The Pedlar: An 18th Century Ivory Fan, possibly Italian, with carved and inlaid guards and carved and pierced gorge, the inlay of mother-of-pearl, with animals and birds, the very colourful gorge a delight of miniature paintings of animals, to include foxes and squirrels and perhaps a pig, small scale houses, churches: three vignettes, two featuring birds, the larger central vignette with a vase and colourful flowers and foliage. The double paper leaf depicts a rural village and the arrival of pedlars, who carry pots and pans and are accompanied by a mule, perhaps offering a relining service for pans. A maidservant carrying scales is possibly buying fruit. The verso has a simple outdoor scene with one lady and a building, both of which are blackened. Guard length 26.5cmBlackening to two faces, the leaf very rubbed. One stick broken at the shoulder. Bright colours.
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Jacob, Rachael and Leah, The Flight into Canaan: A Fine Early 19th Century or Earlier Ivory Fan, the guards tipped with mother of pearl and with mother of pearl thumb guards. The monture is elegantly and ornately carved, the guards with a male figure in the tips, followed by a classical female, and objects to include a diamond, shell and classical urn. The gorge is carved with a central naked figure carrying a bow and arrow, possibly Cupid, possibly a hunter. To either side is a bird, with the outer sticks filled with meandering flowers and tendrils, some being in bud, some large and fully open and with large petals. The vellum leaf, mounted à l'anglaise, depicts a woodland setting, the town in the distance behind, Jacob, now a wealthy man, with his two wives and their cow, sheep and donkeys, carrying provisions, accompanied by a servant, starting their flight into Canaan, following a souring of relations between Jacob and Leban and his sons. Two onlookers are seated to the right. The verso is plain save for painted detail on the ribs. Guard length 28cmSeen from the verso, minor repair to the leaf. Leaf quite rubbed, especially to each side.
The Legend of Gaius Mucius and Lars Porsena: A Rare Early to Mid-18th Century Italian Fan, with carved ivory sticks, the guards with figures and flowers, the gorge with an exterior scene of two men dancing and drinking outside a simple building. The vellum leaf mounted à l'anglaise, features soldiers in armour with their leader Lars Porsena, a throne to the right. Gaius Mucius was a Roman youth who is said to have saved Rome from conquest by the Etruscan King Lars Porsena. Gaius was also known as Muscius Scaevola, meaning 'left handed', as he ruined his right hand in the flames, seen in the centre of the leaf. The verso is plain brown with wavy lines painted on the support sticks. Mother-of-pearl thumb guard. Guard length 27.5cmThe leaf folds are rubbed, and have some repairs on the verso.
A Rare Circa 1740 French Fan, with ivory monture and double paper leaf, depicting a romantic liaison between two couples wearing ornate costumes, detailed in gold, gilded detail to the flowers and foliage at the sides. A country maiden looks on. On the verso a depiction of a lady seated in front of ruins and some simple painted flowers on the gorge. The upper guard is painted in deep pink, decorated with flowers, inlaid with three mother-of-pearl roundels and bearing two short messages in early French (note spellings), one of which reads ''j'attends mon soleil''. It is finished with a mother of pearl thumb guard. The gorge sticks are all similarly decorated, with inlaid mother-of-pearl in two shapes, a phrase in French, and delicate drawings such as a candle in a holder with the words ''Le plaisir me tue'', one with a bird in a cage with the words ''Jay perdu ma liberte'' and another with a sailing ship and ''qui peut conter sur moy''. This style of workmanship could be attributed to the French engraver Mariaval le Jeune, who was working first in Rouen and later in Paris during the first half of the 18th century. The lower guard is a replacement, of bone overlaid with tortoiseshell and mother-of-pearl. Guard length 29.5cmMissing/replaced lower guard, which is also warped. One Mother of Pearl shape missing in the gorge. Leaf slightly rubbed and crumpled to the left side, the upper two inches overall showing browning due to age, or humidity, more evident from behind, and the leaf is lifting from the lower guard. Some evidence of period repairs to the folds from behind.
