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Lot 315

TWO EDWARDIAN HALF PEARL PENDANTS CIRCA 1910 The first with a pierced foliate hooped panel set with half seed pearls and circular cut rubies on a curved knife edge bar, with a similarly set pierced heart shaped bale, stamped 15ct with T &S maker's mark, with brooch fitting verso; together with a peridot and seed pearl set pierced lozenge shaped panel pendant, with polished bale, suspended from an associated fancy link chain, the ring bolt stamped 9ct Size/dimensions: first 4.6cm long; second 3.2cm long Gross weight: 11.2 grams Condition Report: Some light wear to the pendants, all stones present and correct. The chain has a later clasp, some general wear. Condition Report Disclaimer

Lot 470

A COLLECTION JEWELLERY AND COSTUME JEWELLERY To include a rose cut diamond and bouton pearl bar brooch; a sapphire and diamond bar brooch, stamped 9ct; an opal bar brooch, with pierced detail, stamped 9ct; a shell cameo brooch, the oval shell cameo carved with the profile of Hera, the gold coloured setting stamped 750; a 9 carat gold cultured pearl and sapphire hoop brooch; four further gold coloured brooches; a 9 carat gold Kurt Weiss money clip, London 1971; a silver stag pendant, with partial Edinburgh hallmark; two marcasite brooches; and a gilt filigree grape brooch Size/dimensions: first brooch 3.9cm wide Gross weight: 83.7 grams

Lot 360

A TWO STRAND CULTURED PEARL NECKLACE WITH A DIAMOND CLASP The two strands of uniform cultured pearls to a pierced geometric clasp, set with old European cut, brilliant cut and step cut diamonds, approximately 2.82 carats total, unmarked Size/dimensions: 37cm long, clasp 3.8cm long Gross weight: 47.2 grams Condition Report: The clasp has been adapted from a brooch, some repairs and signs of adaption. The diamonds are all present and correct, bright and lively. The cultured pearls fairly well matched, slight difference in orient and body colour, the strand is not knotted, it would benefit from bring restrung. Condition Report Disclaimer

Lot 377

MIKIMOTO, A CULTURED PEARL BROOCH The scrolling gold coloured brooch with a cluster of graduated cultured pearls, stamped K14 with Mikimoto maker's mark; together with a pair of cultured pearl set stud and clip earrings, with a gold coloured ribbon and foliate border, stamped 750 Size/dimensions: brooch 5.1cm long; earrings 2cm long Gross weight: 18.6 grams Condition Report: Some general light wear Condition Report Disclaimer

Lot 243

TWO CULTURED PEARL NECKLACES The first with graduated cultured pearls on a knotted strand, to an eight cut diamond accented geometric clasp, circa 1920; together with a further cultured pearl necklace, the slightly baroque shaped cultured pearls to a white and blue stone clasp Size/dimensions: first necklace 39cm long; second 44cm long Gross weight: 39.3 grams Condition Report: The pearls need to be restrung, the clasps in working order Condition Report Disclaimer

Lot 33

Y&nbspA VICTORIAN TRAVELLING TOILET CASE STEPHENSON & SON The green leather case with gilt tooled decoration, opening to a concealed mirror, ten glass jars with silver covers, maker's mark TW, London 1856, engraved with foliate swags and floral sprays, and a manicure set with mother of pearl handles The case 31 x 24 x 17cm 204g (6.55 oz) weighable Y Indicates that this lot may be subject to CITES regulations when exported. The import of lots that are subject to CITES regulations are banned in certain countries. Please check your country's import regulations before bidding. Condition Report: Case - Some staining to the leather, appears to be from water, hinge good, lock functioning, push button for bottom draw functioning, scuffs to inside edge of cover, one divider missing from interior Manicure set - Scissors appear to be rusted and replacements, one other item missing Silver lids - Marks generally clear, engraving crisp, no personal engraving, two unmarked Glass - One of the taller jars with chips and a repair, the rest with very minor nibbles, one small jar stained red All with light scratches and wear commensurate with age and use Condition Report Disclaimer

Lot 263

AN EARLY 20TH CENTURY PEARL AND DIAMOND TOI ET MOI RING The old European cut diamond estimated to weigh 0.75 carats, flanked by a pearl, to crossover eight cut diamond shoulders Size/dimensions: finger size M 1/2 Gross weight: 3.9 grams   Please note the pearl is untested and unwarranted as natural pearl. Condition Report: The pearl has been been drilled, the setting has been repaired under the pearl and a support has been added for the bar going through the drilled pearl, the pearl may not be original. the diamond is bright and lively, colour estimated H, clarity VS2/SI1, small mineral under the table. Some thinning to the back of the shank and general wear to the setting. The finger/ring size is M 1/2 Condition Report Disclaimer

Lot 279

AN EDWARDIAN GOLD AND SEED PEARL LOCKET The circular gold frame set with half seed pearls, stamped 15ct, with a seed pearl set bale, glazed compartments front and verso, in a fitted case stamped Mappin & Webb Size/dimensions: 3.8cm diameter Gross weight: 11.9 grams Condition Report: The length in total including bale is 4.8cm long. There is some light wear commensurate with age and use. there is a section in the case where a brooch fitting would have been, some light wear to the case, slight scratches. Condition Report Disclaimer

Lot 245

A MID 20TH CENTURY RUBY AND CULTURED PEARL BROOCH The textured maple style leaf centred with a circular cut ruby and cultured pearl abstract cluster, stamped 750 355 AL indicating maker Ernesto Travesta & Co. with V mark, in a Corrado Manni box Size/dimensions: 5cm long Gross weight: 11.3 grams Condition Report: Missing a central cultured pearl Condition Report Disclaimer

