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Lot 404
A Royal Crown Derby rounded rectangular trinket tray, 1128 pattern, solid gold band, first quality; an 1128 pattern oval trinket box and cover, second quality; a Mason's Mandalay pattern mantel clock; Aynsley Pembroke, a Somerset pattern mantel clock; a George V Royal Doulton Silver Jubilee 1935 commemorative pot and cover; Royal Crown Derby Posies pattern; qty
Lot 342
FRENCH LOUIS XVI GILT BRONZE AND WHITE MARBLE MANTEL CLOCK BY LEPINE CIRCA 1780 the white enamel dial with black Arabic numerals and Arabic quarter markers, signed in puce ‘Lepine, A Paris’, the white marble pendule d’officer style case with beaded door with rose branch bow swag below, surmounted by a figure of winged Cupid descending on billowing clouds to greet a figure of Venus with two doves between them, mounted on a white marble inverted breakfront plinth base with acanthus moulding, the front with a classical frieze of putti, on front toupie feet flanked by two pairs of column base feet, the twin barrel movement with silk suspended pendulum and outside countwheel, striking on a bell, the backplate signed ‘Delaruelle AParis’ 32cm wide, 39cm high, 14cm deep There is a limited corpus of known Lepine clocks from the same period with a similar composition to the present clock, all featuring a pair of gilt bronze figures representing allegories of love flanking the case incorporating doves. A similar model, signed Lépine, can be seen in the collection of the Residenzmuseum, Munich, another housed in identical case can also be found at Château de Fontainebleau [See Hans Ottomeyer and Peter Pröschel, “Vergoldete Bronzen”, 1986, p. 248, pl. 4.6.13]. That model also features an allegory of Cupid, this time in the guise of a putti, descending from the opposite side. The modelling and chasing of the clouds is nearly identical to the present clock and the framing of the figures around the case is similar. Another similar model, signed Lépine, resides in the Collection of the Louvre Museum, Paris, and came from the collection of Queen Marie-Antoinette [See P. Kjellberg, La pendule française du Moyen-Age au XXe siècle, Les Éditions de l’Amateur, 1997, p.251 (pendule C) et 246 (pendule A), Archives nationales O13510)]. That model represents the “Return of Love" and shows figures of a winged putti offering a dove to a young maiden arranged in a similar posture around the clock. Both of those signed Lepine examples have very similar dials to the present clock, with the style of both the Arabic numerals and the signature near identical.Jean-Antoine Lépine (1720-1814), was one of the most important Parisian clockmakers of the second part of the 18th century. He was appointed clockmaker to both King Louis XV and Louis XVI, to whom he supplied a large number of clocks to the Palais royaux. Lépine was also patronised by the French aristocracy as well as the Spanish, British and Swedish royalty. Lépine initially worked as an “ouvrier libre”, then became a master on March 13, 1762, and taking over the stock of his colleague Caron, who held the title of Horloger du Roi et du Garde-Meuble de la Couronne. Having settled in the rue Saint-Denis in 1756, the place Dauphine in 1772, the rue des Fossés Saint-Germain-l’Auxerrois in 1777, and then the rue des Vieux-Augustins during the Revolutionary period, Lépine led one of the most productive and renowned workshops of the reign of Louis XVI. He was also very aware of integrating scientific excellence with aesthetic beauty and thus only used cases by the finest bronziers such as Jean-Baptiste and Robert Osmond, Etienne Martincourt and Jean-Rémy Carangeot as well as the ébénistes Balthazar Lieutaud and Nicolas Petit and also employed the services of the gilders Noël, Martin and Henry. Lépine’s attention to detail also included the dial face, his early dials only had Arabic numerals for the hours and minutes. This was one of Lépine’s specialities, which he continued to use until about 1789 when he reverted back to the more usual combination of Roman and Arabic numerals.In the late 18th century there were two clockmakers named De La Ruelle that were active in Paris. The first being André De La Ruelle (born in 1740), was apprenticed in 1754, registered his letters of mastery on October 13, 1762 and set up his workshop on rue Saint-Martin from 1772 to 1789 (See P. Verlet, Les bronzes dorés français du XVII siècle, Paris, 1999, p. 435). The second, Nicolas De Là Ruelle, seems to have started his career at the end of the reign of Louis XV and set up his workshop successively in Enclos des Quinze-Vingt, rue Croix des Petits-Champs and rue Richelieu at the Revolution.
