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A DRESDEN PORCELAIN TEA POT in the form of a duck, stamped number 7985R, 25cm in length; a Chinese brass and enamelled box in the form of a duck, 28cm wide; a Crown Derby porcelain duck; a Chinese soapstone model of ducks, further model ducks and a victorian papier mache and mother of pearl inlaid tray
A Tag Heuer 'Carrera' wristwatch, featuring a rare factory white diamond bezel and mother of pearl dial. The stainless steel case is offered in excellent condition and the black crocodile leather Tag Heuer strap and deployment clasp features only light wear. This timepiece was supplied new in 2006 by 'Mayors' of Atlanta, USA and includes an International Guarantee Card and document wallet, with presentation display box. Model number - CV2116, Serial number SR0125. Offered in very good condition.
BUCK PEARL S.: (1892-1973) American Writer and Novelist who spent much of her early life in China where she wrote The Good Earth (1931). Nobel Prize winner for Literature, 1938. Vintage signed 5 x 7 photograph of Buck in a profile head and shoulders pose, gently resting the side of her face on one raised hand in a pensive manner. Signed in blue fountain pen ink with her name alone to the lower white border. Some slight corner and surface creasing. Together with a printed 4to brochure entitled A Biographical Sketch of Pearl S. Buck, published by The John Day Company, New York, n.d. (c.1968), signed by Buck in bold blue fountain pen ink with her name alone to a clear area of the front cover, which also features the novelist's image. Horizontal central fold, not affecting the signature. G, 2
BUCK PEARL S.: (1892-1973) American Writer and Novelist who spent much of her early life in China where she wrote The Good Earth (1931). Nobel Prize winner for Literature, 1938. Correspondence collection comprising sixteen T.Ls.S. and one A.L.S., Pearl S. Buck, seventeen pages (total), 4to, mainly written from Perkasie, Pennsylvania, 12th August 1963 - 10th August 1970, all to Sofia Mircetic in Yugoslavia. Buck writes a series of largely social letters, thanking her correspondent for various gifts of lace doilies, costume dolls etc., but also commenting on her work and other events of the time, in part, 'Thank you….for the beautiful pictures and for the record. My children and I have enjoyed both and it is thoughtful of you to send them….Let me add to this letter my sincere sympathy for the terrible earthquakes that your country has recently suffered. Americans were sad to think that such misfortune should have fallen on a people toward whom they feel so friendly' (12th August 1963), 'I am glad that you found something of use to you in my books, A Bridge for Passing and Command the Morning….I am sending you a copy of My Several Worlds and The Child Who Never Grew. (Neither present) Both are autobiographical' (20th September 1963), 'I would like to send you a copy of Voices in the House and will do so. It is a book different from my others but it was based partly on a true story. It is a joy to me to know that I have friends in your country. My greatest grief is always the present division between peoples. I am sure that in other countries there are those of us who would enjoy one another' (6th January 1966), 'I am interested indeed to observe the growing communication between your country and mine. I heard a radio program this morning on this subject and I realize, as I did not before, that your citizens may leave your country and travel abroad as they wish. This is wonderful, for it gives us an opportunity to know more about each other. I only wish that the Communist countries would give their citizens this same freedom. I wish especially that China would have this freedom. Perhaps it is not as far away as I fear' (4th April 1966), 'I think that Orchid Girl must be Imperial Woman. I am sending you a copy of this book (no longer present) which I consider one of my best' (4th December 1967), 'Thank you very much for your kind note sharing with us our sad loss of Senator Robert F. Kennedy. I value especially this coming from your country, and coming from you' (3rd July 1968), 'I do not myself have copies of my Chinese Trilogy, House of Earth. I think it is in print again - it was out of print for a while. If you will write to my publisher….I am sure they will send you a copy in English' (5th May 1969), 'It is always good to hear from your country for our newspapers have very little news from your part of the world, although Americans admire Yugoslavians very much. It is kind of you to speak as generously of my books, I am happy that you like them. The translation of the Chinese novel in English has only just come back into print, so perhaps it will come to your country, but I fear the translation there will be very difficult' (23rd February 1970; A.L.S.), 'Thank you very much for your kind birthday wishes. I have almost forgotten my birthday - there are so many of them - but it is pleasant to have others remember it' (25th June 1970). All of the letters are accompanied by the original envelopes. VG to EX, 17
A collection of four rings To include, a coral and seed pearl cluster ring, 9ct gold mount, ring size M, a coral and half pearl five stone ring, to unmarked yellow metal, ring size M ½, a half pearl and turquoise cluster ring, to 9ct gold mount, ring size L, a turquoise and seed pearl cluster ring, mounted stamped 15ct, ring size L ½ (4)
