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Click here to subscribeOriginalbekleidete PuppenstubenpuppeArmand Marseille. Gemarkt "Germany 390 A 11/0 M". Bis 1935. Biskuitporzellan, Masse. L 23 cm. Schlanke Puppe mit Kurbelkopf, blauen Schlafaugen, blonder Mohairperücke, 5-teiligem Stehpuppenkörper und modellierten Schuhen. Helles Kleidchen Am Kopf keine Defekte sichtbar. Körper mit Bestoßung im Nacken.
Konvolut 11x Puppen-LiteraturThemenbereiche: Celluloid- und Käthe-Kruse-Puppen. 2x T. Dahl: "Käthe Kruse-Puppen" (1x Preisführer). / L. Richter: "Geliebte Käthe-Kruse-Puppen". / G. Wegner: "Preisführer Celluloid-Puppen". / A. Stitz: "Preisführer Celluloid". / 3x A. Lipinski: "Zelluloid-Puppen sammeln" und "Geliebte Zelluloid-Puppen". / 2x J. & M. Cieslik: "Das große Schildkröt-Buch". / Katalog Nachdruck "Schildkröt-Puppen" von 1913 Gebrauchsspuren. "Geliebte Zelluloid-Puppen" und "Das große Schildkröt-Buch" doppelt.
CharakterpuppeArmand Marseille. Gemarkt "A 980 M Germany 12 DRGM". Um 1920. Biskuitporzellan, Masse. L 59 cm. Kurbelkopf, blaue Schlafaugen, Wimpern, braune Mohairperücke. 5-teiliger Sitzbabykörper mit verstummter Stimme. Grauer Satin-Anzug, passende Mütze, blaue Schuhe Haarriss an der Stirn, kleine Chips an der Halskurbel. Körper mit kleinen Defekten am Beinansatz.
Harlekin mit DeckelkanneMeissen. 1970-1980. Modell-Nr.: 64551 (alte Form-Nr. 3025). Höhe: 24 cm. Modell von Johann Joachim Kaendler 1764. Farbig bemalt, gold staffiert. Inschrift auf dem Krug: Z steht für Zanni, eine Figur der Commedia dell'arte, M steht für Joseph Ferdinand Müller, königlich-polnischer und kurfürstlich-sächsischer Hofkomödiant, der 1738 in Dresden eintraf. Schwertermarke Meissen-Manufaktur-Preis: 4990,- Euro * Partnerauktion Bergmann. Literatur : Bergmann (2017) Abbildung Katalog-Nr. 1730. Provenienz : Süddeutsche Privatsammlung.
Russisches Zigarettenetui mit goldenem NamenszugKokoschnikmarke/84 Zolotniki/Meisterzeichen MK gepunzt. 1908-1926. Moskau. Silber, innen vergoldet. 7,5 x 11,5 cm. 162 g. Flaches Etui mit aufgelegtem kyrillischen Schriftzug "M. Arzeubaschev". Clipverschluss mit Saphir-Cabochon Minimale Gebrauchsspuren.
ChampagnerkühlerStephan Mayerhofer. Wien 1830. 13-lötiges Silber. Höhe: 21,5 cm. 985 Gramm. Schlichte zeitlose Form mit beweglichen Ring-Handhaben. Punzen: Meistermarke St. Mayerhofer, M im Doppeladler, Wiener Beschauzeichen mit Jahreszahl und Feingehalt Mündungsrand von unten mit kleinem Defekt, Löchlein. Mayerhofer (1772-1852), gründete 1797 in Wien eine Plattierwarenfabrik. 1816 kaiserlich-königlicher Hof-Plattierer. Ab 1822 Herstellung von Silberwaren. Seit 1830 Zusammenarbeit mit Carl Klinkosch (1797-1860). Gründung der Manufaktur Mayerhofer & Klinkosch, kaiserlich-königliche Hoflieferanten * Partnerauktion Bergmann. Literatur : Neuwirth (2000) Band II Seite 171 Nr. 710, Seite 180 Nr. 795, Price-Seipel (2003) Seite 389.
