Tom Booker's (Robert Redford) jacket and belt from Redford's adaptation of Nicholas Evans' novel The Horse Whisperer. Tom wore his jacket and belt during several scenes. Featuring a distinctive fold in the left pocket, this jacket screen matches the one in the scene where he and Annie (Kristin Scott Thomas) meet for the first time. The brown cotton duck jacket is made by Carhartt, with a label stitched to the front left pocket. It features a blanket lining and a corduroy-trimmed collar. The belt is made of leather with an ornate metal buckle featuring a horse's head and flowers in each corner. The leather features an intricate carved floral design. The items have some wear from production use and age, with some scuffing and discolouration on both items, most notably on the right sleeve of the jacket.£400-600 M
We found 375892 price guide item(s) matching your search
There are 375892 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
375892 item(s)/page
A limited-edition print of Harley Quinn (Margot Robbie) from David Ayer's superhero film Suicide Squad. This artwork was created by illustrious American artist Olivia De Berardinis, who is famous for producing distinctive female pin-up art pieces. The giclee print, entitled "Daddy's Lil Monster", is a publisher's proof numbered 14 of 20, and depicts an alluring close-up of Harley with a devious grin, wearing her raglan T-shirt. An array of vibrantly coloured paint marks and splatters comprise the background, contrasting with Harley's bright pink-and-blue pigtail hair. The print has been autographed by Margot Robbie in faux-silver pen and De Berardinis' signature adorns the bottom-left corner in gold-coloured pen. The print is displayed in a black frame and is accompanied by a certificate of authenticity signed by the artist. Dimensions (framed): 72 cm x 62 cm x 3 cm (28 1/4" x 24 1/2" x 1 1/4") This item was very generously donated by Margot Robbie to the parents of a young girl named Laura Nuttall, who was diagnosed with Glioblastoma Multiforme, the most aggressive form of brain cancer. All hammer proceeds from this item are being donated to the Macmillan Cancer Support charity. Ms. Robbie has added that the new owner will also receive a picture of her holding the painting for additional proof of authenticity. This image is offered on the understanding that it is for private reference only, and not to be published or made public.£800-1200 M
A newspaper, letters and a set of assorted postage slips from Wes Anderson's comedy The Grand Budapest Hotel. Zero (Tony Revolori) carried his newspapers from the newsstand up to the hotel to show M. Gustave (Ralph Fiennes) the news of the death of the dowager Madame D. (Tilda Swinton), and each of the establishments throughout the film had their own headed stationery. The design of the newspaper's frontpage is the version seen at the newsstand. The lot includes one newspaper, two letters in envelopes, one small letter, four loose letters, one mail tag, seven parcel postage slips and five stamps. The newspaper has a printed cover with blank pages inside. Dated "Monday, Október 13th, 1932", the headline reads "WILL THERE BE WAR? Tanks at Frontier' with a small article and photos on the death of the dowager. All pieces display wear from production use, including some folds in the large letters. Dimensions (newspaper): 47 cm x 33 cm (18 1/2" x 13"); (largest page): 30 cm x 21 cm (11 3/4" x 8 1/4")£400-600 M
William Wallace's (Mel Gibson) hero claymore sword from Gibson's Academy Award-winning medieval biopic Braveheart. Scotsman Wallace wielded his claymore during numerous battles against the English while leading a rebellion against their rule. Wallace's sword is used throughout the film and Gibson held it on many of the film's promotional images and posters, standing heroically in front of a large fire. He typically wore his claymore on his back when charging into battle armed with a war hammer, switching to the sword to cut down his enemies. At the end of the film, when Robert the Bruce (Angus Macfadyen) decided to go into battle against the English and continue Wallace's legacy, Hamish (Brendan Gleeson) hurled the sword into the battlefield to inspire the Scottish soldiers before they charged. A claymore is a two-handed Scottish broadsword used since the late Medieval period. This impressive weapon is made of steel and features a leather-wrapped grip and blade shoulder. It has a wide aluminium cross guard, with a strip of tartan wrapped around it, and a rounded aluminium pommel. The blade, pommel and cross guard have been intentionally tarnished to look well used and aged. Several variants of Wallace's signature claymore were made for the production, including fighting swords, stunt swords, and special-effects swords with retractable and bloodletting blades. This sword is a hero steel version, one of only two made for the film (The second hero sword was gifted to Mel Gibson on completion of filming), for use in close-up shots, most notably near the end when it is thrown and sticks into the ground before the charge at the Battle of Bannockburn.. It shows minor wear due to production use and age, including some scuffing and scratches. There are rust spots on the blade and there is a small crack in the leather at the base of the blade. Accompanied by two letters confirming its history, one from Simon Atherton, the film's armourer, the second from the consignor. Dimensions: 152 cm x 34 cm x 5 cm (59 3/4" x 13 1/2" x 2")£30000-50000 M
Javert's (Russell Crowe) waistcoat and trousers from Tom Hooper's musical drama Les Misérables (2012). Javert wore his waistcoat and trousers while singing "Stars", composed by Claude-Michel Schönberg, on a rooftop, after unwittingly rescuing his long-time rival Valjean (Hugh Jackman) and Cosette (Amanda Seyfried) from Thénardier (Sacha Baron Cohen) and his gang of pickpockets. The waistcoat is made of black cotton with red trim, metal buttons featuring a flaming torch design, grey braided epaulettes, and a stitched gendarmerie design at the collar. The trousers are black cotton with red trim, foot straps and inner plastic buttons for detachable suspenders. The item shows minor wear, and the waistcoat has a few loose buttonhole threads.£2000-3000 M
An autographed crew photo book from the production of George Lucas' Star Wars: A New Hope. Photo books featuring behind-the-scenes images, were gifted to the cast and crew for their efforts on the production. The photo book is bound in black card, which features the pre-release Ralph McQuarrie-designed sticker showing a rough concept of Luke Skywalker wielding a lightsaber above the working title "The Star Wars". The book contains 24 photos, one of which depicts Obi-Wan Kenobi (Alec Guinness) and Darth Vader (Dave Prowse) in battle without visual effects applied to their lightsabers. On the back of the last photo is a message for property master Frank Bruton, autographed by George Lucas and producer Gary Kurtz. The photo book shows relatively minor wear. The pages and photos have worn edges and the plastic binder has two broken rings. Dimensions: 26 cm x 20.5 cm x 1 cm (10 1/4" x 8" x 1/4")£1500-2500 M
