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Lot 433
Three publications Poems 1937-1942. David Gascoyne, with illustrations by Graham Sutherland. Published 1943 by PL Editions, Nicholson and Watson. 1st edition.Soldiers' Verse. Patric Dickinson, with Lithographs by William Scott. Published 1945 by Frederick Muller LTD. 1st edition.Travellers' Verse. M. G. Lloyd Thomas, with lithographs by Edward Bawden. Published 1946 by Frederick Muller LTD. 1st edition.(3) Travellers' Verse - No tears present to the pages. Some discolouration present on the inside pages and yellowing to the edges of the pages (please see additional image). Soldiers' Verse - Foxing present to the inside pages. Losses present to the dust jacket spine and smaller tears to the dust jacket itself. Poems 1937-1942 - Loose spine and front end paper. Light foxing to the inside boards, but does not effect the inside pages.
Lot 98
§ Mark Stoddart (born 1960), a limited edition patinated bronze and glass Hippo coffee table, designed 1998, numbered 19 from an edition of 99, signed 'M. Stoddart, 19/99', with accompanying certificate60 x 154 x 91cmThere are a number of scuffs and scratches to the bronze, the top surface being particularly affected - see additional images.
Lot 189
After M H Baillie Scott, an oak occasional table, the circular top raised on pierced silhouette supports each with a chequer inlaid panel and united by peg joints to a wavey cross-stretcher70 x 69cmThe table has been sujected to significant restoration including reattaching of the top with modern screws and brackets. The top shows water stain (6" across) but generally the surface has been restored to even out any original patination. The legs and stretcher have been heavily restored and restained to give a more even tone. One peg is missing and another is wobbly. Small split on the stretcher. Clean and ready to go.
Lot 439
§ Philip Core (1951-1989) Portrait of Adrian Ffooks, 4th/7th regiment signed and dated 1987 to the reverse oil on board 75 x 45cm Provenance: Gifted to the present owner by the sitter as a wedding gift in 1987 Bearing the distinctive "K squared" insignia, the present lot was gifted to Kit and Kate Hesketh-Harvey upon their wedding in 1987 as a token of gratitude from both the sitter and the artist, who had been introduced to one another by the couple.Earlier in the year, Kit, in collaboration with James Ivory, penned the screenplay for the groundbreaking adaptation of E. M. Forster's Maurice, a poignant gay love story featuring James Wilby and Hugh Grant. During filming, Kit Hesketh-Harvey enlisted the assistance of his friend, Captain Adrian Ffooks, as a stunt double for key riding scenes. Ffooks, who had served in the 4th/7th Royal Dragoon Guards during the 1970s and rode at the Badminton Horse Trials in 1976, was well-equipped for this role. Maurice faced significant challenges during its production, set against the backdrop of the AIDS pandemic and prevailing anti-gay sentiments. In recent times, however, Maurice has become an iconic gay film, earning critical acclaim upon its 2017 re-release. Jim Ivory's unwavering pride in the film underscores its timeless appeal, transcending societal prejudice.Believed to have been in a relationship, both Philip Core and Captain Ffooks tragically passed away. The details of their deaths, possibly due to AIDS, remain unclear. Framed, but not glazed. Board is a little loose in frame and would benefit from some nails in the reverse to hold the board in plane. There are four very small losses to the paint at the outer borders where the nails used to secure the work have abraded the paint layer. At some point in the work's history, the male appendage has been painted out of the sitter's hand and repainted below, this has likely been done by the artist. The paint layer appears to be stable and in good order overall.
