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A vintage high carat white metal, diamond and natural saltwater baroque pearl ring, the central pearl of approximately 9mm diameter, set approximately 8mm above a cusped flower head setting, and flanked by a pair of brilliant-cut diamonds, each of approximately .10ct, on a cathedral shank with geometrically engraved shoulders, stamped '18ct', size M 1/2, 4.4g total
A graduated pearl single strand necklace with diamond flower head clasp, the centre stone approx 0.2 carat CONDITION REPORTS Close up images on condition report. Gross weight in grams 18g. Largest pearl 0.7cm to 0.6cm. Not known if the pearls have a high medium or low lustre - see images. Skins appeasr smooth to the naked eye with no visible signs orf cracking or peeling. Not known if natural or cultured. Dia. of diamond clasp approx 0.8cm see images of diamond re white/bright/clarity. NB we are not gemologists. Max length 50cm.
A hardstone mounted oval silver coloured metal box and cover, 7.5 cm wide, a shagreen cylindrical box and cover, a tortoiseshell box and cover, a mother of pearl card case and an ivory notelet case (5)Condition of the Shagreen box: Some slight loss around the back hinge. Otherwise in good if worn condition.
Assorted jewellery comprising: 18ct gold dress ring set celadon jade-coloured hardstone panel of navette form, together with a white metal dress ring stamped 18k and a yellow metal ring set large pearl stamped 18ct, 9ct gold swivel fob with bloodstone and carnelian matrixes and pair of Art Deco-style 9ct gold ear studs, 24g gross approx, together with sundry marcasite jewellery
the two rows of smaller and larger grey simulated pearls meeting at the front in a mother-of-pearl disc on which is a flower set with faux brilliants and a coloured glass bead, surmounted by smaller similarly set flowers, with three more at the back of the necklace and a signed hook clasp to allow variable length 38-45cm, fancy pierced backing to the central feature with oval cartouche signed 'Miriam Haskell'Footnote: Other notes: Miriam Haskell (1899-1981) was an American designer of costume jewellery from the 1920s to the 1960s. She moved to New York City from Indiana in 1924 with apparently just $500 in her pocket. By 1926, she had opened a boutique in the old McAlpin Hotel, and a second outlet at West 57th Street. In the 1930s, the company relocated to 392 Fifth Avenue. The stylish yet affordable jewels were popular throughout the Great Depression, and Haskell went on to open boutiques at Saks Fifth Avenue and Burdine's, as well as stores in Miami and London. Her jewellery was worn for publicity shots, films, and personal use by movie stars including Joan Crawford and Lucille Ball, and it is said that Crawford owned a set of almost every Haskell piece ever produced from the 1920s through to the 1960s. Other famous collectors included Gloria Vanderbilt and the Duchess of Windsor. Jewellery from Miriam Haskell, despite being classed as 'costume', is known for its quality components, intricate hand work, and stylish design and is hugely popular and highly collectible, often commanding high prices.
the first with each bead headed post suspending a baroque pearl in a spiral wire cage then a short chain and a similar larger cage holding a polished emerald pebble; the second pair with hook fittings, each fronted by a flower stem between two leaves suspending a 7mm pearl in a botanic claw and leaf mount; both set in unmarked yellow metal, testing for 14ct gold, lengths respectively 3.2cm and 2.6cm (Qty: 2)
the first with a galloping race horse set with rose cut diamonds, the jockey in red, white, blue, black and pink enamel, pin length 3.1cm, in period fitted oval case; also a vintage chrysoberyl and seed pearl heart set on a similar pin, length 4.0cm, and single stone sapphire bar brooch, with a round cut mid blue sapphire on a lazy S bar with crossover twisted ribbon, hallmarked 9ct gold, length 5.0cm (Qty: 3)
the oval half length portrait of a young man in early 19th century dress, with brown eyes and powdered hair, in a plain narrow mount, the back with a glazed panel of hairwork, with a lock of chestnut hair tied with a seed pearl band like a sheaf of corn, with gold work wheat stalks and ribband, in a broad mount of very dark blue thick guilloche enamel; the mount has formerly had a suspensory loop; length 7.2cm
the pendant of navette form with a broad 18ct gold edge, Sheffield hallmarks for 18ct gold, 2012, lap set with a cabochon lapis lazuli on one side, and on the other a similarly set piece of mother-of-pearl, fixed polished bale, to a spiga link chain with London hallmarks for 18ct gold, 2010; length of pendant 4.2cm, of chain 39.5cm
each earring designed as an open ribbon bow, millegrain edged and set with small round brilliant cut diamonds, Birmingham hallmarks for 9ct gold 1999, each with a removable angled slider holding a 6mm cultured pearl, width 1.5cm; also a ring in the form of a diamond set bow with 5.4mm cultured pearl centre, white on yellow metal stamped '750', ring size J, width of ring head 1.6cm (Qty: 2)
the first with a D section bar bearing ivy leaves, beads and a ribband set with small round cut demantoid garnets and tiny seed pearls, yellow metal stamped '9ct', safety chain and sliding clasp, length 4.7cm, fitted contemporary case; and another period fitted case containing two stick pins, one of white metal with an oval pearl head, assumed cultured; the other of yellow metal with a (loose) tooth shaped baroque pearl head, believed to be natural (Qty: 3)
the first an oval section tubular Latin cross set with a rose cut diamond, five step cut green hardstones (possibly emeralds), the central one within a seed pearl border, the lowest with a pair of realistically modelled leaves above, concave suspensory loop, and fine belcher link chain, all unmarked yellow metal, length of cross with loop 5.7cm, of chain 73cm, with alternative jump rings allowing it to be worn shorter at 33 or 40cm; the second a seed pearl set star with eight points set with tiny graduated pearls, the knife edge sparks between, and the centre, set with larger pearls, length with suspensory loop 2.6cm, on a fine figaro link chain with barrel clasp, length 36cm; the third a circular locket, with front of cast scrolling rococo leaves on a textured ground, interior with vacant glazed compartment, stamped '18ct', length with suspensory loop 2.4cm, weight 6g (Qty: 3)

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367328 item(s)/page