stick pin, the terminal in the form of a foliate monogram 'M E' or 'E M', an early 20th century gold heart-shaped locket, inscribed one side 'Sweet are the uses of adversity. Princess but of all sweetness. Sweetest is thy antidote', the other 'Upon my heart which nought from thee shall sever, thy hair and miniature repose for ever' and inside 'Daisy' 'Gerald' and stamped '10ct', a coral 'dog' pendant, a small heart pendant 'good luck' and a fibula pin centred with seven bead half pearl horseshoe, on a long trace chain
A collection of jewellery, comprising; an Art Nouveau gold and cabochon ruby three stone open work pendant with small pearl drop, indistinctly stamped '15', an early 20th century gold round locket with initial 'M', stamped '750', an oval locket engraved with a crowned monogram, marks indistinct, a round locket decorated in ivory coloured guilloche enamel, stamped '925', an oval 'garter' locket set with a red paste, and an enamelled buckle
Six George I and later Hanoverian rat tail tablespoons, comprising; one engraved 'I B' London 1714 by Andrew Archer, one initials 'M*B', 1717, one initials 'C' over 'I.S', 1723 by Henry Clarke I, another initials 'H' over 'I.M', another initials 'T' over 'I M', 1728 by John Gorham, and another with the mark of Paul de Lamerie only (repaired) - 9oz
Mixed flatware, comprising; a pair of Victorian old English pattern sauce ladles with monograms, a set of four salt spoons, six coffee spoons and eleven teaspoons, London 1883-84 by Aldwinckle and Slater, a bright-cut engraved sugar tongs, 1877 by Henry Holland, a set of six 'apostle' end coffee spoons, 1902 by W Hutton & Sons Ltd, in a case, a pair of shell bowl salt spoons, 1883 by G M Jackson, an Arts and Crafts style jam spoon, Sheffield 1915 by Mappin & Webb, and a tongs, Birmingham 1936 - 21 1/2oz
A Victorian silver gilt chalice, with a round bowl and an engraved hexagonal stem, the circular knop with six round bosses engraved with quatrefoils on a leaf and texture engraved ground, on a hexafoil base with moulded border and engraved with a crucifix, Birmingham 1885, the makers mark 'M & Co L.' not traced, 22cm high (8 3/4in) - 15oz
A Victorian silver gilt ciborium, with a round bowl and hexagonal stem, the circular knop with six round bosses engraved with quatrefoils on a leaf and texture engraved ground, on a hexafoil base with moulded border, the stepped cover with a fleuree cross terminal, Birmingham 1885, the makers mark 'M & Co L.' not traced, 24cm high overall (9 1/2in) - 16 3/4oz
A campana shaped trophy cup and cover, the base with two leaf capped double scroll handles, a central moulded girdle and round foot, engraved 'South Berks Point To Point Steeplechases, Open Race, Won by Bruce, April 20th 1904', the domed cover with vase finial, London 1903 by W, J, M & S Barnard and Richard Dubock, 26cm high overall (10 1/4in) - 27oz
Carew (Richard) The Survey of Cornwall, London 1602, 'Printed by S.S. [Simon Stafford] for JohnJaggard, and are to bee sold neere Temple-barre, at the signe of the Hand and Starre', this appears to be complete with corrections and table of the first book, title page and a number of others have been trimmed and restored in the 19th century, Owners signature, Revd. M Watson versotitle page and with a number of pen annotations by Watson, rebound in the 19th century
A Regency tortoiseshell and pewter strung sarchophagus shape tea caddy circa 1820, the rectangular domed top with small plaque monogrammed "M D" enclosing a pair of cutglass tea jars and star cut stoppers and a strawberry diamond cut sugar bowl, minor chips, raised on four turned bone ball feet, minor chips, 13" wide 7" deep 8.5" high