Supergirl's (Helen Slater) tunic from Jeannot Szwarc's superhero film Supergirl. Supergirl wore her tunic throughout the film as she attempted to retrieve the Omegahedron from the sorceress Selena (Faye Dunaway). This tunic was specifically created for the film's flying sequences. The tunic is made from blue silk-like stretch fabric and the front is decorated with the classic red-and-yellow appliquéd "S" emblem. Four large black poppers are sewn onto the shoulders where the cape was attached during filming. Multiple strips of Velcro are adhered all over, and four red cotton harness attachments with additional popper fastenings adorn the back. A label is adhered to the inside of the neckline and features handwritten text which reads "Left Shoulder. & Fro,167, 7". A hole is present on the left shoulder with zig-zag stitching around the edges. Signs of production use include minor wear and loose threads, while the Velcro has caused the fabric to appear snagged in some places.£3000-5000 M
Alfredo Garcia's (Benjamin Bratt) SAPD police uniform from Marco Brambilla's sci-fi action film Demolition Man. Garcia wore his uniform throughout the film, adding his jacket to his attire when he accompanied John Spartan (Sylvester Stallone) and Lieutenant Lenina Huxley (Sandra Bullock) to the museum. Custom-made for the production, the uniform consists of a synthetic padded jacket with metal hardware, a button-up shirt (labelled "Jahng"), a pair of black trousers, and a hat (size large). The shirt is decorated with several embroidered emblems, including red and gold bars, an officer's number and an SAPD emblem. "Garcia" has been written in white pen on the inside of the jacket and trousers. The lot displays wear from production use, including several marks, and is accompanied by a studio certificate of authenticity.£800-1200 M
A clapperboard from the set of Peter Jackson's adaptation of J.R.R. Tolkien's fantasy epic The Lord of the Rings. The clapperboard consists of a white acrylic plate with a wooden clapperstick fixed to the top. The trilogy title and the names of director Peter Jackson and director of photography Andrew Lesnie are engraved in black. The board displays a number of fields completed with black marker, including slate, take, scene description and date. It still shows the last shot for which it was used, described as "Track in on Gimli". Accompanied by a letter of authenticity from New Line Cinema, the board is still stored in the original frame it was presented in by New Line: a custom shadow box with black frame and grey mount. The frame exhibits some small chips to the edge of the moulding. Dimensions (display): 5 cm x 41 cm x 41 cm (2" x 16" x 16")£2000-3000 M
A beaded silver-and-red evening dress worn by Arlena Stuart Marshall (Diana Rigg) in Guy Hamilton's Agatha Christie adaptation Evil Under the Sun.The dress is a long, figure-hugging maxi dress with a fishtail hem, higher at the front and dipping at the back. It heavily embellished all over with red-and-gold-coloured bugle beads, and features two front straps and a single back strap, which are garnished with diamante and bugle beads - as is the bust, which gathers to a horseshoe shape. This item is quite fragile and shows some signs of age. It is missing some beads and diamante, and the weight of the garment has caused it to fray away from the back strap. The lot is accompanied by an original 11" x 14" lobby card featuring Rigg wearing the dress.£500-700 M
A velociraptor egg display from Joe Johnston's action-thriller sequel Jurassic Park III. Velociraptor eggs were found on Isla Sorna by Dr. Alan Grant (Sam Neill) and his companions while searching for missing boy Eric Kirby (Trevor Morgan). Dr. Grant's assistant Billy (Alessandro Nivola) stole one of the eggs, which caused the velociraptors to track them. When the velociraptors finally surrounded the group, the egg was carefully surrendered, saving them from a grisly death. The egg is made of resin and is realistically painted and textured. It has some wear from production use, including scuffing and scratches, with some dark staining around the bottom half of the egg, from being positioned in mud while on set. Dimensions: 13 cm x 7.5 cm 7.5 cm (5" x 3" x 3")£1000-1500 M
Hand-drawn artwork depicting two sets from Val Guest, Ken Hughes, John Huston, Joseph McGrath and Robert Parrish's Bond spoof Casino Royale. Titled "Int Q Dept: Harrod's Basement", one illustration depicts Evelyn Tremble's (Peter Sellers) visit to Q's (Geoffrey Bayldon) cellar, which was full of ineffective inventions. The second design, titled "The Goldfinger Room", shows a hidden room within the Casino Royale, where several women were painted gold. Rendered by Oscar-nominated production designer Michael Stringer, both designs consist of pen-and-coloured ink drawings showing various details within the rooms. The "Harrod's Basement" drawing is signed by Stringer in the bottom-right corner and has been adhered to thick grey card. The "Goldfinger Room" design features several annotations and is displayed within a matted frame. Both artworks displays light wear from production use, including minor marks, and the paper on the annotated design has become discoloured over time. Dimensions ("Harrod's Basement" artwork): 55 cm x 67 cm (21 3/4" x 26 1/2"); ("Goldfinger Room" artwork): 50 cm x 61 cm (19 3/4" x 24")£600-800 M *Sold without copyright; see copyright notice in the Buyer's Guide
Blade's (Wesley Snipes) aluminium stake from Stephen Norrington's vampire action-thriller Blade. The half-vampire "Daywalker" wore metal stakes in a bandolier around his left thigh throughout the movie, notably pinning Quinn (Donal Logue) to a wall with two before setting him alight. The stake is made of cast aluminium and displays a chromed faux-silver finish. An indented line adorns the top and the opposite end is pointed. Signs of production use are present on the lot, including light scratching and marks. Dimensions: 24.5 cm x 3 cm x 3 cm (9 3/4" x 1 1/4" x 1 1/4")£400-600 M
A Samsonite briefcase from the promotion of Roger Spottiswoode's Bond movie Tomorrow Never Dies. These briefcases were only available in very limited numbers to help promote the film. The set includes a 007 custom black Samsonite briefcase with a brown leather handle; a multi-tool card with a bottle opener and small knife; a face razor; a toy BMW 750iL; a calculator; a burgundy silk tie; a keyring; a two-pack of 007 trading cards; a small bottle of vodka; a shot glass; and two bottles of L'Oreal nail varnish. The briefcase shows minimal wear, with a few nicks on the leather handle, and the packaging of some of the items has been well handled. Dimensions: 46 cm x 39 cm x 12 cm (18" x 15 1/4" x 4 3/4")£500-700 M
An original, hand-painted film cel from Robert Zemeckis' detective comedy Who Framed Roger Rabbit. This item comes from the personal collection of legendary producer Robert Watts. This cel depicts a scene in the film where Judge Doom (Christopher Lloyd) has tied up Roger and Jessica Rabbit on a hook, and is about to drop them into his toxic "dip" made of turpentine, acetone, and benzene €†fatal to Toons. The image has a stamp in white ink, which certifies that this is a "Walt Disney„¢ original hand-painted movie film cel". The cel is secured on a white cardboard mount and shows a few signs of age and storage. There are marks on the cardboard, dents on the protective plastic sheet, and the adhesive holding the cardboard mount has dried out, causing the mount to come away in places. However, the cel remains in good condition. Dimensions: 51 cm x 39.5 cm (20" x 15 1/2")£1000-1500 M
