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Lot 148
A 9ct gold vintage amethyst and pearl flower pendant necklace length of pendant 3.6cm, length of chain 40cm, a yellow metal heart shaped locket and 9ct chain length 37cm, a 9ct horn of plenty pendant and two pairs of earrings, approx combined weight 8.8gms Condition Report: Amethyst flower pendant; hallmarked to the base of the flower 9ct. Very dirty^ all stones in situ and undamaged^ chain and clasp both ok & hallmarked 9ct.¦horn pendant; light general wear stamped 9ct ¦Red gem earrings; rolled gold light wear.¦Drop earrings; stamped 9ct light general wear.¦Heart locket; quite dented only one set of inners^ no hallmark^ chain hallmarked 9ct¦
Lot 48
SILVER PLATED SUGAR CASTER, of baluster form, 22cm high, along with a silver napking ring, a silver plated salver, raised on four ball and claw feet and a collection of silver plated cutlery including a set of ten fruit knives and forks with mother of pearl handles and a set of seven teaspoons
Lot 1255
A French emerald and diamond cluster pendant, the pear-shaped emerald set within a surround of circular-shaped diamonds and yellow and white gold, with further circular-shaped diamonds set to the suspension loop, with French control mark and obscured maker's mark (possibly D A M) to the suspension loop, on fancy-link yellow gold neck chain, pendant 3.1cm high, chain 44cm long Accompanied by report number 15992 dated 2 July 2018 from The Gem & Pearl Laboratory, London stating that the pear-shaped emerald measures approximately 13-14 x 9-10 x 6.2mm and is a natural emerald with evidence of moderate clarity enhancement. Origin: Colombia
Lot 1259
A natural pearl and diamond cluster ring, the natural pearl is set within a surround of rose-cut diamonds and a further surround of cushion-shaped diamonds in silver on gold, size P Accompanied by report number 79184-44 dated 20 November 2018 from GCS, London stating that the white pearl weighs 1.71cts and is natural saltwater with no indications of treatment.
Lot 1260
A two-row natural pearl necklace, the pearls graduate fro, 3.8 - 5.4mm approximately, with a pearl, emerald and diamond flower head cluster clasp in yellow gold, 49cm longest Accompanied by report number 79195-24 dated 21 January 2019 from GCS, London stating that the 142 cream pearls graduate from 3.8-5.4mm approximately and are natural saltwater with no indications of treatment.
Lot 1261
A single-row natural pearl necklace, the pearls graduate from 2.3 - 5.3mm approximately, with a silver and gold white stone-set clasp, 47cm long Accompanied by report number 79196-87 dated 23 January 2019 from GCS, London stating that the 100 cream pearls graduate from 2.3-5.3mm approximately and are natural saltwater with no indications of treatment. Comment: pearls under 3mm in size are 'seed pearls' and may be natural or cultured.
Lot 1262
A two-row natural pearl necklace, with an oval-shaped turquoise and diamond cluster clasp, 44cm longest Accompanied by report number 79199-29 dated 20 February 2019 from GCS, London stating that the 112 cream pearls measure 5.4 - 9.2mm approx. and are natural saltwater with no indications of treatment. Comment: seed pearls under 3mm may be either natural or cultured. Accompanied by report number 25879 dated 8 June 2018 from Instituo Gemmologico Nazionale, Rome stating that the pearls graduate from 5.30-9.00mm approximately and are natural saltwater.
Lot 1263
A single-row natural pearl necklace, the pearls graduate from 4.2 - 5mm, set with a lozenge-shaped white gold diamond clasp (one missing), 40cm long Accompanied by report number 79187-40 dated 20 November 2018 from GCS, London stating that the 70 cream pearls graduate from 4.2-5mm and are natural saltwater pearls with no indications of treatment.
Lot 1264
A single-row natural pearl necklace, the pearls graduate from 3.2 - 5.8mm, with a three-stone pearl and diamond clasp, 44cm long Accompanied by report number 79189-05 dated 11 December 2018 from GCS, London stating that the 91 cream pearls graduate from 3.2-5.8mm and are natural saltwater with no indications of treatment.
Lot 1265
A single-row natural pearl necklace, with a pearl mounted clasp (two pearls missing) 42cm long Accompanied by report number 79189-06 from GCS, London stating that the 155 pearls graduate from 1.9 - 6.1mm approximately and are natural saltwater with no indications of heat treatment. Comment: Pearls under 3mm in size have not been tested and may be natural or cultured.
Lot 1267
A pair of natural pearl and diamond cluster earrings, each natural pearl is set within a cluster of circular-shaped diamonds in platinum and white gold, 1.2cm wide Accompanied by report number 79191-34 dated 19 December 2018 from GCS, London stating that the cream pearls weigh 2.79 and 2.50cts and are natural saltwater with no indications of treatment.