Lot 473
Wrightlines, H & M, Peco others, mixed group items. To include W250 Bagnall 0-4-0ST loco kit; W221 WD Baldwin 4-6-0T Loco kit (assembled & painted); Peco Great Little Trains OR-31 4 wheel coach/brake maroon livery kit; H & M various control equipment, 2 plastic trays containing various white metal, brass components + nuts & screws plus other items (contents are unchecked). Conditions: Good to Mint in Good to Excellent boxes & packaging. (Qty)
Lot 134
Corgi 1/50 Scale Lorries (4) - CC12814 Scania T cab general purpose tanker - Atchinson Topeka Ltd, CC13211 DAF XF space cab curtainside - C M Downton Ltd, CC13606 DAF CF fridge trailer - Drysdale Freight Cockburnspath, CC12801 Scania T-Cab Feldbinder tanker - Ian Hayes Transport, all boxed (4)
Lot 525
Great Britain: Old Bailey Trial Proceedings - 18th century Crime in London- 1780- A 40 page publication mentioning interesting trials detailing all words spoken in each in evidence, cross examinations, prisoners defence etc- One trial a rape case, the man sentenced to death, a detailed account over 3 pages- Several people indicted some found guilty some acquitted- Printed and sold by M Guerney near Temple Bar- Size 7.5" x 9.25"
Lot 550
The Land and The Book by W M Thomson 1861- A fulsome 718 page book with 12 colour plates plus many illustrations within the text, and fold out map- Very extensively detailing the manners, customs & scenery in Palestine at that time by the Author who lived some 21 years there- In cloth board cover with fine gold tooling, size 5.5" x 8"
Lot 164
RARE PETIT RÉCIPIENT ARCHAÏSANT EN BRONZE INCRUSTÉXVIIe/XVIIIe siècleA RARE SMALL ARCHAISTIC GOLD AND SILVER INLAID BRONZE TWIN-BIRD WATER DROPPER 17th/18th centuryFinely cast as a pair of conjoined twin birds, with mouths open and beaks oriented skyward, the heads detailed with brows, round eyes, crest plumes, and ears, with two wings each inlaid with sweeping gold and silver feathers and a single tail pointing downwards from the inlaid feathered body. 7.2cm (2 7/8in) high.Footnotes:十七/十八世紀 銅錯金銀仿古雙鳳水滴Provenance: Bonhams London, 15 May 2014, lot 386來源： 倫敦邦翰斯，2014年5月15日，編號386Renewed appreciation for archaic bronzes in the Song dynasty led to the manufacture of silver and gold-inlaid archaistic vessels, many of them assuming zoomorph forms. Birds, such as rendered in this exquisitely cast vessel, are known as tianji in Chinese, literally meaning heavenly fowl, but often translated as phoenix, have a long history of being cast in bronze, compare two Ming dynasty examples in the collection of the National Palace Museum, Taipei, illustrated in Through the Prism of the Past, Taipei, 2003, cat.nos.III-42 and III-43. Double tianji such as the present vessel are relatively rare. A related vessel formerly in the collection of Henri Cernuschi, now in the collection of the Musée Cernuschi, Paris, was included in the exhibition Bronzes de la Chine Imperiale: des Song aux Qing, Paris, 2013, cat.no.46. A gold and silver-inlaid bronze vessel of the same form, from the collection of Mrs. Walter Sedgwick, was sold at Sotheby's London, 2 July 1968, lot 17. Other related examples include: one from the Arthur M. Sackler Collection, exhibited in Early Chinese Miniatures, New York, 1977, cat.no.222, and sold at Christie's New York, 1 December 1994, lot 70, attributed to the Song or Ming dynasty.For further information on this lot please visit Bonhams.com
Lot 15
Jean-Léon Gérôme (French, 1824-1904)The Nile in flood, Thebes signed 'J.L.GEROME.' (lower left)oil on canvas78.1 x 116.9cm (30 3/4 x 46in).Footnotes:ProvenanceWith Vose Galleries. Private collection, Canada. ExhibitedParis, Salon, 1901 (according to Ackerman).Vose Galleries, Boston Sale, New York 7-8 March 1929, no. 168. LiteratureOeuvres de J.-L. Gérôme (Bibliothèque nationale, Paris), XXIII, 14 b. Gerald M. Ackerman, The Life and Works of Jean-Léon Gérôme, London, 1986, no. 468, p. 285 (illustrated, dated 1901 and catalogued as lost).Gerald M. Ackerman, Jean-Léon Gérôme, Monographie révisée, catalogue raisonné mis à jour, Paris, 2000, no. 468, p. 354 (illustrated, dated ca. 1900-1904 and catalogued as La Plaine de Thèbes pendant l'inondation du Nil, and catalogued as lost).Gérôme's interest in recording ancient Egyptian monuments was sporadic, and these subjects are rare within his oeuvre. His fascination with the Colossi of Memnon, however, was more enduring. The focus of at least six compositions in various media, these storied statues of the 18th-dynasty pharaoh Amenhotep III (1386-1353 BCE) form a distinctive subgroup of Gérôme's Orientalist works produced between 1856 and 1904. These images yield important information about archaeology, conservation, and tourism, Egypt's pharaonic and classical past, its natural history and changes in its agricultural practices, and Gérôme's understanding and experiences of them all. In the present work, exhibited at the Paris Salon in 1901 and likely based on on-the-spot sketches made during Gérôme's first trip to Egypt in 