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Lot 78
Three pairs of gold earrings, a pair of ear studs set with a small diamond, in 18 ct yellow gold, and two pairs of ear studs stamped 9 ct gold, together with a selection of modern costume jewellery, including a silver bead necklace, a Jersey Pearl bracelet, boxed, an imitation pearl necklace, two ladies watches, and some other itemsCondition Report: Gross weight of 18 ct 1.0 gramsGross weight of 9 ct 0.5 gramsGross weight of silver 20.6 grams
Lot 168
Collection of thirteen Goebel porcelain figures of children, together with a figure of a boy playing a mandolin, an Indian mother-of-pearl model of an articulated fish, a pair of Doulton vases, late 19th /early 20th century, stamps to base, three Lladro figures, a Danish style porcelain figure of a girl with geese, Lladro figure of a dog and two Royal Copenhagen squat vases, with in addition a brass and glass oil lamp (Qty)
Lot 103
Paul Robin: A pair of mabé pearl and diamond cufflinks, circa 1900 Double-sided: each mabé pearl within a polished halo surround, accented with three old single-cut diamonds, French assay marks, maker's marksDimensions:Terminal length: 1.2cmNote: Paul Robin (1843 –?) was apprenticed under his father Jean-Paul Robin and learned drawing from Eugene Julienne, one of the great designers of his time. According to Henri Vever, Julienne's drawing classes were attended by Paul Robin, Paul Legrand and Cartier among others. Maison Robin had been very successful since the 1830s and it was renowned for its meticulous craftsmanship and impeccable taste. Paul Robin Senior devoted many years of his life to researching the recipe for the matt gold colour in the English taste. He finally discovered it and applied it to his jewellery with great success. Paul joined his brother Edouard in the company Robin Frères from 1869 to 1880. He then filed his own hallmark in 1880, crossed out in 1914. The themes of the owl, the horseshoe and the serpent were developed in the work of Paul Robin in a variety of different forms: from earrings to brooches, through bracelets, cufflinks and pins, according to the archives of the Maison, kept at the National Museum of Decorative Arts.
Lot 130
A 17th century 'Stuart crystal' pendent brooch, circa 1680 The oval plaque with hairwork centre on blue ground, applied with two putti holding a crown above a gilt thread cypher, beneath a faceted crystal, within a frame of split pearls and garnets in foiled closed back setting, the reverse decorated with white, pink and black enamel, suspended from a later surmount, set with a baroque split pearl and three circular-cut garnets, hook fittingDimensions:Width: 2.5cmNote: The type of jewels popularly known as 'Stuart Crystal' were created as tokens of love, loyalty and commemoration from the mid-17th and until the early 18th century. Initially created to commemorate the death of King Charles I and the Stuart monarchy, panels of woven hair, monograms, crowns and initials in gold thread were set in gold or gilt beneath faceted rock crystal or paste covers to wear as rings or slides around the neck or wrist. Some of the more elaborate examples were embellished with coronets, hearts, skeletons and winged putti decorated in polychrome enamel. The enamel on the reverse is a style created by Gilles Légaré, a French jeweller and enameller of the 17th century.
