A production-used clapperboard and crew cap from Steven Spielberg's action-adventure sequel Indiana Jones and the Last Crusade. These items come from the personal collection of legendary producer Robert Watts. The black wooden clapperboard features the production title painted in white, with the names of director Steven Spielberg and director of photography Douglas Slocombe below. Lines divide the clapperboard into two sections, titled "slate" and "take". A masking tape strip runs along the bottom and features the handwritten text "12th August 1988 Exterior", and pieces of tape are adhered to the back creating the letter "A'. Made from mesh and polycotton, the black crew cap features the title artwork for the film, which is embroidered in orange, yellow and white, and outlined in grey. An adjustable strap is situated at the back of the cap. The hat displays minor wear, and the board shows signs of age and use, including corrosion on the metal clapper-stick hinge, paint wear and chalk remnants. Dimensions (clapperboard): 2 cm x 20.5 cm x 26 cm (3/4" x 8" x 10 1/4")£4000-6000 M
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A Ralph McQuarrie hand-painted matte concept of Cloud City from Irvin Kershner's Star Wars: The Empire Strikes Back. Academy Award-winning concept designer Ralph McQuarrie designed many of Star Wars' iconic characters and locations. Created by McQuarrie, the image reveals his vision for Cloud City, the gas mining colony floating in the atmosphere of the gas giant Bespin. This art is a matte concept, using photography, with the detail of the city hand-painted over it. It is presented in a black wooden frame and archivally displayed in a black-and-silver mount. The photograph shows some signs of age and is yellowing and stiffening slightly. Dimensions: 65 cm x 59 cm x 3 cm (25 1/2" x 23 1/2" x 1 1/4")£2000-3000 M
An autographed production-used script from gangster-drama TV series The Sopranos. Written by David Chase, this salmon revision script for the pilot episode is dated 25 August 1997 and contains 65 US Letter pages, bound together with three brass split pins. The unannotated script features a cover page displaying 11 main cast autographs, including James Gandolfini, Lorraine Bracco, Edie Falco and Michael Imperioli in various black inks.Lightly used, the script shows very minor corner creases from production use. Dimensions: 28 cm x 22 cm x 1.5 cm (11" x 9" x 1/2")£600-800 M
A crew jacket from the production of Ridley Scott's sci-fi classic Blade Runner. This black The Cloth Tattoo zip-up bomber jacket (size M), given as a gift to the crew of the film, is made of satin polyester with a hand-embroidered silver-and-red threaded patch reading "Blade Runner" in both English block and Japanese characters. A note in the jacket pocket marked "Lorna's jacket" is rendered in graphite on paper letterhead belonging to the film's visual effects auditor, Diana Gold.[2] While satin jackets from this era are frequently heavily faded, this jacket retains its original jet-black color and exhibits only minor signs of wear, while the note exhibits some creases and punctures.£800-1000 Ω
A stunt Morita assault rifle from Paul Verhoeven's sci-fi action film Starship Troopers. Morita assault rifles were carried by the Mobile Infantry throughout their campaign against the ferocious Arachnids, from their initial assault on Klendathu to the capture of the Brain Bug on Planet P. Cast from a hero version of the firearm, the rifle is made of foam rubber with an internal metal armature. The main body of the weapon has been finished in dark green with black components and a faux-silver magazine. The rifle features intricate detailing on the receiver, magazine and grip. A black synthetic webbing sling is attached via metal clips to the left-hand side of the body. The cocking handle is missing from the right side and the metal armature is slightly exposed on the tip of the muzzle. The lot shows other signs of production use, including minor paint wear and dust remnants from use on desert filming locations. Dimensions: 101 cm x 6.5 cm x 24 cm (39 3/4" x 2 1/2" x 9 1/2")£500-700 M
An archive of behind-the-scenes stills, a Lucasfilm Ltd annual from 1983, and a set of crew stickers from the original Star Wars trilogy. This item comes from the personal collection of legendary producer Robert Watts. Comprising a set of 12, the black-and-white stills were taken during the filming of A New Hope and show key cast members, droids, director George Lucas and others. Annuals were gifted to Lucasfilm employees during their yearly picnic at Skywalker Ranch. This set of stickers includes two triangular stickers designed by Ralph McQuarrie and a sheet of uncut stickers featuring Return of the Jedi's original title "Revenge of the Jedi" with an image of Yoda. The lot is completed by a colourful embroidered patch of the same Yoda design. The lot exhibits minor wear, including light scratches, plucks around the patch outline, and crease lines, notably on the annual cover and uncut sticker sheet. Dimensions (annual): 28 cm x 22 cm x 1 cm (11" x 8 3/4" x 1/2"); (each photo): 20 cm x 25.5 cm (8" x 10"); (sticker sheet): 19 cm x 25 cm (7 1/2" x 10")£300-500 M