As The Hours Pass: A Highly Unusual Mid to Late 18th Century Mother-of-Pearl Fan, the heavy sticks carved, pierced and gilded, the upper guards wide and each containing a portrait within an oval, covered with glass. The gorge sticks are shaped and several contain figures. The double vellum leaf is divided on the recto into sections, the central section quite slim, painted with a youth playing a pipe, above which is an oval containing a portrait of a lady, covered with mica. To the right, a homely scene of a lady at rest seated on a chair with her feet on a footstool, reading, a serious looking young boy in front of the fireplace, being observed by a white cat. On the wall is an embossed foil panel containing a clock, time set at ten to midday. To the left, a lady dozing in her chair, ignoring perhaps the gentleman attempting to serenade her leaning in through the window. A similar clock is above her side table. The reserves are set with a foil urn and flowers, and embroidered with gold sequins. The verso is painted with a rather crude countryside scene, to the left a man looking out from a building wearing a rather unusual hat, a lady with similar headwear plus a veil to the right, some colourful ducks on a riverbank to the fore. Guard length 24cmSome rubbing to the leaf, some patching to areas seen from the verso.
Flowers and Feathers: A Mid-19th Century Jenny Lind or Palmette Fan, with a finely carved and pierced, gilded and silvered mother of pearl monture, depicting variations on flowers and scrolling, in bands. Most of the leaf panels are painted, with a very bright and cheerful central floral arrangement with pink roses, white, blue and lilac climbers, and red auriculas with yellow centres. Two colourful birds are about to alight to feast. A border to the sides and top involves more climbers and flower tendrils. The verso is plain. The shaped tips are topped with very fine marabou or similar feathers. Ornate loop in gold metal, diamantes in the rivet. Guard length 27cmThe upper guard is broken in the upper section. The top leaf panel is very dirty. Missing bit to lower guard.
Aphrodite Ipdated?: A Mid-19th Century White Mother-of-Pearl Fan, the monture pierced and carved and clouté with steel. The double silk leaf is embroidered with silver sequins, the central painted scene perhaps leaning towards a more modern depiction of Aphrodite, with a lady, helped by a gentleman, descending from her gilded carriage, and a lady to her right accompanied by a winged cherub who is riding a white swan. Cherubs, making flower garlands, are airborne to the left, where a third lady, a cherub seated at her feet holding a tray of refreshments, is passing roses for the garlands. The verso is plain. Guard length 27cm; and A Circa 1880's Plain Tortoiseshell Fan, with a double fabric leaf, the cream silk showing signs of previously being the base for a lace fan leaf. Brown stones to the rivet, simple metal loop. The verso is plain. Guard length 27.5cm (2)Fan 1 - light foxing to the leaf. The monture is badly broken, one guard broken but present, as are parts, but perhaps not all, of the other broken sticks. Fan 2 - Staining to verso.
A Mother-of-Pearl and Ivory Fan, circa 1900(?), of a very unusual type. The monture is made up of white mother of pearl guards, pierced and clouté, and plain gorge, with a turquoise stone to the rivet. The upper panels are ivory, pierced with borders leaving the centre plain. The tips are all straight, the carving within giving it the air of a pointed Regency brisé fan. Where the ivory and mother of pearl meet, the join is visible from the verso. Guard length 19cm (please see images and condition report); A Small Circa 1900's Black Wooden Fan, the sticks simply pierced, mounted with a double leaf of black gauze, embroidered with elongated black sequins in extravagant swag designs and smaller sequins including starry shapes for a stylised central vase of flowers. Guard length 19cm; A 20th Century Cockade Fan, housed in a plastic case for protection, once open the case becomes the handle. The pleated circular leaf is dark brown. Slight shaping to one end. Closed down the item is 13cm; and A Circa 1890's Large Wooden Fan, mounted in a heavy red cotton, painted with leaves and birds in black, tinged with gold. The verso is painted with a simple flower spray in the same colours. Basic metal loop. The gorge sticks are natural the guards have been painted a dull dark red. Guard length 32cm; and A Circa 1900 Blue Silk Fan, with sequins, the guards of bone, painted in dark blue with gold stars and pink flowers, the gorge of horn painted with the same flowers. The double leaf of plain dark blue for the verso, has a thin gauze layer to the recto, highly embellished with tiny green and gold sequins, dots of pink paint, featuring five small vignettes containing cornucopia. Guard length 19cm (5) Fan 1 - at first consideration this looks like the marriage of two different fans. But the piercing appears to match. It has suffered damage and one guard is reinforced with more pearl. The ivory sticks are badly glued onto the mother of pearl which may have happened aon restoration, but it does present some questions. Fan 4- Leaf fabric quite dirty. Fan 5 - The gauze is in poor condition. The blue paint is rubbed, but essentially the monture is sound.
