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Lot 060709
Das Gold der Deutschen, 12 14 kt Gold Münzen, Münze Berlin 2007, Augsburger Goldgulden, Gold-Dukat Anhalt-Bernburg, 10fach-Dukat Friedland/Böhmen, Anna Amalia 5 Taler, 10 Dukaten Brandenburg, 15 Rupien Deutsch -Ostafrika, 20 Mark Hamburg, 20 Mark Sachsen -Coburg, 20 Mark Sachsen, 20 Mark Bayern, Heinrich XXII. Reuß, 10 Mark Baden, 10 Mark Preußen, 10 Mark DDR, jeweils 2.0 g und Nachprägungen von 2007 bzw. 2008, mit Echtheitszertifikaten, Kasten mit orig. LupeDas Gold der Deutschen, 12 14 kt gold coins , coin Berlin 2007, Augsburger Goldgulden, Gold-ducat Anhalt-Bernburg, 10fach-ducat Friedland/Bohemia, Anna Amalia 5 Taler, 10 ducats Brandenburg, 15 Rupees Deutsch - Ostafrika, 20 Mark Hamburg, 20 Mark Saxony - Coburg, 20 Mark Saxony, 20 Mark Bavaria, Heinrich XXII. Reuß, 10 Mark Baden, 10 Mark Prussia, 10 Mark GDR, each with 2.0 g and restrikes of 2007 respectively 2008, with certificates, case with orig. loupe
Lot 3006
A 19th century collector's table-top box, enclosing a wunderkammer collection of antiquities, natural history specimens, and curiosities, including an Ancient Egyptian faience scarab, hieroglyphs to verso, 1.5cm long; an Ancient Egyptian faience with Bastet, 1cm long; further faience beads; four Stone Age flint arrow heads, various shapes and sizes, Neolithic period, 4,000-2,000BC, (4); 13 Ancient bronze coins, comprising 12 Roman and 1 Byzantine, (13); Grand Tour Nero Claudius Drusus coin impression, (1); Roman lead slingshot bullet, (1); Medieval/post-Medieval verdigris patinated bronze stud, as a lion's mask, (1); mosasaur tooth, fossilized shark's teeth, further fossil; dog's tail bone tip; seahorse; corals; geology; lead seals and weights; etc,. [collection]
Lot 416
A miscellaneous lot of coinage including: 20 off commemoratives some case, 2 off Royal Mint issues, Millennium 2000 UK coin collections, 3 off Royal Mint issues, Queen Elizabeth II eightieth birthday crown series plus coin folder for GB half crowns collection (some silver content) approx 82% full - Condition: Fine - UNC
Lot 417
A miscellaneous lot of decimal coinage, tokens, banknotes and others including: decimal 1/2 pences, Royal Mint issues: 1977 set GB and Northern Ireland coinage, Princess Diana memorial coin 1999, 5 & 10 pences commemoratives 10 off, 12 off banknotes (4) 10 shillings J S Fforde (8) £1 D H F Somerset £2: 1986, 2 off 1995 & 1996, medallion: Elizabeth II, tokens and loose coins: Victoria 1844 half farthing, HongKong ten cents 1899, George III sixpence 1817, Canada: Bank of Montreal halfpenny token 1844, Newbrunswick half penny 1854 - Condition: Fine - EF
Lot 422
A collection of Whitman coin folders covering pre-decimal coins: halfpennies, pennies (some Heaton) brass threepences, sixpences, shillings, florins and halfcrowns, 14 total some not complete, dates 1902 through 1967 plus loose silver content coins i.e. three pences 1901, 1910, 1920 and 1940 and 2 off Britain's first decimal coin sets (complete) within lot, approx 530 grams of silver content exists - Condition: Poor - VF
Lot 394
A miscellaneous lot of coins and banknotes including: Royal Mint issues: UK £1 silver proof collection 1984-1987m, UK proof silver Piedfort 20 pence 1982, UK Girl Guiding 50 pence 2010 silver proof coin (all in presentation cases with certificates) plus 12 total Bank of England green £1 notes, cashier's: J B Page 1970-1980 pre-fix EY19 2 off in sequence, D H F Somerset 1980-1988 pre-fixes: AT24 2 off, AZ32 2 off, BS36 and BZ61 5 off in sequence - Condition: Coins: UNC, Notes: EF
Lot 415
A quantity of silver content coinage and a copper coin including: silver threepences, florin 1915 pendant mounted, Austria 1780 and restrike Mother Theresa USA dollar 1922 2 off (known: peace dollar) Denver & San Francisco mints, Popjoy Mint issue: Isle of Man 1980 Christmas 50 pence in case with certificate, approx 125 grams silver content plus a scarce coin i.e. Ionian Islands Greece one lepton copper coin 1862, obverse: winged lion with arrows Ionikon kratos, reverse: Britannia - Condition: Fine - UNC
Lot 298
A large collection of UK world coins, to include 2012 Diamond Jubilee, 5 x 1973 EEC 50p, 5 x 50th Birthday of HRH Prince of Wales, commemorative coins, 4 x £5 crowns, a large quantity of QEII Silver Jubilee and Churchill crowns, 17 x £2 coins, a large collection of loose low denomination 20th century world coins, to include countries UEA, Ghana, British West Africa, Germany, Spain, France, India, Uganda, Nigeria, Switzerland, Eire, Greece, Austria, Yugoslavia, Netherlands, Malaysia, Hong Kong, Canada and others, a box of crown size coin capsules, a 2006 Standard Catalogue of World Coins and a further coin history book
