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Click here to subscribeThree various yellow metal pendants and chains, comprising a pink cultured pearl and tiny diamond set pendant, yellow metal stamped 333, a further pendant and chain set with cultured pearl, yellow metal stamped 375, and a diamond shaped chain, yellow metal stamped 9k to clasp, 42cm long, 9.5g all in. (3, AF)
A GEM-SET NOVELTY BROOCH, BY VAN CLEEF & ARPELS, CIRCA 1950 Designed as a stylised gentleman on bended knee, highlighted with a cabochon emerald, circular-cut rubies, a cultured pearl and single-cut diamond, signed Van Cleef & Arpels NY, numbered, length 4cmCondition Report:Normal signs of wear, overall in good conditionNumbered 17684 (or 176B4?)A minor sign of link repair visible on the reversePin clasp stamped 14KTotal gross weight approx. 7.1g
A MOTHER-OF-PEARL PENDANT NECKLACE, BY CARLO ILLARIO FOR BULGARI, CIRCA 1968 The shell-shaped plaque with polished gold borders, suspending from a coffee bean link chain, mounted in 18K gold, pendant signed Bvlgari & Italian registry mark for Carlo Illario '26AL' between 1944-1968, pendant width 8.4cm, chain length 58cm
A DIAMOND 'FORCE 10' BRACELET, BY FRED PARIS The 18K gold buckle pavé-set with brilliant-cut diamonds, with interchangeable green or red woven steel sailing cable, signed Fred, numbered, with maker's mark for 'FP' for Fred Paris, with maker's case, length 17cm Striking a balance between timeless tradition and contemporary flair, the renowned French heritage jeweller FRED is celebrated for its distinctively classic yet innovative aesthetic and unparalleled craftsmanship. Founded in 1936 by Fred Samuel, the brand embodies his vision of integrating Jewellery seamlessly into everyday life, a philosophy that continues to shape FRED's design ethos. Born in 1908 in Argentina to a family deeply involved in the diamond, pearl, and multi-coloured stone trade, Samuel cultivated a passion for cultured pearls and emerged as a trailblazer in the industry. Influenced by the maritime landscapes and vibrant hues of his Argentine upbringing, his designs exuded a vivid vitality. Evolving into a globally recognized and innovative Jewellery brand, FRED maintains its distinct allure while expanding boutiques worldwide. In 2012, the brand reintroduced its iconic Force 10 collection, featuring the FRED Force 10 bracelet in white gold. Drawing inspiration from Samuel's passion for sailing, the original 1960s designs were pioneering pieces crafted to appeal to both men and women. Reflecting its maritime roots, the bracelet, named after the formidable gale-force wind, is characterized by a fibre cable coiled around the wrist, imbuing it with a robust, industrial aesthetic. The 1960s marked a seismic shift in societal norms, including attitudes towards fashion and personal expression. Jewellery became a means of self-expression and empowerment. The era witnessed a move away from the conservative styles of the past, with many embracing bold and avant-garde designs, Jewellery became a symbol of liberation and individuality. Weares began to favour unconventional materials, eschewing the opulent and restrictive styles of previous decades. During a dinner with his crew, Henri Samuel discovered a piece of his boat's halyard in his pocket, which needed replacing due to its imminent breakage. Playfully, he fastened it with a cable tie around the wrist of his wife, Béatrice. Upon returning to Paris, he tasked his workshop manager with finding a way to embellish the steel halyard with a simple gold clasp. A week later, the inaugural Force 10 bracelet was born. Henri christened it Force 10 to symbolize the resilience of love, capable of withstanding all challenges, as well as the power of wind, measured on the Beaufort scale ranging from 0 to 12. Force 10 represents a storm wind, with only force 11, denoting a violent storm, and force 12, indicating a hurricane, surpassing it. Thus, marrying gold and steel, Force 10 epitomizes a jewel designed to endure all conditions, unlike conventional gold Jewellery. Henri Samuel encapsulated this transformation, stating, When a man of the sea becomes a jeweller, he converts a maritime cable into a gold and steel bracelet. Wearing Force 10 signifies a bold statement of style and courage for individuals of driven and passionate temperament, for those who refuse to be constrained by the limitations of the horizon. As it turns 58, the FRED Force 10 bracelet boasts versatility, offering a myriad of styling options for everyday wear, tailored to individual preferences. Timeless yet contemporary, its unisex design effortlessly complements diverse personalities. FRED's innovative fusion of braided steel sailing cable with a gold buckle, once perceived as contrasting materials, revolutionized jewellery craftsmanship. This avant-garde creation sparked a collection that exudes both casual elegance and glamour. Building upon its original creative boldness, FRED infuses the collection with versatility and a vibrant palette of lively colours. Force 10 is undoubtedly the emblematic bracelet of the Fred Jewellery house. “The passion for the sea and sailing is hereditary in the Samuel family. It will find another way of deploying itself in a jewel destined to become one of the emblems of the house: the force 10 bracelet” Fred Samuel Mémoires d'un joailier, 1992.