Lot 259

A LATE 19TH/EARLY 20TH CENTURY SILVER GILT SYNTHETIC RUBY AND HALF SEED PEARL BIRD LOCKET PENDANT The front section with a number of synthetic ruby and seed pearl accented flower heads, with a swift in flight to the base, the panel swivelling to reveal a glazed oval locket behind, within an ivy and vine leaf decorated setting with a black enamelled bird to the top, unmarked Size/dimensions: 8cm long Gross weight: 28 grams Condition Report: The setting has numerous repairs, including small lead solder repairs, and damage, there are fittings removed from the reverse, and only one of the glazed locket panels remain, all stones present to the front, some section of the pendant are base metal and not silver gilt Condition Report Disclaimer

Lot 485

AN AMETHYST AND DIAMOND RING The graduated oval cut amethysts with brilliant cut and eight cut diamond points between, approximately 0.08 carats total, indistinct stamp; together with a polished amethyst bead necklace, bracelet and ear pendants, with silver coloured fittings; and a freshwater cultured pearl two row necklace, with marquise shaped freshwater pearl panels, with matching earrings Size/dimensions: finger size W; amethyst necklace 49cm long Gross weight: 324 grams Condition Report: 257 grams amethyst beads ring 7.5 grams. It is rhodium plated, minimal wear. cultured freshwater pearl 60 grams Condition Report Disclaimer

Lot 131

A quantity of vintage jewellery and decorative boxes to include a pair of early 19th Century underglass painted buttons, a vintage Rosita tri-string simulated pearl necklace in original box and others, a silver and green stone Eternity band, an early 20th Century engraved silver bangle with makers mark HG&S (Henry Griffiths & Son), a gold tone seed pearl and coral wreath brooch and others, a gold tone Dorlan bracelet and 2 pairs of cufflinks.

Lot 459

Silver plated cutlery and flatware to include two sets of mother of pearl handled dessert knives and forks, napkin rings, cake serversLocation:

Lot 119

Mixed costume jewellery and cufflinks to include a 9ct gold cameo ring, total weight 3.6g and matched earrings, total weight 1.9g, a gold plated and stainless steel Favre Leuba ladies watch 52002 Czechoslovakian gold tone and aquamarine glass stone brooch with matching earrings, a single yellow metal cufflink 3.1g, simulated pearl necklaces A/F, a pair of Danish Weiss pewter cufflinks, tie-clips and a white metal and hardstone box with lid. Location:

Lot 137

A quantity of modern costume jewellery to include 2 Michael Kors gold tone open chain bracelets with padlock charms and original tags, various bangles to include silver examples, a simulated pearl multi-string necklace and matching bracelet, a vintage hat pin, 2 watches to include DKNY, mixed brooches to include a Marc Laba of Paris brooch and Trifari gold tone leaf brooch, a Coach keyring and a Sarah Coventry gold tone brooch.Location: BWR

Lot 156

Seed pearl, pink pearl and simulated pearl necklaces, some with silver or silver gilt clasps together with 2 silver chains, a Pinchbeck brooch, an Aurora Borealis necklace with silver clasp, a silver necklace with amethyst coloured stones, a Stratton lipstick holder and mirror compact in the form of a fan and other items of vintage costume jewellery. Location:

Lot 108

AN IRON TSUBA WITH A DRAGON CHASING A TAMAUnsignedJapan, 18th century, Edo period (1615-1868)The iron tsuba of jujimokkogata form, with a kozuka and kogai hitsu-ana, finely worked in sentoku and shibuichi takazogan, depicting a dragon chasing a tama pearl. The dragon finely executed, the body appearing in motion, the scales well-defined.HEIGHT 8 cm, LENGTH 7.4 cmWEIGHT 124.3 gCondition: Very good condition with minor wear.

Lot 1123

A BLUE-GROUND SILK EMBROIDERED 'DRAGON' ROBE WITH A RED SILK SKIRT, 19TH CENTURYChina, Qing dynasty (1644-1912). Finely woven with nine five-clawed dragons against a trellis-pattern ground interspersed with lingzhi-shaped clouds, shou characters, and auspicious symbols. The central front-facing dragon coiling around a flaming pearl with the two lower dragons pursuing pearls above the terrestrial diagram and lishui stripe separated by crashing waves and clouds. The red-ground skirt decorated with blossoms and rendered in satin and forbidden stitch with a patterned green silk lining to the interior.Condition: Very good condition with minor wear, little soiling, few loose threads.Provenance: From an Austrian private collection.Dimensions: Length 170 cm, Width 134 cm (across sleeves); Skirt length 98 cm, Waist 119 cmAuction result comparison: Type: Closely relatedAuction: Sotheby's New York, 23 March 2019, lot 1627Price: USD 17,500 or approx. EUR 21,000 converted and adjusted for inflation at the time of writingDescription: A blue embroidered 'dragon' robe, Jifu, Qing dynasty, Jiaqing periodExpert remark: Compare the closely related manner of weaving and design with similar trellis-pattern ground. Note that this robe is from the Jiaqing period is likely slightly earlier than the present lot.

Lot 1292

A GROUP OF SEVEN BLUE AND WHITE PORCELAIN BOWLS, 19TH CENTURYSouthern China / Vietnam, Qing dynasty (1644-1912). Comprising seven bowls with deep rounded sides, each rising from a short ring foot to an everted broad rim, six glazed in cafe-au-lait to the exteriors and lips, one with two sinuous dragons chasing the magic pearl. The interiors decorated in underglaze blue, two with a scrolling lotus design to the center and cavetto, two with twirly lines at the center and a lotus design to the cavetto, and three with a printed lotus design issuing spiraling vines.Condition: Good condition with some wear, surface scratches, little nibbling, manufacturing flaws including kiln grit, dark spots, glaze recesses, and minor pitting.Provenance: German private collection. Weight: 8.7 kg in totalDimensions: Diameter circa 27.5 cm eachAuction result comparison: Type: Closely related Auction: Galerie Zacke, 30 June 2023, lot 596 Price: EUR 390 Description: A cafe-au-lait glazed blue and white porcelain ´lotus´ bowl Expert remark: Note the closely related decoration, glaze, and size. Note the lot comprised only one bowl.

