A carved oak hall bench 19th century, the shaped toprail carved with dragons and a crest between mask carved uprights, the back with five panels carved with scenes from the Nativity and centred by a crest flanked by rearing horses and monogrammed T H & E M 1642, Arundel & Surrey and carved with the motto 'Lett Everie Thing Hath Breadth Praise Ye Lord' between down curved over a bevelled hinged seat and frieze carved Thomas Howard, Worstrop over three further carved panels between florally carved extended stile feet, some losses 54" wide 67" high
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A Minton Lace Border pattern meat dish, with wavy edge, printed in light blue with a wreath of flowers surrounding a lace centre and a similar border of lace panels, length 37.8cm, printed mark with title and cursive initial M, large impressed "Improved Stone China" seal mark, circa 1830-50 (rim chip)
A Measham or bargeware teapot and cover dated 1888, probably from Church Gresley, of typical ornate form with teapot knop to domed cover, covered with a treacle brown glaze and decorated with coloured sprigs of flowers and on one side a white panel impressed "A & M Johnson /Swadlincote / 1888", overall height 27.2cm, unmarked (restoration to spout)
A George II baluster-shaped tankard, with a moulded girdle and spreading foot rim, later engraved with the arms of Norcop within a cartouche, the 'S' scroll handle with heart-shaped terminal and inscribed N over L M, the domed cover with chair back thumbpiece, London 1742 by Humphrey Payne, 18.5cm high (7 1/4in) - 26oz
A Royal Worcester Ivory Ground high shouldered vase, date code for 1911, painted with a cock and hen pheasant on a moor, against an ivory ground within gilt borders and on four shell bracket feet, signed Jas Stinton, cracked, restored 6.5" high and a Royal Worcester two handled ovoid blush ivory vase date code for 1932, painted with roses and signed M Hunt, shape 287/H within gilt borders, neck restored 6.5" high (2)
Kobayashi (Taiichiro) Observations on Chinese Ceramics, 1951; Valenstein (Suzanne G), Ming Porcelains; Gillingham (Michael) Chinese Painted Enamels; LLoyd Hyde (J A) Chinese Painted Enamels; Woidt (Hannah) Chinese Handicrafts; The Asia Society including Asian Art; Hetherington (A L) Chinese Ceramic Glazes; Bluett and Sons Ltd 1974, Chinese Decorative Arts; The British Museum 1972, Chinese Art from the Collection of King Gustaf VI Adolf of Sweden; Hawley Stone (Louise), The Chair in China; Tregear (Mary) Guide to Chinese Ceramics; Medley (Margaret) Metalwork and Chinese ceramics; H D'Ardenne de Tizac, La Sculpture Chinoise; Moss (Sydney L) Chinese Monochrome; Aston (Leigh) & Gray (Basil) Chinese Art; OCS, Iron in the Fire; Combaz' Les Palais Imperiaux de la Chine; Joseph (Adrian M) Ming Porcelains; The School of Oriental & African studies, Colloquies on Art and Archaelogy in Asia
Jenyns (Soame) Later Chinese Porcelain, London 1951; Garner (Harry, Sir), Oriental Blue and White; The OCS of Hong Kong, Chinese Blue and White Porcelain; Thompson (Henry, Sir) A Catalogue of Blue and White Nankin Porcelain; Joseph (Adrian M), Ming Porcelains; The Museum of Far Eastern Antiquities, Ming Blue and White
Volker (T) Porcelain and the Dutch East India Company, London 1954; Victoria & Albert Museum, Porcelain of the Ch'ing Dynasty; Joseph (A M) Ming Porcelains - Their Origins and Development; Hobson (R L), Handbook of the Pottery and Porcelain of the Far East; The Illustrated Catalogues of Tokyo National Museum for Japanese and Chinese ceramics; Julien (Stanislas), Histoire et Fabrication de la Porcelain Chinoise; Sotheby's Catalogue Part II, Early Chinese Ceramics and Ancient Bronzes - December 1980; School of Oriental and African Studies, Colloquies on Art and Archeology in Asia - number three, Singapore Art; SOC A Loan Exhibition of Chinese Art; Christensen (Erwin O) Chinese Porcelains; Beamish (H) Pamplet number six, The Marks on Chinese Porcelain; Franks (A W), Catalogue of a Collection of Oriental Porcelain and Pottery; Honey (W B), The Art of the Potter; Royal Academy of Arts, International Exhibition of Chinese Art; Honey (W B), Guide to the later Chinese Porcelain Periods of K'ang HSI, Yung Cheng, Ch'ien Lung; Rene-Yvon Lefebrve d'Argence, Avery Brundage Collection of Chinese Ceramics; H d'Ardenne de Tizac, L'Art Chinois Classique; Venetian Catalogue of 1954 of Chinese Art and Siegel (Sammlung H W) 'Form und Fabre'
Negroni (M J L de) Souvenirs de la Campagne de Chine, Paris 1864; Reichwein, China and Europe; Waley (Arthur), The Life and Times of Po Chu-I; Gemet, Daily Life in China on the Eve of the Mongol Invasion; Watson (William), China; Translated by Jenyns (Soame) Poems of the T'ang Dynasty; Yutang (Lin), The Chinese Theory of Art; Munsterberg (Hugo), Art of the Far East; Ch'en (Jerome), Yuan Shih-K'ai 1859-1916; Wilheim & Jung, The Secret of the Golden Flower, Creel (Herrlee Glessner), The Birth of China - A Survey of the Formative Period of the Chinese Civilisation, Macartney (Lord), An Embassy to China 1793-94; Holt (Edgar), The Opium Wars in China
