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80915 Los(e)/Seite
Los 1065
R.A.F LIMITED EDITION PRINT & WAR ROOM MANUAL - BOMBER COMMAND a limited edition print RAF Bomber Command Targets in Northern Germany, 1942-45. With a facsimile signature of Sir Arthur T Harris (Bomber Harris), signed by Air Vice Marshall D.C.T Bennett, and one other signature. No 662/1000, mounted and framed. Also with a War Room Manual of Bomber Command Operations 1939-1945, Issued by the Air Ministry War Room, Copy No 39. Print 91cms by 79cms overall. (2)
Los 277
A collection of pre-WWII Second World War RAF items, all related to a G. Viel, to include: a 1940's leather brief case with initials G. V. to the front, 'Meteorology for Aviators' by R. C. Sutcliffe (1940) along with a RAF 'Observers and Air Gunners' flying log book stating that G. Viel qualified as Air Navigator and Bomb Aimer with effect from 25.9.40 (including a log of hours training in aviation), along with the Air Ministry Manual of Air Navigation Vol. 1 (1940). Fascinating collection.
Los 60
A rare original WWII Second World War ' Inception Plotter Mk III ' instrument. Appears ex-stores, and 'as new' within its original wooden case. Appears to be complete (but unchecked) with many accessories still wrapped. Instruction manual present. Wooden case measures: 71cm long. Very rare, especially in this condition. NOTE: Proceeds from this lot are being donated towards the ' Attack On The Sorpe Dam ' film project. The film tells the story of the famous Dambusters raid of WWII, and features testimony from George 'Johnny' Johnson himself.
Los 18
A RARE GENTLEMAN’S STAINLESS STEEL OMEGA CHRONOGRAPH WRIST WATCHCIRCA 1963, REF. 105.001, silvered dial with baton markers, chronograph centre seconds, triple subsidiary dials with constant seconds, hour and 30 minute recording registerMovement: 17J, manual wind, cal. 321, singed OmegaCase: Diameter approx. 35mm, screw back, signed Omega, numbered 20525xxxStrap: Tan leather
Los 62
A GENTLEMAN'S BREITLING CADETTE CHRONOGRAPH WRIST WATCHCIRCA 1960S REF. 1155 D: BLACK DIAL WITH SILVER BATONS, TACHYMETER SCALE, TWO SILVER REGISTERS RECORDING MINUTES CONTINUOUS SECONDS, ORIGINAL BOXMovement: 17J manual wind, signed Breitling Watch Ltd, cal 7733Case: Diameter approx. 35mm chrome plated & stainless steel case, Breitling crown & pushers, signed Breitling Watch Ltd & numberedStrap: Leather racing style
Los 371
A Patek Philippe 18ct white gold Ellipse gents bracelet wrist watch, c.1972, Ref. 3748/1, Movement No. 1156338, with blue sunburst dial with white gold batons and hands, signed 'PATEK PHILIPPE GENEVE SWISS', 18 jewel manual wind movement, calibre 23 300, the 32 x 27mm. oval shaped case with polished bevelled bezel, hallmarked, sapphire glass, original 18ct solid white gold Patek Philippe integral bracelet, with original manufacturer's certificate from Eberhard, Milan, dated 26 July 1972 and later dark brown leather Patek Philippe travel case.* Condition: Winds and runs. Small very light scratch to glass lower right. Dial excellent. Bezel and case sides very good with very minor feint scratches from wear. A few small scratches to case back. Bracelet very good - not twisted and all links very good. Clasp good - opens and closes cleanly and is secure when closed. Leather case very good.
Los 691
A silver and blue enamel nurses fob watch, manual movement, having circular white enamel Arabic numeral dial with yellow metal hands, impressed "0,800" and Swiss wood grouse hallmark, in working order, with attached matching silver and blue enamel 'tied ribbon' pin and clip, the clip set three graduated pearls in navette shaped mount, together with an Art Deco silver and marcasite cocktail watch, having circular Arabic numeral dial, the case lugs and bracelet set marcasite, case back impressed "925". (2)
Los 292
A LADY'S 9CT GOLD BRACELET WATCH BY LONGINES, the circular signed silvered dial with baton markers, to a signed jewelled manual movement, numbered 410 and 13359759, on a tapered mesh-link bracelet, the case and bracelet with maker's mark DS&S, hallmarked for London 1965, in Longines case, dial diameter 15.5cm
Los 142
A LADY'S DIAMOND SET 'DE VILLE' BRACELET WATCH BY OMEGA, the cushion-shaped dial with baton quarters, to a fluted bezel highlighted with trios of single-cut diamonds, on a tapered textured bracelet, with jewelled manual movement, the case and bracelet stamped '0,750', dial, movement and bracelet signed, case width 2.35cm
Los 307
A GENTLEMAN'S WRISTWATCH BY ROLEX, the circular silvered dial with subsidiary second dial, luminous Arabic numerals and hands, to a jewelled manual movement, the 9ct gold case with Glasgow import marks for 1928, numbered 48405, on later unassociated strap, together with a later lady's bracelet watch by Rolex, with an unassociated expanding baton-link bracelet, and a pair of 9ct gold cufflinks, the rectangular panel with foliate engraved borders, first watch case width 2.85cm (3)
Los 244
A LADY'S DIAMOND COCKTAIL WATCH, the square silvered dial with Arabic quarters and bead markers, to a jewelled manual movement signed Frey & Co, beneath a shaped square bezel with channels of single-cut diamonds and baguette-cut diamond set shoulders, on a similarly set articulated bracelet of cross-shaped links, white precious metal mounted, (two diamonds deficient), total diamond weight approximately 2.40ct, case width 1.45cm, total length 17.5cm
Los 130
A LADY'S DIAMOND SET BRACELET WATCH RETAILED BY TIFFANY & CO, the square silvered dial with gilt baton markers, signed Tiffany & Co, concealed beneath a hinged cover, to an integrated bracelet of abstract textured design and articulated form, scatter set with graduated round brilliant-cut diamonds, the jewelled manual movement signed Girard-Perregaux and numbered 633726, the case and bracelet signed C+B and stamped '18k', case numbered 10720, total diamond weight approximately 1.60ct, dial length 1.1cm, bracelet length approximately 18.5cm