1856-7 (including a sketch dedicated to Gérôme's mentor, Paul Delaroche; fig. 1), the artist depicts the Colossi at sunrise, at the beginning or, perhaps more likely, at the end of the annual Nile flood. The view is to the approximate north; today, this would position the artist on the modern road on Luxor's West Bank, which connects the Nile ferry docks to some of Egypt's most-trafficked tourist sites. This particular stretch of road lies atop an old berm built around the hawd or irrigated field around the Colossi, which helped to contain the rising waters of the flood. The artistic liberties that Gérôme has taken with the siting of the statues is readily apparent; nevertheless, the basic conception of the Theban hills in the background, with the statues at the entrance to the ancient mortuary temple of Amenhotep III on the floodplain nearer the Nile, is accurate. (In addition to his sketches, Gérôme may also have used contemporary photographs as an aide-mémoire, notably those taken by his friend and traveling companion during that first Egyptian journey, Auguste Bartholdi; fig. 2.) Contemporary viewers would have known Gérôme's subject by the time of the painting's exhibition in 1901, both from his earlier visual examples, including widely circulated prints made by Gérôme's dealer and father-in-law, Adolphe Goupil, and related literary texts. Describing a photogravure made after one of Gérôme's Colossi scenes, one 19th-century author penned, 'Now, the ruined statues of King Memnon, fabled of old to sing at sunrise, form the conspicuous heroes of this wide desert scene, where all seems colossal, strange, adapted to another scale that that of humanity ... Other lands tempt by their beauty, by their capacity of improvement; Egypt fascinates by its stability of ruin, and by its story of a splendid past, written in granite. Of all the artists whom genius has given a mission to penetrate into this place of awe, and bring back the record of its desolation, none equals Gérôme in the tangible distinctness of the impression he leaves; he seems to carve his national types in adamant, and fetch them up to the eye as a series of images that can be weighted, felt, and estimated.' Théophile Gautier's laudatory words about Gérôme's Colossi subjects had first been published in 1856, to the great interest of French visitors to the Salon. They were transcribed into English by the artist's American biographer, Fanny Field Hering, in 1892, making them as well-known in that country as abroad: With a sigh and a shudder, we move on beside the great critic [Gautier] and pause before the Memnon and Sesostris. / 'Two mountains sculptured in the form of man which neither time, nor tremblings of the earth, nor conquerors much more terrible, have been able to move from their base. They are there, their colossal hands crushing their knees, shapeless, monstrous, flat-nosed, returning slowly to rock, standing out against the arid background of the Lybian [sic] range which lies barren beneath a scorching sun - rosy in the light, blue in the shadow. Memnon has lost his voice, and, since the Roman Emperor essayed its restoration, no longer salutes Aurora. The inscriptions on the pedestal seem to-day untrue, but the phenomenon of his melodious vibration is established by history in the most incontrovertible manner. At the foot of these gigantic statues, a group of men and camels may serve as a scale of comparison; they scarcely attain the height of the base-plate. To relieve this landscape of limestone and granite, M. Gérôme has placed in the foreground several clumps of green herbs, which the summer will soon change into tawny tufts, resembling a lion's mane ... / The Plain of Thebes is the reverse side of the picture we have just described. The foreground consists of fragments of enormous columns, in scattered blocks, on one of which is carved the image of a god; it is the debris of a ruined palace, probably that of Amenophis; beyond the ruins stretches a plain subject to inundations, crossed by a road along which a caravan of dromedaries is passing ...The two colossi, with great difficulty diminished by the distance, reappear, seen from the back, their royal tresses gathered and knotted behind their heads like a queue à la prussienne. Farther on, the eye discovers blackish lands, besprinkled with trees and palms, and to the right hillocks, or rather mounds formed of ruins, fragments of which stick up through the ground. In the background a chain of distant mountains, rosy and purple; over them a sky mixed with heat, which seems to lie far above and behind the shimmering, luminous atmosphere, and on which a flock of wandering storks make microscopic points,' (quoted in Fanny Field Hering, Gérôme: The Life and Works of Jean Léon Gérôme, New York, 1892, pp. 66-7; Gautier's original French text appeared in L'Artiste, 28 December 1856, p. 23). The 'shimmering, luminous' atmosphere that Gautier describes in the Plain of Thebes is repeated in the present work.