Sharing a Picnic: A Mid-18th Century Mother-of-Pearl Fan, the monture carved and pierced, silvered and gilded. The guards each have two have attractive curved features which contain flowers. The slender gorge sticks feature three vignettes in which are gilded figures. The double skin leaf is darkly painted in shades of beige and green, blue shy in the distance, a young couple seated under a tree in a clearing in order to share a picnic. The young man, dressed in bright blue, seems to wish to deprive his young lady of a morsel she has already chose, reaching across her in quite a determined fashion. Two sheep sit close by. The painting is signed to the left Z.... (Zaborowska? If this is correct, Gabrielle Zaborowska was born in 1852 and painted fans) The verso, painted with a simple gold border, features crossed flower holders and ribbons. Guard length 29cmRepairs to the gorge sticks from the verso. Leaf folds rubbed.
A Circa 1810 to 1830 Bone Fan, with a double paper leaf, and very unusual overlapping gorge sticks, forming hearts. The guards are overlaid with a greyish mother-of-pearl. The leaf depicts, to the right, three people taking refreshments, a throne to the right, a man seated wearing robes and a feathered turban. A second male is wearing a cloak. To the left, a man in doublet and hose is laid out on a garden bench, a lady in a red robe and intricate hair ornament attending. In the centre, a large table where a group of people are taking refreshments, the women in colourful dresses, the men in doublet and hose. The verso appears stipple printed, with roses to each side, and a wealthy couple in Regency costume taking a stroll and examining the wares of a roadside flower seller. The unusual pierced gorge sticks are arranged in pairs, with gold highlights, and are equally of interest when the fan is closed and laid on its side. Guard length 23cmLoss of some Mother of pearl to the upper guard. Repairs to the leaf on the verso, most folds.
An Early 19th Century Fan, with pierced bone sticks, a peephole feature to all the sticks half way up the gorge. The guards are elaborately decorated with sections of mother-of-pearl into which are inlaid different gold metal shapes, enamel and turquoise stones. The bone of the upper gorge is pierced to resemble feathers. The leaf, of dark blue shows three Regency ladies to their waists, each wearing different fashionable hats or hair ornaments along with different hairstyles of the day. One carries a fan with a jewelled metal guard. The reserves depict clouds and roses. The verso is a hand coloured print of a lady at her toilet, her maid in attendance, answering the door to a dog delivering a letter. This vignette is surrounded by a simple country riverside scene. Mother-of-pearl thumb guards. Guard length 23cmGenerally sound but some losses to the guard decoration, including one of two painted enamel inlays. Some of the leaf appears to have been re-glued, and is quite dry. One stick is damaged but present. Some folds are rubbed.
A Circa 1880's Black Lace Fan, Chantilly, mounted on dusky dark grey/mauve mother-of-pearl sticks, which continue as ribs, the lace backed with pale turquoise silk crepe. Shaped head, no loop, Guard length 28cmRepair to the shoulder of one central stick, not visible from the front. Fabric sound.
A Large Mid-19th Century Mother-of-Pearl Fan in the Spanish style, the sticks very heavy and wide, gilded, the leaf very slim, the sticks containing a central painting of two women and two young children. Both guards have additional decoration in relief, shaped in a gold metal, and, on the front guard, with a large paste stone, to the rear a mirror. The double paper leaf shows outdoor gatherings with dogs, to the left a woman, quite regally dressed in red robes, greets others. To the right, a similar group, this time with a gentleman wearing red costume. The verso is a simple painting of the countryside. Guard length 32.5cm, gorge shoulder 5cm at the widest part. Together with a sturdy fan box covered in cream silk, the inside lid and body both padded with silkRequires almost full restoration, virtually all the sticks are either broken or weak, one stick is missing, one small piece from a stick available. The central painting is in good order, the leaf is rubbed.
