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A late 19th Century ormolu mantel clock by Kay Cunningham, Paris, with ornate arabesque case decorated with limoge enamel panels depicting armour and the bust of a knight in armour, the dial with roman numerals, fitted eight day striking movement, the case with numerous turned finials and decorated with suspended chains and heraldic figures, raised on turned tapering feet, 13in. high. (see lot 1253 for illustration)
A 19th Century Continental ebonised mantel clock, the white enamel dial with roman numerals, fitted eight day movement striking on a gong, the case decorated with applied gilt metal fruiting vines and scrolls within moulded borders, complete with over head handle, raised on turned feet, 6in. x 9 1/2in. high.
A French style ebonised and ormolu balloon-shaped mantel clock, the brass dial inscribed 'John Pyke, London', fitted roman numerals and date aperture, the eight day movement striking on a single bell, the case decorated with applied gilt-metal leaf scrolling motifs and eagle to the base of the glazed panel door, raised on scrolling feet, 12in. x 20in. high.
A late 19th Century French fruitwood balloon-shaped mantel clock, with white enamel dial, eight day striking movement (bell missing), the case surmounted by a gilt-metal cherub and ornate acanthus leaf scrolling decoration, with glazed panels to the front and sides, raised on scrolling feet, 8 1/2in. x 15 1/2in. high. (see lot 1253 for illustration)
A fine French striking mantel clock by Japy Freres, with white circular enamelled dial, in Meissen vase-pattern case, richly encrusted floral decoration, painted male and female figures with floral sprigs, cherubs, female figure with a wreath mounts, the pierced domed top with cockerel finial, 11in. x 20in. high, blue underglaze cross swords, mark.
A Chelsea Encrusted Porcelain Mantel Clock, circa 1762], of upswept form with diverse types of flowers with detailed petals, anthers, stalks and stems to a rococo scroll base applied with violas and other flowers, in soft colours overall enriched in gilt on the base, the reverse embellished with rococo scrolls and centrally painted with a spray of summer flowers, containing a later inset pocket watch by Rundell & Bridge, London, No.2574, with white enamel dial, black Roman numerals, in a gilt metal case, 28cm high
A Mahogany Inlaid Electric Mantel Clock, signed Eureka Clock Co Ltd, London, Pat No.14814-1908 No.3435, circa 1910], the balloon shaped case with shell inlaid front and stringing around the borders, the back with rectangular door to reveal large size battery, 4-1/2-inch enamel dial with retailers name "Payne & Co 163, New Bond St, London", dial centre showing movement, plaque signed "Eureka Clock Co" and large oscillating balance, 36cm high
A Shagreen Mantel Clock Timepiece, circa 1930], the shagreen case (faded) with arched pediment and ivory carrying handle, raised on ivory feet, 3-1/2-inch silvered dial with Arabic numerals, single barrel movement with platform escapement, backplate stamped "Buren" and numbered "81221", 28.5cm high, together with matching garniture bookends
A Tortoiseshell Striking Mantel Clock, retailed by Goldsmiths & Silversmiths, 112 Regent St, London, circa 1890], the case with inverted bell top pediment with carrying handle and finials, glazed sides, rectangular plinth raised on feet, 4-1/2-inch enamel dial with Arabic numerals and swag floral decoration, twin barrel movement striking on a gong, backplate stamped "Medaille D'Argent" and numbered "11 860 3 11", 33cm high
A French Tortoiseshell Boulle Mantel Clock, circa 1880], the Louis XV-style waisted case with foliate inlay and applied gilt metal mounts, side glazed panels and glazed pendulum aperture to the front, 5-1/2-inch twelve-piece enamel cartouche dial with blue Roman numerals, sunburst pendulum, twin barrel movement with outside countwheel striking on a bell, backplate stamped "Oppenheim A Paris" and numbered "657", 53cm high