Großes PuppenmädchenArmand Marseille. Gemarkt "A 15 M". Um 1900. Biskuitporzellan, Masse. L 76 cm. Kurbelkopf, blaue Schlafaugen, blonde Echthaarperücke. 11-teiliger Gliederkörper mit 2-geteiltem Torso. Rotes Samtkleid mit schwarzem Matrosenkragen Kopf durchleuchtet: ohne Defekte. Übermalter Körper mit Farbdefekten und restaurierten Händen, Stimme verstummt.
CharakterbabyJ. D. Kestner. Gemarkt "M made in Germany 16 JDK 247 16". Ab 1915. Biskuitporzellan, Masse. L 50 cm. Kurbelkopf, blaue Schlafaugen, blonde Mohairperücke, festgegipster Kopfdeckel. 5-teiliger Sitzbabykörper. Weißes Hemdchen, weiße Schuhe Langer Haarriss auf der Stirn. Kleine Farbdefekte und Retuschen am Körper.
Barocker Fayence-Walzenkrug mit springendem PferdThüringen oder Magdeburg. Rote Pinselmarke M. 2. H. 18. Jh. Weiß glasiert, polychrome Scharffeuerfarbenbemalung. H 23,5 cm. Zylinderkrug mit strichverziertem Bandhenkel. Schauseitig ein springendes Pferd in einer stilisierten Landschaft. Gewölbter Zinndeckel mit Kugeldrücker und Henkelband, Zinnstandring Leicht haarrissig, Glasurbereibungen, Zinn mit Lötspuren.
Puppenmädchen mit ZöpfenArmand Marseille. Gemarkt "Made in Germany 390 A 10 M". Um 1900 bis 1935. Biskuitporzellan, Masse, Holz. L 64 cm. Kurbelkopf, braune Schlafaugen, Wimpern, braune Echthaarperücke. 15-teiliger Gliederkörper mit langen Röhrenoberschenkeln. Braunes Kleid, weiße Schürze Kopf durchleuchtet: ohne Defekte, lediglich winziger Perückenpull und rechte Wange minimal berieben. Kopfaufhängung etwas locker.
Sport Reidar Liaklev signed Olympic FDI PM Zimske Olimpijske Igre U Sarajevu 31.01.1984. Reidar Kristofer Liaklev (15 July 1917 - 1 March 2006) was a speed skater from Norway who won the gold medal in the 5000 m event at the 1948 Winter Olympics. Liaklev was a long distance specialist, yet he won the European Allround Championships in 1948. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
TV Film Elliott Gould signed 10 x 8 black and white photo. Also includes unsigned 6 x 4 behind the scenes photo. Gould is an American actor. He began acting in Hollywood films during the 1960s. In addition to his performance in the comedy Bob and Carol and Ted and Alice (1969), for which he received a nomination for the Academy Award for Best Supporting Actor, Gould is perhaps best known for his leading roles in Robert Altman films, starring in M*A*S*H (1970), The Long Goodbye (1973) and California Split (1974). Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Make & Model: BMW X3 SD M Sport ADate of Reg: YE07 ZLXColour: Greycc: 2993MoT: 29-10-2022Fuel Type: DIESELMileage: 87KTransmission: AUTOSummary: £5,950 of extras including navigation system, professional , Navada leather and 19' M Light alloys. Eight service stamps. Sold with no V5The V5C for this vehicle is missingVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=155768
TIGHE (MARY)Psyche, or The Legend of Love, FIRST EDITION, AUTHOR'S PRESENTATION COPY TO THE PAINTER JAMES BARRY, inscribed on title-page 'To James Barry Esq., from M Tighe 1805', wide margins, title slightly stained at foot, contemporary green straight-grained morocco, sides gilt ruled and panelled, with floral corner-pieces and outer border, agate on-lays to each cover, spine in five separate compartments with raised bands, tooled and lettered in gilt and blind, gilt clasp set with gems, very light rubbing to foot of spine, gilt turn-ins, yellow watered silk endpapers, g.e., housed in a contemporary velvet-lined, gilt-tooled diced russia box, with gilt lettering on spine, rubbed, to joints split [P.R. Feldman and B.C. Cooney, Collected Poetry of Mary Tighe, p. 590, citing this copy], 16mo (250 x 94mm.), [C. Whittingham for James Carpenter], 1805Footnotes:A SEMINAL WORK OF IRISH ROMANTICISM INSCRIBED BY THE AUTHOR IN AN EXQUISITE OPULENT CONTEMPORARY BINDING. According to Paula Feldman, joint editor of The Collected Poetry of Mary Tighe, the binding is far more ornate than any of the other copies she has examined, and is especially unusual for the addition of the Wedgwood style cameo, ornate metal lock, semi-precious stones, and agate onset, which she believes may have been added by a subsequent owner to the original binding and endpapers especially commissioned by the author.Irish poet Mary Tighe (1772-1810) '...was