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the rectangular panel decorated with a pale green caparisoned elephant supporting a vase of coral twigs and ruyi heads, attended by four figures flanked by a pine tree, rocks and hills as a backdrop, in various minerals, mother- of -pearl, bone and ivory, and fitted into a Zitan type wooden frame (the original stand now lacking), the lacquer panel 28.5 x 38cm, overall 34 x 44cm
worked with a sky dragon chasing the cosmic pearl beneath swags of beads and lion masks 227 x 130cmPile generally excellent and even.A few areas where individual knots visible and small patches where wafts are also visibleSelvage/edges excellent.Lower edge bound with linen. Footnote: Provenance: Property of a late gentleman collector, Norfolk
of shallow circular form, with central horned dragon pursuing a pearl amongst flames, the external wall with two further dragons, seal mark of Qianlong and of the period, 16.6cm diameter Provenance: Acquired directly from the private collection of an eminent Portuguese gentleman who acquired the piece while visiting Portobello Road in the 1950s
A Louis XIV Black-Lacquer, mother of pearl inlaid and Gilt bronze mounted commodeThe top decorated with a pair of phoenix amongst flowing trees above two short and three long drawers of arc en arbelette shape, all centred by female Classical masks on cloven hoof feet, 8.5cm wide x 82cm deep x 78cm high, (3in wide x 32in deep x 30 1/2in high)Footnotes:Provenance: Sotheby's, Zurich, Important Furniture, 10 December 1996, lot 231 where previously the commode had been acquired by the previous vendor in 1937 from R. Tonnelier Boulevard Saint-Germain, Paris.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A silver and enamel bell-pushFabergé, workmaster Henrik Wigström, St. Petersburg, 1908 -1917of compressed circular form, enamelled in translucent white enamel over a concentric banded engine-turned ground, the pink chalcedony push piece within seed pearl border, scratched inventory number on base: '22054'; diameter: 5.2cm Footnotes:Provenance: Sotheby's Geneva, Portrait Miniatures, Gold Boxes, Objects of Vertu, Russian Works of Art and Fabergé, 11 May 1989, Lot 274.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A black lacquer four-case inroKajikawa family, Edo period (1615-1868), 19th centuryBearing a mura-nashiji ground, decorated with robes draped over a kimono rack, in gold lacquer, embellished with mon in takamaki-e, hiramaki-e, tsuishu and mother of pearl, the interior of nashiji, signed Kajikawa saku (made by Kajikawa) with red pot seal; with a bead ojime and black lacquered manju netsuke decorated in gold takamaki-e with a peony bloom, unsigned. 7.3cm (2 7/8in).Footnotes:Provenance: Charles A. Greenfield Collection, no.136.Sold at Sotheby's, New York, 25 March 1998, lot 73.Published: Ishikawa Masao, catalogue to the Netsuke Exhibition, published by Nihon Keizai Shinbun, 1981.Arakawa Hirokazu, Inro and Netsuke, Nihon no Bijutsu (Arts of Japan), supervised by the Bunkacho, Tokyo, Kyoto and Nara National Museums, no.195, August 1981, no.126, colour plate 1.Exhibited: Shinjuku Keio Department Store, Tokyo, 1981.Umeda Hankyu Department Store, Osaka, 1981.The motif of the inro, derived from folding screens is referred to as Tagasode (Whose sleeves?) which is found frequently in ancient poetry, suggesting the absence of a beautiful woman who is missed.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Tisch, Persien um 1900mit Perlmuttintarsien und geschnitzten Verzierungen, an allen vier Seiten elfenbeinintarsierte Koranverse, mit Schubfach, 79 cm x 93 cm x 63 cmTable, Persia around 1900with mother-of-pearl inlaid works and carved decorations, ivory-inlaid works with Koran verses on all four sides, with drawer, 79 cm x 93 cm x 63 cm
A gold three stone diamond ring, with a row of graduated brilliant cut diamonds, milligrain set to plain collets, with crossover diamond shoulders and a plain shank, tested as approximately 18ct gold, finger size L, together with a 9ct gold garnet and paste cluster ring, Birmingham 1973, a pair of gilt metal mother of pearl cufflinks, a silver cluster ring, and a white metal cluster ring, ignore markings (6)9ct gold - 4.81g, 18ct gold - 2.09g
Five gold rings, to include a gold synthetic colour change sapphire ring, tested as approximately 18ct gold, finger size M, a 9ct gold single stone citrine ring, finger size K½, a 9ct gold single stone amethyst ring, finger size K, a 9ct gold pearl and ruby cluster ring, London 1968, finger size O, and a 9ct gold shell cameo ring, finger size P, 9ct gold - 11.28g total, 18ct gold - 3.00g, (5)
A 9ct gold tanzanite ring, with a row of oval mixed cut tanzanites, claw set to tapered shoulders and a plain shank, Birmingham, together with a 9ct gold aquamarine and split pearl ring, London 1985, and a gold diamond and ruby half eternity ring, tested as approximately 14ct gold (3)Finger size P, N, L9ct gold - 5.77g total, 14ct gold - 1.67g
A 9ct gold aquamarine, sapphire and pearl pendant, an oval mixed cut aquamarine, spitch set to a plain collet at the centre, with round mixed cut sapphires similarly set, and an openwork heart shaped ribbon frame, suspending a peg set cultured pearl drop, to 'V' bale, suspended from a figaro chain with bolt ring clasp, pendant hallmarked London 1985, chain import hallmark London 1984, pendant 45 x 19mm, chain 426mm long, 6.91gCondition report: Minor surface marks/scratches to metal.Some glue visible at top of pearl.Some dirt to underneath of gemstones, would benefit from cleaning.Some wear to bolt ring.
