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Lot 689
Kleine Sammlung antiker und mittelalterlicher Objekte. Darunter zwei neolithische Messerfragmente aus Stein (L 3,4 und 4,8cm), ein geometrischer Anhänger mit Pferdchen aus Bronze (H 9,4cm), ein sog. etruskischer Genucilla-Teller aus dem 4. Jh. v. Chr. (ø 12,5cm) sowie die Hälfte eines mittelbyzantinischen Enkolpions mit gravierter Mariendarstellung (H 8,4cm). 26 Stück! Provenienz: Ex Sammlung M. B., Hessen, seit vor 1970.
Lot 692
Sammlung überwiegend antiker Objekte. 12 Keramikgefäße, darunter ein Dreifußtopf der Yortan-Kultur (H 11,4cm), ein großer messapischer Lebes Gamikos des 4. Jhs. v. Chr. mit Tropfendekor (H 22,6cm, Deckel und ein Henkel fehlen) und weitere vorderasiatische, römische, byzantinische und islamische Schalen, Töpfe und Flaschen. Vier figürliche griechische und römische Terrakotten, dabei ein Kopf mit ergänztem Körper. Zwei römische Tonlampen, eine mit Adler (L 10,9cm), eine mit Rosette (L 8,7cm). Dazu eine islamische Bronzeflasche (H 27,3cm) und ein restauriertes Noppenglas, ca. 15. Jh. n. Chr., mit Fehlstellen (H 11,6cm). 20 Stück! Wenige Stücke mit Fehlstellen oder restauriert, mehrheitlich intakt. Provenienz: Aus dem Nachlass M. B.; in Deutschland seit vor 1964.
Lot 8
Apulische Pelike. Um 350 v. Chr. H 32cm, ø Körper 20,3cm, ø Mündung 16,9cm, ø Fuß 12,1cm. Rotfigurig mit weißen und gelben Details. Auf der Vorderseite eine unbekleidete Frau mit Kästchen vor einem Perirrhanterion, vor ihr sitzt eine weitere junge Frau auf einem Felsen und betrachtet sich im Spiegel. Auf der Rückseite zwei Manteljünglinge und seitlich Palmetten. Mit Expertise des Antiken-Kabinett Bernd Gackstätter, Frankfurt a. M.! Mündung gebrochen und wieder angesetzt, kleine Absplitterung an der Lippe, unter der Mündung und dem Fuß Reste von Sinter. Provenienz: Ex Sammlung R. Villinger-Schmeller, Bayern, erworben vor 1980.
Lot 848
Zwei Gebetsrollen und eine silberne Priesterkrücke. Wohl Amhara, Äthiopien. a) Zwei Gebetsrollen (8,3 x 150cm und 11,5 x 197,5cm) in der religiösen Schrift Ge'ez verfasst und mit Malereien versehen auf Pergament und in Lederhülle, 20. Jh. b) Silberne Miniatur-Priesterkrücke (H 18,5cm) mit verschiedenen Motiven graviert. 3 Stück! Intakt. Provenienz: Ex Sammlung F. X. M., Oberbayern, 1930er bis 1940er Jahre.
Lot 857
Gerahmte Karte. 1737. 57 x 47cm ohne Rahmen. Papier und Holz. Altkolorierte Karte von Afrika von Johannes Mathias Hase, datiert auf 1737. Die nichtkolorierte Titelkartusche enthält auch noch einen Text zur Skalierung und eine Umrechnungstabelle in verschiedene europäische Längenmaße, beides in lateinischer Sprache, umgeben von einem dekorativen Szenarium von Menschen, Tieren und Pflanzen Afrikas nach dem Geschmack der Zeit. Intakt. Provenienz: Ex Sammlung Dr. Hans-Joachim Koloss, Berlin, 1975 - 2002. . M. Hase (auch lat. als Hasius bezeichnet, 1684 - 1742) war ein deutscher Mathematiker, Astronom und Geograf, gebürtig aus Augsburg, gestorben in Wittenberg. Er fertigte auch eine Karte von Asien und Karten von diversen Ländern, wie z. B, Russland. Hase studierte in Helmstedt und Leipzig, lehrte Mathematik in Halle und Wittenberg, wo er sich auch der Kartografie widmete.
