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A 9ct gold saxophone stick pin, a similar initial pin and tiepin and five various unmarked items, including a turquoise-set stickpin, a pearl and lapis lazul-set tiepin, a pearl and lapis lazuli bar brooch, an amethyst, peridot and pearl-set bar brooch and another bar brooch with pearl-set flower (8)
CERTIFICATED AMBER NECKLACEformed by graduated ovoid beads, the largest bead 17.8mm long, the smallest bead 10.5mm long, with some metal beads, 44cm long, with accompanying certificate from The Gem and Pearl Laboratory London stating the beads to be heated amber; along with a pendant, possibly dark amber, 25mm high, 4.2g (2)
IMPRESSIVE SUITE OF EASTERN JEWELLERYcomprising a high carat gold necklet formed by openwork links with tear drop motif sections set with round turquoise, with pierced turquoise and seed pearl set drops, with a turquoise and gold thread section to the reverse, unmarked, tests as fourteen to twenty two carat gold, 66.2g; a turquoise ring with central larger cabochon cut turquoise 11mm long and surrounded by round turquoise to the pierced bezel, unmarked, size L, 7.1g; a pair of drop earrings formed by two linked pear shaped turquoise set sections suspended from a double pearl shaped section also set with turquoise, with screw fittings, 40mm long, unmarked, 8.1g; a hair ornament formed by an openwork pear shaped drop set with round turquoise and with turquoise and pearl set drops 53mm long, suspended from a single strand of pearls with hair pin fastening, unmarked, 8.1g; along with an unmatched ornate bracelet formed by two rows of interlinking round links, one row with engraving, the other plain, with two animal head motif terminals forming the clasp and modelled in the round and set with turquoise, with safety chain, unmarked, tests as fourteen to twenty two carat gold, 45g
THREE VARIOUS DRESS RINGScomprising a Victorian fifteen carat gold garnet and seed pearl ring with an engraved shank and scrollwork gallery, size L, 2g; a Victorian mourning ring set with pearls to the black enamelled bezel, unmarked, size M, 2.7g and an early twentieth century opal single stone ring set with an oval opal 13.6mm long, in eighteen carat gold, size H, 1.8g
PAIR OF EIGHTEEN CARAT WHITE GOLD DIAMOND AND PEARL DROP EARRINGSeach formed by a square openwork diamond set section set with stones totalling approximately 0.25 carats and with a single round brilliant cut diamond of approximately 0.22 carats and a further single pearl drop, 37mm long, 8.2g gross
EDWARDIAN FIFTEEN CARAT GOLD AMETHYST AND SEED PEARL NECKLETformed by a single oval amethyst 10mm long and within a millegrain edged collet and suspended from a tapered graduated split pearl bar, in turn suspended from a split pearl set daisy cluster, marked 15CT, the chain also marked 15CT; along with an early twentieth century nine carat gold amethyst pendant with a pair of similar nine carat gold amethyst earrings with screw fittings (3)
MONET CLAUDE: (1840-1926) French Impressionist Painter. A fine A.L.S., Claude Monet, four pages, 8vo, Giverny, 24th September 1911, to Genevieve [Hoschede], in French, on mourning stationery. Monet writes in his characteristic purple fountain pen ink following the death of his second wife, Alice, and commences 'Thanks for having thought to write to me, and thanks to my good Jean Pierre for having taken a moment to come to visit me, so sad when I see the house so empty, and no longer see your dear faces. You have so kindly accustomed me to your daily visits' continuing, 'Nothing much new here except for the fact that I have decided to fire that drunkard, Durthenuy, and it is good riddance… I keep corresponding in search of a suitable servant, but have had no success in finding the pearl that I require' and further adding, 'Last Thursday I was paid a visit by my dear friend Geoffroy together with Doctor Vaquez, his brother, and Ajalbert. This was a cheerful distraction from my usual sad thoughts.' Monet concludes his moving letter with thoughts of his son, 'I leave you now, my good Genevieve. I embrace you most tenderly…I shall write one of these days to J[ean] P[ierre]. Your old father who loves you, Claude Monet.'Accompanied by the original envelope hand addressed by Monet. A letter of important content in which the artist implicitly acknowledges his own son. Some very light, minor age wear, and with some show through of ink to the pages, otherwise VGGenevieve Hoschede, the wife of Jean-Pierre Hoschede (1877-1961) Monet's second wife, Alice Hoschede (1844-1911) had died in May 1911. The couple were married in 1892 although had lived together since 1879 when the artist's first wife, Camille, had died. Monet raised Hoschede's six children by her husband, Ernest Hoschede (a department store magnate and art collector), and they were all devoted to Monet. Blanche Hoschede married Jean Monet, the son of Monet and his first wife. Jean-Pierre Hoschede was Alice Hoschede's youngest son, born in 1877, and was in reality her son by Monet as the result of an affair. The artist implicitly acknowledges this in the present letter. Genevieve Hoschede, the wife of Jean-Pierre Hoschede (1877-1961) Upon the death of his wife, Camille, Monet married the widower Alice Hoschede (1844-1911). It is speculated that her youngest child, Jean-Pierre, was in fact Monet's and not by her husband. Alice Hoschede was both a model and mistress to Monet.
A FINE LADIES 18K SOLID GOLD & DIAMOND CHOPARD BRACELET WATCHCIRCA 1990s, REF. 899 1 WITH MOTHER OF PEARL DIAMOND DIALMovement: Quartz, signed Chopard.Case: Diameter approx. 24mm, original diamond set, numbered, 18k hallmarks, sapphire crown. Bracelet: Original Chopard 18k solid gold bracelet, total length approx. 170mm. CONDITION REPORTDial: Original dial in excellent condition.Movement: Working at present.Case: In excellent condition, with some light scratches due to general use.Strap/Bracelet: In excellent condition.
A Victorian mother of pearl inlaid jewellery box of sarcophagus form, having covered compartments to the upper section over three drawers behind two cupboard doors, on four bun supports, 30.5 x 26 x 35cm. Condition Report: Scratches to front interior (top section) is heavily worn, but good general cosmetic condition to the box, with age related wear, lacking a key.

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367336 item(s)/page