A GEM-SET AND CULTURED PEARL CHOKER NECKLACE The tapered openwork plaque centring an oval-shaped yellowish-orange sapphire, within a border of brilliant-cut diamonds and carved mother-of-pearl bands, further set with baguette-cut diamonds, suspended from a wide woven cultured pearl necklace, enhanced by emerald beads, to an oval-shaped clasp similarly set, mounted in 18K gold, indistinct Italian registry mark, with maker’s case signed David Morris, retailed by David Morris, length 39cm, width 2.2cm
A DIAMOND AND GOLD ZODIAC PENDANT, BY FRED PARIS, CIRCA 1975 The rectangular plaque depicting the Aries zodiac sign, the horn highlighted with brilliant-cut diamonds, within a textured gold frame and bale, mounted in 18K gold, signed Fred, with maker's mark 'Sté LFV' for Lasbleiz Fournier Vitiello, French assay mark, length (including bale) 5.3cm Lasbleiz Fournier Vitiello was a Parisian workshop founded in 1962 and worked for prestigious jewellery houses such as Fred, Van Cleef & Arpels, René Boivin amongst others. Striking a balance between timeless tradition and contemporary flair, the renowned French heritage jeweller FRED is celebrated for its distinctively classic yet innovative aesthetic and unparalleled craftsmanship. Founded in 1936 by Fred Samuel, the brand embodies his vision of integrating Jewellery seamlessly into everyday life, a philosophy that continues to shape FRED's design ethos. Born in 1908 in Argentina to a family deeply involved in the diamond, pearl, and multi-coloured stone trade, Samuel cultivated a passion for cultured pearls and emerged as a trailblazer in the industry. Influenced by the maritime landscapes and vibrant hues of his Argentine upbringing, his designs exuded a vivid vitality. In the 1970s, French culture experienced a dynamic and diverse period in design, Jewellery, and fashion. This era was marked by a fusion of traditional elegance with avant-garde experimentation, reflecting the cultural shifts and social movements of the time. In Jewellery design, there was a move towards more unconventional and bold styles. Artisans began to experiment with new materials and techniques, leading to the emergence of avant-garde and abstract Jewellery pieces. FRED continued to set trends with their innovative creations. There was a growing interest effortlessly chic and carefree style, with trends such as bohemian chic and disco glamour gaining popularity. On August 12, 1976, the day dawned with relentless rain. For months, the entire FRED team had diligently prepared for the grand opening of their boutique at the Loews Hotel in Monte Carlo, situated within the principality. Fred Samuel himself meticulously oversaw every detail, from the paintings and wallpaper to the woodwork, windows, and furniture. A special highlight was planned for the esteemed presence of Her Serene Highness, Princess Grace of Monaco, renowned as one of the world's most beautiful and illustrious women. Graciously, the princess accepted the invitation to grace the evening with her presence, accompanied by her eldest daughter, Princess Caroline, then nineteen years old. Notably, Princess Grace had recently witnessed the success of the musical A Chorus Line on Broadway during her visit to New York. In a spontaneous gesture, Samuel arranged for an impromptu stage to be constructed atop the hotel's rooftop swimming pool and engaged a professional troupe to entertain Princess Grace with this special interlude. However, the relentless rain threatened to disrupt the plans. Thankfully, just as the clock struck seven in the evening, the downpour ceased. An hour later, the official car announced the arrival of the two princesses, exuding supreme elegance. In commemoration of this auspicious occasion, Fred Samuel