A French Ormolu and White Marble Striking Mantel Clock, circa 1880], the case surmounted by love birds and flanked by two putti supporting the drum movement case, 4-¾-inch white enamel dial with Arabic numerals (later re-enamelled), gilt pierced hands, twin barrel movement striking on a bell, backplate numbered "2740 52", 46cm high
A Gilt Metal and Porcelain Mounted Striking Mantel Clock, circa 1880], case with floral, leaf and swag mounts, blue gilded Sevres style porcelain mounts depicting floral, bird and building scenes, 3-1/2-inch enamel dial with Roman numerals and bird scenes to the centre, twin barrel movement with striking on a bell, backplate stamped "Chenaud, Paris" and "Japy Frères", numbered "2137", 44cm high
A French Ormolu Mounted Marble Mantel Clock, Planchon a Paris, circa 1870], of vase form, surmounted by a vase of fruits and flowers over a billing dove over rowing boat brimming with bulrushes, flanked by two tritons, on an octagonal plinth applied with seven small watercolour and gouache country scenes in Dutch 17th century style, button feet, the movement with platform escapement (stamped "Planchon Paris 2100"), countwheel striking on a bell, 50.5cm high
A Marble and Bronze Striking Mantel Clock, circa 1840], the rectangular shaped marble case surmounted by a cast bronze depicting a standing horse, acanthus leaf decorated plinth and raised upon rectangular block feet, 4-inch silvered dial with Roman numerals, moon hands, twin barrel movement with silk suspension, outside countwheel striking on a bell, backplate stamped "EED Bakkard" and numbered "142 72", 49cm high
A French Bronze and Ormolu Striking Mantel Clock, signed Lesieur, a Paris, circa 1830], the case with a cast bronze of Venus dressed in the classical style and nursing cupid, rectangular plinth raised on bun shaped feet, 4-inch white enamel dial with Roman numerals and signed "Lesieur a Paris", twin barrel movement with silk suspension and outside countwheel striking on a bell, movement backplate signed "Lesieur", 47cm high
A French Ormolu and White Marble Striking Mantel Clock, circa 1790], the case surmounted by a urn and flanked by two further urns holding fruits, applied foliate mounts, raised on reeded bun shaped feet, 4-inch white enamel dial with Roman and Arabic numerals, pierced filigree hands, twin barrel movement with silk suspension and outside countwheel striking on a bell, 36cm high
A French Marble Portico Mantel Clock, signed Cachard, Sucr de ChLeRoi, circa 1790], the drum shaped case with urn finial, flanked by the black marble and ormolu foliate apron, 4-1/2-inch white enamel dial with Roman and Arabic chapter signed "Cachard, Sucr de ChLeRoi", twin barrel movement with outside countwheel striking on a bell, 53cm high *Cachard was a famous maker in Paris during the last 20 years of the 18th century and was successor to the firm of Charles LeRoy. Similar clocks by the same maker are today exhibited in the Garde Meuble in Paris, Chateau de la Malmaison and the Hamburg Museum fur Kunst und Gewerbe.
A Gilt Bronze and White Marble Striking Mantel Clock, signed Raingo Fres, a Paris, circa 1880], the case surmounted by a bronze figure amongst flowers blowing a horn and numbered "158" to the base, 3-1/4-inch white enamel dial with Roman and Arabic numerals, twin barrel movement with outside countwheel striking on a bell, backplate stamped "Raingo Fres, Paris" and numbered "158", 35cm high
A Rosewood Mantel Clock Timepiece, retailed by Payne, 163 New Bond St, London, circa 1900], the nicely figured rosewood case with bevelled top with foliate decorated carrying handle, glazed side panels, twelve piece enamel cartouche dial with blue Roman numerals, enamel dial centre signed "Payne, 163 New Bond St, London", pierced blued steel hands, single fusee movement with large platform lever escapement, maintaining power, 33cm high hilt of handle

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96232 item(s)/page