A hand-drawn piece of advertising concept artwork from the promotion of Richard Donner's family adventure The Goonies. The final version of the art features on promotional Goonies merchandise and depicts the scene in which Andy (Kerri Green) plays an organ made of human bones to open a door to the lagoon. The artwork was hand-drawn by Greg Winters, who created promotional art for The Goonies and drew from life on set, even posing the actors for specific setups. The artwork is in pencil on an illustration board with a tracing paper cover sheet indicating the colours to be used on the finished artwork, marked in black pen. This item shows signs of age on the delicate cover sheet, which is discoloured and has some small tears and rips around the edges. Dimensions: 39 cm x 34 cm (15 1/2" x 13 1/2")£600-800 M *Sold without copyright; see copyright notice in the Buyer's Guide
A production-used script autographed by three key cast members of Gene Roddenberry's sci-fi series Star Trek: The Next Generation. This final draft script of the Season 7 episode "Descent, Part II" has been autographed in black marker pen by Patrick Stewart, Gates McFadden and Michael Dorn. The script is 63 pages long, with a title page, a cast and sets list, and a shooting schedule also bound within the red card cover with metal butterfly fasteners. The script is printed on white US Letter paper, dated "June 24, 1993" and is credited to René Echevarria. It has very minor wear from storage and age, including minor creasing. Dimensions: 28 cm x 22 cm x 1 cm (11" x 8 1/2" x 1/2")£400-600 M
A production-used clapperboard from Robert Zemeckis' Oscar-winning detective comedy Who Framed Roger Rabbit. Made of black-painted wood, the clapperboard displays the film's title painted in white at the top, and the names of director Zemeckis (written as "Bob Zemeckis") and director of photography Dean Cundey below. Lines of white paint divide the clapperboard into two sections, which feature the last slate and take numbers written in chalk. The field titled "Date" features an adhered strip of masking tape, with the text "28th March 1987, Night-Int" handwritten in black marker. The lot shows signs of age and use, including corrosion on the metal hinge of the clapper stick and minor paint wear. The chalk writing within the fields has begun to rub away over time and the tape has started to peel from the board. Dimensions: 2 cm x 38 cm x 35 cm (3/4" x 15" x 13 3/4")£3000-5000 M
A single-issue, limited-edition print of Space Station V in Earth Orbit by aerospace artist Robert McCall, from the production of Stanley Kubrick's sci-fi epic 2001: A Space Odyssey. This is a one-of-one, unique print.Painstakingly produced from the original reference transparency held by The Stanley Kubrick Archive, this was printed with the permission and approval of Warner Bros. Entertainment and the Kubrick family. Profits raised from the auction of this print will be donated to The Jane Goodall Institute. Dimensions: 82.5 cm x 64 cm (32 1/2" x 25 1/4")2001: A Space Odyssey and all related characters and elements are trademarks of and © Turner Entertainment Co.(s19)£400-600 M
Cruella de Vil's (Glenn Close) car hood ornament from Stephen Herek's comedy adventure 101 Dalmatians. Cruella drove her distinctive car with a bird ornament while pursuing the dalmatians. Shaped like an angular bird of prey, the ornament is made of chrome-plated steel and sits on a circular base, which would have attached to the car. This is the hero version, but due to the considerable time and effort it took to make, a simpler version was used in the film so as not to delay production, and this was only ever a backup on set. It displays some wear and the metal has tarnished slightly with age. Dimensions: 29 cm x 11 cm x 11 cm (11 1/2" x 4 1/4" x 4 1/4")£300-500 M
A wrist communicator from Nicholas Meyer's sci-fi sequel Star Trek II: The Wrath of Khan. Wrist communicators were worn by members of Starfleet. Chekov (Walter Koenig) and Captain Terrell (Paul Winfield) used communicators to talk to Khan (Ricardo Montalbán) after they were forced to betray Kirk (William Shatner) on Regula. The communicator is made of black-painted resin and attached to a black leather strap. The strap attaches around the wrist with Velcro. On the body of the communicator there are four solid buttons and 20 holes which represent the speaker. A strip of paper above the buttons indicates communicator functions. There is some wear from production use and age, including scuffing and scratching on both the communicator and the leather. There is also glue residue on the back, where the two pieces are stuck together. Dimensions: 27 cm x 7.5 cm x 2 cm (10 1/2" x 3" x 3/4")£2000-3000 M
The Bride's (Uma Thurman) hero pistol from Quentin Tarantino's martial arts film Kill Bill: Vol. 2. The Bride carried her pistol when she tracked down Bill (David Carradine) to his apartment, and found her daughter in Bill's care. She also wielded her pistol in a flashback, batting an assassin who attacked her in her hotel room. The pistol is a Star Firestar M45 with a custom extended barrel, which can be unscrewed and removed. The gun features a stainless steel finish with a plastic textured grip and is engraved with the serial number "2062018". It has been sympathetically deactivated, with the magazine release, hammer, safeties and trigger still functional, though the barrel of the gun is blocked and the slide no longer moves. It is accompanied by an official deactivation certificate. Interestingly, there is a minor continuity error regarding the pistol: when The Bride first arrived at Bill's apartment, she held the weapon, ready to enter. At this point the gun did not have the custom extended barrel. However, once she entered the apartment, the pistol had the extension attached. The gun has some minor wear from production use and age, including some scuffs and scratches, most notably on the slide and barrel. Dimensions: 22.5 cm x 3.5 cm x 12 cm (9" x 1 1/2" x 4 3/4")ADDITIONAL INFORMATION The gun was produced by the now defunct company "Star Bonifacio Echeverria, S.A.", who were a Spanish arms manufacturer based in Eibar.£6000-8000 M *Firearm deactivated; see firearm deactivation notice in the Buyer's Guide
A set of action storyboards from the production of two John Glen-directed James Bond films, A View to a Kill and The Living Daylights. This set consists of 392 storyboards in total: 70 large boards from The Living Daylights depicting stunts, including Bond's (Timothy Dalton) Russian aeroplane manoeuvre; 101 boards from A View to a Kill, plotting such ambitious scenes as Bond (Roger Moore) tying Zorin's (Christopher Walken) airship to the Golden Gate Bridge; 95 smaller storyboards from The Living Daylights, of which 75 are bound with a blue spine bar; and 126 from A View to a Kill illustrating sequences, including Bond pursuing May Day (Grace Jones) after her assassination of Achille Aubergine (Jean Rougerie) at the Eiffel Tower. Many of the pages have "J. Glen" handwritten at the top, identifying them as the director's personal copies. Some pages display minor creasing. Dimensions (large boards): 41 cm x 30.5 cm (16" x 12"); (small boards): 30 cm x 22 cm (11 3/4" x 8 3/4")£800-1200 M *Sold without copyright; see copyright notice in the Buyer's Guide