Lot 1335

AN IRON-RED 'DRAGON' PORCELAIN BRUSH WASHER, GUANGXU MARKChina, early 20th century. Of compressed circular form, painted to the interior with a frontal facing dragon pursuing the flaming pearl amid swirls of clouds and fire, painted in iron-red and gilt above the glaze. The rim around the mouth framed by a ruyi shaped band, the exterior decorated with waves and splashing water. The recessed base with an iron-red six-character Guangxu reign mark and possibly of the period.Condition: Very good condition, minor wear, and few light surface scratches.Provenance: Czech private collection.Weight: 219.6 gDimensions: Diameter 11.8 cm

Lot 1495

A LARGE MOTHER-OF-PEARL INLAID WOOD TRAY DEPICTING JOUSTING WARRIORSVietnam, 19th century. Carved in high relief with two large dragons standing on swirling clouds flanking two bats holding three cash-coin in their mouths. The center of the tray is inlaid with iridescent mother-of-pearl depicting two jousting warriors beneath a crescent moon with an attendant outside a walled palace.Condition: Good condition with wear, expected age cracks, small nicks, warping, and losses to the mother-of pearl inlays. Drilled to the back with a small triangle wall mount.Provenance: German private collection.Weight: 2,023 gDimensions: 67 cm across handles

Lot 16

KOJI: A SHIBAYAMA-INLAID AND LACQUERED WOOD CHESTBy Koji, signed KojiJapan, Meiji period (1868-1912)The hinged cover finely decorated in gold and colored takamaki-e with details in hiramaki-e as well as inlays of mother-of-pearl, ceramic, bone, and mitsuda (pewter) to depict blossoming hibiscus and neatly veined leaves, the gold sun with further floral sprays, the sides similarly decorated with a blossom and scattered petals, fitted with a lock and keyhole. The lower right corner of the cover with the signature KOJI within an mother-of-pearl-inlaid reserve.SIZE 8.3 x 19.8 x 15.4 cmCondition: Good condition with minor wear, light scratches, tiny nicks, minor losses to inlays, the key missing.

Lot 19

A FINE ANTLER AND MOTHER-OF-PEARL INLAID BLACK-LACQUER LOW TABLE WITH FROLICKING MONKEYSJapan, Meiji period (1868-1912)Of rectangular form supported on curved legs with a nyoi-shaped apron, the top decorated with four inlaid monkeys set within a rinzu (key fret) lacquered frame. One monkey playfully covers a crab with a lotus leaf, with a large lotus blossom and bud in mother-of-pearl, while the adjacent monkey looks behind himself with a panicked expression from having disturbed a wasp's nest. In the lower frame, one monkey is shown holding an oni mask in front of its face shocking the second monkey, who has fallen to the ground in a fright while holding a floral blossom. SIZE 86 x 55 x 42 cmCondition: Good condition with wear, small nicks, light chips, small crack to the base of one leg, minor losses to inlays. Overall presenting very well.

Lot 21

A VERY RARE AND SUPERB INLAID LACQUER BOX AND COVER DEPICTING LUNAR HARESJapan, 19th centuryOf rounded rectangular form, the kinji ground finely decorated in gold, silver, and copper takamaki-e, hiramaki-e, and togidashi with kirigane as well as inlays of aogai (mother-of-pearl) to depict two hares amid leafy chrysanthemums, lilies, other flowers, and clovers as well as craggy rocks, the cover further with three silver-lacquered kana characters in cursive script (ashide) reading 'Tsuki no yo' ('The moon at night'). The hares' eyes are inlaid with coral and amber. The base and interior of nashiji, the interior with gold fundame edges, the rims of silver.SIZE 7 x 15.3 x 11.6 cmCondition: Excellent condition with minor wear.Provenance: The Strong National Museum of Play, accession number 75.1892 (lacquered to the base). Old collector's label '#16' to base. Margaret Woodbury Strong (1897-1969) grew up in a prosperous family of collectors. Her interests ranged so widely that by 1960 she had amassed more than 27,000 collectible items and works of art. The vast majority of her collections related in some way to play and as her collection grew, Margaret planned a museum to house it. It eventually opened to the public in 1982 and grew dramatically over the following decades, expanding its collections, facilities, and resources, now spanning over 285,000 square feet. Today, the Strong National Museum of Play (known as just The Strong Museum or simply The Strong) is the only collections-based museum in the world devoted solely to the study of play.The inscription on the present box, coupled with the two hares, is an allusion to the lunar hare, a mythical figure who lives on the moon in Far Eastern folklore, based on pareidolia interpretations that identify the dark markings on the near side of the moon as a rabbit or hare. This popular motif originates in China, where the rabbit is often portrayed as a companion of the moon goddess Chang'e, constantly pounding the elixir of life for her. In the Japanese variation, the lunar hare is often seen pounding mochi.

