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A late 19th century French black marble and malachite mantel clock, the eight day movement striking on a bell, the backplate stamped 'G V 30096' possibly for Gay Vicarino and a pastille inscribed 'L. Marti & Cie, MEDAILLE BRONZE', the white enamel dial with Roman numerals and a visible Brocot escapement to the recessed centre, above a calendar dial, with subsidiary day, month and date dials and moonphase, in an architectural scroll case, with an applied brass presentation plaque, for Richard Harding on his retirement from the Officers of the Bedminster Union, July 1889, 43.5cm high, 34cm wide, 18cm deep.
A gilt brass and lapis lazuli style mantel clock retailed by Garrard, with an eight day Swiss movement, the arched dial with scrolling foliage, the chapter ring with Roman numerals, inscribed 'GARRARD LONDON', 30cm high, 22.9cm wide, fitted in a leather case and with a certificate of guarantee.
A late 19th century Samson porcelain and ormolu mantel clock in Louis XV style, modelled with an elephant painted in the kakiemon style of the Chantilly factory, the brass movement inset into a fluted cup, with an enamel dial with Arabic numerals within a leaf and flower case, 19cm high, 13.3cm wide.
λ A Louis XV and later gilt brass and tortoiseshell boulle marquetry mantel clock, with ebony veneers, the eight day movement with an outside countwheel and striking on a bell, the backplate stamped 'Jeróme Martinot A Paris', the enamel dial with Roman and Arabic numerals, the case with a figural surmount of Diana, with cherubs and scrolling foliage, 81.3cm high, 42.5cm wide, together with a matching bracket: 116cm high. (2)
A late 19th century French gilt brass mantel clock, 9.5cm circular dial inscribed with Arabic numerals, twin-winding holes, 14-day movement striking on a bell, the case crested by a two-handled urn flanked by flowering cornucopia and masks, the ceramic mounts painted in tones of blue with putti and scrolling leaves, lion paw feet, 45cm high, c.1880
A French Second Empire ormolu and porcelain mantel clock, 9cm convex enamelled dial inscribed signed Th[eoph]ile Martin,Paris, Roman and Arabic subsidiary numerals, twin winding holes, fourteen day movement striking on a gong, the case cast with putti and trophies allegorical of learning, conforming mounts decorated in the manner of Sevres, 39cm wide, 29cm high, c.1860
A late 19th century mantel clock, in the chinoserie manner, the 11.5cm diam with Arabic numerals, twin winding holes, eight day movement striking on a bell, mercury pendulum, gilt dentil bezel, the case with pagoda top, glass pendulum door, decorated overall in gilt with pagodas, oriental figures, willow and river boats on a black ground, 62.5cm high, c.1890
A Louis Philippe ormolu mantel clock, the 10cm ceramic dial within a beaded bezel, bevelled glass, blue Roman chapter with outer Arabic minutes chapter, pierced gilt hands, fourteen day movement countwheel striking on a bell, the movement signed du Moulin Neuf/H Molle Paris, No. 1746, the drum case supported on a column base, swaged urn finial, garland from side volutes below dial, bowed front to plinth with central medallion of low relief doves below a bow flanked by swags, knurled adjustable feet, 38cm high
Marti a Paris, a marble, bronze and ormolul mantel clock: the eight-day duration movement striking the hours and half-hours on a bell, with an outside countwheel, the backplate stamped with the movement maker's trademark for Marti et Cie, Paris along with the serial number 8288, the round white enamel dial having black Roman hour numerals, Fd. Viteau, 7 Rue Vivienne, and with gilt-brass trefoil hands, the substantial white marble case inset with two tablets to the front and a further two to the sides depicting classical scenes involving an army of soldiers with horses and chariots, with ormolu mounts to the front and sides and female-head masks to the top four corners, surmounted by a bronze and ormolu figure of a boy playing a game of knuckle-bones, height 48cms.* Biography; Samuel Marti was one of the prolific French makers of the 1800's and was known to be working circa 1860 at Le Pays de Montbeliard, Paris making roulant blancs. Along with Japy Freres and Roux they set up a business in 1863 with an address in rue Turenne to market their movements to such firms as L'Epee. Their own Paris address was Rue Vieille-du-Temple from 1870.

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96232 item(s)/page