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Various items of vintage woodenware comprising an oak cased canteen of cutlery, with brass carry handle, height 16cm, length 29cm, width 21cm, a knee writing slope with fitted stationery section, a walnut veneered tabletop chest of two short drawers, with inlaid strung decoration and hoop swing handles, height 30cm, length 35cm, width 27cm, and an eight day mahogany inlaid mantel clock, with key wind movement, height 15cm, length 27cm, width 7.5cm (4).
H LITTLE & SON, LANCASTER; a burr walnut cased small mantel clock in the Georgian style, with floral patterned silvered face and chapter ring set with Roman numerals, standard barrrel wind movement, height 16cm, length 13cm, width 6.5cm.Condition Report: Good condition, some scratches to case and face through wear, has been wound and appears to be in working order.
A late 19th/early 20th century mahogany mantel clock of architectural form with turned column sides, inlaid floral swags to the front, French barrel movement, with white enamel dial set with Arabic numerals, outer minute track and two key wind holes, height 34cm, length 25cm.Condition Report: Appears to be in going order.
Victorian gilt metal skeleton fusee mantel clock in the gothic style with silvered dial, blued steel hands and Roman numerals, on a white marble base, under glass dome, 51cm in overall height.Sound original condition, no key so cannot test but it seems to be running freely. The dome is in good order. Please see the extra images now on our website
A 20th century brass carriage clock, Roman numerals, Thomas Braithwaite, London, battery movement, 11cm high; another; an American mantel clock, by Seth Thomas, Roman numerals, twin winding holes, 23.5cm high, c.1890; a late 19th century mahogany barometer, 55cm high, c.1870; a French gilt metal and alabaster mantel clock, gilt circular dial with Roman numerals, twin winding holes, 29cm high;
A Louis XV ormolu Meissen and French porcelain mounted mantel clock, the movement by Benoist Gerard, mid-18th century, the flowers replaced, the foliate-wrapped case set within a brocage centred by a youth with flowers riding a rearing horse on a rocaille base, the white enamel dial with Roman and Arabic numerals, signed Benoist Gerard A Paris, the twin train movement with numbered countwheel striking on a bell, with later platform lever escapement, signed Benoist Gerard A Paris, 48.3cm high, 25.4cm wide, 19cm deepNote: Benoist Gerard (1684-1758) and his son, Jean Benoist, collaborated under the same signature from 1743 until the elder's death in 1758.Please note that Roseberys do not guarantee the working order or time keeping of any timepiece.
A French bronze figural mantel clock, late 19th century, after Lemerle Charpentier, modelled as a Classical maiden leaning against a fluted Doric column enclosing the black marble dial with gilt Roman numerals, on stepped marble plinth base with brass moulding, the twin train eight day movement striking a bell on the hour and half hour, the backplate marked WARTENBERG PARIS, CAF, E. ELÉT and with Japy Freres Medaille D'Honneur, and numbered 20127, 56.5cm high, 36cm wide, 15cm deepPlease note that Roseberys does not guarantee the working operation of any clock or timepiece offered for sale.
A French ormolu mantel clock, of Empire style, first half 19th century, the case surmounted with an urn with grape vines, flanked by a thyrsus and a Bacchic figure drinking wine, on a plinth base with pierced frieze of a bust of a maenad flanked by lions and scrolling foliage, on feet in the form of wine barrels, the circular dial with Roman numerals, the twin train movement with outside countwheel striking on a bell, with silk suspension, lacking pendulum and winder, 35cm high, 26.5cm wide, 11cm deepPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece.
A Napoleon III ormolu-mounted tortoiseshell and brass-inlaid 'Boulle' marquetry mantel clock, the mounts cast by Auguste Delafontaine, third quarter 19th century, the arched case surmounted by a figure of Chronos, the repousse brass dial with enamel Roman numerals within a laurel wreath border, above a glazed panel behind figures of the Fates, flanked by uprights headed by scrolling pilasters surmounted by shells, the apron inlaid with the inscription CUNCTA CUM TEMPORE REGUNT between scrolling feet, the sides and back inset with glazed panels, on a conforming bracket, the mounts stamped AD, the twin train movement stamped EM 7370 and 10.6, 114.5cm high, 44.5cm wide, 22cm deepNote: This clock is a direct copy of a Louis XIV period clock and bracket, attributed to the workshop of André-Charles Boulle, with movement by Antoine Gaudron, which is now in the Louvre, having been gifted in 1985 by Jean-Paul and Michel Fabre (OA 11029). In the 1732 inventory of André-Charles Boulle's atelier, a clock of this model is listed as 'une boeste contenant les modeles de la pendule a Parques avec le Temps isolé', clearly indicating a clock depicting the three Fates with Time 'isolated', watching the three sisters from above as Clotho divides the thread of life, Lachesis measures it, and Atropos cuts it. The model derives from a design by Boulle, published by Mariette in 'Nouveaux desseins de meubles et ouvrages de bronze et de marqueterie inventés et gravés par André-Charles Boulle', circa 1715. The Delafontaine bronze factory was first established in the late 18th century by Jean-Baptiste-Maximilien Delafontaine (1750-1820), and was subsequently under the direction of Jean-Baptiste's grandson, Auguste-Maximilien, under whose tenure the present clock was most likely produced. In 1870, located at 10 rue de L'Université, the firm created decorative works of art of the highest quality and was a main competitor to the Barbedienne foundry.Please note that Roseberys do not guarantee the working order or time keeping of any timepiece.
A Victorian silvered and parcel-gilt electroplated 'Faith, Hope and Charity' mantel clock, late 19th century, the case surmounted by an angel knelt before a child, above two seated angels holding an anchor and a cross respectively, on a breakfront base with a central vacant cartouche, stamped to reverse ELKINGTON & Co., with letter Q (possibly for 1877) and numbered 766, on a conforming marble plinth base, the white enamel dial with Roman numerals, signed ELKINGTON & Co, the twin train movement with outside countwheel striking on a bell, engraved P.q. 1119, with pendulum numbered 1119 and associated winder, the clock - 53cm high, 38.5cm wide, 15cm deep; the plinth - 9cm high, 36cm wide, 18cm deepPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece.

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96232 item(s)/page