A carved oak hall bench 19th century, the shaped toprail carved with dragons and a crest between mask carved uprights, the back with five panels carved with scenes from the Nativity and centred by a crest flanked by rearing horses and monogrammed T H & E M 1642, Arundel & Surrey and carved with the motto 'Lett Everie Thing Hath Breadth Praise Ye Lord' between down curved over a bevelled hinged seat and frieze carved Thomas Howard, Worstrop over three further carved panels between florally carved extended stile feet, some losses 54" wide 67" high
A Minton Lace Border pattern meat dish, with wavy edge, printed in light blue with a wreath of flowers surrounding a lace centre and a similar border of lace panels, length 37.8cm, printed mark with title and cursive initial M, large impressed "Improved Stone China" seal mark, circa 1830-50 (rim chip)
A Measham or bargeware teapot and cover dated 1888, probably from Church Gresley, of typical ornate form with teapot knop to domed cover, covered with a treacle brown glaze and decorated with coloured sprigs of flowers and on one side a white panel impressed "A & M Johnson /Swadlincote / 1888", overall height 27.2cm, unmarked (restoration to spout)
A George II baluster-shaped tankard, with a moulded girdle and spreading foot rim, later engraved with the arms of Norcop within a cartouche, the 'S' scroll handle with heart-shaped terminal and inscribed N over L M, the domed cover with chair back thumbpiece, London 1742 by Humphrey Payne, 18.5cm high (7 1/4in) - 26oz
A Royal Worcester Ivory Ground high shouldered vase, date code for 1911, painted with a cock and hen pheasant on a moor, against an ivory ground within gilt borders and on four shell bracket feet, signed Jas Stinton, cracked, restored 6.5" high and a Royal Worcester two handled ovoid blush ivory vase date code for 1932, painted with roses and signed M Hunt, shape 287/H within gilt borders, neck restored 6.5" high (2)
Kobayashi (Taiichiro) Observations on Chinese Ceramics, 1951; Valenstein (Suzanne G), Ming Porcelains; Gillingham (Michael) Chinese Painted Enamels; LLoyd Hyde (J A) Chinese Painted Enamels; Woidt (Hannah) Chinese Handicrafts; The Asia Society including Asian Art; Hetherington (A L) Chinese Ceramic Glazes; Bluett and Sons Ltd 1974, Chinese Decorative Arts; The British Museum 1972, Chinese Art from the Collection of King Gustaf VI Adolf of Sweden; Hawley Stone (Louise), The Chair in China; Tregear (Mary) Guide to Chinese Ceramics; Medley (Margaret) Metalwork and Chinese ceramics; H D'Ardenne de Tizac, La Sculpture Chinoise; Moss (Sydney L) Chinese Monochrome; Aston (Leigh) & Gray (Basil) Chinese Art; OCS, Iron in the Fire; Combaz' Les Palais Imperiaux de la Chine; Joseph (Adrian M) Ming Porcelains; The School of Oriental & African studies, Colloquies on Art and Archaelogy in Asia
Jenyns (Soame) Later Chinese Porcelain, London 1951; Garner (Harry, Sir), Oriental Blue and White; The OCS of Hong Kong, Chinese Blue and White Porcelain; Thompson (Henry, Sir) A Catalogue of Blue and White Nankin Porcelain; Joseph (Adrian M), Ming Porcelains; The Museum of Far Eastern Antiquities, Ming Blue and White
Volker (T) Porcelain and the Dutch East India Company, London 1954; Victoria & Albert Museum, Porcelain of the Ch'ing Dynasty; Joseph (A M) Ming Porcelains - Their Origins and Development; Hobson (R L), Handbook of the Pottery and Porcelain of the Far East; The Illustrated Catalogues of Tokyo National Museum for Japanese and Chinese ceramics; Julien (Stanislas), Histoire et Fabrication de la Porcelain Chinoise; Sotheby's Catalogue Part II, Early Chinese Ceramics and Ancient Bronzes - December 1980; School of Oriental and African Studies, Colloquies on Art and Archeology in Asia - number three, Singapore Art; SOC A Loan Exhibition of Chinese Art; Christensen (Erwin O) Chinese Porcelains; Beamish (H) Pamplet number six, The Marks on Chinese Porcelain; Franks (A W), Catalogue of a Collection of Oriental Porcelain and Pottery; Honey (W B), The Art of the Potter; Royal Academy of Arts, International Exhibition of Chinese Art; Honey (W B), Guide to the later Chinese Porcelain Periods of K'ang HSI, Yung Cheng, Ch'ien Lung; Rene-Yvon Lefebrve d'Argence, Avery Brundage Collection of Chinese Ceramics; H d'Ardenne de Tizac, L'Art Chinois Classique; Venetian Catalogue of 1954 of Chinese Art and Siegel (Sammlung H W) 'Form und Fabre'