Lot 224

A SET WITH TWO SATSUMA CERAMIC BELT BUCKLES AND A BROOCH, MEIJIJapan, Meiji period (1868-1912) The brooch of octagonal from, enameled and gilt with a sinuous coiled dragon clutching a tama pearl, all within a beaded border. The two belt buckles of circular form and similarly decorated. All with silvered mounts showcasing a punch mark at the back.Condition: Very good condition with minor wear. Provenance: Czech private collection. Weight: 66,7 g (total) Dimensions: Diameter 4 cm to 5 cm

Lot 23

NAOYUKI: A SUPERB CLOISONNE ENAMEL AND SHIBAYAMA INLAID FLORIFORM VASE WITH A GOOSEBy Naoyuki, signed NaoyukiJapan, early Meiji period (1868-1912)Standing on three-lobed feet and rising to a bulbous body, the long neck with a flaring floral rim, embellished to the feet, shoulder, and neck with stunning bright enamels featuring floral designs of cherry blossoms and kiku medallions, the body with two-lobed panels bearing a gold-lacquered kinji ground and inlaid in the Shibayama style with horn, mother-of-pearl, bone, and coral, depicting on one side a goose next to hibiscus, and to the other side with an ornate basket with blooms of hydrangea. The silver body further incised with katakiri-bori showing various flowers. Signed underneath within a rectangular gilt reserve NAOYUKI.HEIGHT 19 cmWEIGHT 141.2 gCondition: Good condition with minor tarnishing to silver, few tiny losses to inlays. The handles lost. Presenting very well.Auction comparison:Compare a related inlaid silver and cloisonne-enamel vase with closely related mythical beast handles, by Nemoto, at Bonhams, Fine Japanese Art, 11 May 2017, London, lot 419 (sold for GBP 3,750).

Lot 280

MASAYUKI: A FINE SHIBAYAMA INLAID IVORY OKIMONO OF DAIKOKUBy Masayuki, signed MasayukiJapan, Meiji period (1868-1912)Finely carved and stained, the grinning Daikoku holding his lucky mallet with his right hand as he kneels to open his treasure bag. The deity dressed in a long robe and wearing thick boots, his head covered, and face with an expression of triumph flanked by ears with pendulous lobes. The bag held down with one foot as the deity allows the viewer to glimpse at the treasures within, his mouth biting down the edge of one side of the bag. Overall incised for texture and detailed with Shibayama-style horn and mother-of-pearl inlay. Signed on a red-lacquer tablet MASAYUKI.HEIGHT 9.3 cmCondition: Very good condition with few mkinor losses to the mother-of-pearl inlay.Provenance: From a private collection in Belgium, published in the commissioned private catalogue 'The Nibajama collection' no. 95.Auction comparison:Compare a closely related ivory okimono of Daikoku and oni by Akishige at Zacke, Fine Japanese Art, 28 October 2020, Vienna, lot 168 (sold for EUR 3,034).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2023/BE00865/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Lot 291

KEIUN: A FINE IVORY OKIMONO OF A PAIR OF CRANESBy Keiun, signed Keiun toJapan, Meiji period (1868-1912)Naturalistically carved as a pair of cranes, one pausing mid-step with its head turned as it looks on and the other standing flatfooted, drawing its head in towards its body. Their feathered bodies exquisitely defined in fine lines and accents of black pigment, supported on ribbed legs on webbed feet rendered in iron, the eyes inlaid in mother-of-pearl. Signed underneath the body of the larger crane KEIUN to [carved by Keiun].HEIGHT 13.7 cmCondition: Very good condition, the base with a large age cracks. Very light chipping to the edge of tail feathers of the smaller bird.Provenance: From a private collection in Belgium, published in the commissioned private catalogue 'The Nibajama collection' no. 17.Auction comparison:Compare a closely related ivory okimono of a single crane at Bonhams, Fine Asian Works of Art, 23 June 2008, San Francisco, lot 8351 (sold for USD 5,700).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2022/BE04286/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Lot 292

KATO TOMOTOSHI: A SUPERB IVORY OKIMONO OF AN EAGLE PREYING ON A GROUP OF MONKEYSBy Kato Tomotoshi, signed Kato Tomotoshi and kakihanJapan, Tokyo, Meiji period (1868-1912)The majestic eagle swooping down to prize away an infant monkey from the arms of its mother. The primate lifeless as the eagle digs its talons into its limp body, the sharp claws puncturing its skin, the mother holding on to its one arm, prying its baby away from the eagle's clutches. Another infant scrambles under its mother's protection, gripping on to her tail, as she bares her teeth at the predator. The scene executed in superb detail with the plumage of the bird carved with precision and eyes inlaid in mother-of-pearl, the stained and incised fur of the monkey similarly executed. The rush of movement and dynamism further exacerbated by the last infant trying to escape from under the wings of the imposing eagle. Signed to the base KATO TOMOTOSHI with the artist's kakihan.HEIGHT 8.8 cmCondition: Old restoration to one wing. Otherwise very good condition with minor wear, some natural flaws, and presenting beautifully. Provenance: From a private collection in Belgium, published in the commissioned private catalogue 'The Nibajama collection' no. 9.Kato Tomotoshi was a highly talented ivory carver who participated in and received a prize at the second carving competition organised by the Tokyo Chokokai (The Tokyo Carver's Association) in 1889.Auction comparison:For another work by the artist, signed Tokosai Tomotoshi, see Bonhams, Fine Japanese Art, 17 May 2018, London, lot 233 (sold for GBP 5,000).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2022/BE04290/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Lot 294