Lot 89
Torso eines Epheben. Römische Kaiserzeit, 1. Jh. n. Chr. H 37,5cm. Weißer, feinkristalliner Marmor. Erhalten ist der Hüft- und Oberschenkelbereich eines zarten Knaben, dessen rechtes Bein vorgesetzt, das linke etwas zurückgesetzt war. Die Hüfte ist stark gebeugt, was insbesondere an den deutlich in der Höhe versetzten Glutäen erkennbar wird. Am linken Oberschenkel ein großer Puntello. Mit Art Loss Register Report! Fragmentarisch. Provenienz: Ex Privatsammlung O. W., Wien, erworben Anfang der 1990er Jahre in der Galerie Socowi, Wien; in Deutschland seit 2017. Die Figur geht typologisch wohl auf Urbilder der polykletischen Schule wie den sog. Epheben Westmacott oder den sog. Narkissos (seitenverkehrt) zurück. Letzerer stützt sich mit einer Hand auf einen Pfeiler, was zu einem ebenso stark versetzten Standmotiv führt. Vgl. H. Beck - P. C. Bol - M. Bückling (Hrsg.), Polyklet - Der Bildhauer der griechischen Klassik. Ausstellung Frankfurt am Main (1990) S. 599 ff. und bes. 699 f. Kat. 169.
Lot 12
Michael Boffey M + D + M Study Silver Gelatin on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) About Michael Boffey was born in Liverpool. Education He trained at Loughborough College of Art and Design (BA Hons 1994) and De Montfort University (MA with Distinction 1997). Exhibitions He has participated in exhibitions at Charlie Smith Gallery, Shoreditch, London, Victoria House, Bloomsbury Square, London, The Lion and Lamb Gallery, London, The Royal College of Art, and Cable Street Studios and Gallery, London About the postcard artworks According to psychopathologists people's abiding tendency is to avoid confronting loss. Instead, they cherish it by refusing change and subject the relics that remain to endless emotional ransacking as a continuation of their own withdrawal. Imaged in the photographic paintings of Michael Boffey, remnants, here in the form of cut flowers, vases, clocks and other domestic and ornamental paraphernalia are not superfluities then. These works with their faded fancies, have been transformed through various nominal and procedural processes, both gentle and violent, to allow a meditation on reminiscence. The playing fields of memory contain a superabundance of richly complex accounts, sometimes embellished and sometimes faded. Apparently, nostalgia is a very bad thing, but despite benign advice about not looking back, we have little idea of what our world will be like in the future. It seems that coping with the fears and pleasures of now and with those of tomorrow does necessitate acknowledgement of a past. - Jean Taylor
Lot 425
Henrietta Armstrong SEER, 2021 Collage, Masking Tape and Spray Paint Signed on verso 15 x 10cm (5¾ x 3¾ in.) Henrietta Armstrong is a multimedia artist and curator based in London, specialising in sculpture, installation and public art. She looks at man-made objects and structures from everyday technologies that are often obsolete or defunct, and the symbolism or meaning that we imbue them with. Her recent work has been looking at the brutalist forms of sea defences, sea erosion and the global threat of rising sea levels. Co-founder of Come Quick Disaster - a platform for arts providing help & information for artists as well as curating exhibitions and running regular events. Studied BA Fine Art (Hons) at Sir John Cass School of Art, London, graduating in 2003. Henrietta has recently been selected as a finalist for the National Sculpture Prize 2021, working on a sculpture to be installed at the Broomhill Estate Sculpture Park in Devon later this year. She was awarded as a runner up for the Soho House Art Prize 2020 and is currently working on a public sculpture commission for the village of Tytherington commissioned by Cotswold Homes & South Gloucestershire Council. Exhibitions include: Soho Editions: Art Prize 2020 where she created a print edition for Soho Home with Jealous Gallery - 2021, Jealous Gallery Rooftop Mural - 2021, Throwing Bones II at Window 135 - 2020, The Pendle Hill Stones, a permanent public sculpture installed on Pendle Hill in Lancashire - 2018, Contemporary Perspectives in Printmaking at Mall Galleries, London - 2017. About the Postcards The SEERs were created by Henrietta for her 'Temple of M E D U S A' installation around the time of the #metoo movement. Demonised for her beauty by those that desired her, punished for being a victim of rape, then vilified as a monster, never to be looked at again, Medusa's story scarily echoes the misogynistic realities of today. She was mortal and not a goddess so creating a temple for Medusa felt like a reprieve. The SEERS are Medusa's victims that she has turned to stone. They now watch over and protect her with their sightless eyes, her servants for eternity. Seers in Ancient Greece interpreted signs sent by the gods through bird signs, animal entrails and other methods of divination. However only direct yes & no questions could be answered.
