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19th century AD. A Colt six-shot single-action 1851 model Navy percussion revolver in .36 calibre; the 19cm hexagonal rifled barrel with loading lever below (lacking main pivot screw and one dowel peg) and brass blade foresight (a later fitting?), numbered 126155/2 inscribed with '- ADDRESS COL. SAML COLT NEW-YORK U. S. AMER[ICA -]' to top face, cut through the last letters by the modification fitting of a separate V-backsight, the barrel key with modern retaining screw; six-chambered cylinder with nipples, numbered [24]305 (traces only of engraving); brass trigger guard, numbered 24305 and backstrip, mahogany grip with diamond mother of pearl and rectangular German silver insets to left; naive small heart emblem cut into right; frame with trigger and hammer assembly (lacking/broken mainspring) with some screws being modern replacements, numbered 126155/2. 1.12 kg, 33cm long (13"). Property of an Essex, UK collector; acquired on the UK art market, 1980-1990. Serial number 24305 was given to a .36 calibre Navy Colt made in 1853; serial number 126155 was allocated to a matched pair of .36 calibre Navy Colts made in 1862. [No Reserve] Fair condition; surfaces pitted and lacking elements as noted. An iconic firearm.
2nd-3rd century AD. A gold composite pendant comprising a tubular case with repousse facing mask, bands of granulation, inset garnet cabochon below; filigree meander to the reverse with granule detailing; flanked by two columns of coiled gold wire with pearl beads; hexagonal garnet cabochon in gold cell above with ribbed loop and iridescent glass bead below. 7.38 grams, 36mm (1 1/2"). Property of a West London gentleman; acquired before 2000. Very fine condition.
19th century AD. A squat blue-glazed bowl with flared rim, shallow basal ring; blue segments to both faces with floral motifs, central spiral. 353 grams, 19cm (7 1/2"). Fine condition. Property of a London gentleman; acquired before 1980. The Tek Sing (True Star) wreck is one of the famous recovery stories of the 20th century. Sailing from the port of Xiamen (then known as Amoy) in February 1822 the vessel Tek Sing was bound for Jakarta, Indonesia laden with porcelain goods and 1600 Chinese emigrants. The captain decided to pass through the Gaspar Strait, between the Bangka-Belitung Islands, and ran aground on a reef. The vessel sank in about 100 feet of water. The next morning, February 7, an English East Indian captained by James Pearl, passing through the same waters, encountered debris and some survivors and managed to rescue about 190 of the latter.
19th century AD. A blue-glazed bowl with narrow flared rim, shallow basal ring; blue floral motifs to the outer face. 231 grams, 14cm (5 1/2"). Fine condition. Property of a London gentleman; acquired before 1980. The Tek Sing (True Star) wreck is one of the famous recovery stories of the 20th century. Sailing from the port of Xiamen (then known as Amoy) in February 1822 the vessel Tek Sing was bound for Jakarta, Indonesia laden with porcelain goods and 1600 Chinese emigrants. The captain decided to pass through the Gaspar Strait, between the Bangka-Belitung Islands, and ran aground on a reef. The vessel sank in about 100 feet of water. The next morning, February 7, an English East Indian captained by James Pearl, passing through the same waters, encountered debris and some survivors and managed to rescue about 190 of the latter.
19th century AD. An oval icon of St. Panteleimon (Пантелеимон)) painted on mother-of-pearl in a silver riza, stamped '84' and 'ІГ', loop above. 17 grams, 64mm (2 1/2"). Fine condition. Property of a West London gentleman; acquired before 2000. Saint Panteleimon was born in the city of Nicomedia as Pantoleon to a wealthy family in the third century. As an adult man, he converted to Christianity and was baptised by St. Hermolaus with the name Panteleimon (meaning “all-merciful”"). After his father died, St Panteleimon used his medical knowledge to help the poor and healed them in the name of Christ. However, when he was asked to heal a paralysed man in front of the emperor, he did it by calling the name of Christ. For this, he was tortured and beheaded. When it happened, the olive tree to which he was tied became covered with fruit and his body was thrown into a fire, but remained unharmed. His relics were distributed throughout all the Christian world, while the legend says that his head is now located at the Russian monastery of St Panteleimon on Mt. Athos.
