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Click here to subscribeA French Belge noir marble mantel clock, late 19th century, the eight-day bell striking movement with visible Brocot escapement to the centre of the two-piece white enamel Roman numeral dial, the drumhead case with moulded red marble lined drum supported via carved side scolls on a plinth base with red marble mouldings and shaped apron, 32cm high
A French Charles X bronze mounted Siena marble mantel clock, early 19th century, the eight-day bell striking movement with silk suspension and stamped P.D. 4021 to backplate, the engine turned gilt Roman numeral dial with indestinct signature and entwined snake bezel, the plinth form case with a patinated bronze bust surmount inscribed HYPOCRATE above a mount in the form of a tazza beneath dial, on moulded skirt base with engine turned feet, 41cm high
A French Louis XVI style ormolu and marble figural mantel clock garniture, circa 1900, the eight-day bell striking movement with floral garland decorated white enamel Arabic numeral dial behind brass bezel and convex glass, the case modelled with a cherub plotting with a compass on a scroll above laurel spray mount beneath dial, on stepped two colour marble base applied with a wreath and a globe, the apron inset with a repeating rosette decorated panel, on cast feet, 33cm high; the twin branch candelabra sidepieces with seated putti beneath foliate cast branches, on conforming gilt mounted marble bases, each approx. 29cm high
A French ormolu mounted white marble mantel clock, Heny Marc, Paris, late 19th century, the eight-day bell striking movement with gilt applied Roman numeral marble dial signed HRY MARC, the case with gilt lovebird and floral festoon cast surmount to drum supported via shaped side scrolls on a moulded plinth base with festoon mount to apron and on cast squab feet, 35cm high
A French gilt spelter figural mantel clock, late 19th century, the eight-day bell striking movement with gilt rosette centred black ground Roman numeral cartouche dial in a case cast as two Classical females tending a child, on elaborate deep cavetto moulded and gadroon cast base applied with leafy drape around dial and lions mask handles to ends, on splayed paw feet, 45cm high
A French ormolu Gothic revival figural mantel clock, mid 19th century, the eight-day bell striking movement with white enamel Roman numeral dial in a case cast with Joan of Arc in full armour resting within a naturalistic setting, the the elaborate shaped plinth base with quatrefoil panels flanking dial above tracery frieze and martial tropy to apron beneath dial, on cast feet, 47cm high
A French gilt brass and champleve enamel mounted onyx mantel clock, J. Mayer, Paris, circa 1870, The eight-day bell striking movement stamped J. MAYER, PARIS to backplate, the circular gilt Roman numeral dial with repeat signature and cream ground polychrome enamelled foliate medallion to centre within decorative laurel cast bezel, the waisted case with conforming enamelled panels to the laurel draped urn surmount above shaped engraved and enamelled panel surrounding the dial continuing down to form an apron centred with an enamelled profile portrait of a Classical female, the sides with laurel festoon scroll cast and chased monts, on shaped base applied with conforming panels and on tapered gilt feet, 51cm high overall
A French Louis XV style boulle mantel clock, late 19th century, the eight-day gong striking movement with 12 piece Roman numeral enamel cartouche dial with scroll cast centre and glazed brass bezel, the contra-parti foliate brass and red shell marquetry veneered waisted case with stylised urn surmount above arched brass grille side frets and rococo scroll cast mounts to angles, the apron with shaped glazed lenticle, on conforming cast feet with foliate leafy spray between, 48cm high
A French Sevres style porcelain inset gilt spelter mantel clock, mid 19th century, the eight-day bell striking movement with cherub painted blue ground Roman numeral cartouche dial signed J. NEILL & Co., BELFAST, the case with floral painted blue ground porcelain and gilt metal twin handled urn surmount above panel decorated with a Classical female within draped tassle borders flanked by cast putto terms beneath dial, on breakfronted base with rounded ends, inset with further panels and on cast feet, 41cm high
A French Sevres style porcelain inset ormolu mantel clock, mid 19th century, the eight-day bell striking movement with floral wreath painted gilt Roman numeral porcelain dial in a case with lovebird and flowering urn cast surmount above curved porcelain inset portrait panel flanked by cherubs beneath dial, the elaborate shaped base with leaf cast mouldings and further lovebirds to apron on cast feet, 37cm high
An early Victorian rosewood small mantel clock case and dial, circa 1840, now with later Swiss backwound eight-day lever movement, the 4 inch square engine-turned silvered brass dial signed FISHER, BATH to lower edge with original blued steel hands and in gadrooned chamfer top case with brass fillet inset arched side glasses and on beaded quarter moulded skirt base with compressed bun feet, 26.5cm high
A good quality 19th Century French Mantel Clock inset numerous Sevres porcelain panels painted portraits, cherubs, etc, circular dial, the porcelain finial painted musical trophy and flowers, 8-day movement, striking on bell, the ormolu case finely cast with griffins, scrolls, etc, 23in wide and 20in high, slight damage
A Victorian rosewood mantel clock with eight day movement striking on a gong, the circular white enamel dial with Roman numerals and inscribed `Chas Frodsham & Co by Appt to the Queen, 19768`, the backplate signed `Chas Frodsham & Co, 19768, Paris`, the rectangular case on a moulded plinth base, together with numbered pendulum (minor faults).