A collection of Victorian jewellery, to include a gold cinquefoil brooch with vacant central collet and four split pearls, with plain pin and 'C' catch, tested as approximately 18ct gold with 9ct gold pin, 2.91g, two mourning brooches with woven hair glazed panels, one with black enamel border, the other with split pearl border, both tested as approximately 9ct gold, one with metal pin, a pair of gilt metal agate plaque bracelets, four cut steel buttons, a French jet crescent brooch, a single row graduated agate bead necklace with 9ct barrel clasp, etc. (13)
A collection of gold jewellery, to include a 9ct gold garnet brooch with bloomed finish and metal pin, Chester 1916, a gold amethyst brooch, tested as approximately 9ct gold with metal pin, a pair of gold amethyst stud earrings, marked 375, a gold horseshoe brooch, marked 9CT with metal pin, a 9ct gold Luckenbooth pendant, Edinburgh 1983, a gold heart pendant and a gold charm, both tested as approximately 9ct gold, together with a half drilled coral cabochon heart, an unmounted smoky quartz intaglio engraved with initials, a Bohemian garnet star brooch, an Art Nouveau whiplash style Bohemian garnet brooch, a sterling silver bookmark in the form of a trowel, with mother-of-pearl handle, and a gilt metal seal, the matrix intaglio engraved with cupid being led by a dog and 'IA FIDELITE ME CONDUIT' (14)9ct gold - 7.44g total
A pair of 9ct gold sapphire, mother-of-pearl and enamel cufflinks, believed to have been retailed by S. J. Phillips, the octagonal faces with a square step cut sapphire set to the centre of a white mother-of-pearl plaque, to royal blue enamel and gold lozenge border, with chain link fittings, Birmingham 1998, 7.61g, in a case by S. J. Phillips Ltd. (2)Condition report: Enamel in good condition.Some minor scratches to mother-of-pearl plaques.Some wear/tarnish to the metal. Chain link fittings in good order, no obvious signs of wear. Some glue visible at edge of sapphires and mother-of-pearl plaques, visible under 10x magnification, not obvious with the unaided eye.
A pair of gold enamel and pearl cufflinks, each oval concave face with a split pearl rub set to centre of a red guilloché enamel ground, with white border, to chain link fittings, marked 18ct, 12.31g (2)Condition report: Good overall condition.No major damage to the enamel, a couple of scratches in places.Minor surface marks/scratches to the gold.Chain links in good condition, no obvious wear.
A gold split pearl ring, an oval panel with floral split pearl decoration, to scrolling shoulders and plain shank, head tested as approximately 18ct gold, shank tested as approximately 9ct gold, 1.87g, together with a gold single stone citrine ring, the emerald cut citrine claw set to engraved shoulders and a plain shank, tested as approximately 15ct gold, 2.00g (2)Finger size M½, N
A Victorian sterling silver chatelaine, the pierced plate with a central mask issuing three chains of floral links, suspending a silver plated pocket knife, a sterling silver compact by Saunders & Shepherd with inlaid dyed mother-of-pearl pansy to the lid and mirrored and gilded interior, Chester 1910, and a sterling silver propelling pencil by Samson Morden & Co., the clip of the chatelaine hallmarked London 1888, by William Commyns, 113.48gCondition report: The clip shows signs of previous soft solder, possibly previously repaired.Surface marks/tarnish to silver throughout.Some very small dents to back of compact.
A Georgian silver and gold, garnet, split pearl and diamond full hoop ring, with rose cut garnets, split pearls, and rose cut diamonds, rub and spitch set to plain collets, some deficient, with later gold lining, collets tested as approximately sterling silver and 18ct gold, lining as 9ct gold, 4.10g.Finger size PCondition report: Gold lining a later addition.Three collets deficient.Three collets have been replaced with later gold beads.Split pearl worn.Some abrasions to garnets.Surface marks/scratches to metal.Wear to the collets.
