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A late Victorian gold split pearl and turquoise brooch/pendant, c.1900, the necklace with a centrepiece of a flower head and leaf clusters, all set with split pearls, to a trace link back chain. A detachable brooch pendant, of snowflake form, with graduated turquoise and split pearls. The necklace marked 15, the brooch tested as approximately 9ct gold
A late Victorian amethyst and split pearl gold brooch/pendant, with two matched rings, the brooch 40mm diameter, with an oval mixed cut amethyst set in a landscape position, surrounded by split pearls with smaller pearl points, together with a late Victorian gold five stone split pearl memorial ring, with pairs of diamond set points, glazed locket verso, cracked, with hand engraved inscription to read ‘K.B. Augst. 7th 1878’, and a late Georgian three row split pearl gold ring, pearls untested, Finger sizes P and S½ (3)
An Edwardian gold peridot and split pearl pendant, c.1910, a circular faceted peridot, milligrain set to the centre of a scrolling foliate pendant, set with lines of graduated split pearls, pearl set bale, pendant drop deficient, marked 9ct, together with an Edwardian peridot and split pearl bar brooch
A Jugendstil or Secessionist Arts & Crafts pendant, c.1910, later converted to a brooch, a circular lapis lazuli cabochon, milligrain set to the centre of a penannular shape, polychrome enamelled in opaque matt enamel in white, green, turquoise and sky blue. A small lapis lazuli cabochon above, to a matching penannular shape enclosing a palmette, peg set with graduated freshwater pearls and crested section above. Similar shapes to each side, both enclosing a blister pearl, to an articulated graduated enamel swag, with graduated freshwater pearl fringe, damage. Tunisian silver 800 standard mark 1905-1942
An Austro-Hungarian garnet and baroque pearl pendant, c.1900, a circular mixed cut garnet, rub set to the centre, with a baroque pearl at each compass point, with white and black enamelled fleur-de-lys between. A trefoil cluster of garnets at each corner to a scrolled ground, to a pearl shaped garnet pearl drop. Split chain to matching divider and small pendant drop
A cased continental pearl and diamond set Cupid brooch, c.1915, an hexagonal plaque brooch with a relief gold figure of Cupid sitting in an oak tree, to a matt cream enamel ground. Matt black enamel and milligrain rose cut diamond border, to triangular ends, enclosing a rose cut diamond scroll, with a peg set pearl. Fitted case by Gregory & Sazehan, Joalheiros, Rio de Janeiro
A pearl and diamond set gold gate bracelet, c.1915, a centrepiece composed of three open flowerheads, each peg set with a bouton shaped pearl to the centre, with old cut diamonds milligrain set to the petals. Three row gate links between to a concealed box clasp. All later rhodium plated. Tested as approximately 9ct yellow gold
A Belle Époque aquamarine diamond and pearl bar brooch, an oval mixed cut aquamarine, milligrain set at the centre, with an old European cut diamond at each compass point. White laurel leaves and two old European cut diamonds to the blade edge bar, and cup and peg set pearl to each end. Slide fittings to the underside
A Belle Époque pearl and diamond brooch, c.1915, a quatrefoil shaped fine bead and milligrain frame, enclosing an open lozenge of milligrain set old European cut diamonds. A white bouton pearl, cup and peg set to an articulated pendant at the centre, with a crossover frame to each end, enclosing a bouton shaped pink pearl. An articulated drop below with two old European cut diamonds and a dusty pink bouton pearl. All set in platinum to a gold gallery. Pearls untested
A cased single row graduated natural pearl necklace with a diamond set clasp, c.1915, a single row of graduated natural pearls, 3.8-7.2mm, in size, strung knotted to a single row safety clasp, with an old European cut diamond, milligrain set at each end, with an old Swiss cut diamond between. 119 pearls with an approximate length of 695mm, silk broken, requires restringing. Case by court jewellers, Sanford Bros., Holbron Bars EC1. Accompanied by a report from the Gem and Pearl Laboratory, dated 16/10/12, No. 06478, stating that all the pearls were found to be natural saltwater pearls, weight 20.81g
A single row pearl necklace with a pearl and diamond clasp, a single row of graduated semi-round pearls, 3.2-4.2mm in size, strung knotted to a single row clasp, c.1910, pearls untested. The daisy cluster box clasp, with a bouton shaped pearl, peg set to the centre, surrounded by old eight cut diamonds in milligrain setting. 120 pearls in total. A case by Boucheron
A cased Belle Époque diamond and pearl pendant, c.1915, a blade edge bar palmette shaped pendant, milligrain set with an old European cut diamond and peg set seed pearls, suspended from a pair of blade edge bars, below a milligrain set diamond and split bale. A small articulated pendant drop below. Case by Russells Ltd., Liverpool and Llandudno