Lot 426
Henrietta Armstrong SEER III, 2021 Collage, Spray Paint and Holographic Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Henrietta Armstrong is a multimedia artist and curator based in London, specialising in sculpture, installation and public art. She looks at man-made objects and structures from everyday technologies that are often obsolete or defunct, and the symbolism or meaning that we imbue them with. Her recent work has been looking at the brutalist forms of sea defences, sea erosion and the global threat of rising sea levels. Co-founder of Come Quick Disaster - a platform for arts providing help & information for artists as well as curating exhibitions and running regular events. Studied BA Fine Art (Hons) at Sir John Cass School of Art, London, graduating in 2003. Henrietta has recently been selected as a finalist for the National Sculpture Prize 2021, working on a sculpture to be installed at the Broomhill Estate Sculpture Park in Devon later this year. She was awarded as a runner up for the Soho House Art Prize 2020 and is currently working on a public sculpture commission for the village of Tytherington commissioned by Cotswold Homes & South Gloucestershire Council. Exhibitions include: Soho Editions: Art Prize 2020 where she created a print edition for Soho Home with Jealous Gallery - 2021, Jealous Gallery Rooftop Mural - 2021, Throwing Bones II at Window 135 - 2020, The Pendle Hill Stones, a permanent public sculpture installed on Pendle Hill in Lancashire - 2018, Contemporary Perspectives in Printmaking at Mall Galleries, London - 2017. About the Postcards The SEERs were created by Henrietta for her 'Temple of M E D U S A' installation around the time of the #metoo movement. Demonised for her beauty by those that desired her, punished for being a victim of rape, then vilified as a monster, never to be looked at again, Medusa's story scarily echoes the misogynistic realities of today. She was mortal and not a goddess so creating a temple for Medusa felt like a reprieve. The SEERS are Medusa's victims that she has turned to stone. They now watch over and protect her with their sightless eyes, her servants for eternity. Seers in Ancient Greece interpreted signs sent by the gods through bird signs, animal entrails and other methods of divination. However only direct yes & no questions could be answered.
Lot 427
Henrietta Armstrong SEER IV, 2021 Collage, Masking Tape and Spray Paint Signed on verso 15 x 10cm (5¾ x 3¾ in.) Henrietta Armstrong is a multimedia artist and curator based in London, specialising in sculpture, installation and public art. She looks at man-made objects and structures from everyday technologies that are often obsolete or defunct, and the symbolism or meaning that we imbue them with. Her recent work has been looking at the brutalist forms of sea defences, sea erosion and the global threat of rising sea levels. Co-founder of Come Quick Disaster - a platform for arts providing help & information for artists as well as curating exhibitions and running regular events. Studied BA Fine Art (Hons) at Sir John Cass School of Art, London, graduating in 2003. Henrietta has recently been selected as a finalist for the National Sculpture Prize 2021, working on a sculpture to be installed at the Broomhill Estate Sculpture Park in Devon later this year. She was awarded as a runner up for the Soho House Art Prize 2020 and is currently working on a public sculpture commission for the village of Tytherington commissioned by Cotswold Homes & South Gloucestershire Council. Exhibitions include: Soho Editions: Art Prize 2020 where she created a print edition for Soho Home with Jealous Gallery - 2021, Jealous Gallery Rooftop Mural - 2021, Throwing Bones II at Window 135 - 2020, The Pendle Hill Stones, a permanent public sculpture installed on Pendle Hill in Lancashire - 2018, Contemporary Perspectives in Printmaking at Mall Galleries, London - 2017. About the Postcards The SEERs were created by Henrietta for her 'Temple of M E D U S A' installation around the time of the #metoo movement. Demonised for her beauty by those that desired her, punished for being a victim of rape, then vilified as a monster, never to be looked at again, Medusa's story scarily echoes the misogynistic realities of today. She was mortal and not a goddess so creating a temple for Medusa felt like a reprieve. The SEERS are Medusa's victims that she has turned to stone. They now watch over and protect her with their sightless eyes, her servants for eternity. Seers in Ancient Greece interpreted signs sent by the gods through bird signs, animal entrails and other methods of divination. However only direct yes & no questions could be answered.