Lot 776
A Meissen mantel clock, late 19th century, a putto with a bow and quiver holding a torch, seated by a quadrangular timepiece decorated with applied garlands of flowers and oak leaves above a dial surrounded by a laurel garland, the pierced surmount with two pigeons, all raised on a quadrangular classical footed base decorated with a guilloche border centred with an acanthus leaf, blue crossed swords mark, incised 'F.36' to the base, some damages and repairs, 30cm high.
Lot 6
Fisher of Bath mantel clock in cast iron Gothic style case, 19th Century, the silvered dial with Roman numerals and signed, the back plate with no marks, standing on scrolling feet, 27cm wide x 40cm high x 18cm deep Both trains fully wound, does tick for a short duration and strike but not tested or guaranteed.
Lot 3337
Weiße Marmor-Kaminuhr mit Kalendarium. Frankreich. Um 1900. Ungemarktes Werk mit Halbstundenschlag auf Glocke. Läuft kurz an, revisionsbedürftig. 2 Zifferblätter für Uhrzeit und Kalender: oberes Zifferblatt mit römischen Zahlen, Breguet-Zeigern und vertiefter Blattmitte mit Brocot-Hemmung, unteres Zifferblatt mit Mondphase, englischen Monaten, Wochentagen und Datum (ohne Werkantrieb). H 46 cm. 20 kg. Stelenform mit profilierter Front und auskragendem Sockel. Minimale Alters- und Gebrauchsspuren. Mit Schlüssel und Pendel. Versand auf Anfrage.Aufrufzeit 23. | Feb 2024 | voraussichtlich 20:57 Uhr (CET) White marble mantel clock with calendar. France. Around 1900. Unmarked movement with half-hour strike on bell. Runs briefly, in need of revision. 2 dials for time and calendar: upper dial with Roman numerals, Breguet hands and recessed dial center with Brocot escapement, lower dial with moon phase, English months, days of the week and date (without movement drive). H 46 cm. 20 kg. Steleshape with profiled front and projecting base. Minimal signs of age and wear. With key and pendulum. Shipping on request.Call time 23 | Feb 2024 | probably 20:57 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1315
Konvolut gründerzeitliches Puppenstubenzubehör. H 2 - 15 cm. 2 Möbel aus Blech: Blumentisch und Schaukelstuhl (Rock & Graner), Eisbärenfell, Kaminuhr unter Glassturz, Ofen und verschiedene Kleinteile aus Zinn, 2 Goldblech-Rahmen, kleiner Flügel aus Holz etc. Altersspuren, teils kleine Defekte. Aufrufzeit 22. | Feb 2024 | voraussichtlich 12:01 Uhr (CET)A collection of period doll's house accessories. H 2 - 15 cm. 2 pieces of tin furniture: flower table and rocking chair (Rock & Graner), polar bear fur, mantel clock under glass lintel, stove and various small pewter parts, 2 gold sheet frames, small wooden grand piano etc. Signs of age, some small defects. Call time 22nd | Feb 2024 | probably 12:01 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 3334
Elegante Bronze-Kaminuhrengarnitur "A. Beurdeley Fils à Paris". Frankreich. Ende 19. Jh. Plinthe unterseitig graviert "BY ple [...]". Nr. P4. Schweizer Werk mit Ankerhemmung und Halbstundenschlag auf Glocke, Schlüsselaufzug. Im Kurzzeittest funktionstüchtig. "A. Beurdeley Fils à Paris" beschriftetes, weißes Emailzifferblatt mit römischen und arabischen Zahlen, Minutenkranz und Louis Quinze-Zeigern. Bronze, feuervergoldet und kobaltblau patiniert. Uhr H 36 cm, 3,7 kg. Beisteller H 25,5 cm, je 1,4 kg. Im Louis Seize-Stil gestaltete Pendule in Vasen- bzw. Urnenform mit reichem Floralschmuck und abnehmbarem Deckel, auf Rundfuß mit quadratischer Plinthe. Dazu zwei 1-flammige Kerzenleuchter in Form plastischer Faunsknaben auf Rundsockel. Minimale Alters- und Gebrauchsspuren. Mit 1 Schlüssel. Aufrufzeit 23. | Feb 2024 | voraussichtlich 20:55 Uhr (CET) Elegant bronze mantel clock set "A. Beurdeley Fils à Paris". France. Late 19th century. Plinth engraved on the underside "BY ple [...]". No. P4. Swiss movement with lever escapement and half-hour strike on bell, keywind. Functional in short time test. White enamel dial inscribed "A. Beurdeley Fils à Paris" with Roman and Arabic numerals, minute ring and Louis Quinze hands. Bronze, fire-gilt and cobalt blue patinated. Clock h 36 cm, 3.7 kg. Side plates H 25.5 cm, 1.4 kg each. Louis Seize-style pendulum in the shape of a vase or urn with rich floral decoration and removable lid, on a round base with square plinth. With two single-flame candlesticks in the shape of sculptural faun boys on a round base. Minimal signs of age and wear. With 1 key. Call time 23. | Feb 2024 | probably 20:55 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 905