a crucial force in shaping British Romanticism. With remarkable vitality and virtuosity, her poetry engaged the central issues of the period, often in advance of writers now considered canonical, and commanded the attention and respect of her contemporaries.... These poems demonstrate the technical virtuosity with which Tighe movingly wrote about the tensions between love and loss, duty and desire, the spiritual and the sensuous, loyalty and betrayal, nation and family, the Irish and the British, and much more, while struggling with debilitating illness...' (Paula R. Feldman & Brian C. Cooney, The Collected Poetry of Mary Tighe, 2016, p.1).Tighe published only one work in her lifetime, Psyche; or, the Legend of Love, which was put out in a private edition of fifty copies for the benefit of family and friends in 1805. However, whilst having many admirers amongst her literary circle (including Thomas Moore, Joseph Cooper Walker and the Ladies of Llangollen) it was the posthumous publication of Psyche, with Other Poems, in 1811 and in several later editions, that made her name widely known and established her literary reputation.The decorative on-lay on the upper cover is a copy of a Wedgwood design by John Flaxman of 1776 depicting a procession of putti guiding the bound and draped Cupid and Psyche to their wedding. Here, however, one figure on the far right hand-side has been omitted. The decorative on-lay on the lower board is a cameo of a female figure in profile, possibly the author herself. Although the binding is unsigned, according to Philippa Marks of the British Library, it can be attributed to the workshop of Rodwell, Golden Square, London. In fact, the British Library holds a copy of a work by Juan de Flores (G102030) with a binding signed by Rodwell which is characterised by identical floral corner pieces to those on this book (Law, E., 'Psyche: or the Legend of Love, 1805', Old Kilkenny Review, 65 (2013), p.45).For a manuscript notebook of her poems, see our Women Through History sale on 23rd March 2022, lot 153.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
[MONTAGU (ELIZABETH)]An Essay on the Genius of Shakespeare compared with the Greek and French Dramatic Poets, with remarks upon the Misrepresentations of M. de Voltaire, PRESENTATION COPY FROM THE AUTHOR TO ELIZABETH VESEY, inscribed 'Eliz Vesey - gift of the author' on verso of contents leaf, second edition, minor offsetting to title page, slight foxing and age toning, contemporary marbled calf, gilt tooling to covers, spine in six compartments with raised bands, floral gilt decoration and gilt title to spine, g.e., hinges starting, minor wear to covers and corners, 4to, London, 1770Footnotes:Elizabeth Montagu (1718-1800) was a British author, celebrated salonnière and literary critic who published two works in her life time. The present work was first published in 1769. Alongside other high society women, in the 1750s she founded, led and organised the Blue Stockings Society - a women's movement focussed on female education and mutual cooperation. The addressee of the dedicatory manuscript inscription on the verso of the contents page is Elizabeth Vesey (1715-1791), a close friend of the author and renowned Irish intellectual who, alongside Elizabeth Montagu, founded and fostered the Blue Stockings Society.Provenance: Colonel Vesey, bookplate; William Marchbank, bookplate.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
STANSFELD (JAMES)Illuminated manuscript address 'To the Right Hon. James Stansfeld, G.C.B., M.P.' by Goodall & Suddick of Leeds, 7 full-page illustrations (arms of the City of Halifax and 6 bunches of flowers), opening leaf with Stansfeld arms and motto, 5 pages of text within decorative ruled borders, initials gilt and outlined in pale blue, all on thick album leaves, SIGNED AT END BY 20 FEMALE REFORMERS, 2 further signatures pasted in, occasional light soiling, dark brown morocco by Goodall and Suddick, gilt lettered on upper cover, silk doublures, 4to (255 x 195mm.), [?October 1895]Footnotes:'OUR DEMAND THAT MARRIAGE SHALL NO LONGER BE STAMPED WITH THE BRAND OF LEGAL DISABILITY': twenty-two key figures express their gratitude to Sir James Stansfeld. Stansfeld (1820-1898) was a Radical and Liberal politician and social reformer, who championed the cause of women's rights. 