Lot 302
United Kingdom Proof Coin Collections, 2 x 1985, 6 x 1986, a 2001 silver proof piedfort Marconi £2 and a 2001 silver proof piedfort £1, a 1999 Canadian silver proof Lunar coin, a set of 1973 British Virgin Islands First day covers including the silver proof one dollar and a Franklin Mint First national Coinage of Barbados silver proof and proof setA private London collector
Lot 278
Jacob Adriaensz Backer, 1608 Harlingen – 1651 Amsterdam, zug.DER ZINSGROSCHEN Öl auf Leinwand. 141 x 159 cm.Das Bildthema illustriert die bekannte Bibelstelle nach Matthäus (Mt 22,21). Danach kamen während der Zeit der für das Volk schwer zu ertragenden römischen Steuererhebungen Vertreter der jüdischen Obrigkeit zu Jesus, zeigten ihm eine Münze mit der Frage, ob das Steuergeld an Rom gezahlt werden müsse. Jesus antwortete, auf das Cäsarenbildnis der Münze weisend: „Gebt dem Kaiser, was des Kaisers, und Gott, was Gottes ist“. Damit war für die Jesuspartei der politische Konflikt mit Rom vorläufig beruhigt. Das Thema war in allen Epochen von hoher – vor allem auch politischer – Bedeutung, da der Bibeltext auch den jeweiligen Regierungen Europas das finanzielle Führungsrecht zu geben bedeutete. Vor allem aus diesem Grunde fand das Bildthema weite Verbreitung, von nahezu allen Malern aufgegriffen, von Masaccio, Caravaggio, Tizian oder Rubens, bis hin zu Malern der jüngeren Neuzeit. Backer hat hier großformatig das Thema nahezu theatralisch in Szene gesetzt, die Figuren in Betrachternähe nahezu lebensgroß gemalt. Der Gestalt des Jesus, der gleichzeitig auf die Münze und zum Himmel weist, steht den bärtigen Männern gegenüber, die teils fragend, teils überrascht blicken. Von Backers Gemälde sind einige Wiederholungen bekannt, die im Werkverzeichnis (siehe Literatur) aufgeführt wurden. Davon befindet sich eine Version im Nationalmuseum Stockholm (Inv.Nr. 382), eine weitere in Privatsammlung, ferner wird ein Exemplar in unbekanntem Verbleib genannt (diese?). Backer kam als Kind mit seiner Familie nach Amsterdam, ging dann etwa 20-jährig nach Leeuwarden, um bei Jacobsz. Lampert (1598-1636) zu studieren. Von diesem Lehrer übernahm er auch die Thematik der Historienmalerei und religiöser Inhalte. A.R.Literatur: Zu Biografie und Werk siehe: Peter van den Brink, Jaap van der Veen, Heinrich Becker, Jacob Backer (1608/09-1651), Katalog anläßlich der Ausstellung „Der große Virtuose, Jacob Backer“ (1608/09-1651), 12. März-7. Juni 2009 im Suermondt-Ludwig-Museum in Aachen, 29. November 2008-22. Februar 2009 unter dem Titel „Jacob Backer (1608/09-1651), Rembrandts tegenpool“ im Museum Het Rembrandthuis in Amsterdam, Zwolle 2009. Darin: Peter van den Brink, Oeuvrekatalog der Gemälde Jacob Backers, S. 204, A1ff. (1320132) (11)Jacob Adriaensz Backer,1608 Harlingen – 1651 Amsterdam, attributedTHE TRIBUTE MONEYOil on canvas.141 x 159 cm.The painting's subject illustrates the well-known passage from the Bible according to Matthew (22:21). During the time of the tax collection by the Romans, which was financially hard for the people, representatives of the Jewish authorities came to Jesus and showed him a coin and asked him whether the tax money had to be paid to Rome. Jesus replied, pointing to the image of Caesar on the coin: “So give back to Caesar what is Caesar's, and to God what is God's”.A few versions of Backer's painting are known and are listed in the catalogue raisonné (see literature). One of these versions is held at the National Museum in Stockholm (inv. no. 382), another in a private collection, and a copy with unknown whereabouts (this one?). Backer and his family arrived in Amsterdam when he was a child, aged ca. 20 he went to study and work with Jacobsz Lampert (1598-1636) in Leeuwarden. He adopted the genres of history and religious paintings from his teacher.Literature:Regarding his biography and works: Peter van den Brink, Jaap van der Veen, Heinrich Becker, Jacob Backer (1608/09 - 1651), on occasion of the exhibition “Der Große Virtuose. Jacob Backer (1608/09 - 1651)”, 12th March-7th June 2009 held at the Suermondt-Ludwig-Museum in Aachen, 29th November 2008-22nd February 2009 titled “Jacob Backer (1608/09-1651), Rembrandts tegenpool” at the Museum Het Rembrandthuis in Amsterdam, Zwolle 2009. Therein: Peter van den Brink, Oeuvrekatalog der Gemälde Jacob Backers, p. 204, A1 ff.
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172550 item(s)/page