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Click here to subscribeA French Ormolu and Bronze Mantel Clock, circa 1830, the case surmounted with a cherub painting at an easel, bronze tree trunk with opening door to the back, circular base upon claw feet, 4-inch silvered dial with Roman numerals, twin barrel movement with silk suspension, outside countwheel striking on a bell, movement backplate stamped `Arera` and numbered `292`, 43cm high
A French Gilt Brass Striking Mantel Clock, circa 1880, the elaborate case surmounted with a winged cherub and scroll work throughout, pierced side panels, 4-1/2-inch black slate Roman chapter ring with a central visible Brocot escapement (one pallet missing), twin barrel movement with outside countwheel (bell missing and hammer lacking), 47cm high
A French Brass and Porcelain Mounted Striking Mantel Clock Garniture, circa 1880, the arched case with Corinthian columns to the front and mounted with porcelain landscape scene panels to the sides, Roman numeral porcelain dial depicting figures in costume below within a woodland scene backdrop, twin barrel movement striking on a gong, movement backplate numbered `751 52`, 30.2cm high, together with urn shaped brass and porcelain garniture, 23cm high
A Gilt Brass and Champleve Enamel Striking Mantel Clock, circa 1890, the case surmounted by an urn finial and elaborately decorated with champleve enamel throughout, Corinthian columns and the base raised upon turned feet, 3-1/2-inch silvered dial with Roman numerals, twin barrel movement striking on a gong, movement backplate stamped `Vincenti`, 40cm high
An Ormolu Striking Mantel Clock, signed Aubert Klaftenberger A Geneve, circa 1850, the case surmounted with two figures in costume, rectangular base with scroll mounts, 3-inch silvered dial with Roman numerals and signed, twin barrel movement with silk suspension and outside countwheel striking on a bell, movement backplate signed and stamped `Vincenti`, 46cm high
A Gilt Brass Mantel Clock, stamped Marina, attributed to Jaeger Le Coultre, the case with centre clock display, baton markers and a visible single line barrel movement, side images display galleon ships with multi coloured flags, right hand side stamped beneath the plexi glass `marina`, 22mm by 41mm
An Oak Quarter Striking Mantel Clock, Lenzkirch, circa 1880, the Gothic style case with carved finials and a arched top, pierced side frets, 6-inch brass dial with silvered Roman chapter ring, twin barrel movement quarter striking with two hammers onto two gongs, movement backplate stamped `Lenzkirch` and numbered `934903`, 57cm high
An early 20th Century Lacquered Brass Mantel Clock, modelled in the form of a lantern clock with strapwork frame and bell support, over pierced and engraved pediments, and oversize Roman chapter ring with half-hour markers, inside quarters, to a further floral engraved centre, and raised on cast ball feet, to a spring-driven movement with rectangular plates united by four plain pillars and with anchor escapement and strike on the bell, height 15”
An early 20th Century Oak Cased Triple Barrel Mantel Clock, Gustav Becker, 2175284, the overhanging cornice with moulded and panelled pediment over fluted columns, to a plain frieze and plinth base on bracket feet, to a 7” bevelled glass door enclosing a silvered and engraved dial, with subsidiary strike/silent aperture over an engraved Roman chapter ring, with outside minute track and blued steel fleur-de-lys hands, to a triple spring-driven movement with anchor escapement and strike on five rods, height 19”
A late 19th Century Black and Variegated Green Marble Mounted Mantel Clock, the serpentine plinth case to a brass bezel with bevelled glass enclosing a 5” two-part Roman enamel chapter ring, with outside minute track (hairlines) to a visible Brocot escapement to the centre, and blued steel moon hands, to a circular brass movement with strike on a bell, height 15”
An early 20th Century patinated Spelter and Alabaster mounted Mantel Clock, modelled in the form of a well head, and with Corinthian column capital, surmounted by a dove over scrolling mounts, and compressed circular drum case, to a shaped baluster reservoir flanked by a bare-breasted young lady holding an amphora with a further dove, to cast and beaded bezel with bevelled glass enclosing a 3 ½” Arabic chapter ring with outside minute track and matted centre to blued steel hands, and fitted with a circular brass movement with platform escapement and strike on a bell, height 28”