TOMOKAZU: A SUPERB IVORY OKIMONO OF A BEARBy Okada Tsunekichi (art name Tomokazu), signed TomokazuJapan, Meiji period (1868-1912)Realistically carved as a heavy bear seated and propped up on its front legs, lifting its head slightly with its gaze directed up. The power of the bear manifested in its heavy coat, massive claws, and piercing eyes, which are inlaid with mother-of-pearl. The dynamic pose of the animal filled with motion, lifting its paw and beginning to snarl as if readying an attack. The underside signed with the typical signature in relief TOMAKAZU.LENGTH 7.4 cmCondition: Very good condition with minor wear, expected age cracks, minor chips to claws.Provenance: From a private collection in Belgium, published in the commissioned private catalogue 'The Nibajama collection' no. 13.Okada Tsunekichi, also known as Tomokazu, was a gifted carver of okimono. He was a member of the Tokyo Chokokai (The Tokyo Carver's Association) from 1906-1910, and he participated in several carving competitions hosted by the association. Little is known about his life, but his work received several outstanding prizes during competitions he participated in and there is little doubt why. His carvings are powerful with impressive realism (see the comparison below for a further example of this).Auction comparison:Compare a related ivory okimono of two bears attacking an eagle, signed Tomokazu, at Bonhams, Fine Japanese Art, 9 November 2017, London, lot 167 (sold for GBP 10,625).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2023/BE00467/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Lot 351

KAIGYOKUSAI: A FINE IVORY NETSUKE OF A FISHER GIRL (AMA) WITH TENAGA MONKEYSSchool of Kaigyokusai Masatsugu (1813-1892), signed Kaigyokusai 懐玉齋Japan, Osaka, second half of the 19th centuryFinely carved, the standing fisher girl turning to look up at the monkey seated on her shoulders, stabilizing the monkey's two legs, as the long-armed monkey reaches down and holds the arms of its young seated at the ama's feet. The fisherwoman dressed in the grass skirt of a pearl diver, having a serene expression on her face, a pouch tied to her waist. The monkeys are naturalistically carved and have inlaid eyes of tortoiseshell. The 'chimney type' himotoshi formed by one aperture to the back with the second beneath the skirt. Signed within a polished reserve KAIGYOKUSAI.HEIGHT 6.8 cmCondition: Very good condition with minor wear.This rather unique netsuke is finely balanced by the lanky arms which link the two monkeys, and which are a reference to the legendary yokai-fisherman Tenaga. In this amusing netsuke, the ama employs a Tenaga-monkey to fish its young out of the water.Auction comparisonCompare a related ivory netsuke attributed to Kaigyokudo (Kaigyokusai) Masatsugu, signed Masatsugu, depicting Okame with a monkey, at Christie's, The I.A. and Cecile Mann Victor Collection of Netsuke, 20 April 1989, New York, lot 58.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2307502999-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Lot 38

IKENOURA DAIKI: A WHITE LACQUER NATSUME (TEA CADDY) WITH IRISESSigned Ikenoura DaikiJapan, 20th centuryOf typical form with a flush-fitting cover and bearing an eggshell-white lacquered ground, finely decorated in gold takamaki-e, mother-of-pearl inlays, and nashiji details with irises issuing from water. The interior in black lacquer with gold takamaki-e wavy lines.DIAMETER 6.7 cmWEIGHT 54.2 gCondition: Good condition with minor wear, the mother-of-pearl inlays detaching in some areas.Provenance: Dutch private collection.With an original wood storage box (tomobako) signed and inscribed by the artist.

Lot 390

A RARE MARINE IVORY NETSUKE BY TANUKI HARA TSUZUMI, ATTRIBUTED TO MASATAMIAttributed to Masatami, unsignedJapan, Tokyo, second half of the 19th century, Meiji period (1868-1912)Depicting tanuki no hara tsuzumi (belly drumming raccoon dog), the fur finely incised, the lustrous marine ivory beautifully stained, the spine expressively carved, the face with sharp fangs, upwards turned snout, double-inlaid eyes in mother-of-pearl and black horn, and a jovial expression - he is visibly delighted as he drums on his large and smooth belly, with his left front paw raised in a dynamic posture. Himotoshi to the underside and to the back.HEIGHT 3.8 cmCondition: Very good condition with only minor surface wear and a flaw to the material by the creature's shoulder.Provenance: Zacke, Fine Japanese Art, 4 June 2021, Vienna, lot 202. German private collection, acquired from the above.The tanuki possesses magical powers and can change forms, sometimes into Buddhist monks; they are jovial, but also dangerous, as they have been known to suffocate hunters with their enormous scrotums. The act of drumming on the belly, according to legend, was used by tanuki to beguile travelers and hunters and to lead them astray. However, it has also been said that tanuki would get together just for fun, drumming on their bellies under the moonlight, perhaps even with some sake involved.Museum comparison: Compare a closely related ivory netsuke, signed Masatami, at the Asian Art Museum, San Francisco, object number B70Y1039.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0363). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Lot 451

IKKO: A RARE INLAID WOOD NETSUKE OF KIKUJIDO BENEATH A MOONLIT SKYBy Hasegawa Ikko, signed Ikko 一光Japan, early to mid-19th century, Edo period (1615-1868)Of quadrilobed, manju-style, low table form, finely carved depicting a recumbent Kikujido wearing a mugwort leaf skirt, holding a brush, next to three reishi sprouts, all beneath a cloudy sky with a full moon. The moon and brush are inlaid with mother-of-pearl while the reishi and leaf skirt are inlaid with green stained antler and translucent horn respectively; the eyes are minute inlays of dark buffalo horn. Chrysanthemum leaves decorate the sides, which are carved in openwork, the underside pierced with a single floral himotoshi. Signed to the back IKKO on a mother-of-pearl inlaid tablet.LENGTH 4.1 cmCondition: Very good condition with minor wear and remnants of gold and red lacquer. Some wear to the cord hole.Provenance: From a noted private collection in Geneva, Switzerland, assembled since the 1960s, and thence by descent. An important part of this collection was on permanent loan and was exhibited over several decades at the Asia-Africa Museum in Geneva.Kikujido (the chrysanthemum boy) appears in Makurajido and remained youthful even with the passing of 700 years after writing the lines of the Lotus Sutra, graciously gifted to him by the Emperor, on the leaves of a chrysanthemum, when the dew drops from the chrysanthemum became an elixir for immortality.Literature comparison:Compare a related manju netsuke in the form of a nyoi sceptre, signed Ikko and with similar use of inlays, illustrated in Meinertzhagen, Frederick / Lazarnick, George (1986) MCI, Part A, p. 224.