A Large Circa 1890's Mother-of-Pearl Fan, with delicate painting on the upper guard, of birds and flowers, pastel colours, gold highlights. Plain gorge. The cream gauze leaf, signed in red to the left ''Bellini''?, is painted with a young lady within a stone building, feeding two doves, a church visible through a doorway, more birds approaching, The leaf is topped with a border of Brussels bobbin applique. Guard length 35cmThe fan is quite fresh and clean, the lace is clean, the gauze leaf needs re-securing bottom right, but not splitting.
The Burgers of Calais: A Circa 1860's Mother-of-Pearl Fan, with plain guards and elaborately carved detail to the gorge, where a bagpipe player is depicted, backed with thin mother-of-pearl. There are two further vignettes, both featuring carvings of men, one with a dog. The elaborate carving includes flowers, birds, and several panels with crossbanded detail. The double paper leaf depicts Queen Phillipa of Hainault pleading with her husband King Edward III, in Calais in 1347. Calais had been taken after a one year long siege, and the King, shown in armour, was willing to spare the citizens if the six Burgers, who are shown barefoot with their hands tied, surrendered. The Queen knew that her husband would execute the Burgers and begged for mercy, which he granted. The keys to the town castle are said to be on the platter. A heraldic shield has the arms of Edward III, and sun rays from behind a cloud are also indications of this King. The American Benjamin West may have painted a similar scene in 1789. Rodin made the story more popular in the 19th century. The verso shows a well detailed scene of a church or castle with a slender tall and pointed tower, located near water. The reserves are painted with birds and flowers. Guard length 28cm A research article by FCI member Lorraine Taylor Kent was published in The Bulletin, the FCI publication.Repairs to guards, and some to rear of gorge. The leaf folds are rubbed and restored on some folds.
The Flower Meadow: A 19th Century Ivory Fan, painted in autumnal colours, the gorge with a central scene of three chinoiserie figures, the remainder painted with small scale patterns of different designs. Mother-of-pearl thumb guard. The paper leaf, mounted à l'anglaise, depicts a maiden in a flower meadow, surrounded by playful cherubs, the whole in pastel colours. The verso is virtually plain save for simple swags of green foliage and small musical instruments. Guard length 24cmThe leaf is very rubbed. The monture has rubbed paint in several areas, in particular the rear guard.
Arcadian Love: A Large 19th Century Mother-of-Pearl Fan, with gilded and silvered, carved and pierced monture. The gorge is particularly striking with a central vignette featuring three men, wearing helmets, and two young ladies, standing next to columns, and to each side other vignettes each with frolicking cherubs. The double paper leaf is in pastel colours giving a light and airy feel to the depiction of young people at leisure in a rural area, gathering flowers for garlands. The verso has an unusual central gilded heart, inside which appear to be music score and bagpipes, this feature within a large spray of flowers. The gorge sticks have been damaged and there are at least two pieces of mother of pearl effecting repairs. The gilding is bright and strong.
A Mid-19th Century Silk Jenny Lind or Palmette Fan, the palm shaped leaf sections linked together with thread. The double leaf depicts Emperor Napoleon III and his wife Empress Eugenie de Montijo on the left, probably outside the Tuileries Palace, which burnt down in May 1871. Their Civil Ceremony took place in the Tuileries on January 29th, 1853, and this gathering perhaps represents the Emperor presenting his bride to high ranking officials, and members of the Court. The mother-of-pearl sticks are carved and pierced and decorated, in the gorge, with an elegant couple, the guards more simply with flowers. The verso, of plain cream silk, with the tiniest of sketched flowers. Guard length 27cmthe double layer silk leaf has had several panels reinforced with silk on the verso. Some wear to the silk on the recto. Both guards have repair down by the rivet.
A Regency Grand Tour/Topographical Fan, circa 1800 -1810, depicting Roman temple ruins in a rural setting. The double skin leaf depicts two peasants walking past the ruins. The scene is bordered in a stylised design, in gold. The verso has simple gold painting of floral sprays. The guards and tiny gorge sticks are of carved ivory, with classical figures, the upper guard shows a lady in Roman robes, the lower guard a man in Centurion armour. Both guards are under laid with either thin mother-of-pearl or a shiny white tinsel. Barrel rivet, guard length 17cm. Together with a period card fan tubeThe leaf is rubbed on the folds and more so to each side. The monture is sound but the carving in the middle of the upper guard has a section missing.
