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An early 20th Century Walnut cased Mantel Clock, HAC, No 3233, the architectural case with Palladian pediment over flat fronted Corinthian columns, to a moulded plinth base, and with a 6 ½” square brass dial, with applied foliate spandrels enclosing a silvered Roman chapter ring, with outside minute track, matted centre and blued steel hands, to a rectangular brass spring-driven movement with anchor escapement and strike on a coiled gong, height 15 ½”
An early 20th Century Oak cased Mantel Clock, Winterhalder & Hoffmeier, and retailed by J W Benson, Ludgate Hill, London, the architectural case with Palladian pediment to a brickwork frieze over flat fronted Corinthian columns, with further brickwork frieze and moulded plinth base, to a square lacquered brass door with bevelled glass enclosing a 6 ½” square brass dial with applied cherubs, masks, spandrels, and silvered Roman and Arabic chapter ring with half-hour markers and matted centre with black painted hands, to a square brass movement with anchor escapement and strike on two blued steel coiled gongs, height 16”
An early 20th Century Mahogany and Boxwood line inlaid Mantel Clock, the lancet-shaped case with central inlaid rosette within strung borders, to a plinth base and raised on lacquered brass ball feet, with cast brass bezel and convex bevelled glass enclosing a 4” Arabic enamel dial with outside minute track and quarters and blued steel spade hands, to a circular brass movement with anchor escapement and strike on a blued steel coiled gong, height 11”
An early 20th Century Oak cased Mantel Clock, the architectural case with arched pediment and overhanging cornice to a single glazed door with bevelled glass, and raised on a moulded plinth base with compressed bun feet, to a 5 ½” square brass dial with applied spandrels and silvered Roman chapter ring with outside minute track, matted centre and blued steel hands, to a rectangular brass spring driven movement signed Junghans, with anchor escapement and strike on a blued steel coiled gong, height 13”
A Mahogany and Boxwood Strung Mantel Clock, the arched case with hinged carry handle and inlaid panels to a shaped plinth base, and raised on splayed bracket feet, to a concave cast brass bezel with convex glass enclosing a 4” Roman enamel dial with outside minute track and blued steel spade hands, to a late fitted French carriage clock movement, with platform escapement and strike on a backmounted bell, and numbered 1904, height 10 ½”
A third quarter of the 19th Century French Gilt and Lacquered Brass Mantel Clock, the architectural Palladian case to a cast brass bezel with bevelled glass enclosing a silvered 3 ½” Roman dial, with outside minute track and engine-turned centre, to blued steel hands, to a circular brass movement with anchor escapement, strike on a coiled gong, height 8 ½”
An early 20th Century French Lacquered Brass Champleve enamel and green onyx four glass mantel Clock, L Marti, the plinth-shaped case with floral and foliate decorated panel of red, pink and dark blue on a light blue field, to a moulded cornice and replicated decoration to the frieze and columns, on a polished rectangular green onyx base, and set with four bevelled glasses, to a further enamelled chapter ring enclosing a 2 ¾” gilt chapter ring with painted Arabic numerals and outside minute track to a pale pink, yellow and blue enamelled central boss with blued steel hands, to a circular brass movement with anchor escapement and strike on a blued steel coiled gong, with similarly decorated pendulum bob, height 9”
An early 20th Century Lacquered Brass and Champleve enamelled Mantel Clock, the case with an arched pediment with cast detail and applied foliate coloured enamelled panel, to an overhanging cornice over ¾ columns, to a moulded plinth base and set with a cast an beaded bezel with bevelled glass enclosing a gilt 3 ½” dial with black painted Arabic lozenges and further enamelled central detail, with blued steel fleur-de-lys hands, to a circular brass movement with anchor escapement and strike on a blued steel coiled gong, height 10 ½”
An early 20th Century green onyx and Champleve enamelled four glass Mantel Clock, the plinth-shaped case with overhanging cornice to coloured enamel frieze bands, enclosing four bevelled glasses within lacquered brass frames on a rectangular plinth base, to a cast brass bezel enclosing a 3 ½” Arabic enamel dial, with outside minute track and decorated with floral and foliate swags, and with gilt fleur-de-lys hands, to a circular brass movement with anchor escapement and strike on a blued steel coiled gong, and fitted with a twin mercury pot pendulum, height 11”
A late 19th Century black and green variegated marble Mantel Clock, the breakfront plinth-shaped case with scrolling side pieces and overhanging cornice to an inlaid base, to a cast brass bezel set with bevelled glass enclosing a 3 ½” Roman chapter ring with outside minute track and centred with a visible Brocot escapement and blued steel moon hands, signed for Camerer, Cuss & Co, to a circular brass movement with strike on a bell, height 9”
A late 19th Century black and variegated marble mounted Mantel Clock, the architectural case with Palladian and scrolling pediment, over flat fronted columns to a plinth base with cast and beaded bezel, and bevelled glass enclosing a 4” black Roman chapter ring with gilt centre and further fleur-de-lys hands, to a circular brass movement with anchor escapement and strike on a bell (bell lacking), height 16”
A late 19th Century black Marble and lacquered Brass mounted Mantel Clock, the overhanging cornice surmounted by three domes, each with cast finials, over six freestanding Corinthian columns to a plinth base, with a cast and beaded bezel set with bevelled glass, enclosing a 4 ½” gilt Arabic dial, with matted centre and pierced hands, to a circular Brass movement, with anchor escapement and strike on a coiled gong, height 15”
A late 19th Century black Marble Mantel Clock, with overhanging cornice and shaped pediment, to a plinth base, with cast Brass bezel with bevelled glass enclosing a 3 ½” Roman chapter ring, with gilt centre and gilt spade hands, to a circular Brass movement, with anchor escapement and strike on a coiled gong, height 13 ½”