Lot 1303
A George IV seed pearl and enamel gold mourning ring, the rectangular centre section set with seed pearls on black enamel ground, with openwork bifurcated scroll carved shoulders with further enamel decoration, with inner inscription 'Anne Scholefield ob Sepr 1826 Ae 73' London marks for 18ct 1826, size P 1/2
Lot 1332
A George III natural pearl and diamond brooch, set overall with graduated rose-cut diamonds in closed-back silver and gold mount, suspending an articulated pearl beneath, 4.5cm wide Accompanied by report number 79201-11 dated 20 February 2019 from GCS, London stating that the cream pearl measures 8.5 x 6.2 x 4.6mm and is natural saltwater with no indications of treatment.
Lot 1340
A gold, coral bead and cultured pearl bracelet by Van Cleef & Arpels, c1965, in twisted form, signed with initials VCA and numbered 10.812, rubbed maker's lozenge and French control marks, 20.5cm For a similar necklace, see Van Cleef & Arpels: The Art of High Jewelry (Paris: Musée des Arts Décoratifs: 2012), p193
Lot 1377
A late 19th century carved opal cameo pendant, probably by Wilhelm Schmidt, depicting Arion and Delphinus with neoclassical scroll surround decorated with polychrome enamel, rose-cut diamonds and pearls, suspending from three pearl-set chains and an emerald-mounted scrolling upper section in yellow gold, 11cm long, fitted case "In reply to your wish to be informed when opal cameos were first cut in Europe, I may mention the date of 1874, when I invented the new process of cutting opal cameos in such a manner as to utilise the matrix of rough opal for the ground... Mr John Brogden exhibited the first one, which I cut, amongst his other exhibits at the Paris Exhibition, 1878..." - Wilhelm Schmidt, (1845-1938), to gem collector, Abraham Booth, who owned numerous fine examples carved by the talented Schmidt. Schmidt was born in Idar Oberstein. At the age of 15, he was sent to Paris as an apprentice to Arsène, who trained him in the neo-classical tradition. However, by the time he graduated in the 1860s, the French fashion for stone cameos was waning. Eventually, Schmidt settled in London, where he set up an engraving business in Hatton Garden, trading alongside his gem-dealing brother Louis, who imported numerous unusual and rare specimens with which he could work. Schmidt carved cameos for John Brogden, Guiliano and Child & Child, and attracted several prestigious patrons including the Museum of Practical Geology, to whom he sold cameos engraved from quartz, sardonyx, jasper, labradorite, moonstone and opal, which was to become his trademark. "Opal cameos, if rare, were not unknown (in the 19th century) but Schmidt had invented a novel technique: instead of carving the whole cameo from precious opal, he used blanks with a thin layer of precious opal overlaying the matrix, in the same way in which the contrasted layers of agates were traditionally used to set off the background." Gertrud Seidmann, a connoisseur of Schmidt's work. Schmidt never signed his work and the cameos he produced for jewellery shops and dealers were never credited to him. Examples, attributed by Seidmann, are in the collections of the Natural History Museum, London, the British Museum and the Fitzwilliam Museum, Cambridge. Literature: SEIDMANN, G., Wilhelm Schmidt: The Last Neo-Classical Gem-Engraver, (London: Source Title: Apollo CXXVIII No. 317: July-1988)
Lot 1381
A 19th century Renaissance revival gold pendant brooch, depicting Porphyrion, King of the Greek Gigantes, with the arrow of Apollo in his hand, wearing laurels of Delphi, the lower body formed from one pearl, the serpent legs decorated with enamel, within polychrome enamel gold scrolling surround, set with pearls, with a ruby sash and enamel armour, suspended from a fine-link gold chain, with brooch fitting to reverse, 10cm high For a similar example see The Canning Jewel, V&A exhibit no. M.2697-1931. Originally thought to be a Renaissance jewel, further research now dates it to being a 19th century pastiche, as with lot 1381.
Lot 1405
A pair of natural pearl and diamond earrings, the light and dark grey pearls suspend above rose-cut diamonds in white gold, post fittings, 16mm high Accompanied by report number 79203-83 dated 6 March 2019 from GCS, London stating that the grey and black pearls measure 10.7 x 8.8 x 8.8 and 10.9 x 9.1 x 8.0mm and are natural saltwater with no indications of treatment.
Lot 1409
A two-row natural pearl necklace, the pearls graduate from 1.9 - 8.2mm, with an Art Deco clasp set with circular and baguette-shaped diamonds, 43cm long approx. Accompanied by report number 79186-44 dated 27 November 2018 from GCS, London stating that the cream pearls measure 1.9-8.2mm approximately and are natural saltwater, with the exception of 6 cultured saltwater pearls.
Lot 1410
A single-row natural pearl necklace, the pearls graduate from 4.1 - 5.7mm, alternately-set with seed pearls, with a paste-set silver clasp, 38.5cm long, fitted case Accompanied by report number 79182-89 dated 22 October 2018 from GCS, London stating that the 59 pearls graduate from 4.1 - 5.7mm approximately and are natural saltwater with no indications of treatment. Comment: pealrs under 3mm have not been tested and may be natural or cultured.
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367328 item(s)/page