'You were the first Minister of the Crown to set the example of employing a Woman in the higher range of an Administrative Government Department. In the beginning of our struggles for the Medical Education of Women, led by our colleague, Sophia Jex-Blake, you espoused our cause... English wives must have the same electoral freedom which is claimed for the unmarried.'Signed by Josephine E. Butler, Ursula M. Bright, Florence Fenwick Miller, Jessie White Vedova Mario, Jane Cobden Unwin, Sophia Jex-Blake ('Sophia Jex-Blake M.D.'), Priscilla Bright McLaren, Eliza Wigham, Anna M. Haslam, Isabella M. Tod, Esther Blakey, Jane Eleanor Crossley, Ellen Edmondson, Mary Ann Priestman, Mary J. Rowntree, Maria Richardson, Alice Cliff Scatcherd, Celia Walker, Elizabeth Woodhead, Ellen E. Waite, Linda Villari, and Elizabeth James (these last two pasted in).The Women's Library at LSE holds the records of the James Stansfeld Memorial Trust, including papers regarding the presentation of the Women's Testimonial to James Stansfeld in 1895.Provenance: The Phyllis & Jim Bratt Woman's Suffrage Collection, purchased at a postcard fair in York in 1994.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
RICCI (PANDOLFO)La salvtifera fatica di Pandolfo Ricci Luches sopra l'anno M.D.LXVII. con diligenza reuista & compilata a beneficio de gli amatori di tale scienza, i quali si dilettano ogni Anno d'hauere il suo parere in scritto et seve infino all'Anno 1570, FIRST EDITION, 8pp., large woodcut illustration on the title-page, one woodcut illustration in the text, cropped throughout, later patterned boards [not in World Cat/Edit 16], small 4to (198 x 140mm.), Rome, Antonio Blado, 1567Footnotes:RARE, with no other copies traced in standard bibliographies. A work of astrological prophecies in the manner of Nostradamus for the years 1567 to 1570, dedicated to Cardinal Farnese.Provenance: Paolo Borghese, bookplate ('Ex libris M. A. Principis Burghesii'). For this copy see Catalogue des livres composant la Bibliothèque de S. E. Don Paolo Borghese (1893), no. 1675 ('Plaquette très rare non citée... Exemplaire très court de marges: la partie imprimée dans la marge ext. Parmi les prophéties contenues dan cette pièce curieuse il y en a une se référant a 'Emanuele Filiberto Duca di Savoia'); private UK collection.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
CURIE (MARIE)Thèses présentées à la Faculté des Sciences de Paris pour obtenir le grade de docteur des sciences physiques.. 1re thèse. Recherches sur les substances radioactives. 2e thèse. Propositions données par la Faculté, FIRST EDITION, INSCRIBED 'A SIR WILLIAM RAMSAY/ HOMAGE DE L'AUTEUR/ M. CURIE' on the front free endpaper, one photographic illustration and several diagrams in the text, one side-note and 3 passages marked in pencil in margin, publisher's printed wrappers, lacks front wrapper and most of spine, stitching coming loose [Dibner 164; Grolier Science 19; Norman 543; PMM 394; Waller 11319], 8vo, Paris, Gauthier-Villars, 1903Footnotes:NEWLY DISCOVERED PRESENTATION COPY OF MARIE CURIE'S MOST IMPORTANT PUBLICATION, INSCRIBED TO SIR WILLIAM RAMSAY, WINNER OF THE NOBEL PRIZE FOR CHEMISTRY IN 1904.Marie Curie's doctoral thesis contains a critical analysis of her hugely productive researches, undertaken with her husband, into the phenomenon of radioactivity during the years 1897 to 1903. During this period Curie had 'made the first measurement of radioactive radiation, demonstrated the radioactive properties of thorium, discovered polonium and radium, described the atomic nature of radioactivity, prepared pure radium chloride, determined the atomic weight of radium, observed induced radioactivity... and developed the chemical aspects of radioactivity' (Norman). Six months after the presentation of her thesis, Curie won the Nobel Prize for physics, awarded jointly with her husband Pierre Curie and Henri Becquerel for their discovery of radioactivity. She was the first woman to win the Prize, and on being awarded the the Nobel Prize for chemistry in 1911 she became the first person to be awarded a Nobel twice.Provenance: Sir William Ramsay (1852-1916), Scottish physical chemist, presentation inscription to him from Marie Curie. In 1904 