A late 19th Century walnut mantel clock with eight day movement striking on two gongs, the silvered dial with slow/fast and chime/silent indicators above a chapter ring with Arabic numerals, the backplate stamped `W & H Sch` (Winterholder & Hoffmeier), the case with carved foliate surmount above a pair of Corinthian columns on a moulded base and brass bracket feet, height approx 33cm, together with a pendulum.
A late 19th Century slate and rouge marble mantel clock with eight day movement striking on a bell, the dial with gilt Roman numerals and inscribed `Blackie, 392 Strand`, the tapered rectangular case on a plinth base, together with another slate mantel clock of architectural form and an oak mantel clock, each with pendulum.
A 19th Century brown patinated and ormolu mantel clock with eight day movement striking on a bell, the circular dial with Roman numerals framing an embossed foliate centre, the backplate stamped `Delcamp A Paris`, the naturalistic case surmounted with a Middle Eastern warrior on horseback, the rectangular plinth with foliate band, height approx 44cm, together with a pendulum.
An early 20th Century mahogany mantel clock with eight day movement striking on a gong, the silvered dial with engraved Roman numerals, the backplate inscribed `J.J.E, England, 1552`, the case with reeded dome top and brass carrying handle, above brass inlaid anthemion corners, flanked by pierced arch fret panels, on a moulded plinth and brass bun feet, height approx 40cm, together with a pendulum and key.
A late 19th Century gilt metal cased mantel clock with eight day movement striking on a gong, the backplate stamped `LENZKIRCH 931223, AGUL R5`, the enamel dial with Arabic numerals, the Empire style case with urn surmount above applied foliate rosettes and flaming torches on a rectangular base and bracket feet, height approx 30cm, together with a pendulum and key.
An early 20th Century German walnut cased mantel clock with eight day movement striking on two gongs, the backplate stamped `Junghans`, the silvered arch dial decorated with Art Nouveau stylized flowers, the case with turned finial on a plinth base and ball feet, together with a pendulum and key.
A French gilt metal and a champlevé enamel mantel clock, canopied oblong case with an ornamental urn finial and cast ram`s masks, white enamelled dial, surrounded by ornamental scrolling foliage and torch motifs, plinth base with cast scrolled feet, French cylinder movement, striking on a bell, 67cms, (26½").
A French gilt metal and alabaster mantel clock, signed B. Yian, Paris, circa 1900, designed with a classical maiden and cherub flanking the dial, surmounted by a wreath, flaming torch and other trophies, trailing flowers and foliage, breakfront plinth, white enamelled dial with Arabic numerals, cylinder movement striking on a bell, 42cms, on a wooden plinth.
An early 20th Century Walnut and Lacquered Brass Mounted Mantel Clock, Lenzkirch 133062, the overhanging cornice surmounted by a waisted and shell carved pediment and fitted with four pineapple finials, over caryatid mounted and canted corners, to an arched glazed panel and raised on a plinth base, to a 5 ½” arched brass dial with Roman and Arabic silvered chapter ring with outside minute track and half hour markers, to a matted centre with blued steel fleur-de-lys hands, to a signed square brass movement with anchor escapement and strike on two blued steel coiled gongs, height 15 ¼” (SEE PHOTOGRAPH)
An early 20th Century Ebonised and Silver Mounted Mantel Timepiece, modelled in the form of a miniature long case clock, the shaped pediment, long trunk door and plinth base to a polished bezel enclosing a composite 2” dial with Arabic numerals and outside minute track, matted gilt centre and blued steel hands to a spring-driven movement, height 11 ¾”
A late 19th Century Oak Cased “Gothic” Mantel Clock, the arched case surmounted by three spire finials, to outset cluster column supports, to an arched frieze panel base on bracket feet, to an arched glazed door enclosing an 8 ½” silvered dial engraved with subsidiary for chime/silent, with further foliate detail over a Roman chapter ring with outside minute track and blued steel spade hands, to a triple chain fusee movement with plates united by plain pillars, with anchor escapement and strike on nine bells and further blued steel coiled gong, height 28 ½” (SEE PHOTOGRAPH)
A late 19th Century French Lacquered Brass Four Glass Mantel Clock, Hry Marc – Paris, the lacquered brass case with bevelled cornice and plain top over rounded corner supports set with heavy bevelled clear glass panels to a plinth base, with brass bezel enclosing a 4 ½” Roman chapter ring with outside minute track and further enamelled centre with visible Brocot escapement with blued steel moon hands, to a circular brass movement with blued steel screws and numbered 4793, with anchor escapement and strike on a bell, and fitted with a twin mercury pot pendulum, height 15” (SEE PHOTOGRAPH)
An early 20th Century Patinated and Gilt Bronze and Green Onyx Mantel Clock, the lyre-shaped case surmounted by a spread eagle atop a sphere, with floral and foliate swag detail, to a stepped base and flanked by a cherub, on bun feet, to a cast brass bezel enclosing a 3” Roman enamel chapter ring (chips and hairlines), with outside minute track and engine-turned centre with blued steel moon hands, to a circular brass movement with anchor escapement and strike on a coiled gong, height 16” (SEE PHOTOGRAPH)
A late 19th Century French Black Marble and Lacquered Brass Mounted Mantel Clock, the plinth-shaped case with moulded cornice and plain base on outside bracket feet, to a spun brass bezel with bevelled glass enclosing a 6” Roman enamel dial with outside minute track and blued steel moon hands, to a circular brass movement with anchor escapement and strike on a bell, height 15 ¼”
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