Rolex: A Stainless Steel and White Gold Automatic Calendar Centre Seconds Wristwatch with Mother of Pearl Diamond Set Dial Hour Markers, signed Rolex, Oyster Perpetual, Superlative Chronometer Officially Certified, model: Datejust, ref: 116234, circa 2016, (calibre 3135) lever movement signed and numbered 2E192562, adjusted to five positions and temperature, mother of pearl dial with diamond set hour markers, date aperture, case with screw down crown, white gold faceted bezel, screw back stamped inside Rolex Geneva Switzerland and numbered 2080, case serial number 4P621661, Rolex stainless steel jubilee bracelet with a concealed deployant clasp numbered 2SZ, end links numbered 63600 U4P, with Rolex boxes, International guarantee card, booklets, card holder, swing tags and plastic bezel protector36mm wideCase and bracelet with surface scratches, case with minor dents in parts to the bezel, case sides and lugs, Rolex crown is screwing down correctly on the threaded tube, glass with very minor chips in parts to the outer edges, dial is clean, hand setting correctly, date changing correctly, movement in going order.
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An Early 20th Century Diamond Bee Brooch the bee set with vari-hued shades of old cut diamonds, and ruby eyes, atop a double lozenge-shaped rose bar, with pearl terminals, total estimated diamond weight 0.60 carat approximatelylength 6.5cmNB: the pearls have not been laboratory tested.The brooch is in good condition. It bears no hallmark, nor stamp, but in our opinion would test as gold. The diamonds are assessed as colour I through to tinted, and clarity SI2/I1/I2/I3. Gross weight 7.5 grams. CR made 18th September 2024.
A Pair of Diamond and Cultured Pearl Earringsthe cultured pearl surmounted by a round brilliant cut diamond in a white claw setting, total estimated diamond weight 0.70 carat approximately, with post fittings drop length 1.4cmThe earrings are in good condition, with very slight wear commensurate with light use. The surfaces of the cultured pearls are uneven/pitted. They bear no hallmark nor stamp but in our opinion would test as gold. The cultured pearls measure 8.40mm approximately. The approximate qualities of the diamonds are; colour I/J/K, clarity VS2/SI1/SI2. Gross weight 5.3 grams. CR made 25.09.24.
A Victorian Black-Lacquered Papier Mache and Mother-of-Pearl-Inlaid Tray and Later Stand, circa 1870, stamped Jennens & Bettridge, of moulded serpentine-shape form, decorated with trailing foliage centred by a flowers and leaves, the ebonised stand with simulated bamboo splayed legs joined by a cross-stretchertray 63cm by 47cmstand 55cm by 42cm by 46cmSome losses to the mother-of-pearl (as photographed). There is rubbing to the gilt in some areas. The verso is crazed. The stand is structurally sound, though does have some general scuffs around the legs. Please see further images.
Dutch School (17th/18th Century) Portrait of a lady, head and shoulders, wearing a wide white ruff and a pearl earring Oil on panel, 23.5cm by 24cmProvenance: The Parker Gallery Oak panel, grain running horizontally, held in with two pins at the sides and one pin in the top. The top pin across the grain, likely holding the panel under tension. Mould on reverse. Old minor losses to the panel at either end of the grain, and one approx 6cm splinter partially re-adhered at the top left corner with associated loss of paint and ground (see images). Slight convex curvature in lower half where not held under tension by pin. A curious raised vertical line against the grain through the centre of the panel below the sitter's chin. Unsure what this is, but appears stable.The panel has had a history of flaking and loss. Brittle age craquelure throughout, wtih numerous raised tents of paint and ground, some visibly active and not stable (see images inreflected light). One fresher tent has crushed at the middle of the left side, with associated loss of paint and ground. Numerous old restored losses, mostly to background and drapery. Likely several campaigns of restoration. Also brushy overpaint in places in the background, notably in the bottom left and right corners, and around the figure. It is difficult to see the extent due to obscuring thick varnish layers. Further patchy overpaint to losses and to suppress the abrasion in lighter passages. There has been abrasion and thinning of paint layers, including to hair, eyes and lips and likely glazes on the face. For more recent campaigns of retouching - see ultra violet images.Thick old glossy varnish layers with a splattered and drippy thick yellowed varnish visible over the head and drapery (see images). A light layer of surface dirt.
Follower of Arnold Boonen (1684-1729) DutchPortrait of a lady, half-length, wearing a white dress trimmed with lace at the décolletage and a suite of pearl jewellery Oil on copper, 9.5cm dia. (tondo)Copper panel flat. Raised micro-cracking with associated loss of upper paint layers in passages, including a larger flaked loss unrestored top centre. Further brittle age craquelure, not raised (see images in reflected light for extent of flaking). Cracks in figure are largely secure. Minor losses and rubbing at edges where visible - see bottom left edge. There are some pale yellowish streaks in the background, it is not possible to determine what these are, they don't appear to be losses to paint and ground, and are perhaps flaked/broken up varnish, or a substance on the surface? Scattered minor retouching to looses, with a little reinforcing in drapery. A degraded yellowed matt varnish, slightly broken up in places. A layer of surface dirt with tiny dark spots and other surface accretions.