Lot 136
A mid 20th century sapphire and diamond double jabot pin The bouton-shaped cultured mabé pearl to a pierced teardrop-shaped plaque set throughout with old brilliant and rose-cut diamonds and accented with a line of buff-top cabochon sapphires, to a choice of two similarly-set terminals, one of pierced pear-shaped design, the other shaped as a flaming archDimensions:Length: 6.5cm or 7.3cm
Lot 144
Cartier: An Art Deco gem-set jabot pin, circa 1920 Modelled as a parrot perched on a bar, set with a Quahog pearl body within an old brilliant and single-cut diamond surround, with an emerald eye and bufftop cabochon ruby accents, to a diamond-set spear-head terminal, signed Cartier London, in maker's green tooled and gilt caseAccompanied by a report from Gemmological Certification Services (GCS) stating the pearl is a natural non-nacreous Quahog pearl, with no indications of treatment. Report no. 5782-2783, dated 17th August 2022.Dimensions:Length: 6.5cm
Lot 165
Chopard: A diamond-set wristwatch Happy Sport model 278478, stainless steel case, quartz movement, round mother of pearl dial with applied stainless steel Roman numerals, date aperture between 4 and 5, sword hands, centre seconds hand, 'floating' diamonds below the glass, diamond bezel, blue gem-set crown, with model number and 1363216, 8475 to the caseback, on a stainless steel bracelet strap with concealed clasp, in box, with outer box, with booklets, no papers. AMENDMENT 5/10/22 - this does come with papers in the form of a Certificate of Origin dated 2002Dimensions:Case: 35mm excluding crown
Lot 181
Omega: A diamond-set wristwatch De Ville model, 18ct gold case, signed Omega 1376 quartz movement, signed round mother-of-pearl dial with applied Roman 12, 3, 6 and 9 and diamond dot hour markers, gold sword hands, diamond bezel, with OMEGA and Omega logo to the caseback, on an 18ct gold bracelet strap, with additional links, with a foldover clasp with Omega logo, with European Convention and Swiss assay mark, no box and papersDimensions:Case: 22.5mm excluding crown
Lot 19
A pair of coral, onyx and cultured pearl earrings Each collet-set oval cabochon coral, suspending a 13.6mm cultured pearl with an onyx rondelle connector, mounted in 18ct gold, UK hallmarkDimensions:Length: 3.5cmNote: Please note, this lot will be subject to US Fish and Wildlife Regulations if imported into the USA.
Lot 64
Attributed to Maingourd: A Belle Epoque diamond and pearl pendant/brooch, circa 1915 The stylised openwork shell with a central 5.8mm pearl, above a lunette-shaped diamond, issuing graduated lines of old single and old brilliant-cut diamonds on knife-edge bars, within a scalloped old and rose-cut diamond frame, suspending a waterfall of graduated rose-cut diamond lines, terminating in pear, marquise and briolette-cut diamond drops, to a detachable pearl-set trace-link chain, pearls untested, in fitted case by Maingourd, Paris Le MansDimensions:Length: 7.5cmNote: Maingourd was founded in 1873 by Ulysse Leon Maingourd in Paris. His two sons, Francis and Charles, joined the company after studying law and design at the Ecole de Bijouterie et Joaillerie in Paris, and they relocated their shop to the Rue de la Paix. They opened further boutiques in Alencon, Dinard and Le Mans, focusing on the Easter and summer seasons. Charles worked as a designer for Garrard in London and after 1930 for Mellerio in Madrid. After Francis' death in the first World War, the Paris shop was closed and Charles kept only the Le Mans boutique until his own passing in 1954. Forty years later his descendants opened a new jewellery business of the same name in Oviedo, Spain.
Lot 71
A natural pearl and diamond brooch, circa 1900 The 10.1mm bouton-shaped pearl, within an old-cut diamond surround, between old brilliant-cut diamond three-stone shouldersAccompanied by a report from Gemmological Certification Services (GCS) stating that the pearl is natural of saltwater origin. Report no. 5782-2785, dated 17th August 2022.Dimensions:Length: 5.2cm
Lot 96
Stephen Webster: A pair of limited edition gem-set silver cufflinks Each designed as a silver 'Dom Perignon' label with central mother-of-pearl panel accented with a single brilliant-cut diamond, the edges inscribed 'vintage', the bar connector engraved DP, to shield-shaped terminals, UK hallmark silver 2003, maker's mark, numbered 24/97, maker's pouchDimensions:Length: 1.9cm
Lot 177
US NORTHERN 7". Another fantastic selection of 12 US northern 7" singles. Artists/ titles include The Marvellos - Something's Burnin' (2045, US Loma. Record is VG), The Precisions - If This Is Love (ZTSC-126413, US Drew. VG), Pearl Woods - Sippin Sorrow (2001, US Charge. Strong VG), Lovemasters - Pushin' And Pullin' (1009, US Jacklyn. G+), Silk - Falling In Love Isn't Easy (N-7858, US Nation Records. VG+), Brothers Of Soul - Hurry Don't Linger (1001, US Criss-Cross. G+), Steve Mancha - Hate Yourself In The Morning (GC 204, US Groove City. VG), Holly Maxwell - One Thin Dime (C-152, US Constellation. G+), The Attractions - That Girl Is Mine (674, US Bell. Ex), The Vibrations - Come To Yourself (4-7297, US Okeh promo. Ex), Lovemasters - Love Train (1009, US Jacklyn. VG) & Troy Thompson Band - 1-2-3 (1000, US Dee Dee. VG+).