Negroni (M J L de) Souvenirs de la Campagne de Chine, Paris 1864; Reichwein, China and Europe; Waley (Arthur), The Life and Times of Po Chu-I; Gemet, Daily Life in China on the Eve of the Mongol Invasion; Watson (William), China; Translated by Jenyns (Soame) Poems of the T'ang Dynasty; Yutang (Lin), The Chinese Theory of Art; Munsterberg (Hugo), Art of the Far East; Ch'en (Jerome), Yuan Shih-K'ai 1859-1916; Wilheim & Jung, The Secret of the Golden Flower, Creel (Herrlee Glessner), The Birth of China - A Survey of the Formative Period of the Chinese Civilisation, Macartney (Lord), An Embassy to China 1793-94; Holt (Edgar), The Opium Wars in China
Kim (Chewon, Dr) and Gompertz (G St G M), The Ceramic Art of Korea, London 1961 (dw); The Government of the Republic of Korea, Masterpieces of Korean Art; Fitzwilliam Museum, Cambridge, Korean and Chinese ceramics; The Arts Council 1961, The National Art Treasures of Korea; Silla, Koryo, Yi, The Art of the Korean Potter; Henderson (Gregory), Korean Ceramics; Forman (W), The Art of Ancient Korea, and another book on Korean Art
Wilkinson (Charles K), Nishapur Pottery of the Early Islamic Period, New York (n-d); Talbot Rice, Byzantine Glazed Pottery; Dimand (M S), A Handbook of Muhammadan Art; Birdwood (George), Indian Arts; Murdoch Smith (R, Major), Persian Art; Hobson (R L), A Guide to the Islamic Pottery of the Near East; Binyen (Lawrence), The Spirit of Man in Asian Art; Hassan (Z M), Moslem Art in the Fouad I University Museum; Fehervari (Geza), Early 18th century Persian Blue and White; The Arts Council 1967; Turkish Art of the Seijuk and Ottoman periods; Brown (Percy), Indian Architecture (Islamic Period); Lane (Arthur), A Guide to the Collection of Tiles; Syrien-Forum der Volker und Kulteren - Land des Baal, Sothebys Catalogue for Arts of the Islamic World April 2000; Sotheby's catalogue for the Olsen Collection of Persian Pottery and Works of Art, December 1964; A Christie's Fine Antiquities Catalogue for April 1978 and an illustrated Souvenir of the Exhibition of Persian Art at Burlington House in 1931
A silver gilt presentation cigar box, makers mark R C London 1934, of plain rectangular form with presentation inscription to the cover to Major H R Sykes M A J P dated 1935 the front with oval castle gates motif, sandalwood lined in presentation box for retailers Robinson & Co The Square, Shrewsbury 10" wide
A George III silver two handled cup, makers mark W S London 1785, the half wrythen fluted body embossed with pendant swags and inscribed Sir M M Sykes opposite an oval cartouche within a ribbon garland marked Wheldrake plate, grooved loop handles, 5.5 in (13.97 cm) high, 155.5 gm, (5 oz) approximate
A silver pedestal mustard pot, William Hutton & Sons, Birmingham 1912, domed cover and blue glass liner, a silver round plain salt cellar Chester 1915, on three squat bracket feet blue glass liner, a silver pepper urn indistinct date marks, a silver dressing table short candlestick Birmingham 1914 4.75" high, a pair of EPNS napkin rings and an electroplated round matchbox and flat cover monogrammed S M and a silver mustard spoon (8)
A Victorian silver centrepiece, Cartwright & Woodward, Birmingham 1866, the plain bowl with bead border supported on a reeded baluster and triangular bombe plinth surmounted by three hippocampi, crested and with coat of arms and presentation inscription to 'James H Owen Esq M A V P in Grateful Rememberence of Many Services from his Brethren of the Royal Institute of the Architects of Ireland 1867' and on bracket feet, 7 in (17.78 cm) high, 5.25 in (13.34 cm) length extended, 808.7 gm, (26 oz) approximate

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377236 item(s)/page