A suit of armour worn by Mordred (Robert Addie) in John Boorman's Arthurian epic Excalibur. The grown-up Mordred wore his armour in battle against King Arthur (Nigel Terry) and his loyal knights after he challenged his father for the throne.Handmade in aluminium by legendary movie armourer Terry English, and finished in faux-gold spray paint, this was the only suit of elder-Mordred armour made for the film. The suit consists of a chest and back plate, arms, gauntlets, scaled skirt, leg and foot guards, and a chainmail neck piece. English made the instantly recognisable aluminium helmet after production for display purposes, as the original fibreglass version was lost. The armour is embellished with rivets, spikes and muscular definition and held together with leather straps and metal buckles.A number of unique marks on the chest and arms screen match the armour to that seen in the film. The set was used in countless stunts and action sequences, which left the suit with a number of scratches and repairs. Most notably, the breastplate was modified for the shot in which Mordred receives a mortal chest wound from Excalibur, and reshoots required English to repair the hole. The repair is visible on screen, as is €˜gold'-painted Gaffer tape attached to the lower left bicep. The suit exhibits the previously stated wear, as well as wear from age, including fragile leather straps and the absence of several scales from the skirt. The legs are marked "Eric" for use in a subsequent production.£10000-15000 M *Special shipping required; see special shipping notice in the Buyer's Guide
A photo autographed by Tim Burton, Johnny Depp and producer Richard D. Zanuck from Burton's horror comedy Dark Shadows. This item comes from the personal collection of legendary actor Sir Christopher Lee. Presented in a black metal frame and set under acrylic, the photo features Depp and Christopher Lee on set dressed as their characters, alongside Zanuck and Burton. Autographed in silver pen, the photo features messages dedicated to Sir Christopher Lee. The signatures are slightly smudged in a couple of areas and the frame shows some very minor wear. Dimensions: 21 cm x 26 cm x 2 cm (8 1/4" x 10 1/4" x 3/4")£500-700 M
A light-up Bajoran interceptor miniature model from sci-fi TV series Star Trek: Deep Space Nine. Miniature models were used for the Bajoran ships, which first appeared in the Season 2 episode "The Siege", when two interceptors attacked the ship being flown by Commander Kira Nerys (Nana Visitor) and Lieutenant Jadzia Dax (Terry Farrell). The Starfleet officers managed to destroy one of the Interceptors before sustaining critical damage and crash landing. Models were later used in the Season 3 episode "Through The Looking Glass" and for cutaway footage of ships flying around DS9 in later seasons. The model is made of plastic and hand-painted to look as detailed and realistic as possible. It is predominantly decorated in shades of grey with bronze detailing, in keeping with the Bajoran aesthetic. It features €˜rust' markings and other examples of intentional distress, giving it the appearance of being well used and battle worn. When connected to mains power via a D-sub 9-pin connector, the lights within the model illuminate, lighting up the cockpit, windows and engines, as well as lights on the wing tips and the top of the ship. The miniature sits on a custom-made metal stand on a black wooden base. The stand is a fixed to a production-made filming mounting point, which can be hidden with an extra piece when not on the stand. There is a second hidden mounting point in the tail. It has some wear from production use and age, including a small repair to the left wing. Dimensions: 45 cm x 68 cm x 25 cm (17 3/4" x 26 3/4" x 9 3/4") ADDITIONAL INFORMATION Interceptors were lightly armed craft with two phaser emitters, used by the Bajoran Militia in the defense of Bajor. They were often utilised in the orbit of the planet but, as in "The Siege", could also fly within the atmosphere.£8000-10000 M *Contains electronics; see electronics notice in the Buyer's Guide
A Borg phaser from sci-fi TV show Star Trek: The Next Generation. The Borg used their wrist-mounted phasers in the two-part episode Descent, which comprised the Season 6 finale and the Season 7 premiere, and saw the Borg going on the offensive against the crew of the Enterprise. The phaser is made of resin and is painted gunmetal grey. It features a metal tip and has a metal spring running from the top to the side of the phaser. It has metal attachments and mechanical detailing to provide a technical feel, and features Velcro on the underside so it could easily attach to the wearer. The phaser features minor wear from production use, including scuffs and scratches. Dimensions: 14.5 cm x 4.5 cm x 3.5 cm (5 3/4" x 1 3/4" x 1 1/2")£300-500 M