Lot 428
Henrietta Armstrong SEER VIII, 2021 Collage, Spray Paint and Holographic Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Henrietta Armstrong is a multimedia artist and curator based in London, specialising in sculpture, installation and public art. She looks at man-made objects and structures from everyday technologies that are often obsolete or defunct, and the symbolism or meaning that we imbue them with. Her recent work has been looking at the brutalist forms of sea defences, sea erosion and the global threat of rising sea levels. Co-founder of Come Quick Disaster - a platform for arts providing help & information for artists as well as curating exhibitions and running regular events. Studied BA Fine Art (Hons) at Sir John Cass School of Art, London, graduating in 2003. Henrietta has recently been selected as a finalist for the National Sculpture Prize 2021, working on a sculpture to be installed at the Broomhill Estate Sculpture Park in Devon later this year. She was awarded as a runner up for the Soho House Art Prize 2020 and is currently working on a public sculpture commission for the village of Tytherington commissioned by Cotswold Homes & South Gloucestershire Council. Exhibitions include: Soho Editions: Art Prize 2020 where she created a print edition for Soho Home with Jealous Gallery - 2021, Jealous Gallery Rooftop Mural - 2021, Throwing Bones II at Window 135 - 2020, The Pendle Hill Stones, a permanent public sculpture installed on Pendle Hill in Lancashire - 2018, Contemporary Perspectives in Printmaking at Mall Galleries, London - 2017. About the Postcards The SEERs were created by Henrietta for her 'Temple of M E D U S A' installation around the time of the #metoo movement. Demonised for her beauty by those that desired her, punished for being a victim of rape, then vilified as a monster, never to be looked at again, Medusa's story scarily echoes the misogynistic realities of today. She was mortal and not a goddess so creating a temple for Medusa felt like a reprieve. The SEERS are Medusa's victims that she has turned to stone. They now watch over and protect her with their sightless eyes, her servants for eternity. Seers in Ancient Greece interpreted signs sent by the gods through bird signs, animal entrails and other methods of divination. However only direct yes & no questions could be answered.
Lot 51
Yuriko Kawase Leaf, 2021 Sumi Ink on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Yuriko Kawase is a sumi-e artist based in Tokyo, Japan. Her art is expressed through equal parts sumi, water, paper, and inspiration, seeking to offer a simple worldview that is gentle, yet impressive; strong, yet delicate - a style that remains quietly in one's mind. About the postcard artworks Sumi + water + paper = very simple. (Sometimes I use pigments) Sumi's paintings I draw are a unique world. There is no composition or draft because I write it all at once with inspiration. Cut out the space-time at that time and put Sumi soaked in water on the paper from the brush. Sumi who got the life spreads on the fibers and begins to swim. The blurred color leaves a rich gradation on the paper. The color changes over time and she Sumi calms her down. Distortion is Sumi's own work, and the end of the collaboration with water permeates the paper and is there. The simple and delicate style remains quiet in your mind. A gentle, minimal but strong message will be downloaded to the viewer's mind. About learned painting by myself. living by drawing with the support of people all over the world who like my paintings. The only art supplies are sumi, water and paper. I've loved drawing since I was a kid. The paintings have always saved me from reality. It was like opening the door from a storm and providing a shelter. Exhibitions 2019 ' February New York Pleiades Gallery Smiley Exhibition April Los Angeles Gallery Art House Early Summer Exhibition September Spain Madrid Biennale 2019 Textiles Division October New York Van Der Plus Gallery Harvest Moon Exhibition November Participated in the Russian magazine "Alpha Magazine" 2019-2020' first issue No. 4 "Overcoming Fear" as the first Japanese painter. Besides, he is the product design of Holmes & Marchant the product design of IKEA 2020 ' April The exhibition at Gallery Mona Lisa in Paris, France was canceled due to Covid19. July Japan ink painting and poetry collection "Octavia 598" will be on sale for a limited time. End of sale. October: Currently participating in an online gallery in the "Gallery M & A Art Agent" art book in Sweden P17. Until mid-January hhttps://gallerym.se/art-magazine/ December San Francisco art magazine "Venti Journal" Contributed a statement about the definition of works and art and the production of works in the first issue No. 3. 2021' January Cooperated in providing the artwork" Feather "to the British charity" DrawFor "#DrawForYoungLives. The proceeds of the work will be used to help prevent suicide among young people in the UK. Hampstead Art School in London, England. My work will be an issue in the online class of Foundation students.