Lot 523

A RARE INLAID AND LACQUERED KIRI WOOD SINGLE-CASE INRO DEPICTING CHRYSANTHEMUM FLOWERSUnsignedJapan, 19th century, Edo period (1615-1868)The ingot-shaped, Rinpa-style single-case inro finely carved from a choice piece of paulownia (kiri) wood and decorated with chrysanthemums (kiku) borne on leafy stems. The stems made of gold takamaki-e and the leaves of red lacquer, gold, and pewter (mitsuda) as well as mother of pearl and antler inlays, some leaves with gold hiramaki-e veins. The wood is of a rich, attractive grain. The interior lacquered in lustrous, black roiro.HEIGHT 5.5 cm, LENGTH 10.2 cmCondition: Good condition with minor wear and rubbing, and a minor loss with associated repair to one of the ringed cord holes.Provenance: From an old private collection in France. The interior and exterior with old collector's numbers, 'No. 39.'

Lot 550

A FINE INLAID AND LACQUERED THREE-CASE INRO WITH CARPUnsignedJapan, 18th century, Edo period (1615-1868)Bearing a roiro ground and lacquered in fine gold hiramaki-e, with some kirigane highlights, further embellished with various inlays such as gilt metal, silver, mother-of-pearl, hardstone, tortoiseshell, and horn, depicting a carp swimming amongst aquatic plants and reeds. The interior cases lacquered in black. With an aventurine-splashed glass ojime.HEIGHT 8.7 cm, LENGTH 5.3 cmCondition: Good condition with minor wear and rubbing to lacquer as is to be expected. A small chip to the edge of the cord runner of the top case. Some light crackling to the sides. The top with remnants from an old label and some light bruising from contact with the ojime. Overall presenting beautifully. Provenance: Ex-collection Rabeuf, collection no. 1426. With some old labels to the interior of the top case. The Rabeuf collection of Japanese art was published in 1909.Museum comparison:Compare a related lacquer inro with a similar, by Shomosai, in the collection of The Metropolitan Museum of Art (The MET), New York, Accession number 13.67.21.

Lot 553

A THREE-CASE INRO OF EDAMAME BEAN PODS AND MISTY SKYUnsignedJapan, 18th century, Edo period (1615-1868)Of upright, rectangular form and oval section, the dark-red lacquered ground finely decorated in gold hiramaki-e and mother-of-pearl inlays depicting a stem bearing edamame pods with a misty sky in the background; thre reverse with the moon below misty clouds, the clouds decorated with kirigane flakes.HEIGHT 6 cm, LENGTH 5.5 cmCondition: Good condition with wear, small nicks to edges, traces of use, and losses to inlays.Provenance: French trade. The interior with an old paper label describing the inro in French.

Lot 568

SOSHU: A FINE TSUISHU AND SHIBAYAMA INLAID SINGLE-CASE INRO DEPICTING A CRANE AND PEACHBy Soshu (Munemori), signed Soshu 宗守Japan, Tokyo, Meiji period (1868-1912)The wide-bodied two-case inro bearing a finely polished, lustrous roiro ground, inlaid to the front in tsuishu (carved red lacquer) with a crane depicted mid-flight, the verso depicting a fruiting peach branch inlaid in the Shibayama-style with mother-of-pearl, hardstone, wood, and pewter, next to gold hiramaki-e swirls. Both the crane and peach are auspicious symbols of longevity. Signed to the underside within an inlaid seal signature tablet SOSHU (Munemori) - likely a pupil of Shibayama Soichi (Munekazu). With an agate ojime. HEIGHT 7.5 cm, LENGTH 5.5 cmCondition: Very good condition with minor wear along the edges of the risers and some minor general wear throughout. Few tiny cracks. Provenance: From the collection of Donald Snow, Boston, Massachusetts, USA.

Lot 570

JOKASAI: A FINE FOUR-CASE GOLD LACQUER INRO DEPICTING A FALCON AND HERONLineage of Yamada Jokasai, signed Jokasai 常嘉齋Japan, 19th century, Edo period (1615-1868)Of upright rectangular form and oval section, bearing a bright gold nashiji ground, finely worked in gold and silver takamaki-e and hiramaki-e, with some inlays, depicting two large roundels to either side. The larger roundel to the front with a silver-lacquered falcon gripping the neck of a heron surrounded by leaves inlaid with tsuishu (carved red lacquer), shibuichi, bright turquoise enamels, and mitsuda (pewter), some with gold hiramaki-e veins, all set on a fine gyobu-nashiji ground. The smaller roundel to the reverse decorated with rich gold takamaki-e peony blossoms and butterflies with mother-of-pearl inlaid wings, and a large white ceramic-inlaid peony blossom set on a cloudy nashiji ground. The interior lacquered in silver. Signed underneath in gold lacquer JOKASAI.HEIGHT 8.5 cm, LENGTH 6.7 cmCondition: Good condition with minor wear, typical losses to the gyobu-nashiji, minor discoloration to the lacquer ground, a minor dent to the upper case, a small crack to the second case, and typical rubbing to the inner silver lacquer. Overall presenting very well.Provenance: From an old French private collection, with an old label to the interior of the top case.The Yamada Jokasai lineage lasted until the end of the Edo period. The first Yamada Jokasai lived in Tokyo in the late 17th century and worked for the shogunate, originally at the Kajikawa school. He crafted inro and kobako alongside the famous Koami Choho, later breaking off to establish his own school in Tokyo.Falconry (takagari) was introduced to Japan from China in the 4th century. Hunting with hawks and falcons is mentioned in the Kojiki (712). In the Heian period (794-1185), the sport of falconry was practiced by emperors and their courtiers. By the Kamakura period (1185-1333), samurai clans had established various schools, methods and traditions of hunting with falcons and hawks. By the Edo period (1615-1868), falconry was officially patronized by the shogunate and the position of master of falconry was established in the shogunate bureaucracy.Literature comparison:Compare a related inro with similar inlays, signed Jokasai, illustrated in Moss, Sydney L. (2014) Lac Lacquer Lacquest, p. 128-129, no. 34.

