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An 18ct gold diamond and sapphire ring, c.1960,by John Henry Lucas, commissioned utilising family gemstones. An old European cut diamond, four claw set to the centre, with rose cut diamond set claws and an old European cut diamond rub set to each side. A cushion cut sapphire, rub set in a plain collet above and below, with open petal shaped surrounds, decorated with pairs of polished beads. Trifurcated reeded shoulders, each set with three rose cut diamonds to a two row shank. London 1963. A case by W M Hawkes & Son, 50-52 Walton Street, SW3. Head 20.30mm wide, 7.81g. Finger size OCondition ReportMaker's mark unidentified J.H.LShallow dents and bruises.Gemstones bright and lively.Light surface marks commensurate with its age.Indented natural to the central diamond.Some natural inclusions to the sapphires - under 10x magnificaiton - not to the naked eye.Central diamond -5.58 x 5.31 x 3.63mmapproximately SI1/SI2 - I/J range.
An Arts & Crafts silver 'Association of Headmistresses' brooch,with an open trefoil top and tapered base. A flaming torch to the centre with leaf sprays and applied letters H M A. A pair of circular mixed cut garnets to each side, with two sugar loaf cabochon agates and a trefoil cluster of split pearls, together with a later gold example, marked 9ct. 52 x 40mm, 12.07g, 51 x 37mm, 11.75g (2)Condition ReportTarnished. Light surface marks commensurate with its age.
A late Victorian diamond and split pearl cluster ring, c.1900,with an old European cut diamond set to the centre. A border of split pearls, with another at each shoulder, set to a solid tapered head with a plain shank. Marked 15ct. Head 16.40 x 12.00mm.Finger size M½The central collet for the diamond has been worked on in the past and is slightly notchy.Minor surface marks.Has been sized in the past.
A diamond set full eternity ring,with a row of brilliant cut diamonds, grain set to a flat section band, with plain polished guards. Tested as platinum. 3.30mm wide, 2.97g.Finger size M LECondition ReportVisible inclusions and naturals.Light surface marks commensurate with its age.Approximately 1.50ct total
A sapphire and diamond oval cluster ring, c.1930,with an oval mixed cut sapphire, milligrain set to the centre. A border of eight cut diamonds, milligrain set in white to a yellow chenier gallery. Flat section solid shoulders, milligrain set in white with graduated eight cut diamonds, to solid yellow shoulders and a plain shank. Marked 18CT and PT. Head 12.50mm wide, 3.34g.Finger size M½Table facet edge and star facet edge wear to the sapphire.Under 10X magnification a little wear to the milligrain.Light marks to the mount and shank.
A single stone hessonite garnet ring,with a diamond set mount, the slightly oval mixed cut garnet, claw set to a pierced foliate mount, claw set with graduated rose cut diamonds to a reeded shank. Tested as approximately 18ct gold. Head 15mm wide, 8.73g.Finger size M2x diamonds deficient.Light surface marks commensurate with its age. Minor marks to the table row crown facet edges under 10x magnification. Visible inclusions to the naked eye.Replacement claws to the garnet.
A white gold lemon quartz and diamond ring, attributed to Amanda Wakeley, c.2007,with a square pyramid laser cut lemon quartz, with a stated weight of 22.10ct, set from the corners with tapering bars, grain set with graduated brilliant cut diamonds. The corners with matching bars forming split shoulders, similarly set with brilliant cut diamonds with a total stated weight of 0.71ct, to a plain 'D' section shank. Tested as approximately 18ct white gold. Head 19.30mm wide, 13.55g.Finger size MMinor light surface marks to the mount and gemstone under 10X magnification.Quartz moves slightly in the setting.
A Victorian Etruscan revival split pearl flat section hinged bangle, c.1870,with a central row of split pearls to the top half. A fine twisted wire and bead border to each side, all to a bloomed ground, with a concealed box clasp and safety catch. A case by M. Lindsay, Helensburgh. Tested as approximately 15ct gold. Internal diameter 55 x 45mm, 7.30mm wide, 18.26gDirty.Tarnished. Clasp secure.Scratches and marks consistent with its age. Some ripples to the lower half.Some of the bloomed areas have worn shiny.
A three tier diamond hexagonal cluster ring,with brilliant cut diamonds, claw set to a stepped hexagonal head. A straight wire gallery with chenier shoulders to a plain shank. Marked 18ct. Head 9.85 x 7.90mm, 8.51g.Finger size M½All claws present, although it may be advisable to let a setter check it.Rhodium worn to the lower shank.Slightly creamy.