Lot 50
J. M. Ortiz (Spanish, 19th Century)Oriental figure studies a pair, one signed and inscribed 'JMOrtiz/Granada' (lower left); the other signed, dated and inscribed 'JMOrtiz/Tangier/1881' (upper right)oil on panelboth 26 x 13.5cm (10 1/4 x 5 5/16in). (2)For further information on this lot please visit Bonhams.com
Lot 16
Jean-Léon Gérôme (French, 1824-1904)The lute player signed and dated 'J.L. GEROME/1858' (centre left)oil on canvas 41 x 29cm (16 1/8 x 11 7/16in).Footnotes:ProvenancePossibly, Gustave Arosa, Paris (by 1858; acquired from the artist).Georges Muller, Paris (by 1938).Private collection, Paris.Private collection, Greece (by 1966, as The Mandolinist); thence by descent.LiteraturePossibly, Catalogue de Paris, 1883, unpaginated sheet between pp. 20-21 (as Un Arnaut and belonging to Gustave Arosa, Paris, by 1858).We are grateful to Dr Emily M. Weeks for her assistance in cataloguing this work, which will be included in her revision of the artist's catalogue raisonné by Gerald M. Ackerman.Jean-Léon Gérôme made his first trip to Egypt in 1856 and works featuring the Arnauts entered his oeuvre almost immediately. Like Bashi-Bazouks, Arnauts were irregulars in the Ottoman army, normally coming from Albania and the Balkans and were deployed across the Empire, including in Cairo. After Egypt gained independence from Turkey, there were evidently many of them in the city who earned a living by various jobs: as guards, animal keepers, and models for foreign painters.The present work is a remarkably direct and engaging portrait, there is no story behind the scene which represents a purely ethnographic portrait and is a brilliant example of Gérôme's attention to detail in this genre. The Arnauts are instantly recognisable by their white pleated skirts to which Gérôme pays close attention here. The expert handling of the multitudinous pleats sees them fall naturally over the figure's folded legs, the bright white of the fabric becomes a source of light in the composition, the contract between light and shadow being exquisitely portrayed. Similar attention is paid to the red silk sleeves and the deep, warm colours of the headdress which echo the bronzed skin of the figure's bare chest and face. These fabrics are a prominent source of colour in composition, bringing the figure out of the background and emphasising the importance Gérôme places on the figure. Gérôme depicted Arnauts in all types of setting, relaxing and smoking, playing music and dancing, going about their duties, and enjoying off-duty. Here however, the figure is portrayed in a modest, plain interior, with just subtle changes in tone giving shape to the room. The focus is exclusively on the confident, assertive pose. He is accompanied with the basic accoutrement which may be expected of a soldier, an instrument, pipe and rifle. Gérôme still gives due attention to the objects, delicately painting the silver butt of the pistol, the glinting brass of the hookah and the blue highlights of the lute. The result of Gérôme's loving attention to detail and masterful handling is a powerful yet intimate portrait of a subject which, in 1858, he was just becoming familiar with.For further information on this lot please visit Bonhams.com
Lot 19
Giacomo Bolognini (Bologna 1664 - 1737), “Il ritrovamento della tomba di San Giacomo”.Olio su tela, H cm 210x270Opera pubblicata in: “Stanze Bolognesi. La Collezione Lauro”, a cura di D. Benati e P. Giordani, Milano, 1994, p. 95, img. 69; G. Zanotti, “Storie dell’Accademia Clementina”, Bologna, 1739, II, p. 28; L. Crespi, “Vite de’ pittori bolognesi non descritte nella Felsina Pittrice”, Roma, 1769, p. 82; M. Oretti, “Notizie de’ professori del disegno… spazio bolognesi”, fine del XVIII secolo, Bologna, Biblioteca Comunale, ms. B. 130. cc. 257 262; J. T. Spike, “Nell’età del Correggio e dei Carracci, Catalogo della mostra Bologna-Washington-New York, Bologna, 1986, p. 407, n. 135; S. Stagni, “Domenico Maria Canuti pittore (1626 - 1684)”, Rimini, 1988, p. 225; A. Mazza, “Giacomo Bolognini pittore e accademico clementino” in “Accademia Clementina. Atti e memorie”, n. s. 27, 1990, pp. 50-53. Esposizioni: Bologna, Pinacoteca Nazionale; Washington, National Gallery; New York, Metropolitan Museum, 1986-1987.
Lot 55
Piccolo boccale in argento 925 lavorato a mano, Bolzano, XX secolo.Corpo a sezione circolare, superficie liscia intervallata da fascia in rilievo, manico applicato terminante a ricciolo, reca alla base punzoni stellina - 104BZ - M entro foglie di acanto - 925 e incisione “lavorato a mano”, gr. 140, H cm 8x9x7
Lot 8
Donato Creti (Cremona 1671 - Bologna 1749), “Madonna che veglia il Bambino”.Olio su tela, H cm 38x30 - con cornice H cm 48x40Opera pubblicata in: “Stanze Bolognesi. La Collezione Lauro”, a cura di D. Benati e P. Giordani, Milano, 1994, p. 105, img. 89; “L’arte in Emilia e in Romagna”, catalogo della mostra, Ibaraki, 1990, p. 155, n. 76; M. Scolaro, “Tesoros del arte italiano”, catalogo della mostra (Santiago), Bologna, 1993, p. 142, n. 46. Esposizioni: Ibaraki, Museo d’Arte Moderna della Prefettura, 1990; Santiago, Museo Nacional de Bellas Artes, 1992.