presented Princess Grace with a Scorpio zodiac necklace adorned with meticulously paved rubies. The Princess' penchant for star signs had long been public knowledge: In 1956, Hollywood astrologer and horoscope columnist Carroll Righter was photographed visiting Kelly on the set during the filming of one of her last films, “The Swan.” Shortly after her engagement to Rainier. Righter dedicated one of his columns in the Chicago Tribune to championing the pair’s astrological compatibility, providing details of Kelly’s horoscope over “the last several years.” Then on Saturday November 15,1969, the American film star-turned-princess threw herself one of the most peculiar and extravagant birthday parties in history. Centred around the eighth astrological sign, with a strictly scorpion only guestlist. Mercifully, spouses of Scorpios were also permitted, as were Kelly’s family members. For Fred Samuel, the grand opening of his boutique at the Loews Hotel in Monte Carlo is an apotheosis. “Monte-Carlo marked the course of my career with particular brilliance. It symbolized a key moment in the development of our company and, more secretly, the place where the light of the stones was somehow restored to me. For a moment, I rediscovered the dazzlement of childhood and it seemed to me that beyond and beyond the war, the two halves of my life came together to simply affirm its vocation to the light!”
A LADY'S STAINLESS STEEL 'REVERSO' DIAMOND-SET DUAL TIME WRISTWATCH, BY JAEGER-LECOULTRE, CIRCA 1995 32-jewel manual wind movement Cal. 844, silvered dial with Arabic numerals, blued sword hands, reverse side with mother-of-pearl dial, gilt dauphine hands, diamond set reversible case back, brown leather signed strap with stainless steel deployant signed clasp, dial, case and movement signed, model no. 266844, case no. 2007489, case 20mm
A LADY'S STAINLESS STEEL, MOTHER-OF-PEARL AND DIAMOND-SET BRACELET WATCH, BY CHAUMET Of Quartz ETA Cal. 976001, movement, the rectangular mother-of-pearl dial with single-cut diamonds for numerals, with blued steel hands, between courses of brilliant-cut diamonds and with fitted brick-link bracelet with deployant clasp, case, clasp, dial and movement signed, case numbered 22K7182, with guarantee leaflet from Chaumet in Monte-Carlo, inner circumference approx. 17cm, case 21mm
A PAIR OF DIAMOND AND MOTHER-OF-PEARL DIAMOND EARRINGS, BY MAUBOUSSIN, CIRCA 1970 Each textured gold hoop highlighted with brilliant-cut diamonds and mother-of-pearl, mounted in 18K gold, signed Mauboussin Paris, numbered, with maker's mark 'VF' for Verger Frères, French assay marks, length 2.8cm Verger Frères is a jewellery workshop in Paris that was commissioned to make jewellery for renowned jewellery houses such as Mauboussin, Van Cleef & Arpels, Cartier amongst others.
A SAPPHIRE, CULTURED PEARL, ONYX AND DIAMOND SAUTOIR NECKLACE Designed as a detachable sapphire bead tassel with cultured pearl and brilliant-cut diamond rondelles terminals, to a cultured pearl, onyx and brilliant-cut diamond surmount, suspending from a cable-link chain interspersed with circular-cut colourless sapphires and further sapphire beads, mounted in 18K gold, pendant length 13.1cm, necklace length 78cm
the rounded sides rising from a short tapering foot to an everted rim, enamelled to the interior with a famille noire medallion enclosing a five-clawed dragon chasing a flaming pearl, all amidst flame and cloud scrolls, encircled in the well by two striding dragons chasing the flaming pearl reserved on a turquoise ground, the exterior decorated with two further striding dragons reserved on a yellow ground, the base with apocryphal Hongzhi mark, 17.7cm diameter Footnote: For a very similar dish, see Christie's, London, 15 May 2018, lot 195.