A Chinese blue and white “dragon” ewer, Qing Dynasty late 19th century, the bulbous body decorated with a four-clawed scaly dragon chasing a flaming pearl amongst tendrils of foliages and flowers, the reverse with a similar design, together with an elongated spout and a bracket-shaped handle, all above a band of flower sprays near the foot and decorative patterns at the neck. The original lid decorated with leaves and flowers in a similar tone of blue; altogether 20cm in heightProvenance: an East Anglian based collector清19世紀晚期 青花龍紋執壺 The ewer is in excellent condition except a couple of shallow glaze flakes on the neck rim and another extremely small flake at the tip of the spout保存狀態非常完好，壺口及壺嘴有幾處極微小飛皮
A large Chinese blue and white “dragon” dish, Qing Dynasty Kangxi period (1662-1722), heavily potted and decorated in reserve two scaly dragons in pursuit of the pearl of wisdom amidst clouds above a cobalt blue ground with wave patterns, the base painted with a symbolic mark inside a double circle, further encircled by a channel foot ring; diameter 34.6cmProvenance: an East Anglian based collector清康熙 青花二龍戲珠大盤Note: according to Teresa Canepa and Katharine Butler's 'Leaping the Dragon Gate' (2021)-p.374, the channel foot ring is a prominent feature in many early Kangxi pieces (fig.III.4.2. - III.4.5.). This feature is mainly found in deep dishes of a large size with a wide grove flanked by an outer ridge slightly thicker than the inner one. Nevertheless, the channel foot ring feature has gradually disappeared by the late Kangxi reign. Overall in good condition, two hairlines on the rim ca. 5cm and 1cm each, with a few further chips and flakes largest measuring approx. 2x1cm.整體狀態較好，口沿有兩條沖線5cm和1cm，另有幾處磕碰最大一處約2x1cm
Two Chinese cloisonné enamel vessels, c.1900, comprising a cylindrical-shaped box with cover, with “Hundred Antiques” design on the body and cover, together with another tall cup depicting a dragon chasing a flaming pearl amongst clouds; height 9cm and 11cmProvenance: an East Anglian based collector1900年代 銅胎掐絲琺瑯蓋盒及龍紋杯（共2件） covered box with some gentle wears and a couple of enamel losses on the base; dragon cup is in good condition, saving for some wears and a couple of shallow dents蓋盒有少量脫釉及自然磨損，龍紋杯除器身有少量磨損及磕碰印跡外完好
A late 20th-century mixed gem-set cluster ring. The nine stones a combination of ruby, emerald, white sapphire, cat's eye chrysoberyl, sapphire, citrine, coral, pearl, and diamond. Estimated total gemstone weight 0.90ct. The inside shank is stamped 22ct, assessed as 20ct gold. Finger size N 1/2. Weight 6.8 grams.
A 20th-century sapphire, diamond and cultured pearl pendant. The six oval blue sapphires in rub-over settings are surrounded by panels of old-cut diamonds, a central pearl and a further articulated pearl. Unhallmarked, assessed variously between 9-16ct gold, suspended on a silver chain. Pendant measurements 5.1 x 2.5 cm. Gross weight 6.7 grams.
An Edwardian aquamarine and pearl necklace The trace link chain with seed pearl spacers to a central aquamarine bar shaped drop with two further aquamarines and seed pearls. Drop length: 60mm An aquamarine set bar brooch the millegrain stone of canted rectangular form on a plain bar width: 68mm
A twentieth-century twelve-place setting canteen of flatware, each piece with Armorial crest and motto, "VIRTUTE QUIES", comprising:twelve hallmarked silver entree forks, and twelve main course forkstwelve hallmarked silver Hanoverian rat-tail pattern soup spoons, twelve dessert spoons, and four tablespoonsA pair of hallmarked silver Hanoverian rat-tail pattern sauce ladlestwelve main course knives, and twelve entree knives, each with steel blades and ivorine handlestwelve fish forks and knives, each with hallmarked silver tines and blades, and ivorine handleseight dessert forks and knives, each with hallmarked silver tines and blades, and mother-of-pearl handlesA five-piece steel carving set with ivorine handlesEnsuite with a wooden fitted canteen, with key and working lock, the hallmarked silver components with sponsor's mark of Harrison Brothers & Howson (George Howson), Sheffield c.1939, dimensions of the canteen, 45 x 36 x 24cm, weight of weighable silver (excluding the hallmarked silver knives and forks with composite handles) 3,237g/104.07ozt approx
A cased Victorian dessert part-service, for six-place settings, comprising six knives and six three-pronged forks, each with silver blades/tines and mother-of-pearl handles, possibly missing a tray insert, ensuite with a wooden and brass-bound fitted presentation case, ensuite with key, Elkington & Co. Ltd., Birmingham 1898, length (of knife) 20.4cm approx
An early Victorian rosewood and brass bound dressing case, the brass lift-out carrying handles to either side, brass escutcheon and cartouche initialled 'MJC' to the hinged top, enclosing a gilt tooled straight grain black morocco lined and green plush interior, fitted with eight facetted cut glass boxes/containers and an inkwell, the engine turned silver pull-off covers with monograms to the centre, the lift-out tray with ebonised borders fitted with two pads containing ten steel or mother-of-pearl mounted manicure accessories, George Reid, London, 1839, dimensions of case, width 33cm, depth 26.5cm, height 17cm, weight of weighable silver 150.2g/4.82ozt approx
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367336 item(s)/page