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A Black Forest eight day automaton mantel clock late 19th century the two train gong striking movement with circular wood dial applied with bone Roman numerals the gabled case with pierced scroll angled side brackets and door to front from which a soldier appears every half hour to a two-note fanfare on plinth base incorporating bracket feet slight damage to case 47cm high.
A German walnut fourteen day mantel clock late 19th century by ‘H A C’ the gong striking movement with brass break-arch dial applied witha silvered Roman numeral chapter ring foliate cast spandrels and grotesque mask to arch the dome top case with shaped crest above reeded pilasters flanking dial and moulded base with bun feet 52cm high.
An inlaid mahogany quarter chiming eight day mantel clock early 20th century the German made three train movement chiming the quarters on four gongs and the hours on a further gong with silvered arch dial applied with a Roman numeral chapter ring beneath subsidery fast/slow and chime/silent dials the lancet top case with fan inlay above dial and line borders on moulded plinth base 41cm high.
A German walnut quarter striking eight day mantel clock by Kienzle circa 1910 the three train movement chiming on four gongs with 6in square brass dial applied with silvered Arabic numeral chapter ring and foliate cast shield spandrels in a foliate carved dome top case with reeded quarter columns above scroll carved apron to front on moulded base with turned feet 47cm high.
A French ormolu mounted alabaster eight day mantel clock garniature in the Directoire style late 19th century the bell-striking movement with foliate festoon painted Arabic numeral enamel dial set into drum with gilt lovebird crest supported on demi-lune four-column temple form base with disc feet 35cm high the pair of ensuite columnar two-branch candelabra 29cm high (3).
A French Louis XV style ormolu mantel clock mid 19th century the eight day bell striking movement with foliate cast Roman numeral enamel cartouche applied dial signed ‘Le Rolle Paris’ in a rococo scroll cast case with urn surmount above cherub and leafy trail mounted glazed waisted sides and front centred with a globe trophy on integral scroll cast feet 42cm high.
A French ormolu and belge noir marble figural mantel clock circa 1880 the eight day bell striking movement with foliate cast gilt blue on white enamel Roman numeral cartouche dial the case with Crusader in full armour on horseback fending off a Moor above foliate mount applied canted angles and plinth base on scroll pierced gilt feet with conforming apron between 63cm high.
A French gilt metal mounted faux tortoishell eight day drum head mantel clock mid 19th century the outside countwheel bell stiking movement with white enamel Roman numeral dial signed ‘H’ry Marc A Paris’ the faux red shell fronted case with drum mounted on gilt scroll angles above glazed rectangular pendulum aperture flanked by cast gilt metal corbel applied uprights on inverted breakfronted plinth base incorporating bracket feet some damage to faux shell veneers 44cm high.
A French gilt metal mounted marble mantel clock garniture in the Louis XVI taste circa 1900 the eight day outside countwheel bell striking movement with white enamel Arabic numeral dial decorated with floral garlands and signed ‘Legay Fils’ to centre the case with twin putto and urn surmount over drum supported on bowed four Corinthian column arcade with side finials and draped with floral cast swags the moulded marble shaped base with putto mount and four gilt toupe feet 64cm high the two urn side pieces with domed covers and ovoid reserves each on three winged cherub head monopodia supports with circular base each 36cm high.
A French brass four-glass eight day mantel clock late 19th century the bell striking movement with mercury compensated pendulum and stamped ‘John Bennett London 64 & 65 Cheapside’ to backplate the two-piece white Roman numeral enamel dial with visible brocot escapement to centre the case with cavetto cornice over caddy moulded angles and bevelled glasses on plinth base incorporating bracket feet 27.5cm high.
A French Louis XV style gilt metal mounted boulle mantel clock late 19th century with eight day bell striking movement stamped ‘Potonie 14161 Paris 126’ and similarily signed blue on white enamel Roman numeral dial in a waisted brass inlaid simulated red shell case with foliate cast finial and female mask crest above glazed pendulum aperture on scroll cast feet with shaped apron between 30cm high.