Lot 571

A FINE KOAMI-SCHOOL LACQUERED SINGLE-CASE INRO WITH DRAGONFLIESUnsigned Japan, 19th century, Edo period (1615-1868)The wide-bodied, single-case inro of horizontal rectangular form and oval section, bearing a superbly polished, lustrous roiro ground, finely lacquered in thick red and gold takamaki-e with five dragonflies, the thick lacquer pooling attractively and spilling over the edges. The eyes inlaid with iridescent mother-of-pearl, the wings and legs detailed with gold hiramaki-e. The interior cases of red lacquer with gold fundame rims.HEIGHT 5.1 cm, LENGTH 9.3 cmCondition: Very good condition with minor wear to lacquer along the edges and some minor rubbing to the high points. Tiny chip to the edge of one of the cord holes.Provenance: Glendining and Co., 15 December 1947. A noted private collection, assembled by the previous owner's great-grandfather and thence by descent. With an old collection label to the interior of the top case.The Koami family is one of the most famous dynasty of lacquerers, founded according to tradition by Docho. The family worked extensively for the court and the shogunate until well into the 19th century and had a considerable influence on the development of lacquer art through its leadership of the teams of craftsmen that worked on important shrines and palaces and other national projects. The family is also credited with having created the technique and style known as kodaijimaki-e. The shapes, subjects, and techniques of Koami inro are so varied that no family style can be identified. Museum comparison: A closely related lacquered inro with dragonflies by Koami Nagataka is in the Metropolitan Museum of Art (The MET), New York, accession no. 13.67.23.

Lot 578

KOMA SADAHIDE: A SUPERB INLAID FIVE-CASE LACQUER INRO DEPICTING DEERS IN NARA PARKBy Koma Sadahide, signed Koma Sadahide 古満貞榮Japan, 18th-19th century, Edo period (1615-1868)Of upright form and lenticular profile, bearing a lustrously polished roiro ground, the front decorated with a deer couple below temple lanterns and falling maple leaves, the stag executed in colored togidashi beautifully contrasting against his mother-of-pearl deer companion. The leaves are lacquered in gold hiramaki-e or inlaid with mother-of-pearl or horn. The lanterns are, like the stag, lacquered in gold togidashi-e. The verso similarily decorated with a large stag inlaid in buffalo horn with antler horns. Signed underneath in gold characters KOMA SADAHIDE. The interior cases of nashiji with gold fundame rims.With a reticulated metal ojime and a two-part ryusa manju netsuke, one side carved in antler with billowing clouds and reishi, and the other side of metal and depicting a ho-o (phoenix) with a kiri (paulownia) sprig in its mouth, the details gilt.HEIGHT 9 cm, LENGTH 4.5 cmDIAMETER (the netsuke) 4 cmCondition: Very good condition with minor typical wear, particularly along the edges of the risers. The manju netsuke with minor wear to gilt.Provenance: From a noted private collection in Geneva, Switzerland, assembled since the 1960s, and thence by descent. An old collector's label to the base, 'Art Ancien Chine & Extr-Orient Geneva'. An important part of this collection was on permanent loan and was exhibited over several decades at the Asia-Africa Museum in Geneva.

Lot 711

A PAIR OF INLAID LACQUERD WOOD PANELS, LATE QINGChina, late Qing Dynasty (1644-1912). The wood panels inlaid with bone, wood, hardstones, and mother of pearl, depicting a continuous scene of children playing in a garden underneath blossoming peach and prunus trees, with gold painted details including clouds, flowers, and a fence, all within a floral border. The reverses decorated with butterflies, insects, vegetables, and floral designs, one panel bearing a large four-character seal mark. Both panels framed, each with a metal hook for wall suspension.Condition: Overall fine condition with traces of wear and age, losses to lacquer, natural age cracks, nicks, and surface scratches. Provenance: Hungarian private collection. Weight: 3,667 g and 3,268 g Dimensions: Size incl. frame 92.4 x 32.8 cm, Size excl. frame 89.5cm x 29.7 cm

Lot 722

A GROUP OF FIVE OPIUM PIPES, c. 1920sChina, late Qing dynasty (1644-1912) to Republic period (1912-1949). Comprising a pipe carved from bamboo, with a metal bowl; three pipes made from bone segments, carved with sages, poems, flowers, and Buddhist emblems, with metal and wood mounts; a wooden pipe with mother-of-pearl inlays in forms of sages and young boys interspersed with swirling clouds. Further comprising two lobed ceramic pipe bowls with floral decoration, a hexagonal ceramic bowl two round stone bowls, and a mouthpiece carved from bone.Condition: Overall fair condition with wear, minor losses, scratches, nicks, and dents. One pipe with residue of adhesive and a loose metal fitting.Provenance: German private collection.Weight: 1.7 kg in totalDimensions: Length smallest to largest 48.2-55cm

Lot 731

A CHINESE STYLE LACQUERED AND INLAID GAME TABLE, 19TH CENTURYFrance. The delicately built folding table supported on three curved legs and a central column, with a square top with retracted corners, the deep black lacquer with colorful inlays of mother-of pearl depicting blossoms, water plants, rocks, a pair of mandarin ducks, large peony blossoms, and a plum tree. The central column with further inlays in form of prunus blossoms.Condition: Good condition with some wear, minor losses, natural age cracks, small chips, and smaller defects due to age that are perfectly restored. Provenance: German private collection, subsequently in the collection of Sohel Chawla, New Delhi - Vienna.Weight: ca. 5 kgDimensions: Height 77 cmMandarin ducks are a symbol for harmonious marriage life.