CHIVERS, Cedric (binder). The Booke of Thenseygnementes and Techynge that the Knyght of the Towre Made to His Doughters by the Chevalier Geoffroy de la Tour Landry, edited with Notes and a Glossary by Gertrude Burford Rawlings, George Newnes 1902, frontis., addn. title-page, and five plts., all present in two states (both uncol. but one on heavy stock cream paper), red initial letters, teg., remainder untrimmed (lightly foxed), marbled endpapers, contemp. mottled and coloured vellucent, spine and upper cover gilt outlined, coloured and mother of pearl inlaid, slightly bowed, the upper cover with a knight before a castle under the sun, the spine with a castle, the title in a shield, limited edition, 39/56 copies, 4to
An Eardley B Norton gilt brass aneroid pocket barometer with altimeter scale and compass, a late 19th century example with circular silvered dial, calibrated in inches and inscribed Eardley B Norton, Manchester 1135, having rotating altimeter scale, calibrated to 10,000 feet, the opposite side with mother of pearl compass, having surrounding thermometer, all within original double sided leather case
Pearl Drop Necklace - Single pearl drop on a silver chain, by Danbury Mint, boxed, Costume Jewellery Brooch - (3 semi precious stones) necklace (Dark stone, white metal chain) plus a smart looking make up bag (German), Collapsible pen - very neat well made West Germany, red enamel collapsible ball point pen and one other, chain and Wrist Watches - Ladies Vellacio Snap Band Wrist Watch, red enamel working order
TWO PEARL NECKLACES AND A BROOCH including two cultured pearl necklaces, one comprising a single row of graduating cultured pearls, measuring 2.8-5.8mm, secured with a finesse clasp set with paste stones, no assay marks, c.45.0cm; the other comprising a row of graduating cultured pearls, measuring 3.2-6.8mm, secured with a plated finesse clasp, to an elasticated string, c.40.0cm; and a paste brooch (3)
A PAIR OF VINTAGE FAUX PEARL AND DIAMOND DROP EARRING in 9ct gold, each set with a round cut diamond, suspending a round cut diamond held in a bezel setting, terminating with a faux pearl drop, secured with lever-back fittings, no assay marks, 2.6cm, (gross weight - c.1.8g), accompanied by a box
A MIXED LOT OF COSTUME JEWELLERY including a white enamelled rose brooch, a sterling silver coin mount, a imitation turquoise cluster brooch, a black and white scotty dog brooch and a Viking long boat in silver, set with a piece of abalone mother of pearl, a single floral clip earring / brooch and a spare Rolls Razor blade, unused and in original branded paper packaging and Bakelite box
A COLLECTION OF COSTUME JEWELLERY including a fringe necklace; a square rhinestone brooch; a large concentric white stone brooch; a cognac and grey tone rhinestone spray brooch; a greyhound brooch in silver; a fancy link bracelet with engine turned detailing; a pair of faceted green stone drop earrings, a stylised rhinestone and imitation pearl bracelet, 17.0cm; a blue paste cocktail ring in base metal
A VICTORIAN SILVER ALBERT PATTERN PART DESSERT SERVICE by Watson & Gillet, Sheffield 1901, comprising six dessert forks, together with three unassociated mother of pearl handled fruit forks and two George V silver handled pickle forks, Sheffield 1929, contained in an oak canteen case by Maleham & Yeomans of Sheffield, with lifting top and fitted two drawers, on stand with cabriole legs, 99cm high x 56cm wide x 46cm deep
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