Lot 109
Kleiner Monogramm-Ring. 585er Gelbgold (14 kt). Ringgröße: 50. 2,5 Gramm. Graviertes Monogramm M, reliefierte Schultern, grazile Schiene. Undeutliche Punze, Feingehalt mit Säure geprüft. * Partnerauktion Bergmann. Aufrufzeit 25. | Okt 2023 | voraussichtlich 13:50 Uhr (CET)Small monogram ring. 585 yellow gold (14 kt). Ring size: 50. 2.5 grams. Engraved monogram M, shoulders in relief, graceful rail. Indistinct hallmark, fineness checked with acid. * Partner auction miner. Call time 25 | Oct 2023 | expected 13:50 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1436
2 Fische und 1 Flakon. 2. H. 20. Jh. Frankreich. Signiert. 2x DAUM/Nancy: Delfin und Fisch aus orangefarbenem Glas (L 12,5 und 8,5 m). / 1x LALIQUE: runder Plattkorpus aus farblosem Glas, mit Enghals, Stopfen und Rundfuß; mit einer mattgeätzten Rosenblüte (H 17 cm). Aufrufzeit 26. | Okt 2023 | voraussichtlich 14:45 Uhr (CET)2 fish and 1 bottle. 2nd h. 20th c. France. Signed. 2x DAUM/Nancy: orange glass dolphin and fish (L 12,5 and 8,5 m). / 1x LALIQUE: round plated body of colorless glass, with narrow neck, stopper and round base; with a frosted etched rose blossom (h 17 cm). Call time 26 | Oct 2023 | expected 14:45 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1506
Historistischer Creußener Apostelkrug. 19. Jh. Gedrehter Scherben, dunkelbraun engobiert und salzglasiert, Emailbemalung in Blau, Weiß, Gelb, Grün, Rot und Schwarz, teils goldstaffiert. H 19 cm. Wandungsfries mit den bezeichneten Darstellungen von 4 Aposteln, dem Lamm Gottes, Schwänen und einem Helmwappen in Rundmedaillons, aufgelegter Reliefdekor, im Standbereich eine Kartusche mit Bezeichnung: "M. Joh. Mattheus Stumpfius. Maria Catharina Stümpfin geb. Pfaffr. 1672". Gedellter Zinndeckel mit Kugeldrücker, innen gepunzt. Aufrufzeit 26. | Okt 2023 | voraussichtlich 14:56 Uhr (CET)Historic Creußen apostle jug. 19th century Turned body, dark brown engobed and salt glazed, enamel painting in blue, white, yellow, green, red and black, partly gold decorated. H 19 cm. Wall frieze with inscribed depictions of 4 apostles, the Lamb of God, swans and a helmet crest in round medallions, applied relief decoration, in the standing area a cartouche with inscription: "M. Joh. Mattheus Stumpfius. Maria Catharina Stümpfin née Pfaffr. 1672". Cupped pewter lid with ball pusher, hallmarked inside. Call time 26 | Oct 2023 | expected 14:56 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1619
Louis Vuitton-Trolley. 50 x 36 x 18 cm. Paris, Made in France. Modell Pégase 50, Modell-Nr. M 23251. Classic LV-Monogramm Canvas, frontal Leder-Besatz, Hauptfach mit umlaufendem Zwei-Wege-Reissverschluss, außen eine offene Fronttasche, Leder-Tragegriff, Teleskop-Griff, Gummirollen. Textil-Innenfutter, innen zwei Reissverschluss-Fächer, ein Klettverschlussfach. Innen und außen Leder-Etikett: Louis Vuitton, Paris, Made in France. Handgepäckgröße. Rollen mit Gebrauchsspuren, sonst guter Zustand.Neupreis für ein vergleichbares Modell: 2200,- Euro * Partnerauktion Bergmann.Aufrufzeit 26. | Okt 2023 | voraussichtlich 15:33 Uhr (CET)Louis Vuitton trolley. 50 x 36 x 18 cm. Paris, Made in France. Model Pégase 50, model no. M 23251. Classic LV monogram canvas, frontal leather trim, main compartment with wraparound two-way zipper, exterior open front pocket, leather carry handle, telescopic handle, rubber wheels. Textile lining, inside two zippered compartments, one velcro pocket. Inside and outside leather label: Louis Vuitton, Paris, Made in France. Hand luggage size. Rolls with traces of use, otherwise good condition.New price for a comparable model: 2200, - Euro * Partner auction Bergmann.Call time 26th | Oct 2023 | probably 15:33 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1620