A Type-1 "Cricket" phaser from science-fiction series Star Trek: The Next Generation. These phasers are the smallest, most basic weapons carried by Starfleet personnel. They are seen in episodes such as Season 5's "The Game", when Wesley Crusher (Wil Wheaton) used one as a distraction. Dubbed the "cricket" by production and fans alike, the phaser is made predominantly of resin, metal and plastic. It has two buttons on the top and a transparent red acrylic front, from which the beam emanates on screen. The top of the phaser slides back, revealing wiring inside, which suggests that the phaser lit up during production. The piece exhibits some wear from production use and age. It has some scuffing and scratches where the grey resin underneath can be seen. One of the two buttons on the top is now missing. Dimensions: 8.5 cm x 4 cm x 3 cm (3 1/4" x 1 1/2" x 1 1/4")£1500-2500 M *Contains electronics; see electronics notice in the Buyer's Guide
Luke Skywalker's (Mark Hamill) production-made lightsaber from the production of Star Wars: A New Hope (1977) Lightsabers are one of the most memorable props in the history of cinema, and it is well-known amongst enthusiasts that Luke's original lightsaber was built from a Graflex 3-Cell Camera Flash Attachment unit. The modifications used to turn the flash handle into the lightsaber prop were relatively straightforward: a set of black T-shaped grips were attached to the lower half of the flash, a D-ring was attached to the bottom of the unit to allow it to hang from a belt hook, and a set of plastic magnification "bubbles" from a vintage calculator display were fitted to the flashes center clamp. Due to the simple nature of the prop's construction, authenticity around Graflex-based lightsaber props is frequently controversial. This is the first Luke Skywalker lightsaber Prop Store has handled with solid provenance and the appropriate physical construction elements to support that it is indeed from the production. The most well-documented Skywalker lightsaber props are the Graflex-based hero version seen best in production photography, and the special-effects version with a motorized spinning blade (designed to reflect light into the camera lens) that was made from a piece of pipe dressed to look a Graflex. It is not clear exactly how many lightsaber props were built for the first film in total. This lightsaber is distinctly not the hero Graflex version seen in production photographs, or the well-documented spinning version, but is an original made for the production of the film. The lightsaber originated from Andy Mitchel, the son of Andrew Mitchell, who was the managing director of Elstree Studios at the time the original Star Wars films were shot there. Mitchell recovered the lightsaber prop as a young man from the Elstree Studios backlot where it had been discarded along many other props and sets during or after production. He was allowed to keep the piece as a memento shortly after production wrapped. The Graflex is a "Folmer" version of the flash handle, which is the same version of Graflex used to create the hero piece seen in production photographs. This flash unit was fully converted into a prop lightsaber: a D-ring is affixed to the bottom of the handle with two pop rivets, a bubble lens strip fitted in the center clamp (with 7 bubbles, matching the hero prop), and glue residue exists on the lower half where the T-shaped grips were once attached. The red button at the top of the flash is a version with a thin band of knurling€â€different to the documented hero Graflex, but the same style of button seen on the document effects "spinning blade" prop. The most interesting aspect of this piece is a welded metal plate affixed into the open end of the emitter. The plate features a small hole in the center and the welding process has deformed some of the top of the flash. This plate was almost certainly welded in as part of the effort to mount a blade in the handle. This custom modification supports the fact that the special effects or props team at Elstree Studio was working with this piece at some point during production, and it was specifically converted to be a lightsaber prop. At present, the location of both the well-documented hero Graflex lightsaber and well-documented "spinning blade" effects version of the prop are not known. Therefore, this may be the only, or certainly one of the few, genuine Luke Skywalker lightsaber props from the original Star Wars film still in existence. While it is uncertain whether this piece was ever used in filming or not, it has a strong chain of provenance and the appropriate physical construction to support its authenticity and is a wonderful example of this legendary film prop. Included are a letter of authenticity from Andy Mitchell who originally obtained the piece from the Elstree backlot, and from a friend of Mitchell's who was gifted the piece by Mitchell in 1983. The piece is well-worn, with numerous scratches and marks to the body. Dimensions: 25 cm x 5.75 cm x 3 .75 cm (10" x 21/4" x 11/2")£60000-100000 M