Lot 52
Yuriko Kawase Leaf, 2021 Pigment on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Yuriko Kawase is a sumi-e artist based in Tokyo, Japan. Her art is expressed through equal parts sumi, water, paper, and inspiration, seeking to offer a simple worldview that is gentle, yet impressive; strong, yet delicate - a style that remains quietly in one's mind. About the postcard artworks Sumi + water + paper = very simple. (Sometimes I use pigments) Sumi's paintings I draw are a unique world. There is no composition or draft because I write it all at once with inspiration. Cut out the space-time at that time and put Sumi soaked in water on the paper from the brush. Sumi who got the life spreads on the fibers and begins to swim. The blurred color leaves a rich gradation on the paper. The color changes over time and she Sumi calms her down. Distortion is Sumi's own work, and the end of the collaboration with water permeates the paper and is there. The simple and delicate style remains quiet in your mind. A gentle, minimal but strong message will be downloaded to the viewer's mind. About learned painting by myself. living by drawing with the support of people all over the world who like my paintings. The only art supplies are sumi, water and paper. I've loved drawing since I was a kid. The paintings have always saved me from reality. It was like opening the door from a storm and providing a shelter. Exhibitions 2019 ' February New York Pleiades Gallery Smiley Exhibition April Los Angeles Gallery Art House Early Summer Exhibition September Spain Madrid Biennale 2019 Textiles Division October New York Van Der Plus Gallery Harvest Moon Exhibition November Participated in the Russian magazine "Alpha Magazine" 2019-2020' first issue No. 4 "Overcoming Fear" as the first Japanese painter. Besides, he is the product design of Holmes & Marchant the product design of IKEA 2020 ' April The exhibition at Gallery Mona Lisa in Paris, France was canceled due to Covid19. July Japan ink painting and poetry collection "Octavia 598" will be on sale for a limited time. End of sale. October: Currently participating in an online gallery in the "Gallery M & A Art Agent" art book in Sweden P17. Until mid-January hhttps://gallerym.se/art-magazine/ December San Francisco art magazine "Venti Journal" Contributed a statement about the definition of works and art and the production of works in the first issue No. 3. 2021' January Cooperated in providing the artwork" Feather "to the British charity" DrawFor "#DrawForYoungLives. The proceeds of the work will be used to help prevent suicide among young people in the UK. Hampstead Art School in London, England. My work will be an issue in the online class of Foundation students.
Lot 53
Yuriko Kawase Feather, 2021 Sumi Ink on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Yuriko Kawase is a sumi-e artist based in Tokyo, Japan. Her art is expressed through equal parts sumi, water, paper, and inspiration, seeking to offer a simple worldview that is gentle, yet impressive; strong, yet delicate - a style that remains quietly in one's mind. About the postcard artworks Sumi + water + paper = very simple. (Sometimes I use pigments) Sumi's paintings I draw are a unique world. There is no composition or draft because I write it all at once with inspiration. Cut out the space-time at that time and put Sumi soaked in water on the paper from the brush. Sumi who got the life spreads on the fibers and begins to swim. The blurred color leaves a rich gradation on the paper. The color changes over time and she Sumi calms her down. Distortion is Sumi's own work, and the end of the collaboration with water permeates the paper and is there. The simple and delicate style remains quiet in your mind. A gentle, minimal but strong message will be downloaded to the viewer's mind. About learned painting by myself. living by drawing with the support of people all over the world who like my paintings. The only art supplies are sumi, water and paper. I've loved drawing since I was a kid. The paintings have always saved me from reality. It was like opening the door from a storm and providing a shelter. Exhibitions 2019 ' February New York Pleiades Gallery Smiley Exhibition April Los Angeles Gallery Art House Early Summer Exhibition September Spain Madrid Biennale 2019 Textiles Division October New York Van Der Plus Gallery Harvest Moon Exhibition November Participated in the Russian magazine "Alpha Magazine" 2019-2020' first issue No. 4 "Overcoming Fear" as the first Japanese painter. Besides, he is the product design of Holmes & Marchant the product design of IKEA 2020 ' April The exhibition at Gallery Mona Lisa in Paris, France was canceled due to Covid19. July Japan ink painting and poetry collection "Octavia 598" will be on sale for a limited time. End of sale. October: Currently participating in an online gallery in the "Gallery M & A Art Agent" art book in Sweden P17. Until mid-January hhttps://gallerym.se/art-magazine/ December San Francisco art magazine "Venti Journal" Contributed a statement about the definition of works and art and the production of works in the first issue No. 3. 2021' January Cooperated in providing the artwork" Feather "to the British charity" DrawFor "#DrawForYoungLives. The proceeds of the work will be used to help prevent suicide among young people in the UK. Hampstead Art School in London, England. My work will be an issue in the online class of Foundation students.