A production-used shooting script belonging to Academy Award-winning special effects artist George Gibbs, from Robert Zemeckis' detective comedy Who Framed Roger Rabbit. This script is 147 pages long and features assorted colour revisions. Bound in a red imitation leather cover, it is dated "October 15, 1986". The title page details it as the fourth draft and uses the working title "Who Shot Roger Rabbit?". Page 17 has a sticker showing it belonged to Gibbs, and he has annotated the script throughout, using highlighting and tape to categorise sections. This script shows signs of use and age, with discolouration on the paper, marks on the cover and various light soiling throughout. Dimensions: 32 cm x 24 cm x 3 cm (12 1/2" x 9 3/4" x 1 1/4")£400-600 M
A production-used script from Stanley Kubrick's 2001: A Space Odyssey. The film, inspired by Arthur C. Clarke's short story "The Sentinel", garnered numerous awards and Oscar nominations, including best screenplay, ultimately winning the Academy Award for Best Special Visual Effects. The 229-page script is bound with metal split pins contained within a black card cover. A pink title page declares that the screenplay is written by Stanley Kubrick and Arthur C. Clarke. It consists of a number of colour revisions on pink, blue and green paper, each with the date of the revision at the bottom of the page, mostly from October through December 1965. The pages have foxed edges and shows slight discolouration from age. Dimensions: 28 cm x 22 cm x 2.5 cm (11" x 8 1/2" x 1")£2000-3000 M
A Toon .38 pistol with Dum-Dums crew gift from the production of Robert Zemeckis' detective comedy Who Framed Roger Rabbit. This item comes from the personal collection of legendary producer Robert Watts. Eddie (Bob Hoskins) swapped his real gun for a Toon one before entering Toontown. Eddie's new oversized gun shot idiotic Toon rounds which he later referred to as "Dum-Dums". During filming, a stand-in gun was used, with the animated cartoon gun added in post-production. The pistol €†a casting from the stand-in's mould and given as a crew gift to Robert Watts €†is cast in resin and presented in a display case with six Dum-Dum character bullets. On the back is a business card of Steve Crawley, a Model Shop Project Supervisor from Industrial Light and Magic. The plastic case shows some signs of age and wear, with light scratches on the case, and the plaque has slipped from its position. Dimensions (displayed): 35.5 cm x 24 cm x 10 cm (14" x 9 1/2" x 4")£3000-5000 M
Two original watercolour designs of Thuggee guards from Steven Spielberg's action adventure Indiana Jones and the Temple of Doom. This item comes from the personal collection of legendary producer Robert Watts. Created by Academy Award-winning costume designer Anthony Powell, the designs comprise a full-length watercolour of a Thuggee guard costume, and a study of a face, which details a temple guard's black-and-red headscarf. The first watercolour design closely resembles the Thuggee costumes featured in the film: the black dhotis around their waists; the long, white, red-spattered lungi; the black beads around their necks;and the black fabric tied tightly around their arms just above their elbows. The temple guards seen in the film also wear head scarves very similar to the second design. These items display slight signs of age, with faint yellowing of the paper. Dimensions: 53 cm x 45 cm (20 3/4" x 17 3/4")£1000-1500 M
A pair of Obi-Wan (Alec Guinness) costume designs by Oscar-winning costume designer John Mollo, from George Lucas' Star Wars: A New Hope. One page is a printed copy that was hand-coloured by Mollo, and matches exactly to an illustration seen in issue 23 of Starburst magazine. The other page is a printed copy of the same illustration, without additional work by hand, though it is signed by Mollo in blue ink. In his interview with the Starburst, Mollo explained, "George [Lucas] wanted Obi-Wan Kenobi to look like a cross between a monk and a samurai knight." The coloured sketch has a fold line down the right edge and sticky tack marks on the front, while both designs show some minor edge wear and discolouration from age. Dimensions (each): 29 cm x 21 cm (11 1/2" x 8 1/4")£800-1200 M
An autographed photograph of the cast of the science-fiction television show Star Trek: Enterprise. The photograph has been autographed by principal cast members Jolene Blalock, Connor Trinneer, Dominic Keating, Anthony Montgomery, Linda Park, and John Billingsley. The six autographs are in gold and silver marker pen, and the picture is mounted on purple card with four Velcro pads on the back. The item shows some signs of wear at the corners, which are slightly dented. Dimensions: 35 cm x 30 cm (13 3/4" x 11 3/4")£200-300 M
Jackson "Jax" Teller's (Charlie Hunnam) costume from Kurt Sutter's crime drama series Sons of Anarchy. Jax was the son of John Teller (Victor Newmark), the titular biker gang's founder and original president , and rose through the ranks, becoming president himself, before his excommunication. The centrepiece of the costume is Jax's sleeveless leather cut (size XL), made by Lil Joes Legendary Leathers„¢. It features embroidered patches on the front reading "Redwood Original", "President Men of Mayhem", "Samcro", and "In Memory of Opie". On the back is the legendary Sons of Anarchy reaper emblem. The leather vest was made for filming but unused. The remainder of the costume comprises a white T-shirt (size L), featuring the logo "Samcro", and a handwritten label reading "Jax #1"; a long-sleeved blue top (size L) with a handwritten label reading "Jax"; a pair of gloves; and a pair of blue bootcut jeans (36" x 34"), with a handwritten label reading "Jax #1". Jax's costume is accompanied by three documents confirming provenance. The pieces show signs of production use and wear, but are in good condition.£2000-3000 M
A pair of cast-autographed shooting schedules from the production of the sci-fi adventure series Stargate SG-1. Shooting schedules were used by the crew to plan scenes and organise special effects, props, set design and makeup. The shooting schedules feature the autographs of director Michael Shanks, writer Christopher Judge, and actors Dan Shea, Peter Williams, Tony Amendola and Teryl Rothery across the covers. The pink schedule features the title of the Season 5 premiere episode "Enemies (Part 2)" and the blue schedule features the title of Season 4 Episode 3, "Upgrades". The pages remain in very good condition. Dimensions: 28 cm x 21.5 cm x 0.5 cm (11" x 8 1/2" x 1/8")£200-300 M
A Daily Planet "Caped Wonder Stuns City" newspaper from Richard Donner's superhero film Superman. Perry White (Jackie Cooper) held up a newspaper the morning after Superman (Christopher Reeve) rescued Lois (Margot Kidder) from an out-of-control helicopter, and demanded the Planet reporters discover more about the flying stranger. Printed on newspaper stock, the cover features the Daily Planet logo, with a bold headline reading "Caped Wonder Stuns City", two images of Superman, and several surrounding articles. The cover is adhered to a copy of the International Herald Tribune, producing the appearance of a full newspaper. The lot displays minor discolouration, a fold line from storage and small tears along the edges of the paper. Dimensions: 59.5 cm x 42.5 cm (23 1/2" x 16 3/4")£1000-1500 M
