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An early 19th Century patinated and gilt brass mantel clock, the architectural domed case flanked by pilasters and centred by a lion mask over a shell raised on a plinth with applied Gothic Arch decoration on lotus cast feet, the later engine turned watch movement with Roman numerals, 28 cm high
Nineteenth century Empire revival mantel clock with eight day French movement and white enamel dial striking on a bell in an ornate ormolu case decorated with butterflies and rosettes supporting a cast figure of Diana the Huntress on a rectangular base with raised figures of cupid and his supporters standing on four stylised swan feet, 38cm overall height Further images and condition reports available at www.reemandansie.com
Edwardian mantel clock with French eight day movement striking on a bell signed Deniere à Paris and black dial with applied brass numerals in a mahogany veneered balloon case on four turned brass feet, 25.2cm overall height Further images and condition reports available at www.reemandansie.com
Late nineteenth century French mantel clock in the classical Empire style with eight day movement and external countwheel, striking on a bell. Large floral decorated pendulum. White enamel dial with blue numerals, pierced gilt hands and decorative bezel signed Le Roy à Paris in an ebonised case in the form of a triumphal arch with four brass inlaid pillars, gilded capitals on a rectangular base with four bun feet, 49cm overall Further images and condition reports available at www.reemandansie.com
Edwardian mantel clock with lever escapement, gilt cast brass dial with raised foliate decoration in an alabaster case of classical form with applied foliate decoration and beehive / dentil cornice surmounted by a classical dish and gilded dolphin standing on four bun feet, 34.5cm overall Further images and condition reports available at www.reemandansie.com
A FRENCH 19TH CENTURY ROCOCO REVIVAL GILT-BRONZE MANTEL CLOCK, the white enamel dial signed J. Meyer, 31 & 33 Boulevard St. Martin, Paris, the eight-day movement striking on a bell, the movement signed Mougin, all within an elaborately cast case with c-scrolls, shells and stylised foliage. 53.5cm.
A French porcelain mounted gilt bronze striking mantel clock Leroy & Fils, Paris No.5319, last quarter of 19th century, the painted porcelain dial with gilt-heightened chapters and pierced brass hands, the dial and plaques decorated with medieval figures and heraldic devices, eight-day outside countwheel bell-striking movement, the back plate stamped `LEROY &FILS NO. 5319 A PARIS`, set into a figural panel and spiral pilaster cast ovoid case with reclining figure and shield cast surmount to the domed top above mace, axe and shield applied scroll cast waisted upright, the plinth base with shaped apron and scroll pierced feet, 12.75in. (32.5cm.) high.
An Erwin Sattler mahogany moon phase mantel clock late 20th century, the brass arched dial signed `Erwin Sattler`, with silvered Roman chapter ring and moon phase to the arch, with a brass Keininger three train musical movement, the arched mahogany case with pierced fretwork grilles to the sides, 12in. (30.5cm.) high.
A Great War figural gilt spelter mantel clock, The French eight-day bell striking movement with gilt ground white Arabic numeral cartouche dial and bevel glazed bezel set into elaborate case cast with a flaming torch and oak leaf crest above laurel and banner crossed apron beneath dial, mounted alongside a standing figure of an English Infantryman on a rectangular marble base with scroll cast feet, 35cm high.
A modern black lacquered and japanned cased mantel clock, the square brass dial inscribed "E.J. Goodfellow, Wadebridge", the German eight day musical movement by FHS, together with a black slate and marble cased architectural mantel clock, the circular enamelled dial inscribed "Maple & Co." with eight day movement by J. Marti & Cie (2) (ILLUSTRATED)
A LOUIS XVI GILT BRONZE MOUNTED MARBLE MANTEL CLOCK signed on the enamel dial Arnoux a Paris, in drum case surmounted by an urn and with leafy apron inset with a jasper ware medallion flanked by pillars with leafy finials on bronze mounted and galleried serpentine base and milled feet, the movement with outside countwheel and striking on a bell, 52cm h ++The enamel dial undamaged, lacking one of the jasper medallions, the other damaged. Losses to the foliage in the urn. In need of cleaning/conservation but basically complete and original apart from losses mentioned
A BRASS MANTEL CLOCK, probably French, late 19th century, the key wind twin barrel movement with back plate stamped 98744, 3 1/4" gilt metal dial with Arabic numerals, in lacquered square case with putto finial on domed lid, fluted pilasters, mask roundels to the side, leaf moulded base and bracket feet, 15 1/4" high
An early 20th Century Stained Oak Triple Barrel Mantel Clock, Junghans, the overhanging cornice surmounted by a shaped architectural pediment, over four half-fluted columns, on a mounded base, and raised on cast and applied paw feet, to a 5 ½” arched brass dial with applied and silvered Arabic chapter ring with outside minute track, beneath subsidiaries for strike/silent and regulation, with blued steel fleur-de-lys hands, to a triple spring barrel movement with plates united by plain pillars and strike on five rods, height 18”
An early 20th Century Stained Mantel Clock, the architectural case with overhanging cornice and shaped pediment, to fluted columns, and raised on plinth base with bracket feet, to a 6” square brass dial with applied spandrels enclosing a silvered Roman chapter ring with outside minute track and matted centre (hands lacking), to a rectangular brass movement with anchor escapement and strike on a coiled gong, and also bearing a paper label H A C, height 16 ½”
An early 20th Century Stained Mahogany Mantel Clock, Junghans, the shaped and arched pediment on a plinth base, to an arched glazed door enclosing a 5 ¾” arched and silvered dial with applied Arabic chapter ring and outside minute track with black painted hands, to a rectangular brass movement with anchor escapement and strike on a coiled gong, height 12”
A mid-20th Century Stained Walnut Mantel Clock, the arched case raised on compressed bun feet to a spun brass bezel with convex glass enclosing a silvered Arabic dial with outside minute track and black painted spade hands, to a brass movement with anchor escapement and strike on a coiled gong, height 11”
A late 20th Century Mahogany and Lacquered Brass Mantel Clock, the stepped overhanging cornice over cast ¾ brass columns, on a moulded base and raised on compressed bun feet, to twin cylindrical brass supports and a 3 ½” painted Roman dial with outside minute track signed to the centre with further black painted hands, to a twin spring driven movement with anchor escapement and strike on two bells, height 12”
A late 19th Century Black and Green Variegated Marble Mounted Mantel Clock, the plinth shaped case with overhanging cornice over half round columns, to a plinth base, to a cast brass bezel with beaded border and bevelled glass enclosing a 3 ¾” Roman enamel dial with outside minute track and blued steel fleur-de-lys hands, to a circular bass movement with back mounted count wheel and anchor escapement, strike on a bell, height 10 ½”
A late 19th Century American Ebonised Painted and Gilt Metal Mounted Mantel Clock, Gilbert Clock Co “Curfew”, the shaped breakfront case surmounted by a bell arch and bell, to waisted side pieces and stepped plinth base, and raised on cast and applied splayed feet, to a pressed brass bezel, enclosing a 5 ½” embossed brass dial with composite Arabic numerals and blued steel fleur-de-lys type hands, to a twin spring driven movement and anchor escapement, strike on a bell, height 17”
A Black and Green Variegated Marble Mantel Timepiece, the plinth shaped case with overhanging cornice and plinth base, to a spun brass bezel enclosing a Roman enamel dial signed “Ansonia Clock Co – New York”, and with blued steel fleur-de-lys hands, to a spring driven movement with anchor escapement, height 9”

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96228 item(s)/page