A quantity of jewellery, to include a pair of cultured freshwater pearl earrings, tested as approximately 9ct gold, a single ruby and diamond earring, tested as approximately 9ct gold, four gold charms to include an enamelled artist's easel, a heart, a ruby and pearl set tree, and an articulated fish, all tested as approximately 14ct gold, a single earring, tested as approximately high carat gold, a threepenny coin choker/collar, a threepenny coin bracelet, a serpentine bangle, etc. (qty.)9ct gold - 4.66g total, 14ct gold - 6.38g total, high carat gold - 1.81g
A quantity of jewellery, to include a 9ct gold horseshoe brooch, Chester 1910, with metal pin, a 9ct gold split pearl swallow brooch, Birmingham 1906, with metal pin, a faceted heart shaped rock crystal quartz pendant with silver bale, a silver paste necklace, two Victorian silver agate brooches, both with metal pins, a silver gilt opal cluster ring, a silver curb bracelet with a quantity of silver and metal charms, a silver marcasite ring, silver earrings and brooches, a 1/6 9ct gold metal core bangle, together with a quantity of costume jewellery (qty.)9ct gold - 4.10g total, silver - 164.64g total, metal core bangle - 19.04g
Two white gold cultured freshwater pearl bracelets, both with spherical safety clasps, marked 750, together with a single 9ct white gold scroll, a quantity of cultured freshwater pearl bracelets and necklaces, a pair of silver gilt labradorite earrings, a silver chalcedony bracelet, and a small quantity of silver and costume jewellery to include earrings, necklaces, etc. (qty.)
An Italian gold cornelian bead bracelet, round beads between lenghts of trace chain, to bolt ring clasp, marked 750, Italian official national marks 1944-1968, together with another gold cornelian bracelet, marked 750, an Edwardian gold split pearl pendant/brooch, with hinged suspension loop, marked 9ct, with metal pin, a gold garnet and split pearl brooch, marked 9ct, and a gilt metal Bohemian garnet bar brooch (5)9ct gold - 5.87g total, 18ct gold - 6.34g total
A 9ct gold Blue John fluorite pendant, with two pieces of Blue John fluorite spectacle set to fixed bale, Sheffield 1993, 49 x 32mm, together with a gold cameo ring, the shell cameo depicting The Three Graces in white to a pale brown ground, bezel set to a plain shank, tested as approximately 9ct gold, 7.45g, and an Edwardian gold peridot and split pearl brooch, marked 15ct, with pin and safety chain tested as approximately 9ct gold, 44mm long, 3.04g (3)Finger size P
A Victorian 15ct gold garnet and split pearl ring, a central row of circular gems with a row of split pearls above and below, to scrolling gallery with applied bead detail, a flat cut garnet to each shoulder, with tapered hand engraved shank, Birmingham 1870, 2.78g.Finger size N (approximately) Condition report: One gemstone from central row and one split pearl deficient.Remaining gemstones in central row very abraded, precludes accurate reading of refractive index. Wear to split pearls.Shank and engraving to shank in good condition.Some wear to head and collets.Slight pitting to underside of head and inside of shank, possibly due to gilding. Garnets on shoulder are possibly garnet-and-glass doublets. Settings preclude accurate testing.
A gold cultured pearl and ruby cluster ring, the domed marquise shaped head claw set with cultured pearls and round mixed cut rubies, to scrolling gallery and plain shank, tested as approximately 9ct gold, ignore markings, 5.28g.Finger size NCondition report: Previous repair visible, possibly with soft solder, on both sides of shank where shank meets head of ring.A crack to one of the pearl collets.Some of the pearls are half drilled, two have been set so that the drill hole is on the side and visible. Surface reaching inclusions to some of the rubies.Chip to one of the rubies.Surface marks/scratches to metal.
A pair of gold mabé pearl earrings, 22mm diameter approximately, rub set to a plain frame with post and hinged omega fittings, marked 18k, 21.00g, together with a single row uniform cultured pearl necklace, 6.0 to 6.5mm in size, strung knotted to a 9ct gold oval safety clasp, Birmingham 1990, 485mm long (3)Condition report: Some wear and discolouration to the silk, pearls would benefit from being restrung.Clasp in working order.Omega fittings in working order.Minor surface marks/scratches to metal.Please see additional images.
A two row slightly graduated cultured pearl necklace, 7 to 8mm in size, strung knotted to a 9ct white gold pearl and diamond clasp, Birmingham 1965, 570mm long (shortest row), together with a single row cultured freshwater pearl necklace, with gold clasp marked 585 (2)Condition report: Two row necklace:Some discolouration to silk, and silk worn in some places, would benefit from being restrung.Minor surface marks/scratches to clasp.Clasp secureSingle row necklace:Good condition overall.Minor discoloration to silk in places.
A French 18ct white gold cultured pearl and diamond ring, a cultured pearl, 7.9mm in size, cup set with a pair of eight cut diamond at each side, to split shoulders and a plain shank, French assay marks, 3.97g.Finger size RCondition report: Maker's mark unidentified.Good overall condition.Minor surface marks/scratches to mount.
A quantity of gold charms, to include a windmill, a goat, a bull, a caravan, a hinged vardo opening to reveal a fortune teller, a hinged oyster shell opening to reveal a pearl, a toby jug, a motorcycle, a Chinese junk ship, and a sea serpent, all tested as approximately 9ct gold, 30.44g total

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367336 item(s)/page