An 18th Century Chinese Carved White Mother-of-Pearl Fan, Qing Dynasty, mounted with a double paper leaf depicting an oriental scene of ladies in colourful and intricate robes waiting by water whilst a junk approaches, perhaps delivering supplies for the habitation to the right. Another junk floats to the left, and across the other side of the river several buildings can be seen with a mountain range in the distance. The verso is delicately painted with a variety of flowers. The gorge sticks are intricately carved with figures and foliage, the guards less soThe monture is broken in several places. The top half of the lower guard is broken off but present, probably missing a shaped sliver. Several small tears to the leaf. Good colour
An Early 19th Century Bone Fan, the guards and gorge simply carved and pierced with flowers. The double paper leaf, with three oval vignettes, features a classical figure in each, the inner ovals decorated with small gold sequins. The verso is plain. Guard length 24cm; and A Circa 1880's White Mother-of-Pearl Fan, the double silk leaf in plain cream, of the type normally found mounted with a lace leaf. No decoration to the monture, just a simple chamfer to the edges of the guards. Guard length 33cm (2)Fan 1 - Substantial losses to the gold sequins. The leaf is somewhat dirty. Verso very foxed. Fan 2 - No evidence that lace has previously been applied. Very very slight marking in places.
A Circa 1890's White Gauze Fan, on plain painted wooden sticks, the leaf painted with mauve and white lilacs and veined leaves. Unsigned and unbacked. Simple gold metal loop with pearl button; A Circa 1890's Large Bone Fan, the monture completely plain, the simple loop of silver metal, mounted with a dark cream gauze leaf on which are painted meandering tendrils of pink and yellow honeysuckle, with green foliage, bees and butterflies seeking pollen. The verso is plain. The leaf supports are a continuation of the main sticks. Guard length 36cm; and The Iris: A Large Late 19th Century Wooden Fan, with light gilding to the monture, the upper guard carved at the sides to produce leaf shapes and entwined stems, the lower guard straight but lightly carved and gilded. The single cream gauze leaf is well painted with several large yellow Iris and their leaves, the open flowers variegated in shade, their petals with brown veining, the skin shed as the buds have opened shown as shrivelling, and bees searching for pollen crossing the upper section of the leaf. The verso is plain. Guard length 35cm (3)Fan 1 - Surface dust present, faint foxing to the leaf. One 3 cm split to the gauze just below the centre of the leaf. Fan 3 - Some glue visible where the ribs have been secured to the gauze.
An Early 18th Century Ivory Fan, the sticks plain with shaped shoulders, and mother of pearl thumb guards, the double paper leaf depicting a shepherdess and sheep in a simple rural environment, a boy carrying a lamb on his shoulders, a tree and house in the distance. Some gold highlights to the patterns on clothing. On the verso, a simple tree, a bird perched on a branch, its face black, its breast a ruby red. Guard length 28cmFresh and clean for its age. One tiny section of leaf lifting on the recto.
The Grape Harvest: A Circa 1740's Ivory Fan, the plain sticks mounted with a painted country scene of grape pickers in the fields, a small child picking flowers, the leaf of vellum, unusually backed in a fine cream silk, seemingly original. The verso is plain. The gorge sticks are intricately shaped with wide shoulders, and form interesting shapes when the fan is closed and laid on its side. Mother-of-pearl thumb guards. Guard length 28cmThe leaf rubbed on the folds and more generally.
Flora and Zephyr: An 18th Century Carved and Pierced Ivory Fan, with mother-of-pearl thumb guards. The upper guards are elaborately carved with two figures and a large urn, with some light colour painting. The lower sections are more classical. The gorge is carved to the left with a lady dancing, her skirts swirling, and to the right with three more dancers, the background piercing very finely worked. The vellum leaf, mounted à l'anglaise, depicts Flora, Goddess of Flowers and of the Spring and her husband Zephyr, the Wind God, a winged cherub to the side, a lady gathering flowers with a child to the right, the verso with a simple painting of a lady with a panier. Guard length 26cmThe leaf is quite rubbed at each side. The verso is dirty and has a few stains. The upper guards are likely to be later replacements.