A cased Art Deco gold dress stud set by Garrard & Co. Ltd., each square cut corner plate with a French cut sapphire, to a rectangular mother-of-pearl plaque, with etched grid design. Polished white gold bars to each side, with yellow gold backs and articulated bars. All marked 9ct and 18ct WG GAF
A single row uniform cultured freshwater pearl necklace with a blue topaz and diamond clasp, a single row of cultured freshwater pearls, 9-10.5mm in size, strung knotted to a blue topaz and diamond centrepiece/clasp. The rectangular box clasp with an emerald cut blue topaz rub set to the centre, with groups of brilliant cut diamonds at each corner, with baguette cut diamonds between. Tested as approximately 18ct gold
An Oriental cultured pearl and diamond bracelet, a series of diamond and cultured pearl quatrefoil cluster heads, between figure of eight links, set with eight cut diamonds. Ribbon links between, channel set with baguette cut and brilliant cut diamonds. Concealed box clasp and a pair of figure of eight safety catches
A two row graduated cultured pearl necklace with an enamel, diamond and pearl set clasp centrepiece, the heart shaped clasp converted from an early Victorian brooch, with a pear shaped black stone, claw set to a white enamel ground with gold dots. A border of peg set pearls, untested, to a diamond set fleur-de-lys above the concealed box clasp centrepiece, to the two row graduated cultured pearl necklace, 3-7mm in size
A Victorian mother of pearl inlaid rosewood mercury wheel barometer, Maspoli Monti and Co., Sandwich, mid 19th century, the 8 inch leafy scroll cartouche centred circular silvered register calibrated in barometric inches and with the usual observations beneath tapered trunk with convex glazed mercury Fahrenheit thermometer and hygrometer to the swan neck pediment, the square base with spirit level signed Maspoli Monti and Co. Sandwich, the case with fine mother of pearl scroll inlaid borders to fascia, 97cm high.
A George III tortoiseshell veneered, ivory strung and silver mounted tea caddy, late 18th century, of rectangular form, the hinged cover with quatreform green stained tortoiseshell panel with mother of pearl inset fleur-de-lys at the points, the silver swing handle and hinges, hallmarked for London 1798, maker`s mark `WS`, with blonde tortoiseshell panels to front, back and sides, the interior with twin subsidiary caddies with hinged covers flanking a star-cut glass bowl, 13.5cm high, 30.5cm wide. Note: There were a number of silversmiths using very similar marks at this period, including smallworkers
Four vintage ladies' dresses comprising black velvet, circa 1950s, Susan Small dress with pink silk rose corsage, two Jean Allen dresses - one black velvet and lace cocktail dress and the other check and floral print light day dress with full circular skirt, together with a Harvey Nichols, Knightsbridge, long green satin evening dress with embroidered bodice embellished with rhinestones, bugle beads and pearl trimming
Victorian gold and seed pearl crescent brooch with seed pearl floral spray, gold (18ct) brooch with fleur-de-lys and Swastika design, Victorian heart-shape locket with turquoise and half pearls in a star and crescent design, on a gold (9ct) belcher link chain, three gold (9ct) bar brooches, Victorian brooch and a Victorian daguerreotype portrait in case
Collection of brooches including early Victorian mourning brooch, set with purple stones, Norwegian designer pewter brooch, by Brodrene Mylius of Kragero, Victorian seed pearl bar brooch, silver and onyx brooch, Victorian pinchbeck knot and tassel design brooch, a paste set clip / wreath and a white metal bangle (8)
Small selection of miscellaneous silver, including Edwardian vesta with engraved initial and coronet (Birmingham 1906), Port of Falmouth Carnival medal (Birmingham 1910), Edwardian pill box with rococo foliate decoration and hinged cover (Birmingham 1904), Victorian mother of pearl fruit knife with silver blade (Sheffield 1863) and sundry other items
Selection of Edwardian and later miscellaneous silver, including a silver mounted clothes brush with classical bell floral decoration (Birmingham 1905), a curious Cranberry glass bottle with silver mount and hinged moving cover with mother of pearl insert (London 1922), a circular silver dish with bead edge and three pad feet and a clear glass base pressed flower display (Sheffield 1928), together with a 1930s silver mounted perfume bottle with silver and yellow guilloche enamel screw-cap (Birmingham 1933), dish 8.5cm diameter (4)
Unusual pair of gold enamel and gem set earrings, the oval green enamel plaques set with a line of four red stones and six seed pearls, in a gold rub-over setting with cultured pearl drop, suspended from a seed pearl and gold chain and a pair of Continental yellow metal and turquoise earrings (2)

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367336 item(s)/page