A diamond set bombé ring, by Piaget,with a central band of pavé set brilliant cut diamonds. Raised twisted wire guards to each side, with bark textured shoulders and shank. Marked 750. Signed Piaget. Head 10.50mm wide, 9.37g.Finger size M LEHistorical repairs to the setting.2x diamonds are replacement and not Piaget grade.Noticeable scratches and marks.Wear to the twisted wire guards.Texture to shank worn.
A pair of single stone diamond earrings,with a brilliant cut diamond, four claw set in a wire collet with post and butterfly fittings. An estimated total diamond weight of approximately 1.40ct. Marked 750. 1.34g. Assessed as approximately: Colour L/MClarity VS1/VS2Settings secure.Backs not loose, but would advise a better pair.No chips or damage.
A diamond and emerald spray style cocktail ring,with a brilliant cut diamond, four claw set at the centre. A spray of pear cut emeralds, all claw set to yellow collets, with white ribbon ties between, grain set with eight cut diamonds. Scattered brilliant cut and baguette cut diamonds, claw set in white between diamond set leaves. A stepped wire basket with split shoulders and a concave shank. Tested as approximately 18ct gold. Head 19.30 x 17.50mm, 6.22g.Finger size MLight surface marks commensurate with its age.Visible inclusions to the naked eye to the emerald. Surface reaching inclusions.Diamonds bright and lively.The of the settings feel sharp.
A two colour rose and white gold diamond set flower head ring,with a brilliant cut diamond, claw set in white to the centre. Radiating white petals pavé set with graduated brilliant cut diamonds, overlaid with rose gold wires, to a wire gallery and tapered court section shank. Marked 750. Head 19.30mm diameter, 7.98g.Finger size M½Unworn condition.Minor light surface marks to the shank.Diamonds bright and lively.
An 18ct two colour gold ruby and yellow sapphire band ring, an emerald cut ruby, rub set in landscape orientation, with a round mixed cut yellow sapphire at each side, all rub set to the slightly domed white gold band, with yellow gold raised guards, to a pierced finger guard and slightly tapered shank. London 2005. 9.80mm wide, 9.11g.Finger size M LEMinor surface marks/scratches to mount.There are no known weights for the gemstones in this ring. Setting precludes accurate measurement, but approximate dimensions of the ruby - 6.20 x 5.10mm - depth not obtainable.Sapphires 4.70mm approximately
A late Victorian graduated five stone diamond carved head ring,with five graduated old European cut diamonds, claw set to a carved head, with pairs of rose cut diamond set points, to a scrolling head with a plain shank. Marked 18CT. 3.48g.Finger size L-M approximately (not round)Condition ReportHairline split to the head.Oval shank.Wear to the claws, more to the shoulders/outer claws.Diamonds bright and lively.Estimated 2.70ct approximately.Colour I/J range.Clarity SI1/SI2 range.No chips to the diamonds.Dirty.Central diamond - 5.60 x 5.40 x 4.10mm approximately.
A gentlemen's 18ct gold single stone diamond ring,with an oval old European cut diamond, gypsy set to a tapered head, Birmingham 1899. 11.44g.Diamond assessed as approximately:Colour M/NClarity P1/P2Finger size S½ - T approximatelyLight surface marks commensurate with its age. Scratches and marks consistent with its age. Visible inclusions to the naked eye.
A glass intaglio ring depicting 'Lion Attacking a Bull',with an oval shallow brownish red glass cabochon, 19th century impression, the original 6-7th century B.C. engraved stone housed at The Metropolitan Museum of Art. Grand Tour possibly James Tassie, rub set to a plain collet, with tapered rounded shoulders to a plain shank. Head 21.70 x 16.30mm, 9.34g.Finger size M½The majority of the mount tests as approximately 15ct gold, but the shank has been sized up with a higher carat gold - 18ct approximatelyBelieved to be Lion Attacking a Bull, possibly a 19th century impression.Possibly James Tassie.
A platinum three stone diamond ring,with three graduated old European cut diamonds, with stated weights of: centre stone 1.75ct, two outer diamonds 1.91ct total, eight claw set to pierced sea scroll collets, open chenier shoulders and a plain shank. London 2019. Head 20.00 x 8.05mm, 6.38g. Finger size MCondition ReportDiamonds bright and lively.Setting secure.Victorian diamonds re-mounted in 2019 to a bespoke mount. No condition issues.Does not appear to have been worn very often.