Lot 54
Yuriko Kawase A Star Plant, 2021 Sumi Ink on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Yuriko Kawase is a sumi-e artist based in Tokyo, Japan. Her art is expressed through equal parts sumi, water, paper, and inspiration, seeking to offer a simple worldview that is gentle, yet impressive; strong, yet delicate - a style that remains quietly in one's mind. About the postcard artworks Sumi + water + paper = very simple. (Sometimes I use pigments) Sumi's paintings I draw are a unique world. There is no composition or draft because I write it all at once with inspiration. Cut out the space-time at that time and put Sumi soaked in water on the paper from the brush. Sumi who got the life spreads on the fibers and begins to swim. The blurred color leaves a rich gradation on the paper. The color changes over time and she Sumi calms her down. Distortion is Sumi's own work, and the end of the collaboration with water permeates the paper and is there. The simple and delicate style remains quiet in your mind. A gentle, minimal but strong message will be downloaded to the viewer's mind. About learned painting by myself. living by drawing with the support of people all over the world who like my paintings. The only art supplies are sumi, water and paper. I've loved drawing since I was a kid. The paintings have always saved me from reality. It was like opening the door from a storm and providing a shelter. Exhibitions 2019 ' February New York Pleiades Gallery Smiley Exhibition April Los Angeles Gallery Art House Early Summer Exhibition September Spain Madrid Biennale 2019 Textiles Division October New York Van Der Plus Gallery Harvest Moon Exhibition November Participated in the Russian magazine "Alpha Magazine" 2019-2020' first issue No. 4 "Overcoming Fear" as the first Japanese painter. Besides, he is the product design of Holmes & Marchant the product design of IKEA 2020 ' April The exhibition at Gallery Mona Lisa in Paris, France was canceled due to Covid19. July Japan ink painting and poetry collection "Octavia 598" will be on sale for a limited time. End of sale. October: Currently participating in an online gallery in the "Gallery M & A Art Agent" art book in Sweden P17. Until mid-January hhttps://gallerym.se/art-magazine/ December San Francisco art magazine "Venti Journal" Contributed a statement about the definition of works and art and the production of works in the first issue No. 3. 2021' January Cooperated in providing the artwork" Feather "to the British charity" DrawFor "#DrawForYoungLives. The proceeds of the work will be used to help prevent suicide among young people in the UK. Hampstead Art School in London, England. My work will be an issue in the online class of Foundation students.
Lot 100
Delaunay (M. l'Abbé) Les Evangiles des dimanches et fetes de l'annee, 3 parts in 2 vol., chromolithographed title and plates, many heightened in gilt, a few early plates splitting at foot of inner margin, contemporary red morocco or morocco-backed boards, vol. 1 with openwork brass monogram to upper cover, g.e., corners a little bumped, some light rubbing to extremities, 4to, Paris, 1864.⁂ Sumptuous chromolithographic reproduction of the Breviary of Cardinal Grimani, one of the finest examples of French colour printing from the period.