A Klingon communicator from Leonard Nimoy's Star Trek IV: The Voyage Home. The crew of the Enterprise used Klingon communicators to talk to each other while trying to return home, after they used their Klingon Bird of Prey €†renamed the Bounty €†to jump through time, ending up in "present-day" San Francisco. Made of resin and painted predominantly bronze, the communicator has been intentionally distressed to look weathered and worn, with faux-silver paint having been lightly dry-brushed on. It features red, white and blue detailing and a metal speaker in the centre, as well as eight silver-coloured fins at the top. It shows some wear from production use and age, with scuffs and scratches on top of the intentional distress. There are small areas where the paint has chipped away, revealing the paint underneath, and there is some glue residue where parts of the item have previously been repaired. Dimensions: 15.5 cm x 6.7 cm x 3 cm (6" x 2 3/4" x 1 1/4")£1000-1500 M
Walter White's (Bryan Cranston) costume from Vince Gilligan's crime-thriller series Breaking Bad. Walter White wore many variations of his iconic plain trousers, jacket and plaid shirt ensemble throughout the series. Costume designer Jennifer Bryan explained that "his character gets darker," so she "shifted his colour palette" to match his new persona, introducing darker tones into everything he wore including this particular ensemble. This costume consists of a grey polyester bomber jacket (Size M) from the Season 5 episode "Rabid Dog", in which Jesse (Aaron Paul) tried to kill Walter; a pale blue plaid cotton shirt (Size L) with a handwritten label reading "W W"; and a pair of brown trousers (Size W34 L34) with a handwritten label reading "Walt". The costume remains in very good condition.£1500-2500 M
Professor G.H. Dorr's (Tom Hanks) suit and hat from Joel and Ethan Coens' Ealing Comedy remake The Ladykillers (2004). The charming professor wore his full suit when he first met Marva Munson (Irma P. Hall) and enquired about the spare bedroom she had advertised to let. The costume consists of a beige herringbone three-piece suit; a matching sleeveless caped coat; a pink Anto Beverly Hills textured shirt; a tan sateen bow tie with clip fastenings; and a straw boater-style hat, which features a woven brown band. Embroidered in blue, the initials "TH" feature on the label within the shirt, and the lot is accompanied by six production wardrobe tags, which display detailing about each garment, change numbers and scene numbers. The costume shows minor wear, including light plucks and dirt marks on the trouser hems.£2000-3000 M
A production-used second unit clapperboard from Robert Zemeckis' Oscar-winning detective comedy Who Framed Roger Rabbit. This item comes from the personal collection of legendary producer Robert Watts. As well as being one of the film's producers, Frank Marshall also took the role of second unit director, and was responsible for shooting additional footage. This clapperboard was created for his second unit, which included camera operator Paul Beeson. It is made of black-painted wood, with the film's title and crew details applied in white paint. It shows signs of production use, with dust and dirt marks on the wood and metal hinge. Dimensions: 26 cm x 21 cm x 1.5 cm (10 1/4" x 8 1/4" x 1/2")£2000-3000 M
A set of three Isolinear chips and stand from Jonathan Frakes' sci-fi sequel Star Trek: Insurrection. Isolinear chips were used throughout the film, often seen on Picard's (Patrick Stewart) desk and in his quarters. The three isolinear chips are made of orange, yellow and green acrylic and have a faux-circuit-board design applied in silver-coloured paint on one side and bronze paint on the other. Each chip is marked with the ship's name, "U.S.S. ENTERPRISE 1701-E". The chips come on a stand made to present the chips on Picard's desk, which is made of black and clear acrylic, has chip slots and also features the ship title. The isolinear chips and stand show minimal signs of wear. Dimensions (each chip): 10 cm x 4.5 cm(4" x 1 1/2"); (chips in stand): 9.5 cm x 6.5 cm x 16 cm (4" x 2 1/2" x 6")£600-800 M
Tom Cruise's director's chair with two chair backs from Doug Liman's sci-fi action movie Edge of Tomorrow. Director-style chairs are used on set by cast and crew members to relax when they are not filming. The chair frame is made of wood and stained a medium brown colour. It has a footrest, armrests and a black cotton seat, and it folds down. The chair backs are both made of black cotton. Printed on one side is the film's original title, "All You Need Is Kill", in a white, grey and orange logo. One chairback has "Tom Cruise" printed in white on the reverse and the other displays Cruise's character name "Cage", also in white. The chair backs show some signs of storage, with minor creases in the material and colour-fading. Dimensions (chair unfolded): 116 cm x 54 cm x 64 cm (45 3/4" x 21 1/2" x 25 1/2")£1000-1500 M
A single-issue limited edition, autographed autographed print of Bedroom and Monolith by unit photographer Keith Hamshere, from the production of Stanley Kubrick's sci-fi epic 2001: A Space Odyssey. This issue is limited to just three prints. This is the first, autographed by Keith Hamshere and dated "April 2, 2018", marking the 50th anniversary of 2001's initial theatrical release. Number two is retained by the photographer, and number three is with restoration coordinator Piers Bizony.Scanned at high resolution and remastered from the still held by The Stanley Kubrick Archive for the Taschen book The Making of Stanley Kubrick's 2001: A Space Odyssey, this was printed with the permission and approval of Warner Bros. Entertainment and the Kubrick family. Profits raised from the auction of this print will be donated to The Jane Goodall Institute. Dimensions: 82.5 cm x 64 cm (32 1/2" x 25 1/4") 2001: A Space Odyssey and all related characters and elements are trademarks of and © Turner Entertainment Co.(s19)£400-600 M
An Axon injector device from Michael Ferguson's Doctor Who arc The Claws of Axos. Devices were used by the Axons to inject Axonite, the source of their growth technology, into a frog, as a demonstration of the element's potential. The injector comprises a resin centre rod surrounded by clamp discs securing metal prongs attached to an acrylic handle, with fibres dipped in orange-tinted resin to create the Axonite pieces. The injector shows minor wear from production use and aging, the Axonite shows significant disintegration, there is a chip on the base of the handle, and there is denting and discolouration throughout. Dimensions: 29 cm x 7 cm x 7 cm (11 1/4" x 2 3/4" x 2 3/4")£2000-3000 M
Felicity Shagwell's (Heather Graham) screen-matched dress and shoes from Jay Roach's retro spy spoof Austin Powers: The Spy Who Shagged Me. Felicity Shagwell wore her dress and shoes on a day out in London with Austin after he time-travelled back to 1969. She also wore them during the stool-retrieval scene with Fat Bastard (Mike Myers) in a Paddington Station toilet. The ensemble consists of an orange-and-pink long-sleeved crocheted dress made of glittery thread and a pair of pink Kenneth Cole shoes with orange trim (US size 7 1/2). The dress has a stitched-in pink bra, which is not visible when worn. Also included are two spare spools of thread, in orange and pink. The costume shows signs of wear, mostly on the shoes, which display scuffs on the top, wear on the soles and some flaking on the orange trim. The lot is accompanied by a print of the costume design.£4000-6000 M
