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A silver two piece waist belt buckle cast and pierced, with cherubs and foliate scrolls, London 1895 and 1896, an oval blue stone set trinket box, a filigree brooch designed as a crescent, a green stone and seed pearl necklace (faults), four imitation pearl necklaces, an unmounted brown zircon, six unmounted moonstones, a thimble box, a quantity of Indian small silver coins, mounted as jewellery, a money clip mounted with a coin, twelve coins, and a small tin.
A collection of jewellery, including a gold and half pearl set circular brooch, a brooch designed as a row of three foil backed flat cut garnet and pearl set flowerhead shaped clusters, a similar single cluster, a brooch designed as a spider, an oval shell cameo pendant brooch, various brooches, including six silver brooches, four imitation pearl necklaces, a single row necklace of grey tinted freshwater cultured pearls, a silver bangle, together with a silver lidded glass small jar, Birmingham 1921.
A GRAINGER & CO WORCESTER PORCELAIN MOON FLASK, late 19th century, of oval form painted with a landscape vignette with an equestrian figure in the middle distance and a tower beyond, within a "pearl" border on a gilt highlighted cobalt blue ground, printed mark in blue, shape 1/1023, unsigned, 6 /2" high
A MIDDLE EASTERN HARDWOOD AND EBONY ELBOW CHAIR, C.1900, of tub form with parquetry work throughout and inlaid with mother of pearl, scrolled arms with raised back above bobbin turned panels and spindle supports, shaped seat, square section base with arcaded front and sides, turned and block feet, 31 1/2" high
A Victorian mother of pearl inlaid rosewood drop dial wall clock. Alexander Barrett. Whitchurch, mid 19th century. The five-pillar twin fusee bell striking movement with 12 inch circular white painted Roman numeral dial signed Alex, Barrett, WHITCHURCH to centre within a cast brass bezel and foliate trail inlaid octagonal rosewood surround above later carved ears and oval lenticle to the mother of pearl inlaid trunk, with pendulum adjustment flap to the conforming rounded base, 73cm high. An Alexander Barrett is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in Whitchurch circa 1879.
A George V silver cigarette box, Sheffield 1915, of rectangular form with star burst decorated lid, Walker & Hall, together with a George V silver pedestal silver christening cup, London 1912, the circular rim above facet body with scrolled handle upon a hexagonal base, Elkington & Co, a silver handled clothes brush, London 1961, with engine turned top, an Edwardian silver tea canister, London 1906, of typical octagonal form, S Clifford & Co, a silver caster, London 1916, of typical form, a silver pepper, Birmingham 1912, a silver sauce boat, Birmingham 1933, a set of twelve dessert forks and eleven knives with mother of pearl handles and silver blades, Sheffield 1937, and a quantity of miscellaneous silver cutlery, (a Lot).
Circle of Gerrit Van Honthorst 1590-1656- Portrait of a young woman, bust-length wearing a black dress and white lace collar, dark hair curled and natural, with pearl necklace, earnings and head piece; oil on canvas, held in a n English 18th century carved and gilded frame, the raised and pierced corners with acanthus flanked by oak leaf and flower head sprays, 70x59cm. Note: This work compares stylistically and compositionally to the formula Van Honthorst seems to have applied to his commissioned portraits, this work having undergone an early restoration and apparent removal of the feigned oval. Van Honthorst became known for nocturnal scenes, usually religious subjects, a single candle serving as the only light source and creating a striking dramatized scene. The chiaroscuro lighting effects were influenced by Caravaggio`s works. Honthorst`s night paintings caused such a sensation in Rome that he was known as "Gherardo delle Notti" (Gerard of the Night Scenes).

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367336 item(s)/page