Los 310
A GENTLEMAN'S STAINLESS STEEL WRISTWATCH BY LONGINES FOR WEST END WATCH CO, the circular dial with alternate Arabic numerals and baton markers, blued steel hands and subsidiary seconds dial, to a jewelled manual movement numbered 6782049, the case inscribed C.S.(I) for the Indian Civil Service, numbered 6656 1915 and 22867, dial signed West End Watch Co and Longines, movement signed Longines, case signed West End Watch Co Everbright, case width 3.1cm
Los 313
A LADY'S 9CT GOLD CASED BRACELET WATCH, retailed by Sharman D. Neill Ltd, the circular dial with Arabic numerals and outer minute scale, to jewelled manual movement and expanding baton-link bracelet, stamped '9ct', dial and box signed, together with a band ring, with interior posy style inscription, watch case diameter 2.2cm (2)
Los 26
Frederick Calvert (c. 1790 - 1844) Sailing Craft in Mount's Bay, Cornwall c.1825oil on canvas 61 x 92cm (24 x 36.2in)Collection of Princess Duleep Singh; Private Collection; Thence by Descent This dramatic canvas by Frederick Calvert depicts sailing vessels near St. Michael's Mount, a tidal island in Mount's Bay, Cornwall. The view is taken from the north shore; to the left is the island, surmounted by castle and abbey, while in the far distance is the Lizard peninsula, the most southerly point on the English coast. In the foreground, a three-masted lugger, with crew and passengers, heels over in a strong south-westerly wind as it heads out across the bay, while in the background a larger trading brig approaches, probably making towards Newlyn. There are several white sails on the horizon, while in the distance a sloop, beyond the lugger, is heading out to sea. Exposed to southerly gales, Mount's Bay is by no means a safe anchorage and there have been many shipwrecks there over the years. In his marine paintings, Calvert often combined a variety of sailing craft, including fishing smacks, men-o-war and trading vessels. He specialised in scenes of impending storms and choppy seas, with ships heeling over in strong winds; his skies are characterised by contrasts of dark rainclouds and blue patches of sky. Often, he depicted ships running for shelter; there is a sense of urgency as they seek refuge from oncoming storms. Although Calvert painted mainly along the south coast of England, at locations such as Ramsgate, the Needles, the Isle of Wight and Dover, he also produced scenes set in Irish coastal waters. His skies and seas are finely painted, and the compositions, and contrasts of light and shade, add drama to his work. Born in Cork around 1790, Frederick Calvert may have been related to the John Calvert, who appears in the list of Cork freemen 1710-1841, described as a 'cotton manufacturer'. In 1807, Frederick's aquatint view of the newly-constructed Parliament Bridge in Cork was published (coll. National Library of Ireland), and five years later he exhibited View near Rathfarnham at the Society of Artists in Dublin. In 1815 he showed two Dublin scenes at the Hibernian Society's exhibition. Around that time, he moved to England, publishing four aquatints of the interior of Tintern Abbey in Wye valley, a ruin made famous in the Romantic era by William Wordsworth and JMW Turner. Several of these aquatints are in the National Library of Wales; one shows the exterior of the Abbey, while another depicts sightseers wandering amidst ivy-clad ruins, admiring the nave and south window. Both images have lines of poetry inscribed underneath. In 1815 also, Calvert's three-part book, Lessons on Landscape in Three Parts: Consisting of Pencilling, Shadowing, and Colouring was published. Maintaining that 'the rules of Art are as simple as the lessons of Nature', Calvert's manual was intended to help amateur painters achieve more professional results, He continued to exhibit in Ireland, and in 1821 his views of Wicklow were included in an "Exhibition of Works by Old Masters, Artists and Amateurs" held in Limerick. The following year he published The Forest Illustrated (coll. V & A), a series of lithographs depicting ash, oak and fir trees, as seen in both winter and summer. His lithograph print On the River Lea, County Cork (NLI) was published in London in 1824, while a fine lithograph of Killarney (NLI), after an original drawing by Dr. John Hume, Dean of Kerry, dates from four years later. By then Calvert was settled in London, with a studio on Pall Mall, where he exhibited views of Dover Castle and Broughton Castle. He began to specialise in marine paintings in the 1830's, showing works at the Royal Hibernian Academy and the Belfast Association of Artists. Over the following two decades he exhibited mainly at the British Institution, and with the Society of British Artists at Suffolk Street. His books include Picturesque Views of Staffordshire (1830), containing thirty-nine plates, engraved on steel by T. Radclyffe, and Picturesque Views of Shropshire (1831), with thirty-four engravings. These were produced in association with William West. Calvert also contributed papers and illustrations to the Archaeological Journal. Works by him are in the British Museum, the National Maritime Museum in Greenwich, the V & A, Walker Art Gallery, and several regional museums including Bristol and Lancashire. His Shipping in Dublin Bay is in Calke Abbey, while his Lobstermen hauling in their pots off a French coast was shown at the Gorry Gallery, Dublin, in 2013. Apart from three prints in the National Library, Calvert does not appear to be represented in any Irish national collection. The date of his death is not known, but was probably around 1844: He is not to be confused with a Suffolk artist of the same name, a clergyman who died in 1855. Peter Murray, October 2018
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80915 Los(e)/Seite