Louis Vuitton-Trousse Toilette. 18 x 28 x 8 cm. Paris, Made in France, Modell-Nr. M 47522. Classic LV-Monogramm Canvas. Hauptfach mit umlaufendem Reissverschluss, helles waschbares Innenfutter mit drei Laschen, ein Innenfach. Innen Leder-Etikett: Louis Vuitton, Paris, Made in France. Innen guter Zustand.Neupreis für ein vergleichbares Modell: 800,- Euro * Partnerauktion Bergmann.Aufrufzeit 26. | Okt 2023 | voraussichtlich 15:33 Uhr (CET)Louis Vuitton Trousse Toilette. 18 x 28 x 8 cm. Paris, Made in France, model no. M 47522. Classic LV monogram canvas. Main compartment with wraparound zipper, light washable lining with three tabs, one interior pocket. Inside leather label: Louis Vuitton, Paris, Made in France. Inside good condition.New price for a comparable model: 800, - Euro * Partner auction Bergmann.Call time 26th | Oct 2023 | expected 15:33 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1621
Louis Vuitton-Reisetasche mit Schultergurt. 46 x 36 x 26 cm. Paris, Made in France, Modell Alizé 24 Heures NM, Modell-Nr. M 41399. Innen geprägter Leder-Datum Code: MB 0045 (in der 4. Kalenderwoche in Frankreich 2005 hergestellt). Classic LV-Monogramm Canvas, Leder-Besatz. Zwei Hauptfächer mit Zwei-Wege-Reissverschluss, außen ein großes Einsteckfach, Leder-Tragegriffe. Abnehmbarer, verstellbarer Textil-Schultergurt mit Lederbesatz. Abwaschbares helles Innenfutter, in jedem Taschenteil je ein großes Einsteckfach. Lederprägung: Louis Vuitton, Paris, Made in France. Handgepäckgröße, in der Hand, über der Schulter oder diagonal am Körper zu tragen. Wenig getragen, guter Zustand.Neupreis für ein vergleichbares Modell: 2200,- Euro * Partnerauktion Bergmann.Aufrufzeit 26. | Okt 2023 | voraussichtlich 15:34 Uhr (CET)Louis Vuitton travel bag with shoulder strap. 46 x 36 x 26 cm. Paris, Made in France, model Alizé 24 Heures NM, model no. M 41399. Inside embossed leather date code: MB 0045 (made in France in the 4th calendar week of 2005). Classic LV monogram canvas, leather trim. Two main compartments with two-way zipper closure, exterior one large slip pocket, leather carry handles. Detachable, adjustable textile shoulder strap with leather trim. Washable bright lining, one large slip pocket in each bag section. Leather embossing: Louis Vuitton, Paris, Made in France. Hand luggage size, to be carried in hand, over the shoulder or diagonally on the body. Little worn, good condition.New price for a comparable model: 2200, - Euro * Partner auction Bergmann.Call time 26th | Oct 2023 | expected 15:34 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1657
Silberne Erinnerungsmedaille für Freimaurer-Logenmitglieder (Zu den drei Quellen in Erfurt). G. Loos.Silber, blaues Lederetui mit Goldprägung "G.L.L. Berlin", innen blauer Samt und Seide. Ø 5 cm. 60 g. Avers Brustbilder Wilhelm I. und Augusta mit Umschrift "Wilhelm König v. Preussen Augusta Kön. v. Pr. G. Pr. Sachsen", am Rand Signatur des Stempelschneiders. Revers im Eichen/Efeukranz Gravur von der Loge "Zu den drei Quellen" in Erfurt zur Erinnerung an die Silberhochzeit von M. Mundt und seiner Gattin A. 1915. Etwas angelaufen, minimale Putzspuren.Die Loge „Zu den drei Quellen“ in Erfurt wurde 1908 von der Großen Landesloge in Berlin gegründet.Aufrufzeit 26. | Okt 2023 | voraussichtlich 15:53 Uhr (CET)Silver Commemorative Medal for Masonic Lodge Members (To the three sources in Erfurt). G. Loos.Silver, blue leather case with gold embossing "G.L.L. Berlin", inside blue velvet and silk. Ø 5 cm. 60 g. Obverse bust portrait of Wilhelm I and Augusta with circumscription "Wilhelm König v. Preussen Augusta Kön. v. Pr. G. Pr. Sachsen", on the edge signature of the stamp cutter. Reverse in oak/ivy wreath engraving by the lodge "Zu den drei Quellen" in Erfurt to commemorate the silver wedding anniversary of M. Mundt and his wife A. 1915. Somewhat tarnished, minimal traces of cleaning.The Lodge "To the Three Sources" in Erfurt was founded in 1908 by the Grand National Lodge in Berlin.Call time 26th | Oct 2023 | expected 15:53 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1665