A single stone diamond ring,with an old European cut diamond, estimated as approximately 1.45ct, eight claw set to a scalloped collet, with chenier shoulders to a plain shank. Tested as approximately platinum. 2.87g. Diamond assessed as approximately: Colour G/HClarity SI1/SI2 Finger size MCondition ReportVery thin girdle.Lots of nibbles and indented naturals.Shank has been sized.Scratches and marks consistent with its age.The claws have been re-tipped in the past.Indented naturals to the girdle under 10x magnification.Thin girdle - no scratches, the naturals could look like girdle nibbles to those who do not understand diamonds.7.42 x 7.39 x 4.69mm approximately.
A gold ruby and diamond three stone ring, a cushion cut ruby with an old European cut diamond at each side, all claw set to rex collets, with tapered shoulders and a plain shank. Tested as approximately 18ct gold and platinum, 2.67g.Finger size MThe ring tested as approximately 18ct gold with platinum claw to the diamonds.Some facet junction wear and scratches to the ruby.Claws to the ruby are worn - the centre claws and one of the edge claws missing entirely. Some of the remaining claws show evidence of having been previously retipped.Wear to some of the platinum claws, and two claws have been bent at an angle.Solder joins visible at each shoulder, the half shank is possibly a later replacement.The ruby measures approximately 6.14 x 5.35 x 2.72mm. The diamonds measure approximately 4.5 x 3.0mm, estimated as approximately 0.40ct each. Some nibbles to the girdles of the diamonds.
LE VERRIER, MAX (Louis Octave Maxime Le Verrier, Neuilly-sur-Seine 1891-1973 Paris), Skulptur: "Gazelle", Bronze, braun patiniert und goldfarben akzentuiert, montiert auf marmoriertem Steinguss-Postament, vertieft signiert "M. le Verrier", um 1920. Stilisiert gearbeitete und auf einer schrägen Plinthe stehende Gazelle; charakteristische Arbeit des Bildhauers und Entwerfers des Art déco. H. 47,5 x L. ca. 40,5 x B. 15 cm (Postament partiell berieben und bestoßen).
PORZELLANFIGUR / HUMMELFIGUR: "Christkind" / Krippenfigur", Steingut / Weichporzellan, vertieft bezeichnet "M. J. Hummel", nummeriert 78/6 und mit vertiefter Manufakturmarke Goebel, Rödental, Marke ab 1935. Schlafendes, lockiger Jesusknabe, von einem Tuch bedeckt. Naturalistische Staffage. L. 27 cm (Glasur mit partiellem Krakelee, insgesamt schöner Zustand).
JANSEN, FRANZ MARIA (eigentlich Franz Mathilde Jansen, Köln 1885-1958 Büschel), Holzschnitt: "Paar, beschirmt von einem Adler", unten rechts mit Bleistift handsigniert "F. M. Jansen". Der Maler und Grafiker, der unter anderem an der Akademie der Künste in Wien studierte, setzte sich insbesondere mit dem deutschen Expressionismus auseinander und schuf eine Reihe von grafischen Folgen; einige seiner grafischen Werke wurden posthum 1959 auf der documenta 2 in Kassel gezeigt. Der Künstler war Mitglied der "Berliner Secession" und zuvor Mitbegründer der "Kölner Secession" und des "Geronsklubs". Hinter Glas im Passepartout gerahmt. Maße im Passepartoutausschnitt 25,5 x 34 cm.
MÜLLER, IRENE (geb. 1941 in Gütersloh, deutsch Malerin, Bildhauerin, Keramikerin und Tänzerin), Gemälde: "Spaziergang", Öl auf Leinwand, unten rechts signiert "Irene M." und datiert "77" (1977), sowie revers auf Klebeetikett betitelt. Silhouettenhafte Figuren und Vögel in Parklandschaft. Müller studierte an der Werkkunstschule Bielefeld und an der Hochschule für Bildende Künste in Hamburg. Ab 1968 nahm sie Tanzunterricht bei Mary Wigmann in Berlin. Ihre Gemälde zeigen meist flächige traumverhangene Figuren in reduzierter Farbigkeit. Leinwand 72,5 x 64,5 cm. Dabei: Artikel der "Welt am Sonntag" vom 14. Februar 1988 mit einer Abbildung des Gemäldes. Aus dem Nachlass einer westfälischen Privatsammlung.
Konvolut OrdenKleiner Nachlass, 1. und 2. WK, 2 x Eisernes Kreuz 1813-194 und 1813-1939, je mit Band; 1 x Winterschlacht im Osten m Band; 1 x deutsches Ehrenkreuz für Frontkämpfer 1914/1918; 1 x Kriegsverdienstkreuz, 2. Kl. m. Schwertern, am Band; 1 x Kriegsverdienst-Medaille am Band; 1 x Mutterkreuz am Band; 1 Erkennungsplakette, oval; part. Altersspuren.