Lot 129
First World War.- Gallipoli.- Oliphant (Lt. Capt. Edward M.) Autograph Letter signed to his mother, 7pp. in pencil, 8vo, Mudros, 12th January 1916, recounting the events of the Gallipoli campaign "You will no doubt know that 'Gallipoli Peninsula' has been 'evacuated', the reg't have been at Mudros for the last 12 days...you would see our losses on the 29th and 30th Dec...I am, indeed, fortunate to be alive", some light staining and folds; together with a "Mentioned in Despatch" certificate issued by Winston Churchill, with his facsimile signature, "for Lt E. M. Oliphant, 5th Bn., R.S. Fus..., mentioned in a Despatch from General Sir E. H. H. Allenby dated 5th March 1919", small tear, light surface dirt; and 4 others, including a recruitment photograph of the battalion in which he served, an official certificate of Mentioned in Despatch, and other family photographs, v.s., v.d. (5)⁂ An interesting collection of ephemera relating to the events of the Gallipoli campaign, including documents relating to the recognition and promotion of E. M. Oliphant, from the 5th Battalion, Royal Scottish Fusiliers of the British army, who saved thousands of soldiers during the evacuation process of the Dardanelles campaign.
Lot 92
NO RESERVE Picot (Jean) Histoire de Genève, 3 vol., first edition, folding engraved map, contemporary half calf, spines gilt (vol.3 torn and repaired), slightly worn at head, Geneva, 1811 § Haussonville (Comte d') Histoire de la Réunion de la Lorraine a la France, 4 vol., notes by Dr.Rohan Butler tipped in at end of vol.4, some light browning or staining, contemporary half morocco, Paris, 1854-59 § D'Arneth (A.) & A.Geffroy, editors. Marie-Antoinette. Correspondance Secrète entre Marie-Thérèse et le Cte de Mercy-Argenteau..., 3 vol., second edition, contemporary morocco-backed boards, one spine reinforced at head, Paris, 1875 § Lescure (M. de, editor) Correspondance Complète de la Marquise du Deffand, 2 vol., engraved portrait frontispieces, modern cloth, Paris, 1865, all with signature of Dr. Rohan Butler, the last two ex-library copies with stamps, all a little rubbed; and 15 others, continental history, mostly French, 8vo (27)
Lot 2167
James Bond - 21 Corgi Icons Figures including Sean Connery as 007 (F04012) and Roger Moore as 007 (F04042) (both limited editions of 1000 with certificates), Odd Job (F04151), Blofeld (F04141), Scaramanga (F04051), Jaws (F04161), Miss Moneypenny (F04201), James Bond x 3 (F04011, F04041, F04071), Natalya Simonova (F04081), Zukovsky (F04131), Drax (F04171), Dr. No (F04031), Elektra (F04111), Mary Goodnight (F04061), 'Q' (F04191), 'M' (F04181), Agent 006 (F04091), Bond (F04121), Honey Rider (F04021), all boxed. (21)
Lot 283
Botanical/Horticultural Interest. Collection of books to include Gerard's Herball, by Marcus Woodward, Edinburgh: R. & R. Clark for Gerald Howe, 1927; Taschenflora des Alpen-Wanderers, by Ludwig Schroter, Zurich: Albert Raustein, no date; Our Country's Flowers, by W. J. Gordon, sixteenth thousand, London: Simpkin et al., no date; Shakespeare's Wild Flowers, by Eleanour Sinclair Rohde, London: Medici Society, 1935; A Countryman's Day Book, by C. N. French, London: J. M. Dent, 1929; Culpeper's Complete Herbal, Halifax: Milner & Sowerby, 1859, and others (41)
Lot 293
Collection of prints to include an abstract study of a head, etching, signed & dated 'M. Evans 1956' (no provenance); Francis Wells, Evening on Snowdon, aquatint etching blind-stamped 'Artists Proof'; View of Caernarvon Castle from Anglesea, aquatint etching by Wiliam Daniell, published by Longman, 1814, and others, including various late-20th century signed limited edition prints by Freda Ward; Brian Halton; W. M. Ireland; Raymond K. Boyes; J. Beddows; H. Carlisle; J. Baxter. Together with a watercolour of clowns, signed John Hill, 1983 (14)
Lot 469
A white gold diamond dress ring by William & Son, the pierced geometric panel set with brilliant cut diamonds, to tapered diamond set shoulders, approximately 0.35 carats total, signed William & Son with 18 carat gold London 2016 hallmark, finger size M, 5.2g gross Condition Report: Minimal wear, as new condition Condition Report Disclaimer