Französischer Pallasch M 1854 mit Scheide. Scheide mit Anflug von Korrossion. Nutzungsspuren. Gesamt L 116 cm. Gerade, einschneidige Klinge mit Spitze in der Mittellinie. Beidseitig mit zwei Hohlkehlen, auf Klingenrücken Reste der Beschriftung. Vierspangiges Messinggefäß, Ledergriff und Messingdrahtwicklung. Punzen auf Griff und Klinge kaum lesbar. Griffnummerierung: "4050". Metallscheide mit zwei Ringen. Aufrufzeit 26. | Okt 2023 | voraussichtlich 15:57 Uhr (CET)French Pallasch M 1854 with scabbard. Scabbard with touch of corrosion. Traces of use. Total L 116 cm. Straight, single-edged blade with point in the midline. Two fullers on both sides, remnants of inscription on back of blade. Four-pronged brass hilt, leather grip and brass wire winding. Hallmarks on hilt and blade barely legible. Handle numbering: "4050". Metal scabbard with two rings. Call time 26th | Oct 2023 | expected 15:57 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1673
Französischer Karabiner der Kavallerie. L 88 cm. Glatter, großkalibriger Lauf mit Kimme und Korn. Steinschloß gemarkt: "M re R de Mutzig". Schiene mit zwei Ringen. Kolben ebenfalls mit "Mutzig" bezeichnet, Kolbenplatte nummeriert "2368". Mechanik funktioniert. Aufrufzeit 26. | Okt 2023 | voraussichtlich 16:01 Uhr (CET)French cavalry carbine. L 88 cm. Smooth bore, large caliber barrel with rear sight. Flintlock marked "M re R de Mutzig". Rail with two rings. Butt also marked "Mutzig", butt plate numbered "2368". Mechanics works. call time 26th | Oct 2023 | expected 16:01 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1688
4 Klarinetten. Je gemarkt: "Amati Kraslice", "M. & G. Voigt Markneukirchen", "J. Hammerschmidt & Söhne", "KCHX N3278 1962".Verschiedene Hölzer, 1x evtl. Bakelit. L gesamt 66 cm. Dazu etliche Blätter teils in Original-Verpackungen. Alters-/Gebrauchsspuren.Aufrufzeit 26. | Okt 2023 | voraussichtlich 16:09 Uhr (CET)4 clarinets. Each marked: "Amati Kraslice", "M. & G. Voigt Markneukirchen", "J. Hammerschmidt & Söhne", "KCHX N3278 1962".Various woods, 1x possibly Bakelite. L total 66 cm. Plus quite a few sheets partly in original packaging. Traces of age / use.Call time 26th | Oct 2023 | expected 16:09 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1890
ORTELT, Karl(1907 Mühlhausen - 1972 Jena) Frau mit HundAquarell. Unsigniert, verso runder Stempel "Ortelt". Verso mit Bleistift datiert: 1956. Verso bezeichnet "TnB M 4/32". Abbildung: 24 x 17 cm. Gerahmt & hinter Glas : 40 x 32 cm. Randbereich lichtgebräunt, etwas knickspurig. Deutscher Maler und Grafiker; zählt zu den Künstlern der "verschollenen Generation": „Karl Ortelt, der sein Hauptwerk in Weimar unter den spezifischen Bedingungen einer künstlerischen Existenz in der DDR schuf, stellte den Lebensumständen ein Werk entgegen, in dem die Auseinandersetzung mit existentiellen Fragen des Daseins das Kriterium seines Künstlertums blieb.“ (Zitat aus Einladungstext der Galerie Hebecker in Weimar zur Ausstellung 2017). Aufrufzeit 26. | Okt 2023 | voraussichtlich 17:54 Uhr (CET) ORTELT, Karl(1907 Mühlhausen - 1972 Jena) Woman with dogWatercolor. Unsigned, verso round stamp "Ortelt". Dated in pencil on verso: 1956. inscribed on verso "TnB M 4/32". Image: 24 x 17 cm. Framed & behind glass : 40 x 32 cm. Marginal area light browned, some creasing. German painter and graphic artist; counts among the artists of the "lost generation": "Karl Ortelt, who created his main work in Weimar under the specific conditions of an artistic existence in the GDR, countered the circumstances of life with a work in which the confrontation with existential questions of existence remained the criterion of his artistry." (Quote from invitation text of the Hebecker Gallery in Weimar for the exhibition 2017). Call time 26 | Oct 2023 | expected 17:54 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
![MOSER, M Fantastisches Werk mit FledermausFarbstiftzeichnung. Stiftsignatur. [19]69. Abbil](https://cdn.globalauctionplatform.com/f2c4558a-a421-4e96-851e-b0850097aaaa/bdec74aa-4ce9-4538-9264-b08c00c8b274/468x382.jpg)
Lot 1905