2 Vasen mit floralem DekorGlashütte Erwin Eisch, Frauenau, Bayerischer Wald, Überfanggläser, mit vollflächiger polychromer Malerei, große zylindrische Vase mit Blumen und Landschaftssockel, kleine Vierkantvase mit Blumen, Gräsern und Insekten, jeweils lüstriert, Boden je mit Ritzsignatur, geritztem Monogramm "M S" und Jahreszahl "90", bzw. "S Y" und Jahreszahl "92", H: bis 41,5 cm.
Umfangreiche Fotosammlungaus dem Nachlass des Soldaten Armin Laubentahl, der wohl beauftragt war, die Kriegsdokumtation zu führen, zahlreiche professionelle Fotos, dazu Schnappschüsse, Privatfotos aus Lagerleben, vor Ort, m. Kriegsgerät und von Schäden: einige Fotografien von Feldherren u.a. Hitler und Rommel; 3 großformatige Leinenalben; 1 x Album mit ca. 298 Fotos meist Afrika; 1 Album ca. 334 Fotos "Afrika" teils bezeichnet ; 1 Album mit 384 Fotografien, teils Afrika, Frankreich, Sylt etc; ca. 130 Fotografien ohne Album , vereinzelt doppelt, dazu 1 Ahnenbuch des Sodaten Laubentahl und sein persönliches Tagebuch mit Dokumentationen von Juli 1939-Oktober 1940. Normale Alterspuren, Fotos mittels Fotoecken fixiert.
4 Orden3. Reich, 2 x Eisernes Kreuz, 2. Klasse, versilbert, je am Band, 1 x mit gr. Rundöse, 1 x gr. Ovalöse; 1 x Kriegsverdienstkreuz 1. Klasse m. Schwertern, Nadel gemarkt: 52; 1 x Kriegsverdienstkreuz 2. Klasse m. Schwertern, am Band; Normale Altersspuren, Orden m. Ovalöse: die kl. Öse verbogen und einseitig geöffnet.
Konvolut Orden/Abzeichen3. Reich, 2 x EK 2. Klasse, (1 x 1914, 1 x 1939); je am Band; 1 x Ehrekreuz des Weltkriegs mit Svhwertern; 1 x verwundetenabeichen in Schwarz; 1 x Deutschews Schutzwall-Ehrenzeichen an Band; 1 x Medaillie für Kreidsverdienste 1939, am Band; 1 x Kriegsverdienstkreuz m. Schwertern, 2. Klasse; 2 x Abzeichen"Tag der Arbeit", 1 x kl. Tatznkreuz mit Patrone (Eigenbau?); part. Altersspuren.
2 VasenKosta Boda, Schweden und Glashütte Erwin Eisch, Frauenau, Bayerischer Wald, 20. Jh., Überfanggläser, hochovale Flaschenvase mit eingewalztem Fadendekor in Weiß, Hellblau und Rot, lüstriert, E: Bertil Vallien, die hochovale Vase mit abstraktem überfangenem Dekor in Schwarz und in Grüntönen, bodenseitig je mit Signatur, 1x mit geritzter Künstlersignatur "B. Vallien", Monogramm "M Z" und Ausführungsnr., 1x mit Ritzsignatur "Eisch" und der Jahreszahl "91", H: bis 30 cm.
Kusche, Alfredgeb. 21.4.1884 in Karlsruhe - 9.7. 1984 ebenda; Kunstgewerbler, Maler, Grafiker und gelernter Silberschmied. "5 große Wandteller", Karlsruher Majolika, E: 1915, Modell 2319, 2320, 2321, 2322, 2323, rötlicher Scherben, runde Form mit Fahne, beige Grundglasur, Schlickermalerei je mit Blumen in Vasen in unterschiedl. Farben, Zierlinien, D: ca. 37-38 cm. Je mit Stempelmarke und Nummer, teils m. Zusätzen, Part. leichte Altersspuren.
4 Koppelschlösser3. Reich, 2 x Koppelschloss Wehrmacht "Gott mit uns" Adler mit Hakenkreuz; je m. Ledergürtel und Gegenschließe; 1 x Koppelschloss Luftwaffe, fliegender Adler m. Hakenkreuz im Lorbeeroval; 1 x Koppelschloss der SS für Mannschaften, an Lederreimen m. Gegenschließe; part. Altersspuren.

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375892 item(s)/page