A showgirl costume from John Glen's Bond movie Octopussy. Showgirls wore their extravagant costumes as part of the circus on the US Air Force base, where James Bond (Roger Moore) had to defuse a nuclear bomb. The costume features a heavily embellished sequined orange body with a corseted back that is done up with hook-and-eye fastening. It also features an ornate headdress decorated with sequins and feathers, so long they almost reach the ground. Inside the body there is a label for "Janine Andrews", credited as one of the "Octopussy Girls". No sizes are labelled. There is minor wear from age, storage and use on production, including a few missing sequins and some areas where the fabric has plucked.£600-800 M
An engineering PADD autographed by Patrick Stewart, from sci-fi television series Star Trek: The Next Generation. PADDs (Personal Access Display Devices) were handheld computers, used by the crew of the USS Enterprise while performing their duties. This PADD is made of resin and painted silver grey. It features a view screen which consists of a paper engineering interface and two faux buttons. On the reverse there is a sticker for "Access Panel 32-2398", above which is the autograph by Stewart, in black marker pen. The PADD shows some wear from production use and age; there are some scuffs and scratches, and the paper interface has peeled away slightly. Dimensions: 14.5 cm x 10 cm x 1.3 cm (5 3/4" x 4" x 1/2")£1000-1500 M
A Raccoon City Police badge from Alexander Witt's action-horror sequel Resident Evil: Apocalypse. Police detectives wore their badges at the police station when Jill Valentine (Sienna Guillory) burst in and shot the infected prisoners. The steel badge which reads "Raccoon Police", is pinned to two black leather patches fastened together with Velcro. On the reverse of the patch is a metal clip to attach the badge to clothing. The piece shows some wear from production use, including some scuffing on the leather and the badge itself. Dimensions: 8.5 cm x 8 cm x 2.5 cm (3 1/3" x 3 1/4" x 1")£300-500 M
Three Sir Christopher Lee framed Guinness World Record certificates and an honorary 501st Star Wars Legion Fan Club plaque from his lifetime of acting. These items come from the personal collection of legendary actor Sir Christopher Lee. Guinness World Record certificates are given to those who excel in an event or profession, and plaques are given to 501st Legion members as a symbol of membership. The frames are made of metal and wood, with acrylic protecting the paper certificates, which feature the records "most connected actor", "most screen swordfights" and "most credited living movie actor". The plaque is made of wood with a metal laser-etched panel and a 501st badge glued to a removable felt panel. The frames display signs of wear, including paint marks and minor scratches. The 501st plaque shows scratches to the metal. Dimensions (record frames): 45 cm x 34.5 cm x 3 cm (17 1/2" x 13 1/2" x 1"); (plaque): 30.5 cm x 23 cm x 2 cm (12" x 9" x 1/2")£600-800 M
A pair of large vehicle decals from Irvin Kershner's Star Wars: The Empire Strikes Back. Trac-Master snow vehicles, used as towing and support vehicles on set, were emblazoned with the film's production logo during filming of the Hoth scenes in Norway. Screen-printed on vinyl, the decals feature the visage of Darth Vader looming through flames over a blue field, surrounded by the film's title and borders in white. Red fields around the logo allowed the decal to blend in with the vehicle's predominantly red paint scheme. Both decals are still attached to their backing paper and remain in good, unused condition, with light creasing around the edges. Dimensions (per decal sheet): 45 cm x 31 cm (17 3/4" x 12 1/4")£400-600 M
William M. Rittase (American, 1894 - 1968). "The Days of Youth". Original vintage photogravure. c1937. Printed 1937. Stamped with the photographer's name, verso. Edition unknown, presumed very small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Image size: 9 3/4 x 7 5/8 in. (248 x 194 mm). Image copyright © The Estate of William M. Rittase. [25966-2-225]
* GREGOR M SMITH RSW, UNTITLED oil on canvas, signed and dated 1981 87cm x 64cm Framed. Note: Gregor Smith studied drawing and painting at Edinburgh College of Art under Sir Robin Philipson and James Cumming 1962-66. A post-graduate scholarship with a highly-commended endorsement was followed by a travelling scholarship to Florence and Rome 1966-7. He lives in Kilcreggan, Argyll and Bute, in a house which overlooks the Clyde estuary with superb views of Arran, Holy Loch, Loch Long with Gareloch just round the corner and extensive open vistas towards Glasgow up river. Most of his subject matter is drawn from these lochs, the surrounding hills and coastal edges. Variations in weather patterns, atmospheric changes and subtle changes of colour, shapes and textures all forming vital compositional elements. His work is exhibited at national shows and at Roger Billcliffe Gallery.