Lot 232
DAVID MYERS (BRITISH, FL. 1663-1676)Portrait miniature of a gentleman in an embroidered gown and lace jaboton vellumoval, 42mm highin a silver frame with mother-of-pearl backingProvenanceNational Museum of American Art, Smithsonian Institution,Washington;Sotheby’s, 8 July 1987, lot 51;Private collection, UK
Lot 233
ATTRIBUTED TO JOHN HOSKINS (BRITISH, 1589-1664)Portrait miniature of a lady called Mrs Mary Davies, in a blue dress and wearing a large drop pearl broochon vellumoval, 90mmin a gilt-metal frame with spiral surmount engraved ‘Mrs. Davis’ (to the reverse)ProvenanceJohn Pierpont Morgan (1837-1913);Sotheby’s, 9 November1944, lot 99;John Tapp (possibly acquired from the JP Morgan Collectionsale);Private collection, UKCondition ReportPaint flaking/scuffed in chest area.There appears to be some retouchingin the background.Under glass and unexamined out of frame.
Lot 250
JOHN SMART (BRITISH, 1741-1811)Portrait miniature of Mrs Shippey of Sloane Street, Knightsbridge, in a grey dressdated '1784' (on the reverse)on cardoval, 63 mm highin a gilt-metal frame with split-pearl borderProvenanceHugh John Burton Collection of 64 portrait miniatures by JohnSmart, 33 of which were bequeathed to the Victoria & AlbertMuseum, London in 1984 by Mrs K. Gifford Scott;Acquired from Rosalind Bucher, Olympia Art Fair, London, 13June 1993FootnoteA finished portrait miniature on ivory of the sitter is listed in D.Foskett, John Smart. The Man and his Miniatures for the year1784.Condition Reportslight abrasions to upper right corner, slight surface staining, otherwise sheet is generally sound, good condition overall. Framed and under glass; unexamined out of frame.
Lot 251
JOHN DONALDSON (BRITISH, 1737-1801)Portrait miniature of Mrs Anne Deane, in a white dressinscribed ‘Capt. 24th Lt Dragoons. Died 1858’ (on the backing card)on ivory (ref RNPWYN9A)oval, 45 mm highin a gilt-metal frame with split-pearl border, engraved ‘Anne, / wife of / Charles Meredith Deane’ (on the reverse)ProvenanceSotheby’s, London, 10 July 1990, lot 16;Private collection, UKCondition Reportminor spots of discolouration to flesh tones, otherwise good overall condition. Unexamined out of frame.
Lot 62
Pearl Binder, British 1904-1990 - Policeman, 1931; ink and gouache on paper, signed and dated lower left 'Binder 1931' and annotated along lower edge, 39.3 x 30.4 cm (ARR) Note: this work is possibly a study for Binder's illustrations for 'The Real East End' by Thomas Burke, published in 1932. The daughter of a Russian Jewish tailor, Binder led an eclectic and successful life, working as an illustrator, writer and broadcaster. Please refer to department for condition report
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