A mid-20th Century Mahogany Cased 8-day Mantel Clock, the arched case with boxwood lined detail, to a spun brass bezel with bevelled glass enclosing a silvered Arabic dial with outside minute track and signed for W R Bullen of London Street, Norwich, to a circular brass movement with anchor escapement and strike on blued steel coiled gong, height 11”
A late 19th Century French pink Onyx Mantel Clock, the architectural case with overhanging cornice, to three quarter columns and large plinth base, to a cast Brass bezel set with bevelled glass enclosing a 3 ½” Roman enamel chapter ring (hairline), to a further enamelled centre and visible Brocot escapement, with blued steel moon hands, to a circular Brass movement, with anchor escapement, strike on a bell (bell lacking), height 12”
An early 20th Century American Four Glass Mantel Clock, the cast case elaborately detailed with “C” scroll, floral and foliate detail, and set with four bevelled glass panels on scrolling feet, to a 3 ½” two-part Roman enamel dial (hairlines), with outside minute track and visible Brocot escapement, to a circular brass movement with strike on a coiled gong, height 15”
A late 19th Century Gilt Painted Spelter and Porcelain Mounted Mantel Clock, the breakfront case surmounted a lidded urn with floral swags and further ribbon detail, and inset with musical trophy and putti panels on cobalt blue background, to a 3 ½” Roman enamel dial with outside minute track and blued steel moon hands, to a circular brass movement with anchor escapement and strike on a bell, height 16”
A late 19th Century black and variegated rouge marble mounted Mantel Clock, the plinth-shaped case with overhanging cornice and stepped base, to a cast brass bezel enclosing a black 3 ½” Roman dial, with gilt numerals and fleur-de-lys hands, to a circular brass movement with back mounted count wheel and anchor escapement, strike on a bell, height 11 ½”
An early 20th Century Oak cased Mantel Clock, the architectural case with overhanging cornice and plinth base, to a 6” painted black and white Arabic dial, with outside minute track and black steel hands, to a rectangular Brass spring driven movement, with anchor escapement, strike on a coiled gong, height 14”
An art deco Ebonised Mantel Clock, the drum shaped case flanked by a seated female figure, to a cast Brass bezel enclosing a 5 ½” Arabic chapter ring, with outside minute track and silvered hands, to a triple spring driven movement, with anchor escapement and strike on five rods, height 9 ½”
An early 20th Century Walnut cased Mantel Clock, Jeunghans, the architectural case with overhanging cornice and half columns, with moulded base and compressed bun feet, to a 6” square dial with Roman numerals and blued steel hands, to a rectangular movement with anchor escapement, strike on a coiled gong, height 23”
A late 19th Century black Marble and Gilt metal mounted Mantel Clock, the plinth shaped case with break front pediment, raised on four columns, to a plinth base and raised on paw feet, to a cast Brass bezel with bevelled glass enclosing a 3 ½” Roman enamel dial with blued steel moon hands, to a circular Brass movement, with back mounted count wheel and anchor escapement, strike on a bell, width 18”
An early 20th Century Mahogany, Walnut and Mother of Pearl inlaid Mantel Clock, the arched and waisted case with plinth base and bun feet, to a spun Brass bezel with convex glass enclosing a 6” silvered Arabic dial with outside minute track and pierced hands, to a triple spring driven movement with anchor escapement and strike on five rods, height 10”
A LATE 19TH CENTURY FRENCH GILT BRASS FOUR GLASS TWO TRAIN MANTEL CLOCK, having enamel face with Roman numerals and exposed escapement, French brass drum movement striking on one bell and with mercury compensated pendulum. The movement marked L initial Marti & Co. 11.5" High x 6.5" Wide x 5.5" Deep.
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