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A cast silver miniature pig, London 2003, 3 cm long, a stemmed bonbon dish, Birmingham 1972, a cut glass scent flask with silver screw cover and a sterling-mounted cigarette-holder, to/w a quantity of mother-of-pearl dress-shirt buttons, a pair of cream leather dress gloves and a red Morocco-bound glove box
Six gold and yellow metal brooches. A 26mm open crescent set with nine sapphires and nine seed pearls, an 18 carat yellow gold brooch set with eight cultured pearls 3mm - 5mm, a 14k garland brooch 28mm diameter set with ten untested pink stones, a Victorian oval target brooch 35mm x 25mm with a locket back, a 28mm circular simulated cameo brooch, an 8mm cultured pearl on an 18 carat yellow gold 50mm long bar. (6)
A leather jewel box containing a quantity of antique and vintage jewellery including two rows of simulated pearls, stone set bracelet, sapphire set eternity ring, two enamel set square rings, row of antique graduated coral beads, row of antique stick coral beads, early Victorian seed pearl brooch, pearl set ring stamped 14k, and paste set brooches, clips etc
19th century small bodied guitar; Back and sides: Brazilian rosewood, hairline split to the bass shoulder; Table: natural spruce, minor hairline splits to the lower bout, bridge reset, chevron banding to edges, mastic and pearl inlay to sound hole; Fretboard: ebony; Frets: eighteen brass frets; Hardware: good; Case: semi-rigid hard case; Overall condition: good
Interesting good quality Spanish small bodied guitar in need of restoration, labelled Francisco Espana... Barcelona, ano 1813; Back and sides: Brazilian rosewood, cleated split to the bass side; Table: fine grain spruce, highly decorated with continuous pearl floral bands on a mastic ground, decorative engraved pearl swag bridge, two bridge pins missing; Fretboard: ebony; Frets: eighteen nickel frets; Hardware: generally good; Case: fitted wooden box in need of restoration; Other: head in need of refixing and a small section of veneer missing; Overall condition: in need of restoration
Good French silver mounted viola bow by Alfred Lamy (neveu), unstamped, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and with a silver overlaid ebony adjuster, 58gm (without hair) *This viola bow is sold with a certificate of authenticity from The Cabinet d'Archetiers Experts, Jean-Francois Raffin dated 22nd June 2016
Good French silver mounted violoncello bow by and stamped Louis Bazin, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 75gm (without hair) *This violoncello bow is sold with a certificate of authenticity from Jean-Francois Raffin dated 10th May 2004, no. 9029 BIS
French nickel mounted violin bow by Charles Nicolas Bazin and stamped C Bazin, the stick round, the associated ebony frog inlaid with pearl eyes and the associated ebony adjuster with two nickel bands, 54gm (without hair) *This violin bow is sold with a certificate of authenticity from Cabinet d'Archetiers Experts Jean-Francois Raffin dated 2nd June 2014, this certificate states that the frog and adjuster are not original
Good French silver mounted violin bow by Charles Nicolas Bazin, unstamped, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 55gm (without hair) *This violin bow is sold with a certificate of authenticity from Cabinet d'Archetiers Experts Jean-Francois Raffin, Yannick Le Canu and Sylvain Bigot dated 27th October 2017, no. 9565-FVJ3
19th century small bodied guitar in the style of George & Manby; Back and sides: stained maple, restored hairline crack to back, three restored cracks to ribs, over-varnished; Table: natural spruce with pearl dot and mastic,block boxwood and ebony banding to the edges and sound hole, over-varnished; Fretboard: ebony inlaid with pearl dots; Frets: minor wear; Hardware: generally good; Case: gig bag; Overall condition: good restored condition
19th century German small bodied guitar; Back and sides: rosewood, various untidy marks; Table: natural spruce, various imperfections, shaped bone bridge, chevron banding to the edges, mastic and pearl inlay to the sound hole rosette enclosed by trapezoid banding; Fretboard: rosewood; Frets: eighteen nickel frets, refret; Other: action high; Case: soft bag; Overall condition: fair *This guitar appears as though it is composite. The very slim width neck used to have the lower string through a channel to the fifth fret
19th century German small bodied guitar; Back and sides: birds eye maple, many surface scratches; Table: natural spruce, five hairline cracks, various wear, pearl and trapezoid banding to the edges and sound hole; Fretboard: ebony; Frets: large nickel frets, refret; Hardware: generally good; Case: soft bag; Overall condition: fair
19th century small bodied guitar labelled 'Louis Panormo, London, anno 1845'; Back and sides: Brazilian rosewood, various hairline cracks to the sides, large crack running to the centre of the back, another large crack running half the length of the back and two other smaller hairline cracks; Table: natural spruce with boxwood, ebony and pearl dot inlay to the edges and sound hole, over-varnished; Fretboard: ebony; Frets: nineteen nickel frets; Hardware: generally good; Case: ebonised coffin case labelled George Withers & Co; Overall condition: fair restored condition

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367336 item(s)/page