Lot 470
A white gold diamond Bombé dress ring by William & Son, the pierced geometric lover's knot panel set with brilliant cut diamonds, approximately 0.80 carats total, signed William & Son with 18 carat gold London 2014 hallmark, finger size M, 6.9g gross Condition Report: Minimal wear, as new condition Condition Report Disclaimer
Lot 471
A white gold diamond Bombé dress ring by William & Son, the pierced geometric lover's knot panel set with brilliant cut diamonds, approximately 0.80 carats total, signed William & Son with 18 carat gold London 2014 hallmark, finger size M, 6.9g gross Condition Report: Minimal wear, as new condition Condition Report Disclaimer
Lot 472
A white gold diamond Bombé dress ring by William & Son, the pierced geometric lover's knot panel set with brilliant cut diamonds, approximately 0.80 carats total, signed William & Son with 18 carat gold London 2016 hallmark, finger size M, 6.7g gross Condition Report: Minimal wear, as new condition Condition Report Disclaimer
Lot 474
A diamond dress ring by William & Son, the pierced geometric panel set with brilliant cut diamonds, to tapered diamond set shoulders, approximately 0.35 carats total, signed William & Son with 18 carat gold London 2016 hallmark, finger size M, 5g gross Condition Report: As new condition, minimal wear Condition Report Disclaimer
Lot 475
A diamond Bombé dress ring by William & Son, the pierced geometric lover's knot panel set with brilliant cut diamonds, approximately 0.80 carats total, signed William & Son with 18 carat gold London 2016 hallmark, finger size M, 7g gross Condition Report: Minimal wear, as new condition Condition Report Disclaimer
Lot 476
A diamond Bombé dress ring by William & Son, the pierced geometric lover's knot panel set with brilliant cut diamonds, approximately 0.80 carats total, signed William & Son with 18 carat gold London 2016 hallmark, finger size M, 6.6g gross Condition Report: Minimal wear, as new condition Condition Report Disclaimer
Lot 477
A diamond Bombé dress ring by William & Son, the pierced geometric lover's knot panel set with brilliant cut diamonds, approximately 0.80 carats total, signed William & Son with 18 carat gold London 2018 hallmark, finger size M, 7.2g gross Condition Report: Minimal wear, as new condition Condition Report Disclaimer
Lot 478
A diamond Bombé dress ring by William & Son, the pierced geometric lover's knot panel set with brilliant cut diamonds, approximately 0.80 carats total, signed William & Son with 18 carat gold London 2016 hallmark, finger size M, 6.9g gross Condition Report: Minimal wear, as new condition Condition Report Disclaimer
Lot 481
A pink sapphire and diamond Beneath The Rose ring by William & Son, the two pear cut pink sapphires within a surround of brilliant cut diamonds, to diamond set shoulders, approximately 0.31 carats total, signed William & Son with 18 carat gold London 2017 hallmark, finger size M, 4.8g gross Condition Report: Minimal wear, as new condition Condition Report Disclaimer
Lot 1340A
WWI Medal Trio, 6744 PTE M. TAYLOR 2nd Btn South Lancs Rgt. Comprising 1914 Star, The British War Medal and the Allied Victory Medal. Added information:Forfeited Medals , tried by DCM for desertion being found guilty, all former service to 11/7/1916 forfeited. One of 5 soldiers charged with desertion, one of the 5 was selected and executed, the other 4 after due punishment were returned to duty. PTE Taylor re-submitted under ACI 1921 while still serving with regiment and awarded his due medals.
Lot 462
Royal Doulton - Early Pair of Hand Painted Porcelain Figures. Comprises 1/ Autumn Breezes ( Red ) HN1934. Designed L. Harradine. Issued 1944, Height 19.1 cms - 7.5 Inches. 1st Quality and Mint Condition. 2/ Christmas Morn, HN1992. Monogrammed B.G. Designer M. Davies. Issued 1974, Height 7 Inches - 17.8 cms. Both Pieces are 1st Quality and Mint Condition.
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