Kim (Chewon, Dr) and Gompertz (G St G M), The Ceramic Art of Korea, London 1961 (dw); The Government of the Republic of Korea, Masterpieces of Korean Art; Fitzwilliam Museum, Cambridge, Korean and Chinese ceramics; The Arts Council 1961, The National Art Treasures of Korea; Silla, Koryo, Yi, The Art of the Korean Potter; Henderson (Gregory), Korean Ceramics; Forman (W), The Art of Ancient Korea, and another book on Korean Art
Wilkinson (Charles K), Nishapur Pottery of the Early Islamic Period, New York (n-d); Talbot Rice, Byzantine Glazed Pottery; Dimand (M S), A Handbook of Muhammadan Art; Birdwood (George), Indian Arts; Murdoch Smith (R, Major), Persian Art; Hobson (R L), A Guide to the Islamic Pottery of the Near East; Binyen (Lawrence), The Spirit of Man in Asian Art; Hassan (Z M), Moslem Art in the Fouad I University Museum; Fehervari (Geza), Early 18th century Persian Blue and White; The Arts Council 1967; Turkish Art of the Seijuk and Ottoman periods; Brown (Percy), Indian Architecture (Islamic Period); Lane (Arthur), A Guide to the Collection of Tiles; Syrien-Forum der Volker und Kulteren - Land des Baal, Sothebys Catalogue for Arts of the Islamic World April 2000; Sotheby's catalogue for the Olsen Collection of Persian Pottery and Works of Art, December 1964; A Christie's Fine Antiquities Catalogue for April 1978 and an illustrated Souvenir of the Exhibition of Persian Art at Burlington House in 1931
A silver gilt presentation cigar box, makers mark R C London 1934, of plain rectangular form with presentation inscription to the cover to Major H R Sykes M A J P dated 1935 the front with oval castle gates motif, sandalwood lined in presentation box for retailers Robinson & Co The Square, Shrewsbury 10" wide
A George III silver two handled cup, makers mark W S London 1785, the half wrythen fluted body embossed with pendant swags and inscribed Sir M M Sykes opposite an oval cartouche within a ribbon garland marked Wheldrake plate, grooved loop handles, 5.5 in (13.97 cm) high, 155.5 gm, (5 oz) approximate
A silver pedestal mustard pot, William Hutton & Sons, Birmingham 1912, domed cover and blue glass liner, a silver round plain salt cellar Chester 1915, on three squat bracket feet blue glass liner, a silver pepper urn indistinct date marks, a silver dressing table short candlestick Birmingham 1914 4.75" high, a pair of EPNS napkin rings and an electroplated round matchbox and flat cover monogrammed S M and a silver mustard spoon (8)
A Victorian silver centrepiece, Cartwright & Woodward, Birmingham 1866, the plain bowl with bead border supported on a reeded baluster and triangular bombe plinth surmounted by three hippocampi, crested and with coat of arms and presentation inscription to 'James H Owen Esq M A V P in Grateful Rememberence of Many Services from his Brethren of the Royal Institute of the Architects of Ireland 1867' and on bracket feet, 7 in (17.78 cm) high, 5.25 in (13.34 cm) length extended, 808.7 gm, (26 oz) approximate
A POTTERY RED LUSTRE CHARGER, circa 1900, of circular form, lustred with three fish on a lined spiral ground below a scrolled floral banded border, the reverse with three moulded mask heads, painted lustre camel mark above initials M J, pierced for hanging, (chips to rim), 17 in (43.18 cm) diameter
A pair of Yates porcelain cabinet plates, circa 1820, each painted with sporting scenes showing huntsmen with dogs in a field of barley with a fox gone to ground and a huntsman holding up a hare whilst his companion horse and dogs look on within raised and gilded borders spaced by oak leaf and mistletoe motifs, each plate bearing old D M and P Manheim label marked "Worcester circa 1820", unmarked (2), 9 in (22.86 cm) diameter
A SILVER CIGARETTE CASE, maker's mark 'J W, Birmingham, 1901', chased with foliage and chilled cartouche inscribed 'A D D from W H M, 1902', and a silver oval jewellery box and soft cover, 'London, 1911' of banded, reeded form, upon four bun feet, (some wear) and a silver Art Nouveau circular box and cover, maker's mark 'G & Co. Ltd., Birmingham, 1903', embossed with a head of a lady, (splits, dints), (3)
George V silver comport, maker M M, Birmingham 1925, Celtic style, the lobed round bowl cast with a scroll banded border between circular medallions and buckle shaped swing handles, marked 'Victory Cup, Port Rush 1926, Won by C O Hezlet', raised on a flared pedestal base, 7 in (17.78 cm) diameter

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375954 item(s)/page