Ca.200 AD. Beautiful Roman Gold Ring with a carnelian stone intaglio depicting a Capricorn. Legions such as Secunda Augusta and others used the Capricorn as an emplem for their battle standards. Good Condition; wearable; Inner diameter: 17mm; outer diameter: 23mm ring size UK M; US 6; 3gr; Provenance: Private Kent collection, formed in the 1980s on the UK art market, All Items sold by Pax Romana Auctions come with professional Certificate of Authenticity.
Ca.900-1100 AD. Interesting Viking Bronze Ring with runic inscription. Two symbols rapresenting a sea serpent on each side- representing the evil - Jormungand sea serpent. Good Condition; Wearable; Inner diameter: 17mm; Outer diameter: 19mm ring size UK M; US 6; 9gr; Provenance: Private London collection, formed in the 1970s on the UK and European art market. All Items sold by Pax Romana Auctions come with professional Certificate of Authenticity.
Ca.1200 AD. Rare Crusaders Holy Land Ring depicting two stars along the hoop and a penthagram on the bezel, symbolizing Protection. Similar rings were worn by the Knights fighting in the holy lands. Good Condition; wearable; Inner diameter: 17mm; outer diameter: 25mm ring size UK M; US 6; 5.5gr;Provenance: Important London collection of Ancient art; formed in 1970s then passed by descent. All Items sold by Pax Romana Auctions come with professional Certificate of Authenticity.
Ca.100 AD. A fantastic Roman Gold intaglio ring with the portrait of God Mercury. Mercury is a major god in Roman religion and mythology, being one of the 12 Dii Consentes within the ancient Roman pantheon. He is the god of financial gain, commerce, eloquence, messages, communication (including divination), travelers, boundaries, luck, trickery and thieves; he also serves as the guide of souls to the underworld.This ring would have belonged to a Roman Merchant, Fine Condition; Wearable ; Inner diameter: 17mm; outer diameter: 25mm ring size UK M; US 6 ; 8gr;Provenance: Private London collection, formed in the 1990s on the UK and European art market, All Items sold by Pax Romana Auctions come with professional Certificate of Authenticity.
Andy Warhol (American, 1928 - 1987). "Flowers ("Blue & Green")". Original color silkscreen. 1978. Signed in black marker, lower right. Edition unknown, presumed small. Cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann pp.213-214; II.64-73. Overall size: 27 1/2 x 27 1/2 in. (698 x 698 mm). Image size: 24 3/8 x 24 3/8 in. (619 x 619 mm). Very scarce, and rare signed. The auction record for the same image of this print (signed and by a different printer) is $3,600 realized at Swann Galleries, NYC, February 5, 2013, lot 251. This "Flowers" image is slightly different from those of the limited edition published in 1970. According to Feldman/Schellmann (pg. 214, fourth edition, 2003) "prints exist which differ from the published edition (example illustrated on previous page)." The example illustrated on pg. 213 is our example, with different colors. Based on a photograph of hibiscus flowers by Patricia Caulfield in "Modern Photography," June, 1964. The text lower left to right reads: "Andy Warhol - Flowers - Silk Screen - 1964 - coll. Harry N. Abrams - © 1978 Leo Castelli Gallery - Posters Original, Ltd. No. M 57." Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29230-6-2400]
A white metal ring made up of three interlocking rings, one marked within "925", ring size "N" and "O", a spiral white metal ring set with a small turquoise stone, ring size "N" approx. and a triple loop white metal ring set with three pink/red stones and marked within "925", ring size "M".
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375905 item(s)/page