A late 19th Century black and green variegated marble mounted Mantel Clock, the breakfront plinth-shaped case with overhanging cornice, to a shaped and moulded base (chips and losses), to a cast brass bezel with bevelled glass enclosing a 3 ¾” Roman enamel chapter ring (A/F), with outside minute track to a recessed centre with visible Brocot escapement and blued steel moon hands, to a circular brass movement with strike on a bell, height 11 ½”
A late 19th Century black marble and bronze mounted Mantel Clock, the plinth-shaped case set with a classical frieze panel over freestanding Corinthian columns and further replicated panel to the base, and bearing a presentation plaque dated 1888, to a cast and beaded bezel with bevelled glass enclosing a 3 ½” Arabic enamel chapter ring with outside minute track and matted centre, with blued steel hands, to a circular brass movement with anchor escapement and strike on a blued steel coiled gong, height 12 ½”
A mid-20th Century Mahogany cased triple barrel Mantel Clock, Winegarten of London, the plinth-shaped breakfront case set with a square chrome bezel enclosing a 5 ¼” silvered dial, with Roman chapter ring and outside minute track, and set with chime/silent lever at 3, and blued steel pierced hands, to a signed rectangular brass movement with anchor escapement and strike on five rods, height 10”
An early 20th Century German lacquered Walnut triple barrel Mantel Clock, the case with an arched pediment and cornice, to a single glazed door on a stepped plinth base with lacquered brass splayed feet, to a 6” arched and silvered dial with subsidiaries for chime/silent and regulation over a Roman chapter ring with outside minute track and black painted hands, to a triple spring driven movement with anchor escapement and strike on four rods and a coiled gong, height 14 ½”
A late 19th Century Walnut Cased Mantel Clock, the arched case to a plinth base and raised on bracket feet, with lions mask and ring side handles, to a cast brass bezel with beaded rim and bevelled glass enclosing a 4 ¾” Roman enamel dial with outside minute track and blued steel fleur-de-lys hands, to a square Winterhalter and Hofmeier movement with back mounted count wheel and anchor escapement, strike on a blued steel coiled gong, height 11”
A late 19th Century French ebonised and Walnut Mantel Clock, the arched case on a moulded plinth base, to a cast brass bezel with bevelled glass enclosing a 3” Roman enamel dial (chip to winding square), with outside minute track and blued steel moon hands, to a circular brass movement with back mounted count wheel and anchor escapement, strike on a bell, height 9”
A mid-20th Century Mahogany and Boxwood line inlaid 8 Day Mantel Clock, the balloon-shaped cased with moulded plinth base and raised on four lacquered brass feet, to a cast brass bezel with convex glass enclosing a 3” Arabic dial with outside minute track and blued steel hands, to a spring driven movement with platform escapement, height 9 ½”
An early 20th Century Lacquered Brass Mantel Timepiece, modelled in the form of a lantern clock, the case with strapwork frame supporting a bell over cast dolphin panels, to an oversized Roman chapter ring, with inside quarters track and half-hour markers with engraved centre, and raised on ball feet, to a French carriage clock movement with platform escapement and strike on a bell, height 10 ¼”
An early 20th Century Mantel Timepiece, modelled in the form of a lantern clock, and signed W Carter & Son of Salisbury, of typical form with bell mounted in a strapwork frame with cast finials, to a Roman and Arabic oversize chapter ring with outside minute track, inside quarters and engraved detail, with pierced hands and raised on cast and applied feet, to a single fusee movement with anchor escapement and passing strike, height 16”
A mid-19th Century Dresden Porcelain Cased Mantel Clock, the waisted plinth raised on compressed feet and surmounted by a central plinth flanked by classical muses depicting Industry and Art, and painted in colours with gilt highlights (extensively restored), to a cast brass and beaded bezel enclosing a 3” Roman and Arabic enamel dial, with outside minute track and pierced and engraved brass hands, to a circular brass movement with backmounted count wheel and anchor escapement, strike on a bell, height 13 ½”
A late 19th Century American black and gilt highlighted cast metal Mantel Clock, Ansonia, the case with architectural pediment, flanked by ahlf round colonnades on a plinth base, to a cast bezel enclosing a 4” two-part Roman enamel dial, with outside minute track and blued steel moon hands, to a spring driven movement with anchor escapement, strike on a gong, height 11”
A late 19th Century black and variegated marble Mantel Clock, the plinth-shaped case with overhanging cornice and freestanding columns to a plinth base, with cast and beaded bezel with bevelled glass enclosing a 3 ½” Arabic enamel dial with outside minute track and matted centre with blued steel fleur-de-lys hands, to a circular brass movement with anchor escapement and strike on a coiled gong, height 8 ½”
An early 20th Century Green Onyx and lacquered Brass mounted Mantel Clock, the architectural pediment to domed case, flanked by demi-lune pediment with cast pineapple finials, over freestanding Corinthian columns, to a shaped plinth base, and raised on applied paw feet, to a cast brass bezel with beaded border, enclosing a 3 ½” Arabic chapter ring (hairlines), with outside minute track to a matted gilt centre, with further pierced scrolling detail and blued steel fleur-de-lys type hands, to a circular brass movement with anchor escapement (lacking hammer and gong), height 14”
A Louis Philippe ormolu and patinated bronze cased striking mantel clock, circa 1835, surmounted by a maiden robed in the Classical taste, leaning against a cabinet and reading a book, the cabinet decorated with torcheres, swans and volume spines, the plinth with a central bust in relief flanked by seated amorini and further motifs, the white Roman numeral enamel dial signed for Giteau, Palais Royal No. 140, Paris, the eight-day bell striking movement with silk suspension, 52cm high, 32cm wide. Provenance: Cowdray

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96232 item(s)/page