A micro mosaic brooch, with floral details, mounted in a gilt frame; a carved cameo brooch, mounted in gilt metal; a sterling silver stamp holder, in the form of an envelope; a sterling silver and marcasite elephant brooch; a Victorian style double locket, with pearl and turquoise details; a butterfly stick pin, set with turquoise and pearls; a sterling silver watch chain, with toggle and medallion; etc
A cameo bracelet, Wedgwood, composed of alternating circular and oval links, contained in the original box; a white metal and onyx pendant, of oval form, on a sterling silver chain; two sterling silver bar pendants; a mother-of-pearl bracelet, composed of five circular links, with matching pendant; two sterling silver necklaces; a mother-of-pearl and marcasite wristwatch, Le Chat, contained in the original box; etc
A gold-plated locket, of oval form, on a fancy link chain; a cameo brooch/pendant, with marcasite inset borders, in silver; a silver compact, Birmingham, 1923, gilt interior; a pair of pearl and diamond stud earrings, mounted in 9ct gold; a pair of pearl stud earrings; a strand of sixty-one pearls, with 9ct gold clasp; etc
An Edwardian silver posy vase, James Deakin & Sons, Sheffield, 1908, of trumpet form, applied with three scrolling branches, loaded, 17.8cm high; an Edwardian silver posy vase, Birmingham, 1904, of trumpet form, loaded, 22.2cm high; a silver hand mirror, Birmingham, 1977, embossed with scrolling leaves, birds and a mask; a silver-mounted cut-glass dressing table jar, Birmingham, 1931; a silver cigarette case, Birmingham, 1946, with engine-turned decoration, 141g; and a silver folding fruit knife, with mother-of-pearl handle (6)
A 19th century rosewood veneered writing slope with mother of pearl inlay (AF) together with a transfer printed blue and white ceramic footed bowl, a Swiss made brass cased carriage clock marked to dial Matthew Norman, other items to include a magnifying glass and further eye glasses, a selection of enamelled sporting badges, a leather clad land tape marked Chesterman, Sheffield, two watch movements, a sundry selection of coinage, vintage photographic effects, etc (small items displayed behind miscellaneous cabinet)
A selection of antique Japanese and other lacquerwares to include good quality late 19th century folding wall bracket with hinged brass plates and clasps, the japanned ground interspersed with highly detailed hand painted scenes of figures at work within foliate landscapes, etc, 26 cm tall, 34 cm wide, together with a similar wall bracket detailed with chinoiserie decoration, a hand mirror with lacquered case detailed in gilt depicting figures and buildings underneath a leafy canopy, two panels with foliate decoration and other mother-of-pearl inlay, a shallow bowl with mother-of-pearl decoration, probably Chinese, etc (6)
A good quality 19th century rosewood veneered sarcophagus shaped tea caddy, the exterior with extensive mother-of-pearl inlaid detail and mother-of-pearl escutcheon, with veneered interior fitted with a clear cut glass footed vessel to central well, flanked by a pair of removable hinged lidded containers, and with handles to exterior, 23.5 cm tall x 35 cm wide approx
A good quality vintage black lacquered writing slope with extensive inlaid mother of pearl detail, the lid decorated with an extensive landscape with further foliate, floral and birds in flight decoration, revealing a green leather lined slope, with a fitted interior flanked by glass wells, etc, 47 cm long x 20 cm tall approx
LARGE SINO-TIBETAN GILT BRONZE: GaneshaLarge and finely gilt bronze, Sino-Tibetan figure; of Ganesha, seated in a position of ease, wearing an ornate crown and adorned in beaded garlands, holding a loose pearl, prayer beads, and two implements; with a seaparet rat to the front; all atop lotus base and with openwork flaming mandorla; H: 24 1/2"
A SWEETWATER PEARL NECKLACE AND A PAIR OF PENDANTS WITH 18K GOLD AND GEM-SET CLASP, STELTMAN The Hague, circa 1980 The multi-strand pearl necklace at intervals set with an emerald, sapphire and gold bead, to a diamond-sapphire- and emerald-set clasp, and a pair gold and pearl pendants, with maker’s mark Steltman, 2.5/49.5 cm long (3)

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367328 item(s)/page