Lot 991

A FINE SILVER REPOUSSE 'DRAGON' BOWL, c. 1920sChina. The deep bowl with rounded sides rising from a circular foot, finely embossed and engraved with two dragons writhing between swirling clouds and in pursuit of the flaming pearl, all against a ring punched ground. The base stamped with a hallmark 'ZUO'. Condition: Good condition with minor wear, manufacturing irregularities, and surface scratches.Provenance: French private collection, acquired in a Parisian market before 2018. Weight: 145.1 g Dimensions: Height 6.3 cm, Diameter 11.7 cm

Lot 992

A SILVER `DRAGON' COCKTAIL SHAKER AND EIGHT CUPS, c. 1920sChina. The shaker consisting of three parts, the shaker´s body, the top lid, and the filter cup, the first two parts bear a hammered band adorned with embossed and engraved dragons amidst clouds, chasing after the magical pearl. The cups each feature a band with a similar dragon-themed design. Tested and proven to be silver. Condition: Very good condition with minor wear, tiny dents, and few shallow surface scratches mostly to the undersides. Provenance: An Irish private collection, by repute acquired from Bonhams Edinburgh.Weight: 339 g the shaker, 410 g the cups Dimensions: Height of the shaker 23.5 cm, height of the cups 6.5 cm each

Lot 292

A VICTORIAN PAPIER-MÂCHÉ WRITING SLOPEC.1870the cover painted with a peacock on a balustrade surrounded by gilt and painted flowers and inlaid with mother of pearl, enclosing a fitted interior8.8cm high, 29cm wide, 23.5cm deep (closed)

Lot 776

A MOORISH EBONISED AND MOTHER OF PEARL OCCASIONAL TABLEPROBABLY TURKISH, LATE 19TH CENTURYthe octagonal top inlaid with parquetry stars, the underside with a handwritten paper label stating that the table was acquired in Turkey, c.189759cm high, 47cm wide

Lot 607

A PIETRA DURA TABLE TOPIN 17TH CENTURY FLORENTINE STYLEinlaid in a variety of marbles and hardstones including: lapis lazuli, verde antico and Siena with mother of pearl highlights, with flowering foliage, birds and butterflies, on a black ground125 x 66 x 4cmCatalogue NoteSee Anna Maria Giusti, Pietre Dure and the Art of Florentine Inlay, pp.3, 5 and 6 for similar examples.

Lot 740

A NEAR PAIR OF CHINESE HARDWOOD AND MOTHER OF PEARL GARDEN SEATSLATE 19TH CENTURYeach of open barrel form, with a white marble top and inlaid with leaves and flowers (2)51.3cm high, 42cm wide (max)

Lot 775

TWO MOORISH OCTAGONAL OCCASIONAL TABLESLATE 19TH CENTURYeach inlaid with mother of pearl with geometric motifs (2)59.5cm high, 49.5cm wide (max)

Lot 283

λA REGENCY BLONDE TORTOISESHELL WORK BOXEARLY 19TH CENTURYof rectangular form, the quarter veneered cover with ivory edging and a white metal plaque inscribed 'Mrs John Sparks', enclosing a fitted interior of lidded compartments with mother of pearl cotton reels, floral finials and a silver thimble6.8cm high, 28.4cm wide, 21cm deep*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

Lot 374

A cased set of silver enamel flower spoons, by Adie Brothers Ltd, Birmingham 1955, enamelled with flowers, with sphere finials, a Chinese silver enamel bangle, and a Chinese cloisonne vase, decorated with dragons chasing a flaming pearl, on a blue ground (3) Condition Report:Available upon request

Lot 868

A Murano glass bead necklace, with silver clasp, a Braybrook & Britten silver chain and large pearl necklace, Burberry enamel earrings etc Condition Report:No condition report available.

Lot 789

A string of white pearls with a 9ct clasp and amethyst set gold bead detail, each pearl approx 8mm, length 47cm, and a pairof 9ct gold shell shaped earrings, weight together 42.8gms Condition Report:Available upon request

Lot 705

A 9ct shell & pearl bar brooch, together with a 9ct gold and silver fox & cropp brooch, and a yellow metal hair art mourning brooch, weight all together 8.5gms Condition Report:Available upon request

Lot 874

A silver champagne and white diamond circles bangle, a silver Norwegian enamel brooch by Hroar Prydz, a silver marcasite ruby and pearl pendant brooch, a silver labradorite bracelet and other items Condition Report:No condition report available.

Lot 875

A collection of The Jewellery Channel items, to include a graduated emerald bead necklace, a red tiger's eye bracelet, peridot bead necklace, pearl and Nanhong agate necklace and other items Condition Report:No condition report available.

Lot 877

A collection of GemsTV jewels mainly mounted in silver, to include a Jadeite flower necklace and crab brooch, an aquamarine pendant, a rainbow moonstone heart pendant, a multicolour sapphire and Tahitian cultured pearl pendant and other items Condition Report:No condition report available.

Lot 708

A pair of 14k gold pearl drop earrings, weight 2gms yellow metal mounted moss agate pendant, together with a 9ct gold 'J' pendant, a 9ct Horn of Plenty pendant and a collection of (af) chains and odd earrings etc weight together 15.8gms Condition Report:Available upon request

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