MOSER, M Fantastisches Werk mit FledermausFarbstiftzeichnung. Stiftsignatur. [19]69. Abbildung: 47,5 x 51 cm. Gerahmt & hinter Glas : 98 x 51 cm. Versand nur ohne Rahmen. Aufrufzeit 26. | Okt 2023 | voraussichtlich 18:01 Uhr (CET) MOSER, M Fantastic work with batColor pencil drawing. Pen signature. [19]69. Image: 47.5 x 51 cm. Framed & behind glass : 98 x 51 cm. Shipping only without frame. Call time 26th | Oct 2023 | probably 18:01 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1906
MOSER, M "Laß die Wiederkäuer auf den grünen Weiden grasen"Farbstiftzeichnung. Stiftsignatur. [19]70. Abbildung: 44 x 56 cm. Gerahmt & hinter Glas : 98 x 75 cm. Versand nur ohne Rahmen. Aufrufzeit 26. | Okt 2023 | voraussichtlich 18:02 Uhr (CET) MOSER, M "Let the ruminants graze on the green pastures"Color pencil drawing. Pen signature. [19]70. Image: 44 x 56 cm. Framed & behind glass : 98 x 75 cm. Shipping only without frame. Call time 26th | Oct 2023 | expected 18:02 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1907
MOSER, M 2 ähnliche fantastische Figuren2 Farbstiftzeichnungen auf Pressspanplatte. Gerahmt & hinter Glas. 2 ähnliche, achsengespiegelte weibliche Figuren auf goldfarbenem Grund: Platte: 73 x 32 cm, gerahmt & hinter Glas: 83,5 x 43,5 cm, Kohlesignatur, [19]74 | Platte: 56 x 29 cm, gerahmt & hinter Glas: 63 x 36,5 cm, Kohlesignatur, [19]75. Aufrufzeit 26. | Okt 2023 | voraussichtlich 18:02 Uhr (CET) MOSER, M 2 similar fantastic figures2 colored pencil drawings on pressboard. Framed & behind glass. 2 similar, axis-mirrored female figures on gold ground: plate: 73 x 32 cm, framed & behind glass: 83.5 x 43.5 cm, carbon signature, [19]74 | plate: 56 x 29 cm, framed & behind glass: 63 x 36.5 cm, carbon signature, [19]75. Call time 26. | Oct 2023 | expected 18:02 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 2475
Lausitzer Wendin. Meissen. 1898-1923. Modell-Nr. Q 190 m. Höhe: 15 cm. Modell von Hugo Spieler 1897-1898. Aus einer Serie von 25 Trachtenfiguren. Farbig bemalt, gold staffiert. Ritzmarke, Pressmarke, Malermarke, Schwertermarke. Spieler, Bildhauer, studierte an der Akademie in München. Seit 1880 in Dresden tätig, 1891 Professor. Meissen erwarb 1890-1899 etwa 30 Modelle * Partnerauktion Bergmann. Literatur : Bergmann (2010) Katalog-Nr. 210. Provenienz : Hessische Privatsammlung. Aufrufzeit 27. | Okt 2023 | voraussichtlich 12:00 Uhr (CET)Lausitzer Wendin. Meissen. 1898-1923. model no. Q 190 m. Height: 15 cm. Model by Hugo Spieler 1897-1898. From a series of 25 traditional costume figures. Painted in colors, painted in gold. Incised mark, press mark, painter's mark, sword mark. Spieler, sculptor, studied at the Academy in Munich. Since 1880 active in Dresden, 1891 professor. Meissen acquired 1890-1899 about 30 models * partner auction Bergmann. Literature : Bergmann (2010) catalog no. 210. Provenance : Hessian private collection. Call time 27th | Oct 2023 | expected 12:00 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 2479
Aschenputtel. Meissen. 1882-1923. Modell-Nr. M 171. Höhe: 18 cm. Modell von Johann Christian Hirt 1882. Farbig bemalt. Ritzmarke, Pressmarke, Malermarke, Schwertermarke. Vögel, Schale, Blasebalg, ein Bein, Ofen und Sockel partiell restauriert, Gürtel minimal bestoßen. Hirt, Bildhauer, studierte an der Akademie in München. Populär wurde er durch seine Figuren aus Dichtung und Mythologie. Meissen erwarb 1881-1888 insgesamt 50 Modelle * Partnerauktion Bergmann. Literatur : Bergmann (2010) Katalog-Nr. 236. Provenienz : Hessische Privatsammlung. Aufrufzeit 27. | Okt 2023 | voraussichtlich 12:02 Uhr (CET)Cinderella. Meissen. 1882-1923. model no. M 171. Height: 18 cm. Model by Johann Christian Hirt 1882. Colorfully painted. Incised mark, press mark, painter's mark, sword mark. Birds, bowl, bellows, one leg, stove and base partially restored, belt minimally bumped. Hirt, sculptor, studied at the Academy in Munich. He became popular for his figures from poetry and mythology. Meissen acquired a total of 50 models in 1881-1888 * Partner auction Bergmann. Literature : Bergmann (2010) catalog no. 236. Provenance : Hessian private collection. Call time 27 | Oct 2023 | expected 12:02 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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