A 1950s/60s beadwork mini dress The black crepe dress with embroidered and beadwork abstract designs and letters in pink, gold, silver and green, sewn label to the interior Swee Lo, size Medium. CONDITION REPORT: Lining has slightly come away at the hem Six of the faux pearl details missing Small losses to the beadwork throughout Free from odour Crepe from from rips/tears
A collection of four brooches The first, a Victorian 15ct gold and turquoise brooch, with several stone deficient, rope-twists borders, and applied gold spheres, a Victorian hair work brooch, the circular design suspending a double sided open locket, a Victorian oval mourning pendant/brooch, with a vacant glazed compartment, decorated with black enamel, an imitation pearl and white paste bar brooch, a 9ct gold plain bar brooch, together with, a set of three cased seed pearl studs (6)
Christian Dior: A gold tone and rhinestone set necklace and drop ear clip suite Composed of individual articulated panels, each set with white rhinestones, each in the form of a stylised fleur de lys, surmounted by a loop, with removable links to extend or shorten, signed, length 43cm, the earrings set with faux pearls drops, to a white rhinestone surround, surmounted by a faux pearl bead and a stylised rhinestone set fleur de lys, signed, length 4.5cm, both to Christian Dior boxes (2) CONDITION REPORT: All in good and clean condition Slightest dulling to gilding on the edges/rims The Christian Dior boxes marked to outside
An early 20th century Suffragette pendant/brooch With alternating circular-cut peridot and amethysts set centrally to the open framework, flanked by seed pearl set angular arms, suspending a seed pearl and amethyst drop, length 4cm Footnote: Mrs Pethwick-Lawrence first proclaimed the WSPU's colours of green, white and purple in the Spring 1908 edition of “Votes for Women”. Purple symbolised dignity, white purity and green hope. The WSPU presented specially commissioned pieces of jewellery to leading suffragettes, using stones such as peridot, amethyst and pearls. It was popular to see these stones in jewellery during the late 19th century, before 1903, therefore these pieces cannot be connected with the suffragettes. Also a popular myth that colours green, white and violet to spell GWV as an acronym for “Give Women Votes.” CONDITION REPORT: No apparent damage to mount or setting The steel clasp looks original and works well, no 'wobble' at all Some lustre wear to the seed pearls Stones in fair condition, good saturation, lively 2.5cm x 4cm
A Victorian pearl, enamel and rock crystal pendant Of circular form, the open back cabochon-cut rock crystal centre, to a surround of half pearls and blue enamel decoration, the bale set with two seed pearls, height 3.5cm CONDITION REPORT: In great condition for age no wear to the enamel the lustre on pearls slightly dull again effected by age showing small signs of wear
Two pairs of French early 20th Century mother of pearl opera glasses The first of typical twin lens firm with central optic adjusting wheel, extending from a long moveable handle, stamped Chevalier, Paris, together with a smaller pair, stamped Precioptic, Levallois, together with original case. (2)
A late 19th century amethyst and diamond set ring The rose-cut diamond centrally set between four circular-shaped amethysts, to a scroll surround, together with, a seed pearl and turquoise cluster ring, a string of malachite beads, a dragonfly bar brooch and a 9ct gold charm in the form of a pig (5)
A pair of diamond and cultured pearl pair of ear pendants Each suspending a cultured pearl, approx. 10.64 x 10.88mm and 10.67 x 10.44mm, from a hanging row of eight round brilliant-cut diamonds, surmounted by a round brilliant-cut diamond cluster, with ear posts and butterfly backs, total diamond weight approximately 1.12ct, length 4cm
A Victorian bog oak necklace, circa 1870 Composed of a uniform row of lozenge shaped panels, each decorated with carved Celtic crosses and knots, gilt-metal spheres suspending five graduated panels decorated with individual gilt-metal drops, mounted in gilt metal, length 42cm, together with, a mid 19th century oval micro mosaic ring, to pink metal with scroll engraved shoulder, ring size L ½ and two bar brooches, the first decorated with an applied knot design, the second with a seed pearl leaf mounted to a triple row bar, (4) Footnote: The bog oak necklace bears British design registry numbers and dates. The number depicts the necklace is mostly constructed of wood and the design pattern was registered in March 1865
A collection of four Victorian mourning brooches To include; a yellow metal brooch, of shaped rectangular form, with a braided hair work insert to a foliate embossed frame, pin deficient, an oval black enamel and yellow metal brooch, with hair work to centre, a gilt-metal brooch, of elongated rectangular form, the metal panel engraved with foliate decoration to an applied gilt metal frame, an oval seed pearl brooch, with applied leaf detail (4)
A French set of six gilt-metal and enamel buttons Of circular from, with blue and pink foliate enamel decoration, cased, diameter 2.7cm, together with a Whitby jet pendant, carved with a central flower, to openwork scroll design, length 5.7cm, an amethyst and seed pearl pendant, the central oval-shaped amethyst to a leaf and swag design, with a collet set amethyst drop, seed pearl set bale, one pearl deficient, stamped 9ct, length 4.5cm (3)

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367328 item(s)/page