Venus and Adonis: A Fine 18th Century Mother-of-Pearl Fan, circa 1760's, the monture carved, pierced, silvered and gilded, the gorge carved with medallions. The guards both have a gilded profile, birds and symbols. The monture features six sticks in three pairs which each have two carved ovals, within which are either a portrait (male to one side, female to the other), flowers, urns, or gilded cupids. The remaining sticks are classical, lightly carved in crossbanding and highly gilded. Towards the head, all sticks are carved with small circles, in which are symbols or entwined circles. The vellum leaf, mounted à l'anglaise, has a striking use of blue and pink. In a woodland clearing, Venus, wearing blue, seated in her giant scallop shell, is holding the hand of Adonis, his cloak in pink, a grey dog lounging at his side in front of a winged cherub. Two white doves flutter to the right of Venus and in the distance a dog can be seen chasing a deer. To either side of this tender scene are two gravures, to the left showing Cupid with his bow and quiver and another winged cherub, to the right a small and a larger winged cherub. The reserves are filled with flowers, from climbing blue and yellow and lilac specimens and blue carnations, to large pink roses and some in bud. The verso is most unusually painted in orange, blue and green in dashes and irregular short brush strokes, creating movement. The centre, in comparison is painted with a young woman in blue, her straw hat with a blue ribbon, relaxing with either a dog or perhaps a lamb, as her staff lays to the side, decorated with a blue ribbon. Guard length 27cmSome folds are rubbed. From the verso, some light brown staining suggests previous use of glue for some repair.
Aeneas and the Healer: An 18th Century Ivory Fan, the guards and gorge carved, a wide band of carving and light piercing just under the leaf depicting two figures, flowers and foliage in relief, with a central shell. One guard has a metal thumb guard, the other one of mother-of-pearl. The vellum leaf, mounted à l'anglaise, shows an army encampment and Aeneas, a Trojan hero, seated outside a draped tent, his soldiers around, a winged angel above, the healer Lapis at his feet, removing an arrowhead from his leg. The verso is plain. Guard length 27.5cmThe leaf paint is rubbed. There are repairs to the leaf folds seen from the verso, and there are a few black marks.
The Sacrifice of Iphigènia: An Early 18th Century Ivory Fan, the monture inlaid with lightly carved mother of pearl and piqué, the gorge sticks also pierced. The vellum leaf, mounted à l'anglaise, depicts The Sacrifice of Iphigènia, the daughter of King Agamemnon and Queen Clytemnestra, and thus a princess of Argos. Agamemnon had offended the goddess Artemis, by killing a deer in her sacred grove, who retaliates by commanding him to kill Iphigenia as a sacrifice so his ships can sail to Troy. The scene includes a bowl waiting for the severed head, and a hovering angel. The verso is quite vibrantly painted with a couple in the countryside. Guard length 28.5cmYellowing to the ivory. A mother of pearl panel/ivory section on the upper guard has been repaired causing the guard to warp, two gorge sticks are broken and held together with tape. The folds are very rubbed.
Mercury delivers Bacchus: A Circa 1720's Ivory Fan, with slender plain sticks, the guards tipped with a panel of mother-of-pearl, the head with mother of pearl thumb guards. The vellum leaf, mounted à l'anglaise, is painted with Mercury delivering the baby Bacchus to the Nymphs on Mount Nysa, a cherub emerging from a cloud mounted on four prancing horses. The verso is painted with large colourful flowers, the ribs thus camouflaged. Guard length 26cmMonture sound, leaf rubbed mostly to the left.
A VICTORIAN MOTHER OF PEARL AND ABALONE CARD CASE, 10CM H, A VICTORIAN PLATED METAL AND GLASS HIP FLASK WITH LEATHER SHOULDER AND SMALL QUANTITY OF VINTAGE STEEL KEYS, A CONTINENTAL BRASS MOUNTED LAVENDER GROUND PORCELAIN ICICLE SCENT BOTTLE WITH CHAINS AND FINGER RING, TWO MINIATURE CRESTED CHINA DISHES, A 19TH C FIGURAL SPILL HOLDER FAIRING, ETC
Four bone and ivory tape measures comprising an acorn form example, printed tape marked in nails and quarters, 3.5cm, a pierced cylinder form example with plain ribbon tape, 2.8cm, a barrel form example with floral carved bands, reduced printed tape marked 1/24 - 1/12 - 1/6, 3.6cm, and a cylinder example with pierced mother of pearl top, printed tape commencing at 1ins 2.5cm (4)
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367328 item(s)/page