One-Eyed Willy's booby trap treasure scales from Richard Donner's adventure film The Goonies. A set of scales filled with coins was seen among the treasure hoard discovered aboard One-Eyed Willy's hidden pirate ship, the Inferno. The scales were rigged as part of a hidden trap, so when Mama Fratelli (Anne Ramsey) removed the coins, she caused the cave containing the ship to collapse. Crafted from brass, the scales consist of a ribbed pillar, an ornate pivoting beam featuring two extended arms, and two circular weighing pans suspended from each end of the beam. Several Chinese-style fish-like creatures featuring layered scales and open-mouthed expressions decorate many parts of the piece, curling in various directions to produce an intricate design for the hooks, both at the top and on each end of the beam. The irregular base of the lot displays nine different-sized holes, designed to house the various weights which accompany the scales. Included is the original invoice, displayed within a wooden frame. Dated "02-28-85", the statement features the total cost for renting the piece for two weeks, with the production company details at the top. Minor wear is present on the scales and parts of the piece have become discoloured over time. Signs of oxidation are present, notably on the central part of the beam. The lot comes in separate parts and can be easily assembled. Dimensions (scales assembled): 27 cm x 69 cm x 85 cm (10 3/4" x 27 1/4" x 33 1/2"); (invoice): 25 cm x 36 cm x 3 cm (10" x 14 1/4"x 1 1/4")£8000-10000 M
An R4-X2 astromech droid dome from Rian Johnson's Star Wars: The Last Jedi. Droids were important members of the Resistance, working to keep weapons, ships and other machinery functional. R4-X2 worked in the hangar on the main Resistance cruiser, preparing fighter craft for battle. The hanger was destroyed by Kylo Ren (Adam Driver) as Poe Dameron (Oscar Isaac) and the other Resistance pilots were getting ready to battle the First Order. R4-X2 also featured heavily in the promotion of the film, having been turned into a toy after its release, and can be found on page 21 of Star Wars: The Last Jedi €†The Visual Dictionary. The droid dome was hand-built by Brad Oakley, who also produced droids for Rogue One: A Star Wars Story and Solo: A Star Wars Story. It is made of CNC (computer numerical control)-cut styrene frames that were hand skinned. Key features include its radar eye, two aluminium holographic projectors that move at random and flash when the droid head is connected to a power supply, and two sets of five RGB (red-green-blue) LEDs that flash in patterns under the droid's projectors. A small panel, finished in faux-silver paint, hides a "bad motivator" smoke function. The panel is designed to extend outwards and emit water vapour (similar to that used in e-cigarettes) to mimic the appearance of smoke. The droid dome is hollow except for the wiring and panels used to control the electronics. The dome is intentionally distressed in places to look worn and well used, in keeping with George Lucas' "used future" concept, like much of the technology and weaponry of the Resistance. This includes damage to the white paint on the lower ring. There is additional wear from production use, such as scuffing and scratches. The lot is accompanied by a copy of Star Wars: The Last Jedi €†The Visual Dictionary and an official Disney toy set featuring R4-X2 and another droid, Y5-X2. Dimensions: 40 cm x 40 cm x 38 cm (15 3/4" x 15 3/4" x 15")LiteratureStar Wars: The Last Jedi €†The Visual Dictionary by Pablo Hidalgo, published by DK.£15000-25000 M *Contains electronics; see electronics notice in the Buyer's Guide
A Mr DNA animation cel autographed by Steven Spielberg from his sci-fi adventure Jurassic Park. Mr DNA, voiced by Greg Burson, was the mascot for John Hammond's (Richard Attenborough) introductory video, in which he explained how he bioengineered the dinosaurs. Mr DNA is hand-drawn and painted on a cel, which features handwritten production numbers "7" and "A139". The cel comes with its original hand-drawn and coloured test sheet, with the same handwritten "A139" in the corner. Spielberg's autograph is written on the right of the cel in black ink, and the cel is displayed on a card back with a card frame. The front layer of ink has worn slightly, most evidently on Mr DNA's right eye. Dimensions (display): 51 cm x 41 cm x 1 cm (21" x 16" x 1/8")£600-800 M
A clapperboard from "Bad Wolf" €†Episode 12 in the first series of the BBC's revived sci-fi show Doctor Who. This clapperboard is marked with handwritten production information identifying this as slate 489, take 4, a night scene shot outdoors ("NIGHT EXT") for visual effects purposes ("VFX"). It is dated "15th March 2005" and the director credited as Joe Ahearne, who was the most prolific director during Christopher Ecclestone's tenure as the Doctor, helming five episodes of the series. The body of this clapperboard is made of yellow acrylic, with "Doctor Who" engraved in black across the front, black Velcro on the back, and wooden clap-sticks at the top. There are some signs of production use and handling, most notably on the handwritten notes on the clapperboard; the number 5 from "15th March" has been partially erased. Dimensions: 29 cm x 25 cm x 3 cm (11 1/2" x 9 3/4" x 1 1/4")£1500-2500 M
An autographed photo of Irvin Kershner from the production of Star Wars: The Empire Strikes Back. The photograph is an 8x10 close-up of Kershner during filming of the Hoth scenes, printed on glossy paper. It features his autograph in blue ink. Along the bottom edge is a copyright notice reading "Kurtz/Joiner Archives". The photograph remains in very good condition. Dimensions: 25 cm x 20 cm (10" x 8")£200-300 M
An autographed photograph of the cast of sci-fi TV show Star Trek: The Next Generation. This is a photograph of eight of the principal cast members of Star Trek: The Next Generation: Captain Jean-Luc Picard (Patrick Stewart); Commander William Riker (Jonathan Frakes); Lieutenant Commander Geordi La Forge (LeVar Burton); Counselor Deanna Troi (Marina Sirtis); Lieutenant Commander Data (Brent Spiner); Lieutenant Worf (Michael Dorn); Dr. Beverly Crusher (Gates McFadden) and Wesley Crusher (Wil Wheaton). Each autograph is signed over each cast member's respective character. The photograph shows some minor signs of handling and age, with the imprint of a pen scribble on the back and a small tarnished hologram square sticker. Dimensions: 20 cm x 25.5 cm (8"x 10")£400-600 M
A production-used clapperboard and crew cap from Steven Spielberg's action-adventure sequel Indiana Jones and the Last Crusade. These items come from the personal collection of legendary producer Robert Watts. The black wooden clapperboard features the production title painted in white, with the names of director Steven Spielberg and director of photography Douglas Slocombe below. Lines divide the clapperboard into two sections, titled "slate" and "take". A masking tape strip runs along the bottom and features the handwritten text "12th August 1988 Exterior", and pieces of tape are adhered to the back creating the letter "A'. Made from mesh and polycotton, the black crew cap features the title artwork for the film, which is embroidered in orange, yellow and white, and outlined in grey. An adjustable strap is situated at the back of the cap. The hat displays minor wear, and the board shows signs of age and use, including corrosion on the metal clapper-stick hinge, paint wear and chalk remnants. Dimensions (clapperboard): 2 cm x 20.5 cm x 26 cm (3/4" x 8" x 10 1/4")£4000-6000 M