Ramsay became the first British recipient of the Nobel prize for chemistry, given 'in recognition of his services in the discovery of the inert gaseous elements in air, and his determination of their place in the periodic system' (Nobel Prize website); Sir Harold Brewer Hartley (1878-1972), physical chemist. In 1901 Hartley was appointed tutorial fellow at Balliol College, Oxford and, following a distinguished career in World War I as chemical adviser to the Third Army, he was appointed controller of the chemical warfare department at the Ministry of Munitions in 1919 (see ODNB entry for his later achievements, including the publication in 1971 of his Studies in the History of Chemistry); thence by descent to the present owner.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Publuis Cloduis, Marcus Filuis (son of Marcus) silver Denarius, Roman Republic, approximately 42BC, Dianan Lucifera standing facing, head right with bow and quiver over shoulder, holding lighted torch in each hand, with Moneyer mark P Clodivs M F , the other side with head of Apollo, weight 3.3g, 19mm diameter, Location: CAB
A 9ct gold and amethyst cabochon ring with silver shoulders and mount, total weight 2.7g, UK ring size M, a pair of 9ct gold and pale blue stone earrings, total weight 1.1g, scrap yellow metal chain, a Ciro faux pearl necklace with 9ct gold clasp, a vintage amber and green stone necklace, a white metal dragonfly brooch with indistinct marks, an amethyst coloured cabochon, a white tone bar brooch with opaline cabochon, a sterling silver Scottish brooch in the form of a dagger and other items of jewellery Location: CAB
An Antique 18ct gold aquamarine and diamond rectangular cluster ring, set with rectangular step-cut aqua and modern round brilliant-cut diamonds, total diamond content approx 0.2ct, setting height 10mm, size M, 1.5gNo damage or repairs, all stones present, diamonds bright white and fiery, shank slightly off-round and wearing very thin, mark clear, stamped 18ct
An Antique 18ct gold ruby and diamond crossover ring, set with round-cut ruby and old European-cut diamond, diamond approx 1ct calculated from measurements: 7.00mm x 3.34mm, colour approx L/M, clarity approx I2/I3, ruby measures: 6.54mm x 3.76mm, size U, 4.2gRuby quite heavily worn on facet edges with a few minor girdle chips and no obvious internal inclusions, diamond very heavily included with fractures, settings also heavily worn on shank which is wearing thin, mark clear, engraved 18ct
An Antique 18ct gold 0.4ct solitaire diamond ring, bezel set with old European-cut diamond, colour approx L/M, clarity approx I2/I3, diamond weight calculated from approx measurements: 5.20mm x 3.47mm, size N, 2.4gNo damage or repairs, diamond quite heavily included with 1 large central black spot inclusion, settings lightly abraded, mark clear, stamped 18ct
A modern oxidised sterling silver ruby and diamond cluster ring, set with untreated natural 15.4ct Madagascan carved ruby, with rose-cut diamonds, total diamond content approx 0.45ct, setting height 27mm, size M, 10.3gNo damage or repairs, all stones present, settings extremely lightly abraded, mark clear, laser engraved 925
John Varley, OWS (British, 1778-1842) View of Knole, Sevenoakssigned and dated 'J. Varley 1830' (lower right)oil on board14.6 x 25cmProvenance:M. Newman Ltd., LondonThe painting is executed in oil on artists’ board. The paint support is in plane and the paint layers are stable. Areas of overpaint are matte compared to the surrounding paint layer, mainly located in the sky and lower right corner. The varnish has become dull and yellowed with age. 23 x 30.5cm framed
Follower of Francesco Zuccarelli Figures fording a stream before the ruins of an ancient fortress oil on canvas32.5 x 41cmProvenance:According to the inscription on the reverse of the relined canvas - Given by the Reverend John Bennett in 1854 to John M HookFramed 43 x 51cmThe painting is executed in oil on a canvas support which has been lined. The painting has a network of age cracks which now appear dark. There are a few localised areas of lifting cracks but the paint layer is stable overall. Areas of retouching are reasonably well matched to the original. The varnish is very matte.
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