Brass drumhead mantel clock timepiece with platform escapement, the 4.75" white chapter ring within a cylinder case fitted with two short feet and carrying handle; also in an associated plywood box; together with a wooden wall display containing various miniature clocks, 21.5'' high x 17.25'' wide; two marble pocket watch display stands, each with mirror backs and two rails with hooks, one bearing 'U.S.A.' plaque and the other 'Tulla Silver' plaque, each approx 19.5'' wide x 4.5'' high x 4.75'' deep; also a wooden stand (5)
Lot 167
A French gilt brass mantel clock, second half 19th century, the waisted case surmounted by a foliate cast, centered by the white enamel convex dial with Roman hours and Arabic minutes, raised on shaped scroll work feet, the eight day movement striking on a bell, backplate numbered 3855,22cm highCondition ReportVery minor nibbles to enamel dial around winding holes.Minor surface wear to case, minor shell to glass. Regulated by an escapement. Has been running and striking but we cannot guarantee this with continue to be the case due to the nature of the item.
Lot 164
A Louis XV style painted wood mantel clock late 19th century, surmounted with a gilt metal eagle, above a dial with enamel Roman numerals, to a painted scene of a courting couple, with an eight-day movement, no. 8585, with a balance wheel, striking on a bell, 34cm wide 19cm deep 70cm highProvenance: The private collection of the late Sir Donald Cory. Condition ReportDoes not tick and the striking action does not work - requires the attention of a clockmaker. Cracks and some losses to the paint. Chips to the enamel numerals. With pendulum and key. The top detaches.
Lot 171
A Boulle work mantel clock, late 19th century, French, the gilt-metal dial with porcelain insets, the waisted case with applied gilt-bronze mounts, with a two-train movement striking on a bell, 21cm wide 13cm deep 36cm highProvenance: The collection from the estate of the late Roy Carter Condition ReportWith pendulum and key. Does not stike properly. One barrel is overwound - requires the attention of a clockmaker. Number VII numeral with damage. Lifting and losses to brass inlay.
Lot 535
A FRENCH GREEN ENAMEL MOUNTED GILT METAL MANTEL CLOCKLate 19th Century The 3 3/4in green enamel dial with Roman numerals, twin train movement striking on a bell, signed T. Martin Paris, the case surmounted by a coronet, 43cm highCondition report: No pendulum or winding key with this lot. Dirt and dust to the case. Several of smaller oblong panels to the side of the case are repaired and repainted. See additional images. The chain at the from is formed of two sections and the central ring securing the chains to the ring above the medallion is bent out of shape and therefore loose. Another two chains area loose to the side of the crown finial area and need to reconnected to the fixed ring. The dial with a small chip to the winding hole, hands are a little oxidised. The movement has not been checked, no guarantee of its working order and a qualified clock restorer is recommended.
Lot 613
EUTROPE BOURET (FRENCH, 1833-1906): A FRENCH BRONZE FIGURE OF CERESLate 19th Century Modelled with signature to the cast ‘BOURET’ and inscribed CERES, 43cm highCondition report: This figure would have surmounted a French marble mantel clock. A reddy / brown patina. Some rubbing to the patina in areas, notably the nose, hand at the front and other extremities. Otherwise in good condition. See extra images on the Bellmans’ website..
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96233 item(s)/page