A Ralph McQuarrie hand-painted matte concept of Cloud City from Irvin Kershner's Star Wars: The Empire Strikes Back. Academy Award-winning concept designer Ralph McQuarrie designed many of Star Wars' iconic characters and locations. Created by McQuarrie, the image reveals his vision for Cloud City, the gas mining colony floating in the atmosphere of the gas giant Bespin. This art is a matte concept, using photography, with the detail of the city hand-painted over it. It is presented in a black wooden frame and archivally displayed in a black-and-silver mount. The photograph shows some signs of age and is yellowing and stiffening slightly. Dimensions: 65 cm x 59 cm x 3 cm (25 1/2" x 23 1/2" x 1 1/4")£2000-3000 M
An autographed production-used script from gangster-drama TV series The Sopranos. Written by David Chase, this salmon revision script for the pilot episode is dated 25 August 1997 and contains 65 US Letter pages, bound together with three brass split pins. The unannotated script features a cover page displaying 11 main cast autographs, including James Gandolfini, Lorraine Bracco, Edie Falco and Michael Imperioli in various black inks.Lightly used, the script shows very minor corner creases from production use. Dimensions: 28 cm x 22 cm x 1.5 cm (11" x 9" x 1/2")£600-800 M
A crew jacket from the production of Ridley Scott's sci-fi classic Blade Runner. This black The Cloth Tattoo zip-up bomber jacket (size M), given as a gift to the crew of the film, is made of satin polyester with a hand-embroidered silver-and-red threaded patch reading "Blade Runner" in both English block and Japanese characters. A note in the jacket pocket marked "Lorna's jacket" is rendered in graphite on paper letterhead belonging to the film's visual effects auditor, Diana Gold.[2] While satin jackets from this era are frequently heavily faded, this jacket retains its original jet-black color and exhibits only minor signs of wear, while the note exhibits some creases and punctures.£800-1000 Ω
A stunt Morita assault rifle from Paul Verhoeven's sci-fi action film Starship Troopers. Morita assault rifles were carried by the Mobile Infantry throughout their campaign against the ferocious Arachnids, from their initial assault on Klendathu to the capture of the Brain Bug on Planet P. Cast from a hero version of the firearm, the rifle is made of foam rubber with an internal metal armature. The main body of the weapon has been finished in dark green with black components and a faux-silver magazine. The rifle features intricate detailing on the receiver, magazine and grip. A black synthetic webbing sling is attached via metal clips to the left-hand side of the body. The cocking handle is missing from the right side and the metal armature is slightly exposed on the tip of the muzzle. The lot shows other signs of production use, including minor paint wear and dust remnants from use on desert filming locations. Dimensions: 101 cm x 6.5 cm x 24 cm (39 3/4" x 2 1/2" x 9 1/2")£500-700 M
An archive of behind-the-scenes stills, a Lucasfilm Ltd annual from 1983, and a set of crew stickers from the original Star Wars trilogy. This item comes from the personal collection of legendary producer Robert Watts. Comprising a set of 12, the black-and-white stills were taken during the filming of A New Hope and show key cast members, droids, director George Lucas and others. Annuals were gifted to Lucasfilm employees during their yearly picnic at Skywalker Ranch. This set of stickers includes two triangular stickers designed by Ralph McQuarrie and a sheet of uncut stickers featuring Return of the Jedi's original title "Revenge of the Jedi" with an image of Yoda. The lot is completed by a colourful embroidered patch of the same Yoda design. The lot exhibits minor wear, including light scratches, plucks around the patch outline, and crease lines, notably on the annual cover and uncut sticker sheet. Dimensions (annual): 28 cm x 22 cm x 1 cm (11" x 8 3/4" x 1/2"); (each photo): 20 cm x 25.5 cm (8" x 10"); (sticker sheet): 19 cm x 25 cm (7 1/2" x 10")£300-500 M
A suit of armour worn by Mordred (Robert Addie) in John Boorman's Arthurian epic Excalibur. The grown-up Mordred wore his armour in battle against King Arthur (Nigel Terry) and his loyal knights after he challenged his father for the throne.Handmade in aluminium by legendary movie armourer Terry English, and finished in faux-gold spray paint, this was the only suit of elder-Mordred armour made for the film. The suit consists of a chest and back plate, arms, gauntlets, scaled skirt, leg and foot guards, and a chainmail neck piece. English made the instantly recognisable aluminium helmet after production for display purposes, as the original fibreglass version was lost. The armour is embellished with rivets, spikes and muscular definition and held together with leather straps and metal buckles.A number of unique marks on the chest and arms screen match the armour to that seen in the film. The set was used in countless stunts and action sequences, which left the suit with a number of scratches and repairs. Most notably, the breastplate was modified for the shot in which Mordred receives a mortal chest wound from Excalibur, and reshoots required English to repair the hole. The repair is visible on screen, as is €˜gold'-painted Gaffer tape attached to the lower left bicep. The suit exhibits the previously stated wear, as well as wear from age, including fragile leather straps and the absence of several scales from the skirt. The legs are marked "Eric" for use in a subsequent production.£10000-15000 M *Special shipping required; see special shipping notice in the Buyer's Guide
A photo autographed by Tim Burton, Johnny Depp and producer Richard D. Zanuck from Burton's horror comedy Dark Shadows. This item comes from the personal collection of legendary actor Sir Christopher Lee. Presented in a black metal frame and set under acrylic, the photo features Depp and Christopher Lee on set dressed as their characters, alongside Zanuck and Burton. Autographed in silver pen, the photo features messages dedicated to Sir Christopher Lee. The signatures are slightly smudged in a couple of areas and the frame shows some very minor wear. Dimensions: 21 cm x 26 cm x 2 cm (8 1/4" x 10 1/4" x 3/4")£500-700 M
A light-up Bajoran interceptor miniature model from sci-fi TV series Star Trek: Deep Space Nine. Miniature models were used for the Bajoran ships, which first appeared in the Season 2 episode "The Siege", when two interceptors attacked the ship being flown by Commander Kira Nerys (Nana Visitor) and Lieutenant Jadzia Dax (Terry Farrell). The Starfleet officers managed to destroy one of the Interceptors before sustaining critical damage and crash landing. Models were later used in the Season 3 episode "Through The Looking Glass" and for cutaway footage of ships flying around DS9 in later seasons. The model is made of plastic and hand-painted to look as detailed and realistic as possible. It is predominantly decorated in shades of grey with bronze detailing, in keeping with the Bajoran aesthetic. It features €˜rust' markings and other examples of intentional distress, giving it the appearance of being well used and battle worn. When connected to mains power via a D-sub 9-pin connector, the lights within the model illuminate, lighting up the cockpit, windows and engines, as well as lights on the wing tips and the top of the ship. The miniature sits on a custom-made metal stand on a black wooden base. The stand is a fixed to a production-made filming mounting point, which can be hidden with an extra piece when not on the stand. There is a second hidden mounting point in the tail. It has some wear from production use and age, including a small repair to the left wing. Dimensions: 45 cm x 68 cm x 25 cm (17 3/4" x 26 3/4" x 9 3/4") ADDITIONAL INFORMATION Interceptors were lightly armed craft with two phaser emitters, used by the Bajoran Militia in the defense of Bajor. They were often utilised in the orbit of the planet but, as in "The Siege", could also fly within the atmosphere.£8000-10000 M *Contains electronics; see electronics notice in the Buyer's Guide