A French brass eight day mantel clock late 19th century the gong striking movement with white Arabic numeral chapter ring and gilt pierced dial centre in a rectangular dome top case with turned finial foliate cast panels and lion mask side handles on moulded base with winged cherub head applied apron and on paw feet 35cm high.
A French patinated spelter and gilt metal mounted red marble sculptural mantel clock late 19th century the eight day bell striking movement with polychrome floral garland painted white enamel Roman numeral dial set into veined red marble plinth form case with figural surmount cast after a model by E J Ferrand with cupid embraceing a young girl within billowing love bird inhabited clouds entitled ‘L’ Triomphe de L’ Amour’ on foliate cast gilt bracket feet 59cm high.
A French patinated and gilt spelter figural mantel clock circa 1900 the eight day bell striking movement with white enamel Arabic numeral dial polychrome decorated with floral garlands and signed ‘Joly Bolougne S-Mer’ to centre set into a case in the form of a four wheel carriage being drawn and attended by cherubs accompanied by lovebirds on veined white marble base with toupe feet 40cm wide.
A French gilt metal and porcelain mounted eight day mantel clock in the Louis XVI taste late 19th century the bell striking movement stamped ‘H’y Marc Paris 59263’ with celadon ground floral painted porcelain Roman numeral cartouche dial in dome top moulded case with urn surmount griffin side mounts and figural painted panel beneath dial on stepped moulded base with shaped apron and toupe feet 36cm high.
A G.W.R. seat or clothes brush with stamped initials; a G.W.R. water gauge spanner; a G.W.R. carriage door key; another carriage door key impressed ‘Gard British’; a photograph of the G.W.R. Enginemen & Firemen (Bristol) Mutual Improvement Class circa 1935; a presentation mantel clock; six albums of railway postcards and photographs; and other items.
A late 19th Century black slate and variegated marble mounted Mantel Clock of plinth form, to a cast brass bezel enclosing a 4 ½” Roman chapter ring with outside minute track and blued steel hands, centred with a visible Brocot escapement, to a circular brass movement with anchor escapement and strike on a bell, height 10 ¾”
A late 19th Century cast brass Mantel Clock, the arched case surmounted by a large flaming urn over free standing columns with mythological winged figures flanking a lion mask, on four scrolling legs, to a shaped plinth base, enclosing a gilt dial set with Roman enamel lozenges and signed J Ricci, Roma, to a circular brass movement with outside count wheel, anchor escapement, strike on a bell, height 22”
A fine early 20th Century patinated spelter composite and hardstone Mantel Clock, the rectangular base set with fluoride panels surrounding black fossil marble and variegated brown marble inserts, surmounted by a seated female figure with gilt highlights and carved face and hands, flanking a circular surround set with a diamond dial with Arabic numerals, outside minute track and blued steel square moon hands to a circular brass movement with strike on a bell, width 19”
A late 19th/early 20th century giltmetal four glass mantel clock, the twin train movement with painted enamelled dial having Arabic chapters, the case with bevelled glass panels and elaborately cast frame, decorated with stiff leaves and floral motifs, the eagle surmount above fluted columns, the whole raised on cast paw feet 49.5cm high.
A French Empire gilt brass mantel clock, with twin train movement, the circular enamel dial with Roman chapters, the square case with applied musical trophies surmounted by the figures of a classical maiden being serenaded by a winged boy playing a lyre, the base with applied swags and allegories of love raised on turned feet 56cm high.
A LOUIS XVI WHITE MARBLE AND ORMOLU ARCHITECTURAL MANTEL CLOCK the movement contained within a cylindrical case, striking on the hour and half hour and with white enamel dial, signed Barancourt ˆ Paris, urn finial, laurel leaf surround and on oval plinth supported by six tapering columns, Sun King pendulum and cherub mounts ( Pierre Michel Barancourt is recorded as working in Paris circa 1783-1789), 20 1/2" overall

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96228 item(s)/page