A Borg phaser from sci-fi TV show Star Trek: The Next Generation. The Borg used their wrist-mounted phasers in the two-part episode Descent, which comprised the Season 6 finale and the Season 7 premiere, and saw the Borg going on the offensive against the crew of the Enterprise. The phaser is made of resin and is painted gunmetal grey. It features a metal tip and has a metal spring running from the top to the side of the phaser. It has metal attachments and mechanical detailing to provide a technical feel, and features Velcro on the underside so it could easily attach to the wearer. The phaser features minor wear from production use, including scuffs and scratches. Dimensions: 14.5 cm x 4.5 cm x 3.5 cm (5 3/4" x 1 3/4" x 1 1/2")£300-500 M
A Type-1 "Cricket" phaser from science-fiction series Star Trek: The Next Generation. These phasers are the smallest, most basic weapons carried by Starfleet personnel. They are seen in episodes such as Season 5's "The Game", when Wesley Crusher (Wil Wheaton) used one as a distraction. Dubbed the "cricket" by production and fans alike, the phaser is made predominantly of resin, metal and plastic. It has two buttons on the top and a transparent red acrylic front, from which the beam emanates on screen. The top of the phaser slides back, revealing wiring inside, which suggests that the phaser lit up during production. The piece exhibits some wear from production use and age. It has some scuffing and scratches where the grey resin underneath can be seen. One of the two buttons on the top is now missing. Dimensions: 8.5 cm x 4 cm x 3 cm (3 1/4" x 1 1/2" x 1 1/4")£1500-2500 M *Contains electronics; see electronics notice in the Buyer's Guide
Luke Skywalker's (Mark Hamill) production-made lightsaber from the production of Star Wars: A New Hope (1977) Lightsabers are one of the most memorable props in the history of cinema, and it is well-known amongst enthusiasts that Luke's original lightsaber was built from a Graflex 3-Cell Camera Flash Attachment unit. The modifications used to turn the flash handle into the lightsaber prop were relatively straightforward: a set of black T-shaped grips were attached to the lower half of the flash, a D-ring was attached to the bottom of the unit to allow it to hang from a belt hook, and a set of plastic magnification "bubbles" from a vintage calculator display were fitted to the flashes center clamp. Due to the simple nature of the prop's construction, authenticity around Graflex-based lightsaber props is frequently controversial. This is the first Luke Skywalker lightsaber Prop Store has handled with solid provenance and the appropriate physical construction elements to support that it is indeed from the production. The most well-documented Skywalker lightsaber props are the Graflex-based hero version seen best in production photography, and the special-effects version with a motorized spinning blade (designed to reflect light into the camera lens) that was made from a piece of pipe dressed to look a Graflex. It is not clear exactly how many lightsaber props were built for the first film in total. This lightsaber is distinctly not the hero Graflex version seen in production photographs, or the well-documented spinning version, but is an original made for the production of the film. The lightsaber originated from Andy Mitchel, the son of Andrew Mitchell, who was the managing director of Elstree Studios at the time the original Star Wars films were shot there. Mitchell recovered the lightsaber prop as a young man from the Elstree Studios backlot where it had been discarded along many other props and sets during or after production. He was allowed to keep the piece as a memento shortly after production wrapped. The Graflex is a "Folmer" version of the flash handle, which is the same version of Graflex used to create the hero piece seen in production photographs. This flash unit was fully converted into a prop lightsaber: a D-ring is affixed to the bottom of the handle with two pop rivets, a bubble lens strip fitted in the center clamp (with 7 bubbles, matching the hero prop), and glue residue exists on the lower half where the T-shaped grips were once attached. The red button at the top of the flash is a version with a thin band of knurling€â€different to the documented hero Graflex, but the same style of button seen on the document effects "spinning blade" prop. The most interesting aspect of this piece is a welded metal plate affixed into the open end of the emitter. The plate features a small hole in the center and the welding process has deformed some of the top of the flash. This plate was almost certainly welded in as part of the effort to mount a blade in the handle. This custom modification supports the fact that the special effects or props team at Elstree Studio was working with this piece at some point during production, and it was specifically converted to be a lightsaber prop. At present, the location of both the well-documented hero Graflex lightsaber and well-documented "spinning blade" effects version of the prop are not known. Therefore, this may be the only, or certainly one of the few, genuine Luke Skywalker lightsaber props from the original Star Wars film still in existence. While it is uncertain whether this piece was ever used in filming or not, it has a strong chain of provenance and the appropriate physical construction to support its authenticity and is a wonderful example of this legendary film prop. Included are a letter of authenticity from Andy Mitchell who originally obtained the piece from the Elstree backlot, and from a friend of Mitchell's who was gifted the piece by Mitchell in 1983. The piece is well-worn, with numerous scratches and marks to the body. Dimensions: 25 cm x 5.75 cm x 3 .75 cm (10" x 21/4" x 11/2")£60000-100000 M
A showgirl costume from John Glen's Bond movie Octopussy. Showgirls wore their extravagant costumes as part of the circus on the US Air Force base, where James Bond (Roger Moore) had to defuse a nuclear bomb. The costume features a heavily embellished sequined orange body with a corseted back that is done up with hook-and-eye fastening. It also features an ornate headdress decorated with sequins and feathers, so long they almost reach the ground. Inside the body there is a label for "Janine Andrews", credited as one of the "Octopussy Girls". No sizes are labelled. There is minor wear from age, storage and use on production, including a few missing sequins and some areas where the fabric has plucked.£600-800 M
Loading...-
375892 item(s)/page